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    <title>Jazz Journalists Association 2018 'Best of' Jazz from JJA Members</title>
    <link>https://jja.wildapricot.org/</link>
    <description>Jazz Journalists Association blog posts</description>
    <dc:creator>Jazz Journalists Association</dc:creator>
    <generator>Wild Apricot - membership management software and more</generator>
    <language>en</language>
    <pubDate>Sun, 12 Apr 2026 14:18:06 GMT</pubDate>
    <lastBuildDate>Sun, 12 Apr 2026 14:18:06 GMT</lastBuildDate>
    <item>
      <pubDate>Mon, 23 Dec 2024 22:58:26 GMT</pubDate>
      <title>Mark Lomanno</title>
      <description>&lt;P&gt;24 Featured Releases from 2024 - Rhythm of Study&lt;/P&gt;

&lt;P&gt;This list is unranked and alphabetized. See my full review of the year's recordings on &lt;A href="http://rhythmofstudy.com" target="_blank"&gt;rhythmofstudy.com&lt;/A&gt; just after the New Year.&lt;/P&gt;

&lt;P&gt;Benjamin, Lakecia. &lt;EM&gt;Phoenix Reimagined (Live)&lt;/EM&gt;&amp;nbsp;(Ropeadope)&lt;/P&gt;

&lt;P&gt;Brennan, Patricia. &lt;EM&gt;Breaking Stretch&lt;/EM&gt; (Pyroclastic)&lt;/P&gt;

&lt;P&gt;Cohen, Anat; Quartetinho. &lt;EM&gt;Bloom&lt;/EM&gt;&amp;nbsp;(Anzic)&lt;/P&gt;

&lt;P&gt;Davis, Caroline. &lt;EM&gt;Portals, Volume 2: Returning&lt;/EM&gt;&amp;nbsp;(Intakt)&lt;/P&gt;

&lt;P&gt;Davis, Kris. &lt;EM&gt;Run the Gauntlet&lt;/EM&gt;&amp;nbsp;(Pyroclastic)&lt;/P&gt;

&lt;P&gt;Eckroth, Michael. &lt;EM&gt;Human Geography&lt;/EM&gt;&amp;nbsp;(Truth Revolution)&lt;/P&gt;

&lt;P&gt;Evans, Peter. &lt;EM&gt;Extra&lt;/EM&gt;&amp;nbsp;(We Jazz)&lt;/P&gt;

&lt;P&gt;Halvorson, Mary. &lt;EM&gt;Cloudward&lt;/EM&gt;&amp;nbsp;(Nonesuch)&lt;/P&gt;

&lt;P&gt;Hanahan, Sarah. &lt;EM&gt;Among Giants&lt;/EM&gt;&amp;nbsp;(Blue Engine)&lt;/P&gt;

&lt;P&gt;Hargrove, Roy. &lt;EM&gt;Grand-Terre&lt;/EM&gt;&amp;nbsp;(Verve)&lt;/P&gt;

&lt;P&gt;Holober, Mike. &lt;EM&gt;This Rock We’re On: Imaginary Letters&lt;/EM&gt;&amp;nbsp;(Palmetto)&lt;/P&gt;

&lt;P&gt;Jones, Darius. &lt;EM&gt;Legend of e’Boi (The Hypervigilant Eye)&lt;/EM&gt;&amp;nbsp;(AUM Fidelity)&lt;/P&gt;

&lt;P&gt;Keezer, Geoffrey. &lt;EM&gt;Live at Birdland&lt;/EM&gt;&amp;nbsp;(self-release)&lt;/P&gt;

&lt;P&gt;Morales, Mauricio. &lt;EM&gt;Seven Days&lt;/EM&gt;&amp;nbsp;(self-release)&lt;/P&gt;

&lt;P&gt;Owens, Ulysses. &lt;EM&gt;A New Beat&lt;/EM&gt;&amp;nbsp;(Cellar Music)&lt;/P&gt;

&lt;P&gt;Petrucciani, Michel; Trio feat. Gary Peacock &amp;amp; Roy Haynes. &lt;EM&gt;Jazz Club Montmartre - CPH 1988&lt;/EM&gt;&amp;nbsp;(Storyville)&lt;/P&gt;

&lt;P&gt;Ramamurthy, Arun; Trio. &lt;EM&gt;New Moon&lt;/EM&gt;&amp;nbsp;(Greenleaf)&lt;/P&gt;

&lt;P&gt;Rubalcaba, Gonzalo; &amp;amp; Hamilton de Hollanda. &lt;EM&gt;Collab&lt;/EM&gt;&amp;nbsp;(Sony Music Brazil)&lt;/P&gt;

&lt;P&gt;Stewart, Luke. Silt Trio. &lt;EM&gt;Unknown Rivers&lt;/EM&gt;&amp;nbsp;(Pi)&lt;/P&gt;

&lt;P&gt;Turre, Andromeda. &lt;EM&gt;From the Earth&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(independent)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;Tyner, McCoy; &amp;amp; Joe Henderson. &lt;EM&gt;Forces of Nature: Live at Slug's'&lt;/EM&gt;&amp;nbsp;(Blue Note)&lt;/P&gt;

&lt;P&gt;Wendel, Ben. &lt;EM&gt;Understory: Live at the Village Vanguard&lt;/EM&gt;&amp;nbsp;(Edition)&lt;/P&gt;

&lt;P&gt;Wolf, Warren. &lt;EM&gt;The History of the Vibraphone&lt;/EM&gt;&amp;nbsp;(Cellar Music)&lt;/P&gt;

&lt;P&gt;Zenon, Miguel. &lt;EM&gt;Golden City&lt;/EM&gt; (independent)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13443708</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13443708</guid>
      <dc:creator>Mark Lomanno</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 13 Feb 2024 04:45:04 GMT</pubDate>
      <title>Chuck Koton</title>
      <description>&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Gratefully Live: Favorite performances of 2023&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#10.&amp;nbsp; January 13, 2023.&amp;nbsp; Virtuosic pianist Bobby West, back in his adopted hometown of Los Angeles during a break in his years long Taiwan residency, opened The World Stage’s 2023 season of Friday night concerts. His trio, which included long time veterans of the LA music scene, bassist Kevin O’Neal and drummer Jerrell Ballard, began with the thunderous, instantly recognizable and suddenly 'controversial" George Gershwin composition, “Rhapsody In Blue.” The rest of the evening rocked with this hard swingin’ trio performing original compositions from West’s highly acclaimed recording, “Leimert Park After Dark.” If you’re living in Taiwan or gonna be there soon, look up Bobby West!&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#9.&amp;nbsp; &amp;nbsp; July 20, 2023. Pianist Adam Ledbetter brought an inspiring band into The World Stage that transformed this historic Leimert Park venue (founded over 35 years ago by jazz giant Billy Higgins and world renowned poet Kamau Daaood), into the church that it often becomes. Along with drummer Reggie Quinerly and his better half, vocalist Kizzie Ledbetter, the Cats and “Catress” truly lifted the spirits of all. Their original composition, “Train,” created a dynamic tension that built more and more as Ms Ledbetter’s vocals buoyed up the listeners to “climb on board” the Freedom Train. Then Mr Ledbetter exhorted the audience to join in with his dexterous, rapid rapping of his spiritual experience and strong faith, all the while, the talented, slick drumming of Reggie Quinerly drove the beat with restrained yet insistent rhythms. The Ledbetters make every performance feel like Sunday!&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#8. &amp;nbsp; June 8, 2023.&amp;nbsp; &amp;nbsp; Tenor saxophonist Fuasi Abdul-Khaliq, a long time fixture on the Los Angeles jazz scene and an integral member and often the leader of Horace Tapscott’s Pan African People’s Arkestra (PAPA), departed the US several decades ago. Eventually resettling in Germany where he has continued performing for European audiences, Abdul-Khaliq has regularly returned to Leimert Park in Los Angeles for gigs where he has seamlessly stepped right back into the scene, performing with his own bands as well as with PAPA. His band, composed of Adam Ledbetter(piano), veteran Jeff Littleton(bass) and the youthful Eric Williams(drums), cooked at The World Stage, reminding the listeners in the room, as well as those watching via “live stream,” that Fuasi is at the top of his game!&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#7. &amp;nbsp; Jan. 9,2023. &amp;nbsp; &amp;nbsp; One of the top drummers of the last 35 years, Marvin “Smitty” Smith brought his All Stars to the venerable Baked Potato in Universal City, CA ,just a stones throw from where “Smitty,” along with brilliant tenor saxophonist, Ralph Moore, played for several years in the Tonight Show band. Joining Moore on the front line were veteran, multi-reedist Dale Fielder and rising star, trumpeter Chris Lowery, who gained invaluable experience and exposure the last few years with master saxophonist Azar Lawrence. Recently arrived to the LA area from Oklahoma City, keyboardist Adam Ledbetter&amp;nbsp; and veteran bassist Edwin Livingston rounded out the band. A sold out audience was treated to a night of hard swinging, straight ahead jazz that included compositions by Wayne Shorter, McCoy Tyner and Thelonious Monk.&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#6 &amp;nbsp; Feb. 24, 2023.&amp;nbsp; The World Stage audience was treated to a celebration of Los Angeles born and raised jazz giant, Dexter Gordon, by an all star band of veterans. Like a previous tribute a year earlier when the tallest jazz fan, Kareem Abdul-Jabbar, presented Maxine Gordon and her memoir of life with Dex to The Stage, the front line included tenor sax masters Justo Almario and Teodross Avery. The dynamic veteran of the drums, Roy McCurdy, was joined by first call Cats, pianist Theo Saunders and bassist Henry Franklin. The band swung hard on “The Chase,” with Almario and Avery pushing each other like Gordon and Wardell Grey famously did on Central Avenue in the 1940s!&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#5 &amp;nbsp; June 22, 2023. Since 1999, the Healdsburg Jazz Festival has been presenting the finest unadulterated jazz to its devoted California wine country audiences. Founder Jessica Felix literally and figuratively received her flowers as she stepped down as festival director. New musical director, bassist and band leader, Marcus Shelby, organized a stirring tribute to two of the music's legends who ascended to Jazz Heaven this past year, legendary saxophonist Pharoah Sanders and master of the Hammond B3 organ Joey DeFrancesco. The front line of recently named NEA jazz master saxophonist Gary Bartz, the great tenor and soprano saxophonist Azar Lawrence and Pharoah's son, tenor saxophonist Tomoki Sanders led the performance of mostly Sanders’ compositions. Brian Ho, on organ, represented DeFrancesco's legacy and the interstellar rhythm section of pianist Marc Cary, bassist Marcus Shelby and, legend in his own right, drummer Billy Hart drove the band&amp;nbsp; through the tribute.The Cats generated cheers and tears from the audience when they performed Sanders' transcendent composition “The Creator Has a Master Plan.” An unexpected highlight of the performance came when young Sanders mimicked his father's inimitable way of introducing his band mates, a display that elicited plenty of amazement from the audience. The jazz scene down here on the ground will never be the same with those two greats now swinging in Jazz Heaven!&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#4)&amp;nbsp; June 15, 2023. Legendary pianist and composer Horace Tapscott’s Leimert Park, Los Angeles based Pan Afrikan Peoples Arkestra, now led by drummer Mekala Session, performed their spirited, joyful yet, at times, solemn music to a wildly responsive and appreciative audience at The World Stage. On the tune, “Dred Scott,” composed by the late Nate Morgan, bass clarinetist James Andrews and bassist Joey Ector established a haunting groove with their deep, low notes The bass drum of Session joined in, followed by the powerful horns to express a mood of profound and sacred outrage at this ugliest of decisions by the US Supreme Court. In 1857, the infamous Chief Justice Taney “interpreted” the Constitution to rule that Black Americans “had no rights which the white man was bound to respect.” That is the nation’s history, still reflected in white supremacy today, which the Black nationalist creative arts movement has been dedicated to overcoming since the 1960s. Now in its 62nd year, the “Ark,” as it is known, continues to keep the Black community-based mission and musical legacy of founder and visionary Tapscott alive. When one considers the criminally scant financial resources that Tapscott and the Ark have had to subsist on for all these years, the accomplishment rightfully assumes mythic proportions.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#3)&amp;nbsp; Sept. 23, 2023. The venerable Charles Lloyd, at 85, as inventive and unrelenting as ever, and with a still mesmerizing tone, closed his set at the Monterey Jazz Festival with his iconic composition,“Forest Flower.” This original contributed mightily to Charles Lloyd's ascent to the top of the jazz world when his band, which included young lions pianist Keith Jarrett, bassist Cecil McBee and Jack DeJohnette on drums, &amp;nbsp;performed it to universal acclaim on this same stage in 1966. Unforgettable!&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#2)&amp;nbsp; Oct. 23, 2023. Marcus Miller brought his latest band, featuring trumpeter Russell Gunn, into Catalina's Bar &amp;amp; Grill in Hollywood for 4 sold out nights of pure jazz funk! One only needed to hear the band perform, “Papa Was a Rolling Stone” to understand why a line of people snaked around the club for Miller’s second set.&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#1) &amp;nbsp; Sept. 23, 2023. The Azar Lawrence Experience closed out the Monterey Jazz Festival and, as they finished the 90 minute set (twice the allotted length), the audience was screaming &amp;amp; dancing in the aisles and in front of the stage. Saxophonist Lawrence blew ecstatically on his eponymous original composition from the recently re-released 1976 Prestige recording, &lt;EM&gt;People Moving&lt;/EM&gt;! Lawrence’s performance seared the ears of the listeners and reminded them that the young saxophonist who performed in the bands of Elvin Jones, McCoy Tyler and Miles Davis in the 1970s, still played this fiery music like no one else on the scene today.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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      <link>https://jja.wildapricot.org/2018-Best-Lists/13314603</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13314603</guid>
      <dc:creator>Chuck Koton</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 14 Dec 2023 14:32:18 GMT</pubDate>
      <title>john szwed</title>
      <description>&lt;P&gt;Susan Alcorn/Jose Lencastre/Hernani Faustino&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Manifesto&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Clean Feed&lt;/P&gt;

&lt;P&gt;Darcey James Argue’s Secret Society &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Dynamic Maximum Tension &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Nonesuch&lt;/P&gt;

&lt;P&gt;Miha Gantar&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Amsterdam &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Clean Feed &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;Irreversible Entanglements&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Protect Your Light&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Impulse&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Courier"&gt;&lt;SPAN&gt;&lt;SPAN&gt;Allen Lowe &amp;amp; the Constant Sorrow Orchestra&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;In the Dark&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;ESP&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;A href="https://www.amazon.com/Got-Keys-Kingdom-Village-Vanguard/dp/B0BNLKWG9T/ref=sr_1_1?crid=1F8VTG3VYWH3K&amp;amp;keywords=Chris+Potter+key+to+kingdom&amp;amp;qid=1701202597&amp;amp;s=music&amp;amp;sprefix=chris+potter+key+to+kingdom%2Cpopular%2C71&amp;amp;sr=1-1"&gt;&lt;SPAN&gt;Chris Potter&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Got the Keys to the Kingdom&lt;/SPAN&gt;&lt;/A&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Edition&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;Roots Magic &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Long Old Road&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Clean Feed&lt;/P&gt;

&lt;P&gt;Ned Rothenberg &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Crossings Four&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Clean Feed&lt;/P&gt;

&lt;P&gt;Joshua Redman&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Where We Are&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 14px;" face="Courier"&gt;&lt;FONT face="Courier"&gt;Tyshawn Sorey&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Continuing&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;" face="Courier"&gt;Pi&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Courier"&gt;&lt;SPAN&gt;&lt;SPAN&gt;Vocal&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Courier"&gt;&lt;SPAN&gt;&lt;SPAN&gt;Cecile McLorin Salvant&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;Mélusine&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT face="Courier"&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Nonesuc&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;h&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Historical/Rara Avis&lt;/P&gt;

&lt;P&gt;Hasaan Ibn Ali&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Reaching for the Stars &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Omnivore&lt;/P&gt;

&lt;P&gt;John Coltrane &amp;amp; Eric Dolphy&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Evenings at the Village Gate&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Impulse&lt;/P&gt;

&lt;P&gt;Pharoah Sanders&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Pharoah&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Lukka Bop&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Latin Jazz&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;A href="https://www.amazon.com/s/ref=dp_byline_sr_music_1?ie=UTF8&amp;amp;field-artist=Hilario+Duran&amp;amp;search-alias=music"&gt;&lt;SPAN&gt;Hilario Duran&lt;/SPAN&gt;&lt;/A&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Cry Me a River&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Alma&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13290935</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13290935</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 12 Dec 2023 21:02:07 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Here are thirty top albums featured on my radio shows, Jazz in the New Millennium (syndicated by the African American Public Radio Consortium) and The Motif (KBOO-FM Portland, Oregon). Together, I think these albums help define a 21st Century mainstream, centered in straight-ahead while incorporating elements of the avant-garde, funk and fusion, and a healthy injection of Afro-Latin jazz. What these albums definitely have in common is an awareness of the vital importance of rhythm. And in that spirit, I have decided to give the drummers some this year by listing the drummers and percussionists on each album.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Joe Chambers, Dance Kobina, Blue Note: (Joe Chambers, drums; Emilio Valdes, percussion)&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey, Continuing, Pi: (Tyshawn Sorey, drums)&lt;/P&gt;

&lt;P&gt;Cecile Mcloren Salvant, Melusine, Nonesuch: (Kyle Poole, Obed Calviere, drums; Weedie Bramah, percussion)&lt;/P&gt;

&lt;P&gt;Joshua Redman featuring Gabrielle Cavassa, where are we, Blue Note: (Brian Blade, drums)&lt;/P&gt;

&lt;P&gt;Billy Childs, The Winds of Change, Mack Avenue: (Brian Blade, drums)&lt;/P&gt;

&lt;P&gt;Mike Clark, Kosen Rufu, Wide Hive: (Mike Clark, drums; Bill Summers, percussion)&lt;/P&gt;

&lt;P&gt;Johnathan Blake, Passage, Blue Note: (Johnathan Blake, drums)&lt;/P&gt;

&lt;P&gt;Sammy Figueroa, Searching for a Memory, Ashe: (Sammy Figueroa, percussion; Ludwig Afonso, drums)&lt;/P&gt;

&lt;P&gt;Terrell Stafford, Between Two Worlds, Le Coq: (Johnathan Blake, drums; Alex Acuna, percussion)&lt;/P&gt;

&lt;P&gt;Walter Smith III, Return to Casual, Blue Note: (Kendrick Scott, drums)&lt;/P&gt;

&lt;P&gt;Kendrick Scott, Corridors, Blue Note: (Kendrick Scott, drums)&lt;/P&gt;

&lt;P&gt;Artemis, In Real Time, Blue Note: (Allison Miller, drums)&lt;/P&gt;

&lt;P&gt;Orrin Evans, The Red Door, Smoke Sessions: (Marvin "Smitty" Smith, drums)&lt;/P&gt;

&lt;P&gt;Eddie Henderson, Witness to History, Smoke Sessions (Lenny White, drums)&lt;/P&gt;

&lt;P&gt;Hilario Duran and his Latin Jazz Big Band, Cry Me a River, Alma: (Horacio "El Negro" Hernandez, drums; Jorge Luis Torres, Magdelys Savigne, percussion)&lt;/P&gt;

&lt;P&gt;Isiah J. Thompson, The Power of the Spirit, Blue Engine: (TJ Reddick, Domo Branch, drums)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;The Dave Stryker Trio, Prime, Strike Zone: (McClenty Hunter, drums)&lt;/P&gt;

&lt;P&gt;SuperBlue: Kurt Elling and Charlie Hunter, The Iridescent Spree, Edition: (Corey Fonville, drums)&lt;/P&gt;

&lt;P&gt;John Scofield, Uncle John's Band, ECM: (Bill Stewart, drums)&lt;/P&gt;

&lt;P&gt;Michael Feinberg, Blues Variant, Criss Cross:(Nasheet Waits, drums)&lt;/P&gt;

&lt;P&gt;Cecilia Smith, The Mary Lou Williams Resurgence Project Volume One, Innova: (Ron Savage, drums)&lt;/P&gt;

&lt;P&gt;Ben Wolfe, Unjust, Resident Arts: (Aaron Kimmel, drums)&lt;/P&gt;

&lt;P&gt;Louis Hayes, Exactly Right, Savant: (Louis Hayes, drums)&lt;/P&gt;

&lt;P&gt;Joe Farnsworth, In What Direction Are You Headed, Smoke Sessions): (Joe Farnsworth, drums)&lt;/P&gt;

&lt;P&gt;Edmar Casteneda World Ensemble, Viento Sur, self-released: (Marcelo Woloski, Rodrigo Villalon, percission)&lt;/P&gt;

&lt;P&gt;Jane Bunnett and Maqueque, Playing with Fire, Linus: (Yissy Garcia, drums; Mary Paz, percussson)&lt;/P&gt;

&lt;P&gt;Harold Lopez-Nussa, Timba a la Americana, Blue Note: (Ruy Adrian Lopez-Nussa, drums; Barbaro Crespo, percussion)&lt;/P&gt;

&lt;P&gt;Noah Haidu, Standards, Sunnyside: (Lewis Nash, drums)&lt;/P&gt;

&lt;P&gt;Lauren Henderson, Conjuring, Brontosaurus: (Joe Dyson, drums)&lt;/P&gt;

&lt;P&gt;Leon Lee Dorsey, Cantalooupe Island, Jazz Avenue: (Mike Clark, drums)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13290261</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13290261</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 30 Nov 2023 16:03:41 GMT</pubDate>
      <title>Matty Bannond</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&amp;nbsp;H&lt;FONT&gt;ere’s my top ten albums that I reviewed in 2023, in alphabetical order…&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;
&lt;FONT&gt;- &lt;SPAN&gt;&lt;FONT&gt;“Contrast of Opposites” by Galumphing Duo (AMP Records).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Conversation #8 Ablaze” by Florian Arbenz (Hammer).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Estrellero” by Leo Genovese, Demian Cabaud and Marcos Cavaleiro &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Sunnyside).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“fractus” by fractus (Independent).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Incantation” by Emma Rawicz (Independent).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Neon” by Arina Fujiwara (Independent).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Shimmer Wince” by Anna Webber (Intakt Records).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“Spam Likely” by Jessica Pavone (577 Records).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;FONT&gt;-&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;“The Engine” by The Green Mean Machine (Independent).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;-&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;“The Last Quiet Place” by Ingrid Laubrock (Pyroclastic).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13285350</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13285350</guid>
      <dc:creator>Matty Bannond</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 28 Nov 2023 21:56:48 GMT</pubDate>
      <title>Lawrence Peryer</title>
      <description>&lt;P&gt;&lt;FONT face="Tahoma" style="font-size: 14px;"&gt;&lt;STRONG&gt;Noteworthy Jazz and Jazz-Adjacent Artists who Appeared on the &lt;A href="https://www.spotlightonpodcast.com/" target="_blank"&gt;Spotlight On&lt;/A&gt; podcast in 2023.&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/javon-jackson-gives-peter-bradleys-art-a-swinging-soundtrack/" style="font-size: 1.35em;"&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;Javon Jackson gives Peter Bradley's art a swinging soundtrack&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/benjamin-koppel-plays-jazz-with-a-novelists-narrative/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Benjamin Koppel plays jazz with a novelist's narrative&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/simon-berz-creates-art-with-drums-sound-and-trash/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Simon Berz creates art with drums, sound, and trash&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/joe-mills-aver-of-move-78-decodes-jazz-from-the-algorithms/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Joe Mills (Aver) of Move 78 decodes jazz from the algorithms&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/ember-are-a-jazz-trio-with-a-collective-mindset/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;EMBER are a jazz trio with a collective mindset&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/brandon-seabrooks-magic-clusterk-of-merciless-banjo-torture/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Brandon Seabrook’s magic clusterf**k of merciless banjo torture&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/brian-mccarthy-blends-jazz-astronomy-and-the-afterlife/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Brian McCarthy blends jazz, astronomy, and the AfterLife&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/lilamors-electronically-redefine-the-jazz-trio/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;LILAMORS electronically redefine the jazz trio&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/danny-fox-loves-good-jazz-and-great-pizza/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Danny Fox loves good jazz and great pizza&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/bruno-raberg-pushes-the-boundaries-of-acoustic-bass/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Bruno Råberg pushes the boundaries of acoustic bass&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/marijus-aleksa/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Marijus Aleksa&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/dominic-miller/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Dominic Miller&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/monika-herzig/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Monika Herzig&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/jane-ira-bloom-mark-helias/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Jane Ira Bloom &amp;amp; Mark Helias&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/christopher-hale/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Christopher Hale&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.spotlightonpodcast.com/conic-rose/"&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;&lt;FONT style="font-size: 13px;"&gt;Conic Rose&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/bart-wirtz-and-emiel-van-rijthoven-of-waan/"&gt;&lt;FONT style="font-size: 13px;"&gt;Bart Wirtz and Emiel van Rijthoven of WAAN&lt;/FONT&gt;&lt;/A&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13284638</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13284638</guid>
      <dc:creator>Lawrence Peryer</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 29 Dec 2022 14:30:57 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;GEOFFREY HIMES’S 25 BEST JAZZ ALBUMS OF 2022:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Immanuel Wilkins:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The 7&lt;SUP&gt;th&lt;/SUP&gt; Hand&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charles Lloyd:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Chapel Trio&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Cecile McLorin Salvant:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ghost Song&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bill Frisell:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Four&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Dave Douglas Quintet:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Songs of Ascent&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Todd Marcus Jazz Orchestra:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;In the Valley&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Stricker Street)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Grdina/Helias/Shipp:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Pathways&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Attaboygirl)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Steven Bernstein’s Millennial Orchestra:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Community Music&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(RPF)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Erik Friedlander:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Queen's Firefly&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Skiptone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Frank Catalano:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Live at Birdland&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Ropeadope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Miguel Zenon:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Musica de las Americas&lt;/EM&gt; (Miel)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Julian Lage:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;View with a Room&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Joel Ross:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Parable of the Poet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;John Yao’s Triceratops&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Off-Kilter&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(See Tao)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Dierk Peters: Spring (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Fred Hersch &amp;amp; Esperanza Spalding:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Alive at the Village Vanguard&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Palmetto)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;J.D. Allen:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Americana, Vol. 2&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Savant)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bad Plus:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Bad Plus&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Edition)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jakob Bro &amp;amp; Joe Lovano:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Once Around the Toom: A Tribute to Paul Motian&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Matt Carmichael:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Marrow&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Edition)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Cyrus Chestnut:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;My Father's Hands&lt;/EM&gt; (HighNote)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Andrew Cyrille:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Blues for Cecil&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ricky Ford:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Wailing Ricky Ford&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Whaling City)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Hilario Duran &amp;amp; David Virelles:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Front Street Duets&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Alm)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Eugenie Jones:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Players&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Openmic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;GEOFFREY HIMES’S 25 BEST NON-JAZZ ALBUMS OF 2022:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Drive-By Truckers:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Welcome to Club XIII&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(ATO)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Beyonce:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Renaissance&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Columbia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Delines:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Sea Drift&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(El Cortez)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Craig Finn:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;A Legacy of Rentals&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Partisan)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Taylor Swift:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Midnights&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Kendrick Lamar:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Mr. Morale &amp;amp; the Big-Steppers&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Aftermath/Interscope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charley Crockett:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Man from Waco&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Son of Davy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Dropkick Murphys:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;This Machine Still Kills Fascists&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Dummy Luck)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bonny Light Horseman:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Rolling Golden Holy&lt;/EM&gt; (37d03d)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Miranda Lambert:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Palomino&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(RCA)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Willi Carlisle:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Peculiar, Missouri&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Free Dirt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Mary J. Blige:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Good Morning, Gorgeous&lt;/EM&gt; (300 Entertainment)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lizzo:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Special&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Atlantic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Maggie Rogers:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Surrender&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Debay/Capitol)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Tedeschi-Trucks Band:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;I Am the Moon&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Fantasy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bad Bunny:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Un Verano sin Ti&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Rimas)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lee Fields:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Sentimental Foot&lt;/EM&gt; (Daptone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Trombone Shorty:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lifted&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The North Mississippi Allstars:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Set Sail&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Adeem the Artist:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;White Trash Revelry&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Four Quarters/Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;21.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Susanna Malkki and the Los Angeles Philharmonic:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Steve Reich: Music for Ensemble and Orchestra&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;22.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charlie Treat:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Into the Wild Mystic Mountain&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Treat)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;23.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Courtney Marie Andrews:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Loose Future&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Fat Possum)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;24.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Weyes Blood:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;And in the Darkness Hearts Aglow&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;(Sub Pop)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;25.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Sunny Sweeney:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;Married Alone&lt;/EM&gt; (Aunt Daddy/Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13037973</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13037973</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 14 Dec 2022 15:27:19 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;John Chacona&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Erie (PA) Times-News, All About Jazz, PostGenre Media and blogger at let's call this&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Ten favorite new releases&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Amyrillis&lt;/STRONG&gt; and &lt;STRONG&gt;Belladonna&lt;/STRONG&gt; &lt;EM&gt;Mary Halvorson&lt;/EM&gt; (Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Ghost Song&lt;/STRONG&gt;, &lt;EM&gt;Cécile McLorin Salvant&lt;/EM&gt; (Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;For The Love Of Fire And Water&lt;/STRONG&gt;, &lt;EM&gt;Myra Melford's Fire And Water Quintet&lt;/EM&gt; (RogueArt)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Other Zones&lt;/STRONG&gt;, &lt;EM&gt;Michael Formanek Quartet&lt;/EM&gt; (Circular File Records)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Séances&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;, &lt;EM&gt;Trevor Dunn’s Trio-Convulsant avec Folie à Quatre&lt;/EM&gt; (Pyroclastic Records)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;The Bottom&lt;/STRONG&gt;, &lt;EM&gt;Luke Stewart's Silt Trio&lt;/EM&gt; (Cuneiform)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Terri Lyne Carrington&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;, &lt;EM&gt;New Standards Vol. 1&lt;/EM&gt; (Candid)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Escreet&lt;/STRONG&gt;, &lt;EM&gt;Seismic Shift&lt;/EM&gt; (Whirlwind Records)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Steven Bernstein's Millennial Territory Orchestra with Catherine Russell&lt;/STRONG&gt;, &lt;EM&gt;Good Time Music: Community Music, Vol. 2&lt;/EM&gt; (Royal Potato Family)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Dan Weiss Trio&lt;/STRONG&gt;, &lt;EM&gt;Dedication&lt;/EM&gt; (Cygnus)&lt;BR&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Reissues or Historical albums&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;BLOCKQUOTE&gt;
  &lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Cecil Taylor&lt;/STRONG&gt;, &lt;EM&gt;The Complete, Legendary, Live Return Concert&lt;/EM&gt; (Oblivion Records)&lt;BR&gt;
  &lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Albert Ayler&lt;/STRONG&gt;, &lt;EM&gt;Revelations&lt;/EM&gt; (Elemental Music)&lt;BR&gt;
  &lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Ahmad Jamal&lt;/STRONG&gt;, &lt;EM&gt;Emerald City Nights: Live At The Penthouse 1963-1964&lt;/EM&gt; (Jazz Detective Records)
&lt;/BLOCKQUOTE&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best vocal album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Cécile McLorin Salvant,&lt;/STRONG&gt; &lt;EM&gt;Ghost Song&lt;/EM&gt;, (Nonesuch)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best debut album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Julieta Eugenio&lt;/STRONG&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;EM&gt;JUMP&lt;/EM&gt; (Greenleaf Music)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best Latin jazz CD&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Miguel Zenón&lt;/STRONG&gt;, &lt;EM&gt;Música de Las Américas&lt;/EM&gt; (Miel Music)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/13025122</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/13025122</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 25 Nov 2021 14:52:57 GMT</pubDate>
      <title>Patrick Hinely</title>
      <description>&lt;P&gt;2021's chosen dozen:&lt;/P&gt;

&lt;P&gt;John Coltrane - A LOVE SUPREME LIVE IN SEATTLE - Impulse&lt;/P&gt;

&lt;P&gt;Miles Davis - THE LOST CONCERT - Sleepy Night&lt;/P&gt;

&lt;P&gt;Chet Doxas - YOU CAN'T TAKE IT WITH YOU - Whirlwind&lt;/P&gt;

&lt;P&gt;Harold Land - WESTWARD BOUND - Reel to Real&lt;/P&gt;

&lt;P&gt;Chris Laurence - KEN WHEELER: SOME GNU ONES - Jazz in Britain&lt;/P&gt;

&lt;P&gt;Jeff Lederer/Sunwatcher - EIGHTFOLD PATH - Little Music&lt;/P&gt;

&lt;P&gt;Charles Lloyd &amp;amp; the Marvels - TONE POEM - Blue Note&lt;/P&gt;

&lt;P&gt;Charles Mingus - AT CARNEGIE HALL, DeLUXE EDITION - Rhino&lt;/P&gt;

&lt;P&gt;Wes Montgomery - NDR HAMBURG STUDIO RECORDINGS - Jazzline/NDR&lt;/P&gt;

&lt;P&gt;Lee Morgan - COMPLETE LIVE AT THE LIGHTHOUSE - Blue Note&lt;/P&gt;

&lt;P&gt;Oregon - 1974 - Moosicus&lt;/P&gt;

&lt;P&gt;Eberhard Weber - ONCE UPON A TIME - ECM&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/12147707</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/12147707</guid>
      <dc:creator>Patrick Hinely</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 06 Jan 2020 23:04:17 GMT</pubDate>
      <title>Laurence Donohue-Greene</title>
      <description>&lt;P&gt;Laurence Donohue-Greene (Managing Editor, The New York City Jazz Record) BEST OF 2019....&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;MUSICIANS OF THE YEAR (2019)&lt;/P&gt;

&lt;P&gt;1) Kris Davis&lt;/P&gt;

&lt;P&gt;2) Jaimie Branch&lt;/P&gt;

&lt;P&gt;3) Joe Lovano&lt;/P&gt;

&lt;P&gt;4) Michael Leonhart&lt;/P&gt;

&lt;P&gt;5) Evan Parker&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;RECORD LABELS OF THE YEAR (2019)&lt;/P&gt;

&lt;P&gt;1) ECM&lt;/P&gt;

&lt;P&gt;2) Sunnyside&lt;/P&gt;

&lt;P&gt;3) Intakt&lt;/P&gt;

&lt;P&gt;4) International Anthem&lt;/P&gt;

&lt;P&gt;5) NoBusiness&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST NEW RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Joe Lovano - Trio Tapestry (ECM)&lt;/P&gt;

&lt;P&gt;2) Michael Leonhart Orchestra - Suite Extracts, Vol.1 (Sunnyside)&lt;/P&gt;

&lt;P&gt;3) Jaimie Branch - Fly or Die II: Bird Dogs of Paradise (International Anthem)&lt;/P&gt;

&lt;P&gt;4) James Brandon Lewis - UnRuly Manifesto (Relative Pitch)&lt;/P&gt;

&lt;P&gt;5) Alex Harding/Lucian Ban - Dark Blue (Sunnyside)&lt;/P&gt;

&lt;P&gt;6) Per Texas Johansson - Stråk på himlen och stora hus (Moserobie)&lt;/P&gt;

&lt;P&gt;7) Red Kite - Red Kite (RareNoise)&lt;/P&gt;

&lt;P&gt;8) Steph Richards - Take The Neon Lights (Birdwatcher)&lt;/P&gt;

&lt;P&gt;9) Gebhard Ullmann/Hans Ludemann/Oliver Portratz/Eric Schaefter - mikroPULS (intuition)&lt;/P&gt;

&lt;P&gt;10) Phil Slater - The Dark Pattern (Earshift Music)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST VOCAL RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Mary Stallings - Songs Were Made To Sing (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;2) Jazzmeia Horn - Love and Liberation (Concord)&lt;/P&gt;

&lt;P&gt;3) Tomeka Reid/Kyoko Kitamura/Taylor Ho Bynum/Joe Morris - Geometry of Distance (Relative Pitch)&lt;/P&gt;

&lt;P&gt;4) Veronica Swift - Confessions (Mack Avenue)&lt;/P&gt;

&lt;P&gt;5) Dwight Trible - Mothership (Gearbox)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST REISSUES (2019)&lt;/P&gt;

&lt;P&gt;1) Mal Waldron - Free at Last (ECM)&lt;/P&gt;

&lt;P&gt;2) Erroll Garner - Campus Concert (Mack Avenue-Octave Music)&lt;/P&gt;

&lt;P&gt;3) ICP Tentet - Tetterettet (ICP - Corbett vs. Dempsey)&lt;/P&gt;

&lt;P&gt;4) Charles Tolliver All Stars - Right Now... and Then [Paper Man] (Strata-East)&lt;/P&gt;

&lt;P&gt;5) Art Pepper - Promise Kept: The Complete Artists House Recordings (Artists House-Omnivore)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST BOXED SETS (2019)&lt;/P&gt;

&lt;P&gt;1) Nat “King” Cole - Hitting’ The Ramp: The Early Years (1936-1943) (Resonance)&lt;/P&gt;

&lt;P&gt;2) John Coltrane - 1963: New Directions (Impulse!)&lt;/P&gt;

&lt;P&gt;3) The Quintet [Paal Nilssen-Love, et al.] - Events 1998-1999 (Not Two)&lt;/P&gt;

&lt;P&gt;4) Art Pepper - The Complete Artists House Recordings (Artists House-Omnivore)&lt;/P&gt;

&lt;P&gt;5) DKV Trio &amp;amp; Joe McPhee - The Fire Each Time (Not Two)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LATIN JAZZ (2019)&lt;/P&gt;

&lt;P&gt;1) Preservation Hall Jazz Band - A Tuba to Cuba (Sub Pop)&lt;/P&gt;

&lt;P&gt;2) Jiggs Whigham BuJazzO - Cuban Fire (Doublemoon)&lt;/P&gt;

&lt;P&gt;3) Michele Rosewoman New Yor-Uba - Hallowed (Advance Dance Disques)&lt;/P&gt;

&lt;P&gt;4) Poncho Sanchez - Trane’s Delight (Concord)&lt;/P&gt;

&lt;P&gt;5) Michel Camilo - Essence (Resilience Music Alliance)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LARGE ENSEMBLE RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Michael Leonhart Orchestra - Suite Extracts, Vol.1 (Sunnyside)&lt;/P&gt;

&lt;P&gt;2) Wayne Horvitz European Orchestra - Live at the Bimhuis (NovarraJazz)&lt;/P&gt;

&lt;P&gt;3) Ralph Peterson Gen-Next Big Band - Listen Up! (Onyx)&lt;/P&gt;

&lt;P&gt;4) Jiggs Whigham BuJazzO - Cuban Fire (Doublemoon)&lt;/P&gt;

&lt;P&gt;5) Tom Pierson Orchestra - Last Works (Auteur)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST DEBUT RELEASES (2019)&lt;/P&gt;

&lt;P&gt;1) Larry Grenadier - The Gleaners (ECM)&lt;/P&gt;

&lt;P&gt;2) Lisa Hoppe’s Third Reality - The Mighty Unlikely (Jazzhaus Musik)&lt;/P&gt;

&lt;P&gt;3) Junius Paul - Ism (International Anthem)&lt;/P&gt;

&lt;P&gt;4) Nick Dunston - Atlantic Extraction (Out Of Your Head)&lt;/P&gt;

&lt;P&gt;5) Jamile - If You Could See Me Now (s/r)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST TRIBUTES (2019)&lt;/P&gt;

&lt;P&gt;1) Joe Fiedler - Open Sesame (Clean Feed) *Sesame Street tribute&lt;/P&gt;

&lt;P&gt;2) Iro Haarla/Ulf Krokfors/Barry Altschul - Around Again (The Music of Carla Bley) (TUM)&lt;/P&gt;

&lt;P&gt;3) Ralph Peterson’s Messenger Legacy - Legacy Alive, Vol.6 at The Side Door (Onyx)&lt;/P&gt;

&lt;P&gt;4) Paul Dunmall Sun Ship Quartet - John Coltrane 50th Memorial Concert at Café Too (Confront)&lt;/P&gt;

&lt;P&gt;5) Dick Hyman/Ken Peplowski - Counterpoint: Lerner &amp;amp; Loewe (Arbors)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST UNEARTHED GEMS/PREVIOUSLY UNRELEASED ARCHIVAL RECORDINGS (2019)&lt;/P&gt;

&lt;P&gt;1) Bill Dixon/Cecil Taylor - Duets 1992 (Triple Point)&lt;/P&gt;

&lt;P&gt;2) Sam Rivers Quintet - Archive Project, Vol.2: Zenith (NoBusiness)&lt;/P&gt;

&lt;P&gt;3) Francois Tusques - Alors Nosferatu Combina Un Plan Ingénieux (Finders Keepers)&lt;/P&gt;

&lt;P&gt;4) Ella Fitzgerald - Ella at The Shrine (Verve)&lt;/P&gt;

&lt;P&gt;5) Charles Lloyd Quartet - Montreuex Festival 1967 (Swiss Radio Days Jazz Series 46) (TCB)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST JAZZ PUBLICATIONS (2019)&lt;/P&gt;

&lt;P&gt;1) Sweet Thunder: Duke Ellington’s Music in Nine Themes by Jack Chambers (Milestones Music &amp;amp; Art)&lt;/P&gt;

&lt;P&gt;2) Rabbit’s Blues: The Life and Music of Johnny Hodges by Con Chapman (Oxford University Press)&lt;/P&gt;

&lt;P&gt;3) Jason Moran - Jason Moran (Walker Arts Center)&lt;/P&gt;

&lt;P&gt;4) Cloud Arrangers by Ziga Kortnik (Pega Society)&lt;/P&gt;

&lt;P&gt;5) Jazz From Detroit by Mark Stryker (University of Michigan Press)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST SOLO ALBUMS (2019)&lt;/P&gt;

&lt;P&gt;1) Brian Charette - Beyond Borderline (SteepleChase)&lt;/P&gt;

&lt;P&gt;2) Peter Brötzmann - Solo: I Surrender Dear (Trost)&lt;/P&gt;

&lt;P&gt;3) Ed Neumeister - One and Only (Meisteromusic)&lt;/P&gt;

&lt;P&gt;4) Ahmad Jamal - Ballades (Jazzbook/Jazz Village)&lt;/P&gt;

&lt;P&gt;5) Fred Frith - Woodwork (Klang Galerie)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LIVE ALBUMS (2019)&lt;/P&gt;

&lt;P&gt;1) Evan Parker/Barry Guy/Paul Lytton - Concert in Vilnius (NoBusiness)&lt;/P&gt;

&lt;P&gt;2) Torbjörn Zetterberg &amp;amp; The Great Question - Live (Corbett vs. Dempsey)&lt;/P&gt;

&lt;P&gt;3) Ed Neumeister - One and Only (Meisteromusic)&lt;/P&gt;

&lt;P&gt;4) Eve Risser - Après un Rêve (Clean Feed)&lt;/P&gt;

&lt;P&gt;5) Mars Williams - An Ayler Xmas, Vol.3: Live in Krakow (Not Two)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LIVE CONCERTS (NYC) (2019)&lt;/P&gt;

&lt;P&gt;*&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Ghost Train Orchestra "Plays Moondog” @&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Winter Jazzfest, Le Poisson Rouge (1/5/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Gary Bartz "Another Earth 50th Anniversary” w/Pharoah Sanders, Charles Tolliver, James King, Bruce Edwards, Nasheet Waits, Eric Berryman @Winter Jazzfest, Le Poisson Rouge (1/10/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Arooj Aftab w/Vijay Iyer, Shahzad Ismaily @Joe's Pub&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;(4/28/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Barre Phillips solo @Zürcher Gallery (5/20/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Andrew Cyrille w/Tomeka Reid, Beatrice Capote @Vision Festival, Roulette (6/11/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Kris Davis Trio w/William Parker, Jeff "Tain” Watts @Vision Festival, Roulette (6/14/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Michael Leonhart Orchestra @Jazz Standard (7/16/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;David Tronzo solo and w/Stomu Takeishi, Ned Rothenberg @Ibeam Brooklyn (8/10/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Ravi Coltrane Quartet w/David Virelles, Dezron Douglas, Johnathan Blake @Summerstage Charlie Parker Jazz Festival, Marcus Garvey Park (8/24/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;Pat Metheny Side-Eye Trio w/James Francies, Marcus Gilmore @Sony Hall (9/11/19)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Calibri"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/8497795</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/8497795</guid>
      <dc:creator>Laurence Donohue-Greene</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 18 Dec 2019 17:08:13 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Favorite Releases of 2019&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;John Chacona&lt;/STRONG&gt;, &lt;EM&gt;Erie (PA) Times-News and blogger at Let's Call This&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Another strong year.&amp;nbsp; My list (in Delicious Library, an essential organizing tool) of potential Top Ten releases was 76 items out of a total number of jazz or jazz-ish releases for the period of 369.&amp;nbsp; Even at that number, I didn't hear everything, and the period in question is the one requested by Francis Davis for the NPR poll. So significant yearend releases like the Teri-Lyn Carrington date didn't make it to my ears in time.&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Rankings are invidious, but I'm on record in the NPR poll with the one below, so here goes.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Ten favorite new releases&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Kris Davis&lt;/STRONG&gt;:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Diatom Ribbons (Pyroclastic Records)&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Tomeka Reid Quartet&lt;/STRONG&gt;:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Old New (Cuneiform)&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Tyshawn Sorey &amp;amp; Marilyn Crispell&lt;/STRONG&gt;: The Adornment Of Time (Pi Recordings)&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Jaimie Branch&lt;/STRONG&gt;: Fly Or Die Ii: Bird Dogs Of Paradise (International Anthem)&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Anthony Braxton&lt;/STRONG&gt;: Quartet (New Haven) 2014 (Firehouse 12)&lt;BR&gt;
&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;The Art Ensemble Of Chicago&lt;/STRONG&gt;: We Are On The Edge: A 50th Anniversary Celebration (Pi Recordings)&lt;BR&gt;
&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Greg Ward and his Rogue Parade Ensemble&lt;/STRONG&gt;:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Stomping Off From Greenwood (Greenleaf Music)&lt;BR&gt;
&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Mark Dresser Seven&lt;/STRONG&gt;:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Ain't Nothing but a Cyber Coup &amp;amp; You (Clean Feed)&lt;BR&gt;
&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Moppa Elliott&lt;/STRONG&gt;:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Jazz Band/Rock Band/Dance Band (Hot Cup Records)&lt;BR&gt;
&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;STRONG&gt;Mark Lomax, II&lt;/STRONG&gt;: &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;400: An Afrikan Epic (&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;CFG Multimedia&lt;/FONT&gt;&lt;/SPAN&gt;)&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Reissues or Historical albums&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; The Art Ensemble Of Chicago And Associated Ensembles (ECM)&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Nat King Cole: Hittin' The Ramp: The Early Years 1936-1943 (Resonance Records)&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Allen Lowe: An Avant Garde of Our Own (ESP Disk)&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best vocal album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Jeanne Lee/Ran Blake: The Newest Sound You Never Heard (A-Side Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best debut album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Harish Raghavan:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Calls for Action (Whirlwind Recordings)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best Latin jazz CD&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Miguel Zenón: Sonero: The Music of Ismael Rivera (Miel Music)&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/8317795</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/8317795</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 07 Dec 2019 12:15:26 GMT</pubDate>
      <title>best of jazz 2019 jja</title>
      <description>&lt;P&gt;asdfasdff&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/8204094</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/8204094</guid>
      <dc:creator>Jeroen de Valk</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 17 Jan 2019 14:02:58 GMT</pubDate>
      <title>Mirian Arbalejo</title>
      <description>&lt;P align="center"&gt;&lt;FONT face="Verdana"&gt;FAVORITE JAZZ ALBUMS OF 2018 (by Mirian Arbalejo)&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="center"&gt;&lt;FONT face="Verdana"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Both Directions At Once&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. John Coltrane. (Impulse!)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Close Up&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;. Sara Serpa. (Clean Feed Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;CODE GIRL&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Mary Halvorson. (Firehouse 12 Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Concentric Circles&lt;/STRONG&gt;.&lt;/FONT&gt;&lt;/SPAN&gt;&amp;nbsp;Kenny Barron Quintet. (Blue Note)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Dirt . . . and More Dirt&lt;/STRONG&gt;.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;Henry Threadgill 14 or 15 Kestra: Agg. (Pi)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;DORAVANTE&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Abe Rábade Trío. (Nuba + Karonte Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;Emanon&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Wayne Shorter. (Blue Note Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;En Dag I Oktober&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Hvalfugl. (Hvalfugl Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;&lt;STRONG&gt;Harmony&lt;/STRONG&gt;. Sam Harris (self-released)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Kennedy Meets Gershwin&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Nigel Kennedy. (Warner Classics)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Lebroba&lt;/STRONG&gt;. Andrew&lt;/FONT&gt;&lt;/SPAN&gt; Cyrille. (ECM)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Live In Healdsburg&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;Anat Cohen y Fred Hersch. (Anzic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Music IS&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Bill Frisell. (OKeh)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Musical Prophet: The Expanded 1963 New York Studio Sessions&lt;/STRONG&gt;.&amp;nbsp;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;Eric Dolphy.&lt;/FONT&gt;&lt;/SPAN&gt;&amp;nbsp;(Resonance)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Origami Harvest&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;.&amp;nbsp;&amp;nbsp;Ambrose Akinmusire. (Blue Note Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Ours/Theirs&lt;/STRONG&gt;.&lt;/FONT&gt;&lt;/SPAN&gt;&amp;nbsp;Thumbscrew. (Cuneiform)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Presence&lt;/STRONG&gt;.&lt;/FONT&gt;&lt;/SPAN&gt;&amp;nbsp;Orrin Evans and the Captain Black Big Band. (Smoke Sessions)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Seymour Reads The Constitution!&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Brad Mehldau Trio. (Nonesuch Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Standards In Dublin&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Gonzalo del Val with Dave Liebman and Ronan Guilfoyle. (Quadrant Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;Still Dreaming&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Joshua Redman, Ron Miles, Scott Colley, Brian Blade (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;Temporary Kings&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Mark Turner and Ethan Iverson. (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;The Art Ensemble of Chicago and Associated Ensembles&lt;/STRONG&gt;. (ECM)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;The Influencing Machine&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;. Elliot Galvin. (Edition Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;The Other Side Of Air&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Myra Melford's Snowy Egret. (Firehouse 12 Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;The Window&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Cecile McLorin Salvant. (Mack Avenue)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;STRONG&gt;Tokyo '81&lt;/STRONG&gt;.&amp;nbsp;Woody Shaw. (Elemental)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;Universal Beings&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Makaya McCraven. (International Anthem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;Vientos Cruzados&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;. Luis Verde Quartet. (&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;self-released&lt;/FONT&gt;&lt;/SPAN&gt;)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;"&gt;WORK. The Complete Compositions of Thelonious Monk&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;. Miles Okazaki. (&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;" color="#202124"&gt;self-released&lt;/FONT&gt;&lt;/SPAN&gt;)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;*Mirian has shared these titles in the &lt;A href="https://www.npr.org/2019/01/05/682193795/the-2018-npr-music-jazz-critics-poll" target="_blank"&gt;Francis Davis / NPR Jazz Critics Poll&lt;/A&gt;, &lt;A href="http://www.missingduke.com/2018/12/20-buenos-discos-de-2018.html" target="_blank"&gt;It Don't Mean A Thing&lt;/A&gt; and &lt;A href="https://medium.com/cuepoint-es/20-buenos-discos-de-2018-35ccef1b033d" target="_blank"&gt;Cuepoint&lt;/A&gt;.&lt;/P&gt;

&lt;DIV style="position: absolute; left: 185px; top: -14.6719px;"&gt;
  &lt;DIV class="gtx-trans-icon"&gt;&lt;/DIV&gt;
&lt;/DIV&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/7006477</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/7006477</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 06 Jan 2019 18:31:54 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;TOP TWENTY JAZZ ALBUMS OF 2018 BY GEOFFREY HIMES&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1. Charles Lloyd &amp;amp; the Marvels + Lucinda Williams: Vanished Gardens (Blue Note)&lt;/P&gt;

&lt;P&gt;2. Henry Threadgill: Double Up, Plays Double Up Plus (Pi)&lt;/P&gt;

&lt;P&gt;3. Steve Coleman: Live at the Village Vanguard, Vol. 1 (Pi)&lt;/P&gt;

&lt;P&gt;4. Wayne Shorter: Emanon (Blue Note)&lt;/P&gt;

&lt;P&gt;5. Todd Marcus: On These Streets (A Baltimore Story) (Stricker Street)&lt;/P&gt;

&lt;P&gt;6. Jason Moran &amp;amp; Bandwagon: Looks of a Lot (Yes)&lt;/P&gt;

&lt;P&gt;7. Brad Mehldau Trio: Seymour Reads the Constitution! (Nonesuch)&lt;/P&gt;

&lt;P&gt;8. Bill Frisell: Music Is (Okeh)&lt;/P&gt;

&lt;P&gt;9. Orrin Evans and the Captain Black Big Band: Presence (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;10. SFJazz Collective: Live: SFJazz Center 2017 (SFJazz)&lt;/P&gt;

&lt;P&gt;11. Kat Edmonson: Old Fashioned Girl (Spinnerette)&lt;/P&gt;

&lt;P&gt;12. Michael Leonhart Orchestra: The Painted Lady Suite (Sunnyside)&lt;/P&gt;

&lt;P&gt;13. Allison Miller Carmen Staaf: Science Fair (Sunnyside)&lt;/P&gt;

&lt;P&gt;14. Matthew Shipp Quartet: Sonic Fiction (ESP)&lt;/P&gt;

&lt;P&gt;15. Jonathan Finlayson: 3 Times Round (Pi)&lt;/P&gt;

&lt;P&gt;16. Anat Cohen/Fred Hersch: Live in Healdsburg (Anzic)&lt;/P&gt;

&lt;P&gt;17. Jason Palmer: Rhyme and Reason (Giant Steps)&lt;/P&gt;

&lt;P&gt;18. Joe Lovano &amp;amp; Dave Douglas Soundprints: Scandal (Greenleaf)&lt;/P&gt;

&lt;P&gt;19. Hamid Drake, Ralph M. Jones, Adam Rudolph: Karuna (Meta)&lt;/P&gt;

&lt;P&gt;20. Cyrus Chestnut: Kaleidoscope (HighNote)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;TOP TWENTY NON-JAZZ ALBUMS OF 2018 BY GEOFFREY HIMES&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1. Kevin Gordon: Tilt &amp;amp; Shine (Crowville)&lt;/P&gt;

&lt;P&gt;2. Bettye LaVette: Things Have Changed (Verve)&lt;/P&gt;

&lt;P&gt;3. Alejandro Escovedo &amp;amp; Don Antonio: The Crossing (Yep Roc)&lt;/P&gt;

&lt;P&gt;4. The Decemberists: I’ll Be Your Girl (Capitol)&lt;/P&gt;

&lt;P&gt;5. Rosanne Cash: She Remembers Everything (Blue Note)&lt;/P&gt;

&lt;P&gt;6. Ashley McBryde: Girl Going Nowhere (Atlantic)&lt;/P&gt;

&lt;P&gt;7. Meshell Ndegeocello: Ventriloquism (Naive)&lt;/P&gt;

&lt;P&gt;8. Ashley McBryde: Girl Going Nowhere (Warner Bros. Nashville)&lt;/P&gt;

&lt;P&gt;9. Pistol Annies: Interstate Gospel (RCA/ShopKeeper)&lt;/P&gt;

&lt;P&gt;10. Courtney Marie Andrews: May Your Kindness Remain (Mama Bird)&lt;/P&gt;

&lt;P&gt;11. Robbie Fulks &amp;amp; Linda Gail Lewis: Wild! Wild! Wild! (Bloodshot)&lt;/P&gt;

&lt;P&gt;12. Paul McCartney: Egypt Station (Capitol)&lt;/P&gt;

&lt;P&gt;13. Charley Crockett: Lonesome as a Shadow (Thirty Tigers)&lt;/P&gt;

&lt;P&gt;14. Lonnie Holley: Mith (Jagjaguway)&lt;/P&gt;

&lt;P&gt;15. Paul Kelly: Nature (Cooking Vinyl/Gawd Aggie)&lt;/P&gt;

&lt;P&gt;16. Old Crow Medicine Show: Volunteers (Columbia)&lt;/P&gt;

&lt;P&gt;17. Blood Orange: Negro Swan (Domino)&lt;/P&gt;

&lt;P&gt;18. Lucero: Among the Ghosts (Liberty &amp;amp; Lament/Thirty Tigers)&lt;/P&gt;

&lt;P&gt;19. Elvis Costello &amp;amp; the Imposters: Look Now (Concord)&lt;/P&gt;

&lt;P&gt;20. The Bottle Rockets: Bit Logic (Bloodshot)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;TOP TEN HISTORICAL ALBUMS OF 2018 BY GEOFFREY HIMES&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1. Miles Davis &amp;amp; John Coltrane: The Final Tour: The Bootleg Series Vol. 6 (Columbia/Legacy)&lt;/P&gt;

&lt;P&gt;2. The Beatles: The Beatles (White Album) Super Deluxe Edition (Capitol)&lt;/P&gt;

&lt;P&gt;3. John Coltrane: Both Directions at Once (Impulse)&lt;/P&gt;

&lt;P&gt;4. Bobbie Gentry: The Girl from Chickasaw County (Capitol)&lt;/P&gt;

&lt;P&gt;5. The Kinks: Village Green Preservation Society (BMG)&lt;/P&gt;

&lt;P&gt;6. Neil Young: Roxy: Tonight's the Night (Reprise)&lt;/P&gt;

&lt;P&gt;7. The Louvin Brothers: Love and Wealth: The Lost Recordings (Modern Harmonic)&lt;/P&gt;

&lt;P&gt;8. Bob Dylan: More Blood, More Tracks (Columbia/Legacy)&lt;/P&gt;

&lt;P&gt;9. Woody Shaw: Tokyo ’81 (Elemental)&lt;/P&gt;

&lt;P&gt;10. Maggie Roche: Where Do I Come From: Selected Songs (Storysound)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6986008</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6986008</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 02 Jan 2019 22:25:17 GMT</pubDate>
      <title>Laurence Donohue-Greene</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;&lt;STRONG&gt;&lt;U&gt;Lau&lt;/U&gt;&lt;U&gt;rence Donohue-Greene, Managing Editor (&lt;EM&gt;The New York City Jazz Record&lt;/EM&gt;)&lt;/U&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;&lt;U&gt;&lt;BR&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;&lt;U&gt;BEST NEW RELEASES (2018)&lt;/U&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial"&gt;Idris Ackamoor &amp;amp; The Pyramids - &lt;EM&gt;An Angel Fell&lt;/EM&gt; (Strut)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial"&gt;Sylvie Courvoisier Trio - &lt;EM&gt;D’Agala&lt;/EM&gt; (Intakt)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial"&gt;Dave Holland (Evan Parker, Craig Taborn) - &lt;EM&gt;Uncharted Territories&lt;/EM&gt; (Dare2)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial"&gt;Lee Konitz/Dan Tepfer - &lt;EM&gt;Decade&lt;/EM&gt; (Impulse)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;Michael Leonhart Orchestra - &lt;EM&gt;The Painted Lady Suite&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial"&gt;Johan Lindström Septett - &lt;EM&gt;Music For Empty Halls&lt;/EM&gt; (Moserobie)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;Brian Marsella Trio - &lt;EM&gt;Outspoken: The Music of the Legendary Hasaan&lt;/EM&gt; (Tzadik)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;Christian McBride - &lt;EM&gt;New Jawn&lt;/EM&gt; (Mack Avenue-Brother Mister Prod.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;Thumbscrew - &lt;EM&gt;Theirs&lt;/EM&gt; (Cuneiform)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;John Zorn - &lt;EM&gt;In a Convex Mirror&lt;/EM&gt; (Tzadik)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Calibri"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;MUSICIANS OF THE YEAR (2018):&lt;/U&gt;&amp;nbsp;&lt;SPAN&gt;Satoko Fujii; Joel Ross; Mary Halvorson&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;U&gt;HISTORICAL RELEASES OF THE YEAR (2018)&lt;/U&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Helvetica"&gt;1-&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;Don Rendell/Ian Carr Quintet -&lt;EM&gt;&amp;nbsp;The Complete Lansdowne Recordings (1965-1969)&lt;/EM&gt;&amp;nbsp;(Jazzman)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Helvetica"&gt;2-&amp;nbsp;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;Various -&amp;nbsp;&lt;EM&gt;The Savory Collection 1935-1940&amp;nbsp;&lt;/EM&gt;(Mosaic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Helvetica"&gt;3-&amp;nbsp;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;John Coltrane -&amp;nbsp;&lt;EM&gt;Both Directions At Once: The Lost Album&lt;/EM&gt;&amp;nbsp;(Impulse-Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6980571</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6980571</guid>
      <dc:creator>Laurence Donohue-Greene</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 29 Dec 2018 17:53:36 GMT</pubDate>
      <title>W. Royal Stokes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;10 BEST NEW RELEASES OF 2018&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Don Byron &amp;amp; Aruan Ortiz: Random Dances &amp;amp;(A)tonalities (Intakt Records)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Steve Coleman &amp;amp; Five Elements, Live At The Village Vanguard Vol. I (The Embedded Sets) (PI Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Diva Jazz Orchestra, 25th Anniversary Project&amp;nbsp;(ArtistShare)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Stefon Harris &amp;amp; Blackout, Sonic Creed (Motema&amp;nbsp;Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Monika Herzig, Sheroes (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;McClenty Hunter Jr., The Groove Hunter&amp;nbsp;(Strikezone Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Roger Kellaway Trio, New Jazz Standards Vol. 3&amp;nbsp;&lt;/FONT&gt;&lt;SPAN style="font-size: 10pt;"&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;(Summit Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Ernie Krivda, A Bright And Shining Moment (Capri&amp;nbsp;Records Ltd.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Roberta Piket, West Coast Trio (13th Note Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Joshua Redman, Still Dreaming (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;3 BEST REISSUE OR HISTORICAL RELEASES&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Gene Krupa Quartet, Live 1966 (Dot Time Legends)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;New Black Eagle Jazz Band, Goin’ to New Orleans&amp;nbsp;(Black&amp;nbsp;Eagle/blackeagles.com)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;The Savory Collection 1935-1940 (Mosaic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&amp;nbsp; &amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;BEST VOCAL RELEASE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Tessa Souter, Picture in Black and White (NOA&amp;nbsp;Records)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;BEST DEBUT RELEASE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Mariel Austin Rock-Jazz Orchestra, Runner in the Rain&amp;nbsp;(Mariel Austin/marielaustin.com)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;BEST LATIN JAZZ RELEASE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;Dafnis Prieto Big Band, Back to the Sunset (Dafnison Music)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;" face="Geneva"&gt;For my expanded NOTABLE RELEASES OF 2018 and my&amp;nbsp;&lt;SPAN&gt;A ROUNDUP OF 125 OR SO JAZZ, BLUES, BEYOND, AND OTHER BOOKS PUBLISHED IN THE PAST YEAR OR SO&amp;nbsp;&lt;/SPAN&gt;please go to wroyalstokes.com.&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6976279</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6976279</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sat, 22 Dec 2018 20:39:25 GMT</pubDate>
      <title>J Hunter</title>
      <description>&lt;P align="center"&gt;&lt;STRONG&gt;Top Ten Jazz2K Discs of 2018:&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;SHAKERS N' BAKERS - &lt;EM&gt;Heart Love&lt;/EM&gt; (Little I Music)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;CHICK COREA &amp;amp; STEVE GADD BAND - &lt;EM&gt;Chinese Butterfly&lt;/EM&gt; (Concord / Stretch)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;BEN WENDEL - &lt;EM&gt;The Seasons&lt;/EM&gt; (Motema)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;DARRYL YOKLEY'S SOUND REFORMATION - &lt;EM&gt;Pictures at an African Exhibition&lt;/EM&gt; (TruthRevolution Records)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;ORRIN EVANS &amp;amp; THE CAPTAIN BLACK BIG BAND - &lt;EM&gt;Presence&lt;/EM&gt; (Smoke Sessions)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;BRAD MEHLDAU TRIO - &lt;EM&gt;Seymour Reads the Constitution!&lt;/EM&gt; (Nonesuch)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;CHRISTIAN McBRIDE - &lt;EM&gt;Christian McBride's New Jawn&lt;/EM&gt; (Mack Avenue)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;SCOTT PETITO - &lt;EM&gt;Rainbow Gravity&lt;/EM&gt; (Planet Arts)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;JAMES WEIDMAN - &lt;EM&gt;Spiritual Impressions&lt;/EM&gt; (Inner Circle Music)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;JOE LOCKE - &lt;EM&gt;Subtle Disguise&lt;/EM&gt; (Origin)&lt;BR&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P align="center"&gt;-----&lt;/P&gt;

&lt;P align="center"&gt;And now, the winners of the 2018 Jazz2K Awards:&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;BEST VOCAL DISC&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;TESSA SOUTER - &lt;EM&gt;Picture in Black &amp;amp; White&lt;/EM&gt; (NOA)&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;BEST SOLO OR DUO DISC&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;BILL FRISELL - &lt;EM&gt;Music IS&lt;/EM&gt; (OKeh)&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;BEST PARTY DISC&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;MIKE CLARK &amp;amp; DELBERT BUMP - &lt;EM&gt;Retro Report&lt;/EM&gt; (Ropeadope)&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;LIFETIME ACHIEVEMENT AWARD&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;JOHN SCOFIELD - &lt;EM&gt;Combo 66&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;ROOKIE OF THE YEAR (Best First release)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;JAMES FRANCIES - &lt;EM&gt;Flight&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P align="center"&gt;&lt;STRONG&gt;LOCAL HERO AWARD (Best Regional Release)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="center"&gt;CHRIS PASIN - &lt;EM&gt;Ornettiquette&lt;/EM&gt; (Planet Arts)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6970276</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6970276</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 20 Dec 2018 23:55:38 GMT</pubDate>
      <title>Monifa Brown</title>
      <description>&lt;P&gt;&lt;SPAN&gt;Here is a rundown of my top ten favorite recordings of 2018 in addition to my two favorite reissues:&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*SF Jazz Collective CD: Live at SF Jazz Center 2017-Original Compositions &amp;amp; The Music of Ornette Coleman, Stevie Wonder, &amp;amp; Thelonious Monk. &amp;nbsp;(SFJazz Records)&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Eddie Henderson-Be Cool (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*McClenty Hunter-Groove Hunter (&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;Strikezone Records)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Kenny Barron-Concentric Circles (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Shamie Royston- Uplifted Heart (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Allan Harris-The Genius of Eddie Jefferson (&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;Resilience Music)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Renee Rosnes-Beloved Of The Sky (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="black"&gt;*Stefon&amp;nbsp;Harris &amp;amp; Blackout-Sonic Creed (Motema)&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;*Bobby Sanabria Multiverse Big Band-West Side Story Reimagined (Jazzheads)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;*Kurt Elling-The Questions (&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 13px;"&gt;Okeh/Sony Masterworks)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;Reissues&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;*&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;Miles Davis John Coltrane-The Final Tour:&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#111111"&gt;The Bootleg Series, Vol. 6 &amp;nbsp;(Sony Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222"&gt;*Erroll Garner-Nighconcert (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6968452</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6968452</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Wed, 19 Dec 2018 15:36:03 GMT</pubDate>
      <title>John Chacona</title>
      <description>My ten favorite (not necessarily best) releases of the year.&amp;nbsp;

&lt;P&gt;Usual disclaimers apply.&amp;nbsp; I only chose what I heard (I did not hear "Emanon" among other eminent releases). Submitted using the qualifying release date interval and the format of the NPR Poll.&amp;nbsp; I'm lazy.&lt;/P&gt;

&lt;P&gt;IMHO, this was a strong year, and my choices were arrived at without much angst. There were 62 releases that were finalists for this list, which, I think, speaks to the strength of the scene.&lt;/P&gt;

&lt;P&gt;Here goes:&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Ten best new releases&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;Miles Okazaki:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Work (Complete, Volumes 1-6) (self)&lt;BR&gt;
Makaya McCraven:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Universal Beings (International Anthem Recording Co.)&lt;BR&gt;
Steve Coleman &amp;amp; Five Elements: Live At The Village Vanguard Vol. I (Pi Recordings)&lt;BR&gt;
James Brandon Lewis/Chad Taylor: Radiant Imprints (Off Records)&lt;BR&gt;
Andrew Cyrille: Lebroba (ECM)&lt;BR&gt;
Nik Bärtsch's Ronin:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Awase (ECM)&lt;BR&gt;
Henry Threadgill / 14 or 15 Kestra: AGG:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Dirt... And More Dirt (Pi Recordings)&lt;BR&gt;
Tyshawn Sorey:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Pillars (Firehouse 12)&lt;BR&gt;
Thiefs: Graft (Jazz &amp;amp; People)&lt;BR&gt;
Code Girl:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Mary Halvorson (Firehouse 12)&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Reissues or Historical albums&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;Anthony Braxton:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Sextet (Parker) 1993 (Firehouse 12)&lt;BR&gt;
John Coltrane: Both Directions At Once: The Lost Album (Verve)&lt;BR&gt;
Woody Shaw: Live In Bremen 1983 (Elemental Music)&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best vocal album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;William Parker: Voices Fall From The Sky (Aum Fidelity)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best debut album&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Ben LaMar Gay:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Downtown Castles Can’t Block the Sun (International Anthem Recording Co.)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Best Latin jazz CD&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Román Filiú: Quartería (Sunny Side Records)&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6966302</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6966302</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 18 Dec 2018 17:08:19 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;My list of ten favorite 2018 releases, along with 25 other notable new recordings, and historical releases. Listed alphabetically, as I hate numerical rankings.&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Kenny Barron Quintet&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Concentric Circles&lt;/EM&gt;&amp;nbsp;(Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Eddie Daniels&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Heart of Brazil: A Tribute to Egberto Gismonti&lt;/EM&gt;&amp;nbsp;(Resonance)&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Larry Goldings/Peter Bernstein/Bill Stewart&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Toy Tunes&lt;/EM&gt;&amp;nbsp;(Pirouet)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Chris Lightcap&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Superette&lt;/EM&gt;&amp;nbsp;(Royal Potato Family)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Joe Lovano &amp;amp; Dave Douglas/Sound Prints&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Scandal&amp;nbsp;&lt;/EM&gt;(Greenleaf)&lt;BR&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Nolatet&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;No Revenge Necessary&lt;/EM&gt;&amp;nbsp;(Royal Potato Family)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Joshua Redman/Ron Miles/Scott Colley/Brian Blade&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Still Dreaming&lt;/EM&gt;&amp;nbsp;(Nonesuch)&lt;BR&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;EM style="font-size: 10pt;"&gt;&lt;STRONG style="font-size: 10pt;"&gt;Bobby Sanabria Multiverse Big Band&lt;/STRONG&gt;&lt;SPAN style="font-size: 10pt;"&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 10pt;"&gt;West Side Story&amp;nbsp;&lt;/EM&gt;Reimagined&lt;/EM&gt;&lt;SPAN style="font-size: 10pt;"&gt;&amp;nbsp;(Jazzheads)&lt;/SPAN&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Antonio Sanchez (featuring WDR Big Band)&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Channels of Energy&lt;/EM&gt;&amp;nbsp;(CamJazz)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT color="#000000"&gt;&lt;STRONG&gt;Wayne Shorter&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Emanon&amp;nbsp;&lt;/EM&gt;(Blue Note)&lt;/FONT&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;----------&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Historical&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;John Coltrane&lt;/STRONG&gt;, &lt;EM&gt;Both Directions at Once: The Lost Album&lt;/EM&gt;&amp;nbsp;(Impulse)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Miles Davis and John Coltrane&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;The Final Tour: The Bootleg Series, Vol. 6&amp;nbsp;&lt;/EM&gt;(Columbia/Legacy)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Charlie Haden &amp;amp; Brad Mehldau&lt;/STRONG&gt;,&amp;nbsp;&lt;EM&gt;Long Ago and Far Away&lt;/EM&gt;&amp;nbsp;(Impulse)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Fred Hersch Trio&lt;/STRONG&gt;,&amp;nbsp;‘&lt;EM&gt;97 @ The Village Vanguard&lt;/EM&gt;&amp;nbsp;(Palmetto)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;&lt;FONT style="font-size: 15px;"&gt;Art Pepper&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 15px;"&gt;,&amp;nbsp;&lt;EM&gt;Unreleased Art Pepper Vol. 10: Toronto&lt;/EM&gt;&amp;nbsp;(Widow’s Taste)&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;---------------&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;STRONG&gt;25 other Notable Jazz Releases&lt;/STRONG&gt;&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Antonio Adolfo:&lt;/STRONG&gt; &lt;EM&gt;Encontros -- Orquestra Atlantica&lt;/EM&gt; (AAM)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Ambrose Akinmusire&lt;/STRONG&gt;, &lt;EM&gt;Origami Harvest&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Roni Ben-Hur &amp;amp; Harvie S&lt;/STRONG&gt;, &lt;EM&gt;Introspection&lt;/EM&gt; (Jazzheads)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Anat Cohen &amp;amp; Fred Hersch&lt;/STRONG&gt;, &lt;EM&gt;Live in Healdsburg&lt;/EM&gt; (Anzic)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Chick Corea&lt;/STRONG&gt;, &lt;EM&gt;The Musician&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;Rob Dixon Trio featuring Charlie Hunter &amp;amp; Mike Clark&lt;/STRONG&gt;, &lt;EM style="font-size: 10pt;"&gt;Coast to Crossroads&lt;/EM&gt; (Rob Dixon)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Bill Frisell&lt;/STRONG&gt;, &lt;EM&gt;Music IS&lt;/EM&gt; (Okeh/Sony)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Aaron Goldberg&lt;/STRONG&gt;, &lt;EM&gt;At the Edge of the World&lt;/EM&gt; (Sunnyside)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jimmy Haslip/Scott Kinsey/Gergo Borlai&lt;/STRONG&gt;, &lt;EM&gt;Arc Trio&lt;/EM&gt; (Blue Canoe)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Carlos Henriquez&lt;/STRONG&gt;, &lt;EM&gt;Dizzy Con Clave&lt;/EM&gt;&amp;nbsp;(RodBros)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Fred Hersch Trio&lt;/STRONG&gt;, &lt;EM&gt;Live in Europe&lt;/EM&gt; (Palmetto Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Charles Lloyd &amp;amp; the Marvels + Lucinda Williams&lt;/STRONG&gt;, &lt;EM&gt;Vanished Gardens&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Medeski Martin &amp;amp; Wood with Alarm Will Sound&lt;/STRONG&gt;, &lt;EM&gt;Omnisphere&lt;/EM&gt; (Indirecto)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Brad Mehldau Trio&lt;/STRONG&gt;, &lt;EM&gt;Seymour Reads the Constitution!&lt;/EM&gt; (Nonesuch)&lt;/P&gt;&lt;STRONG&gt;Hendrik Meurkens/Bill Cunliffe&lt;/STRONG&gt;, &lt;EM&gt;Cabin in the Sky&lt;/EM&gt; (Height Advantage)

&lt;P&gt;&lt;STRONG&gt;Francois Moutin &amp;amp; Kavita Shaw&lt;/STRONG&gt;, &lt;EM&gt;Interplay&lt;/EM&gt; (Dot Time)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Bill O'Connell&lt;/STRONG&gt;, &lt;EM&gt;Jazz Latin&lt;/EM&gt; (Savant)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Houston Person &amp;amp; Ron Carter&lt;/STRONG&gt;, &lt;EM&gt;Remember Love&lt;/EM&gt; (HighNote)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;Charles Pillow Large Ensemble&lt;/STRONG&gt;, &lt;EM&gt;Electric Miles&lt;/EM&gt; (MAMA)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;Dan Pugachi Nonet&lt;/STRONG&gt;, &lt;EM&gt;Plus One&lt;/EM&gt; (Unit)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Cecile McLorin Salvant&lt;/STRONG&gt;, &lt;EM&gt;The Window&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;SFJAZZ Collective&lt;/STRONG&gt;, &lt;EM&gt;Original Compositions &amp;amp; the Music of Ornette Coleman, Stevie Wonder &amp;amp; Thelonious Monk&lt;/EM&gt; (SFJAZZ)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;John Scofield&lt;/STRONG&gt;, &lt;EM&gt;Combo 66&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;&lt;STRONG&gt;Dr. Lonnie Smith&lt;/STRONG&gt;, &lt;EM&gt;All in My Mind&lt;/EM&gt; (Blue Note)Jim Snidero &amp;amp; Jeremy Pelt&lt;/STRONG&gt;, &lt;EM style="font-size: 10pt;"&gt;Jubilation! Celebrating Cannonball Adderley&lt;/EM&gt; (Savant)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Kamasi Washington&lt;/STRONG&gt;, &lt;EM&gt;Heaven and Earth&lt;/EM&gt; (Young Turks)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6965183</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6965183</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 16 Dec 2018 01:48:02 GMT</pubDate>
      <title>David R. Adler</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT face="Arial"&gt;I saw Ted Panken, John Murph and other fellow jazz scribes discussing the utility or non-utility of Year-End Top 10 lists and it made me want to try something different. I do have a Top 10, but rather than impose that kind of fixity on 2018 I thought I’d put my Top 10 last, not first. And in its place I’m doing what I do naturally every year: keep tallies in different categories that add up to a fuller story about where the music went and what I responded to most. So here is 2018 in debut albums, solo albums, duo albums and large ensemble albums. And then finally my Top 10.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;SPAN&gt;Debut Albums:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Justin Brown, Nyeusi (Biophilia)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Big Heart Machine (Outside In)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Rogério Boccato Quarteto, No Old Rain (Red Piano)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Noam Wiesenberg, Roads Diverge (BJU)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;James Francies, Flight (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Yuhan Su, City Animals (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Jonathan Barber, Vision Ahead (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Ben LaMar Gay, Downtown Castles Can Never Block the Sun (International Anthem)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Matthew Lux, Contra/Fact (Astral Spirits)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Miki Yamanaka, Miki (Cellar Live)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Joe Armon-Jones, Starting Today (Brownswood)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;JinJoo Yoo, I’m Curious (Gut String)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Mayu Saeki, Hope (BJU)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Blue Lab Beats, Xover (All Points)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Gene Jackson Trio Nuyorx, Power of Love (Red River)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;William Tatge Trio, General Cargo (BJU)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;MND FLO, From Time (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;SPAN&gt;Solo Albums:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Brad Mehldau, After Bach (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Mike Seal, Dogwoods (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Josh Sinton, krasa (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Rob Clearfield, Wherever You’re Starting From (Woodgathering)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Miles Okazaki, Work: The Complete Compositions of Thelonious Monk, Vols. 1-6 (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;George Colligan, Nation Divided (Whirlwind)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Keith Jarrett, La Fenice (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Wendy Eisenberg, Its Shape Is Your Touch (VDSQ)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Alan Pasqua, Soliloquy (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Dan Tepfer, Natural Machines (YouTube)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Duo Albums:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Mark Turner &amp;amp; Ethan Iverson, Temporary Kings (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Mikkel Ploug &amp;amp; Mark Turner, Faroe (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Jonathan Kreisberg &amp;amp; Nelson Veras, Kreisberg Meets Veras (New For Now)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Tim Berne &amp;amp; Matt Mitchell, Angel Dusk (screwgun)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Frank Carlberg &amp;amp; Noah Preminger, Whispers and Cries (Red Piano)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Michael Coleman &amp;amp; Ben Goldberg, Practitioner (BAG)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Anteloper (Jaimie Branch/Jason Nazary), Kudu (International Anthem)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Will Holshouser &amp;amp; Eric Vloeimans, Will &amp;amp; Eric (Aviary)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Lee Konitz &amp;amp; Dan Tepfer, Decade (Verve)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Robbie Lee &amp;amp; Mary Halvorson, Seed Triangular (New Amsterdam)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Ben Wendel, Standards with Friends (YouTube)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;SPAN&gt;Large Ensemble Albums:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Michael Leonhart Orchestra, The Painted Lady Suite (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Big Heart Machine (Outside In)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Orrin Evans &amp;amp; Captain Black Big Band, Presence (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Barney McAll feat. Monash Art Ensemble, Zephyrix (Extra Celestial)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Ayn Inserto Jazz Orchestra, Down a Rabbit Hole (Summit)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Antonio Sanchez, Channels of Energy (CAM Jazz)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Luzia von Wyl Ensemble, Throwing Coins (Hathut)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Dafnis Prieto Big Band, Back to the Sunset (Dafnison)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Miho Hazama, The Monk: Live at Bimhuis (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Pedro Giraudo &amp;amp; The WDR Big Band, An Argentinian in New York (Zoho)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Marshall Gilkes &amp;amp; WDR Big Band, Always Forward (Alternate Side)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;&lt;SPAN&gt;Top 10 Albums:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Wayne Shorter, Emanon (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Miguel Zenón featuring Spektral Quartet, Yo Soy La Tradición (Miel)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Esperanza Spalding, 12 Little Spells (Concord)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Cécile McLorin Salvant, The Window (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Miles Okazaki, Work: The Complete Compositions of Thelonious Monk, Vols. 1-6 (ind.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Caroline Davis, Heart Tonic (Sunnyside)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;The Bad Plus, Never Stop II (Legbreaker)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Dan Weiss, Starebaby (Pi)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Robbie Lee &amp;amp; Mary Halvorson, Seed Triangular (New Amsterdam)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Arial" style="font-size: 14px;"&gt;Myra Melford’s Snowy Egret, The Other Side of Air (Firehouse 12)&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6961461</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6961461</guid>
      <dc:creator>David Adler</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 11 Dec 2018 15:55:59 GMT</pubDate>
      <title>Marcela Breton</title>
      <description>&lt;P&gt;These are a few of my favorite CDs in 2018:&lt;/P&gt;

&lt;P&gt;Leny Andrade "Bossa Nossa : Leny Andrade Canta Fred &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Falcão&lt;/FONT&gt;&lt;/SPAN&gt; (Biscoito Fino)&lt;/P&gt;

&lt;P&gt;Roxy Coss "The Future is Female" (Posi-tone)&lt;/P&gt;

&lt;P&gt;Champian Fulton "The Stylings of Champian" (Champian Records) (2 CDs)&lt;/P&gt;

&lt;P&gt;Jeff Hamilton Trio "Live at San Pedro" (Capri)&lt;/P&gt;

&lt;P&gt;Azar Lawrence "Elementals" (HighNote)&lt;/P&gt;

&lt;P&gt;Jorge Nila "Tenor Time" (Ninjazz Records)&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Orquesta Akokán “Orquesta Akokán" (Concord)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;Eddie Palmieri "Full Circle" (Uprising)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;Bobby Sanabria Multiverse Big Band "West Side Story Reimagined" (Jazzheads)(2 CDs)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;Lauren Sevian "Bliss" (Posi-tone)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Chucho Valdés “Jazz Batá 2” (Mack Avenue)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Los Van Van "Legado" (Egrem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style="background-color: transparent;"&gt;Reissues:&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Various “The Complete Cuban Jam Sessions” (Craft) (5 CDs)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Alice Coltrane “Spiritual Eternal : the Complete Warner Bros. Studio Recordings” (Real Gone Music) (2 CDs)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Dexter Gordon "Tokyo 1975" (Elemental Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Helen Humes "The Helen Humes Collection,1927-62" (Acrobat) (2 CDs)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Charles Mingus “Live at Montreaux 1975” (Eagle Rock Entertainment) (2 CDs)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#000000" style="font-size: 13px;"&gt;Teddy Wilson "Classic Brunswick &amp;amp; Columbia Sessions 1934-42" (Mosaic) (7 CDs)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6955389</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6955389</guid>
      <dc:creator>Marcela Breton</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 10 Dec 2018 20:46:59 GMT</pubDate>
      <title>Steve Feeney</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 21px;"&gt;TOP TEN 2018:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Wayne Shorter – Emanon (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Kamasi Washington – Heaven and Earth (Young Turks Recordings)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;William Parker – Voices Fall From The Sky (Centering)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Mary Halvorson – Code Girl (Firehouse 12)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Dave Holland – Uncharted Territories (Dare2 Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Joe Lovano &amp;amp; Dave Douglas/Sound Prints: Scandal (Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Brad Mehldau Trio – Seymour Reads the Constitution (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Kenny Barron – Concentric Circles (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Thumbscrew – Theirs (Cuneiform Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Andrew Cyrille – Lebroba (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Vocal:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;William Parker – Voices Fall From The Sky (Centering)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Debut:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;John Bailey – In Real Time (Summit Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Latin:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;David Virelles – Igbo Alakoron (The Singer’s Grove) Vol. I &amp;amp; II (Pi Recordings)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Historical:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Dexter Gordon Quartet – Espace Cardin 1977 (Elemental Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;John Coltrane – Both Directions at Once: The Lost Album (Impulse)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 19px;"&gt;Fred Hersch – Fred Hersch Trio ’97 Live @The Village Vanguard (Palmetto)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6954225</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6954225</guid>
      <dc:creator>Stephen Feeney</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 10 Dec 2018 12:13:34 GMT</pubDate>
      <title>John Szwed</title>
      <description>&lt;BR&gt;

&lt;P&gt;1&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Wayne Shorter &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Emanon&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/P&gt;

&lt;P&gt;2&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#202020"&gt;Frank Kimbrough&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;Monk’s Dreams: The Complete Compositions of Thelonious Sphere&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT color="#202020"&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Monk&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Sunnyside&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;3&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Charles Lloyd&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Vanished Gardens&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/P&gt;

&lt;P&gt;4&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Mark Masters&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;Our Metier&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Capri&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;5&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Myra Melford, The Other Side of Air&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Firehouse 12&lt;/P&gt;

&lt;P&gt;6&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Wolfgang Muthspiel&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Where the River Flows&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ECM&lt;/P&gt;

&lt;P&gt;7&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Matthew Shipp&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Sonic Fiction&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ESP&lt;/P&gt;

&lt;P&gt;8&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Jacob Sachs,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Fishes&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Clean Feed&lt;/P&gt;

&lt;P&gt;9&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Mark Turner and Ethan Iverson&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Temporary Kings&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ECM&lt;/P&gt;

&lt;P&gt;10&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; The Oakland Elementary School Arkestra.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; The Saga of Padani.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Modern Harmonic&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Reissues:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;1 The Savory Collection 1935-1940&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Mosaic&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;2 &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Charles Mingus&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Jazz in Detroit/Strata Concert Gallery/46 Selden&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Strata Media&lt;/P&gt;

&lt;P&gt;3&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;John Coltrane&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;The Lost Album &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Impulse&lt;/P&gt;

&lt;P&gt;Latin:&lt;/P&gt;

&lt;P&gt;David Virelles.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Igbo Alakorin (The Singer’s Grove, Vol 1 &amp;amp; 2.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Pi&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6953224</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6953224</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 09 Dec 2018 15:22:51 GMT</pubDate>
      <title>Christopher Burnett</title>
      <description>&lt;P style="line-height: 26px;" align="left"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;STRONG&gt;&lt;IMG src="http://jazzartistrynow.com/wp-content/uploads/2017/09/cropped-logo_transparent_background.png" alt="Image result for jazzartistrynow" width="213" height="113"&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;STRONG&gt;Jazz Artistry Now&lt;/STRONG&gt;&amp;nbsp;– 2018 marks the 17th year I have submitted a “Top Jazz” recordings list for consideration.&lt;/FONT&gt;&lt;/P&gt;

&lt;H2 style="line-height: 52px;"&gt;&lt;FONT color="#222222"&gt;PARAMETERS&lt;/FONT&gt;&lt;/H2&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;This is the same list submitted to the&amp;nbsp;&lt;A href="https://jja.wildapricot.org/Sys/PublicProfile/38182080"&gt;&lt;FONT color="#2BA6CB"&gt;Jazz Journalists Association&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;and posted to my long-time “&lt;A href="http://burnettmusic.com/"&gt;&lt;FONT color="#2BA6CB"&gt;Musings In Cb&lt;/FONT&gt;&lt;/A&gt;” blog as well. The list contains links to the recordings or published reviews.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;Readers are encouraged to&amp;nbsp;&lt;EM&gt;listen and enjoy these records&lt;/EM&gt;&amp;nbsp;for themselves.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;The parameters of this list conclude that all of these recordings are objectively brilliant in artistry and scope.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;Therefore I do not rank them –&amp;nbsp;&lt;STRONG&gt;it’s all great work&lt;/STRONG&gt;.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#2BA6CB"&gt;Jazz Artistry Now&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;only reviews work that we justly believe to be in the&amp;nbsp;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#2BA6CB"&gt;4.0- to 4.5- out of 5.0-star range&lt;/FONT&gt;&lt;/A&gt;.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;You will find music by&amp;nbsp;&lt;EM&gt;widely-publicized&lt;/EM&gt;&amp;nbsp;jazz musicians and&amp;nbsp;&lt;EM&gt;not-so-well-known&lt;/EM&gt;&amp;nbsp;alike. That’s cool.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;I always include recordings released on our&amp;nbsp;&lt;A href="http://artistsrecordingcollective.biz/"&gt;&lt;FONT color="#2BA6CB"&gt;Artists Recording Collective&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;label because we believe the inherent nature of acceptance into the collective ensures the quality of music we release is organically among the best recordings produced each year.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;There is also a mixture of “types” of jazz among the music listed here – from melodic and traditional-sounding music to progressive, improvised and abstract experimentations. That’s cool too.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;Again, we hope that you explore these particular works along with your normal listening playlists.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;Thanks for reading.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;~ Christopher Burnett, a JAN editor, writer, and a professional voting member:&amp;nbsp;&lt;A href="https://jja.wildapricot.org/Sys/PublicProfile/38182080"&gt;&lt;FONT color="#2BA6CB"&gt;Jazz Journalists Association&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;STRONG&gt;[ JAN ‘Best of Jazz’ 2018 Reviews ]&lt;/STRONG&gt;

&lt;OL style="line-height: 26px;"&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-rez-abbasi-u-u/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Rez Abbasi&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-as-is-heres-to-life/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;As Is&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-satoko-fujii-fukushima/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Satoko Fujii Orchestra New York&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-sharel-cassity-elektra-evolve/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Sharel Cassity &amp;amp; Evolve&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-teddy-wilson-in-perspective/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Teddy Wilson Mosaic Box Set&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-jon-irabagon-dr-quixotics-traveling-exotics/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Jon Irabagon&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-alchemy-sound-project/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Alchemy Sound Project&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-jeff-siegel-quartet/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Jeff ‘Siege’ Siegel Quartet&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;A href="http://jazzartistrynow.com/review-pillow/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Charles Pillow&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;H3 style="line-height: 38px;"&gt;&lt;FONT color="#222222"&gt;JAN REVIEW SCALE&lt;/FONT&gt;&lt;/H3&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;JAN uses a 5-point scale for reviews. We only review music we think is in the 4.0 to 4.5 out of 5 stars range. So, all of the music reviewed here is the best of the best in our editorial and collectively informed opinions.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;Our highest review rating is 4.5 because objective reality remains that nobody is 5 stars. We know that some writers and publications give fives. But, is there really a five-out-of-five recording, though? We say not. So, if we write about yours, or your client’s recording, it is likely among the best music being released by any scale.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;When JAN publishes&amp;nbsp;a review, the recording is representative of the&amp;nbsp;&lt;STRONG&gt;best jazz artistry now&lt;/STRONG&gt;.&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;EM&gt;# # #&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;EM&gt;&lt;A href="http://jazzartistrynow.com/"&gt;&lt;FONT color="#2BA6CB"&gt;www.JazzArtistryNow.com&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 26px;" align="left"&gt;&lt;FONT style="font-size: 16px;" color="#222222"&gt;&lt;EM&gt;&lt;FONT color="#2BA6CB"&gt;&lt;FONT style="font-family: tahoma, sans;"&gt;&lt;IMG src="http://artistsrecordingcollective.biz/wp-content/uploads/2016/09/logo_horizontal_color.png" alt="Image result for artists recording collective" width="274" height="91"&gt;&lt;/FONT&gt;&lt;BR&gt;
&lt;STRONG style="color: rgb(0, 0, 0); font-size: 10pt;"&gt;[ ARC Records 2018 Stellar Releases ]&lt;/STRONG&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL style="line-height: 26px;"&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;A href="https://danarcamone.bandcamp.com/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Dan Arcamone&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://jamesarmstrongmusiccom.wordpress.com/2018/09/15/ruminations-arc-2956/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;James Armstrong&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://store.cdbaby.com/cd/gregcarroll"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Greg Carroll + Mike Pagan&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://store.cdbaby.com/cd/alchemysoundproject2"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Alchemy Sound Project&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://store.cdbaby.com/cd/jeffsiegesiegelquartet"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Jeff ‘Siege’ Siegel Quartet&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;DIV align="left"&gt;
  &lt;STRONG&gt;&lt;STRONG style="font-size: 10pt;"&gt;&lt;IMG src="http://burnettpublishing.com/wp-content/uploads/2019/03/logo_transparent_background-1.png" alt="Image result for burnettmusic.biz logo" width="366" height="83"&gt;&lt;/STRONG&gt;&lt;/STRONG&gt;
&lt;/DIV&gt;&lt;STRONG style="font-size: 10pt;"&gt;[ Christopher Burnett’s 2018 personal picks ]&lt;/STRONG&gt;&lt;BR&gt;

&lt;UL style="line-height: 26px;"&gt;
  &lt;LI&gt;&lt;A href="https://ropeadope.com/logan-richardson/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Logan Richardson&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;…state of the art alto saxophonist whose original voice has matured and moved the music forward into this Century.&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://itunes.apple.com/us/artist/ernest-melton/958321437"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Ernest Melton&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;…a young prodigy who is a refreshing throwback to the era when the essence of the music was learned from elders on the bandstand and many hours in the personal woodshed.&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://cleanfeed-records.com/product/hard-knocks/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Sean Conly&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;…hey, everybody – modern jazz sounds like this.&lt;/LI&gt;

  &lt;LI&gt;&lt;A href="https://danarcamone.bandcamp.com/"&gt;&lt;FONT color="#2BA6CB"&gt;&lt;STRONG&gt;Dan Arcamone&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;…genius is often bandied about in jazz, but in the case of this thoughtful and formidable artist, I say not – he is a ‘genius.’&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6951896</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6951896</guid>
      <dc:creator>Christopher Burnett</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 03 Dec 2018 21:16:37 GMT</pubDate>
      <title>Ken Franckling</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;The 10 best new jazz releases of 2018&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Jeff Hamilton Trio, &lt;EM&gt;Live from San Pedro&lt;/EM&gt; (Capri)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Benjamin Boone and Philip Levine, &lt;EM&gt;The Poetry of Jazz&lt;/EM&gt; (Origin)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Lynne Arriale Trio, &lt;EM&gt;Give Us These&lt;/EM&gt; Days (Challenge)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Eric Alexander, &lt;EM&gt;Song of No Regrets&lt;/EM&gt; (HighNote)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet &lt;EM&gt;Passion Reverence Transcendence&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;Fred Hersch Trio, &lt;EM&gt;Live in&lt;/EM&gt; Europe (Palmetto)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Yelena Eckemoff, &lt;EM&gt;Desert&lt;/EM&gt; (L&amp;amp;H)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Mica Bethea Big Band, &lt;EM&gt;Suite Theory&lt;/EM&gt; (self-produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Roxy Coss, &lt;EM&gt;The Future Is Female&lt;/EM&gt; (Posi-Tone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;Dongfeng Liu, &lt;EM&gt;China Carib&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;2018’s best vocal recording:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&amp;nbsp; &lt;SPAN&gt;&lt;FONT&gt;Amy Cervini, &lt;EM&gt;No One Ever Tells You&lt;/EM&gt; (Anzic) &lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;The best&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;historical/reissues of 2018&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;(includes any recordings made over 10 years ago, whether newly released or reissued):&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;John Coltrane, &lt;EM&gt;Both Directions at Once: The Lost Sessions&lt;/EM&gt; (Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Esbjorn Svensson Trio, &lt;EM&gt;E.S.T. Live in London&lt;/EM&gt; (ACT)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;&lt;FONT color="#000000"&gt;3.&amp;nbsp;&amp;nbsp; Fred Hersch Trio, &lt;EM&gt;'97 @ The Village Vanguard&lt;/EM&gt; (self-produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;2018’s best Latin/Brazilian jazz recordings:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Dafnis Prieto Big Band, &lt;EM&gt;Back to the&lt;/EM&gt; Sunset (Dafnison)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Bobby Sanabria, &lt;EM&gt;West Side Story Revimagined&lt;/EM&gt; (JazzHeads)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Antonio Adolfo, &lt;EM&gt;Encontros - Orquestra Atlantica&lt;/EM&gt; (AAM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Akira Tana, &lt;EM&gt;JAZZaNOVA&lt;/EM&gt; (Vega)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT color="#000000"&gt;Eddie Daniels, &lt;EM&gt;Heart of Brazil&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;The 10 best new compositions from CDs released in 2018, listed alphabetically:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Lynne Arriale, “Appassionata” from &lt;EM&gt;Give Us These&lt;/EM&gt; Days (Challenge)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Benjamin Boone, The Unknowable (Homage to Sonny Rollins)” from Benjamin Boone and Philip Levine, &lt;EM&gt;The Poetry of Jazz&lt;/EM&gt; (Origin)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Roxy Coss, “Females are Strong as Hell” from &lt;EM&gt;The Future Is Female&lt;/EM&gt; (Posi-Tone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Yelena Eckemoff, “Bedouins” from &lt;EM&gt;Desert&lt;/EM&gt; (L&amp;amp;H)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Thomas Fonnesbæk, “Panic Attack” from Fonnesbæk and Kauflin, &lt;EM&gt;Synesthesia&lt;/EM&gt; (Storyville)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Ken Fowser, “Coming Up Shorter” from &lt;EM&gt;Don’t Look Down&lt;/EM&gt; (Posi-Tone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Benito Gonzalez, “Brazilian Girls” from Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet &lt;EM&gt;Passion Reverence Transcendence&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Fred Hersch, “Newklypso” from Fred Hersch Trio, &lt;EM&gt;Live in&lt;/EM&gt; Europe (Palmetto)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Monika Herzig, “Nancy Wilson Portrait” from &lt;EM&gt;Sheroes&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;Dongfeng Liu, “Colorful Clouds Chasing the Moon” from &lt;EM&gt;China Carib&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6943979</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6943979</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 03 Dec 2018 01:30:47 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Here are the top 30 tracks from 2018 releases featured on my radio programs Jazz In the New Millennium (syndicated nationally through the African American Public Radio Consortium) and The Motif/Jazz In the Afternoon (KBOO.FM, Portland, Oregon). They are not in ranked order, but I have divided them into two discs, "Geezer Jazz" and "Not-So-Geezer Jazz." I would add that while evaluating jazz through the prism of how it is going to be received on the radio can dilute one's taste, it can also hone it. I don't have to prove how hip I am; I just want to do right by the music &lt;EM&gt;and&lt;/EM&gt; for people to keep listening. Peace.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Geezer Jazz&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;"One Up, One Down (Take 1)," John Coltrane&lt;/P&gt;

&lt;P&gt;"Fly With the Wind," Benito Gonzalez/Gerry Gibbs/Essiet Okun Essiet&lt;/P&gt;

&lt;P&gt;"Blues for Langston and Larue," Charles Lloyd and the Marvels&lt;/P&gt;

&lt;P&gt;"Some Folks' Lives Roll Easy," Paul Simon&lt;/P&gt;

&lt;P&gt;"50 Ways to Leave Your Lover," Dr. Lonnie Smith&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Que Sera Sera," Marcus Miller&lt;/P&gt;

&lt;P&gt;"El Guije," Chucho Valdes&lt;/P&gt;

&lt;P&gt;"Adventures Aboard the Golden Mean," Wayne Shorter&lt;/P&gt;

&lt;P&gt;"DPW," Kenny Barron Quintet&lt;/P&gt;

&lt;P&gt;"Dang Swing," John Scofield&lt;/P&gt;

&lt;P&gt;"Nobody Said Love Was Easy," Karrin Allyson&lt;/P&gt;

&lt;P&gt;"Close Enough for Jazz," Van Morrison and Joey DeFrancesco&lt;/P&gt;

&lt;P&gt;"I'm Gonna Move to the Outskirts of Town," Wynton Marsalis Septet w/ Ray Charles&lt;/P&gt;

&lt;P&gt;"Submarine," Bob James&lt;/P&gt;

&lt;P&gt;"Merry Christmas Baby," Les McCann&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Not-So-Geezer Jazz&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;"It Don't Mean a Thing," Grace Kelly&lt;/P&gt;

&lt;P&gt;"Respond," R+R=Now&lt;/P&gt;

&lt;P&gt;"Save Your Love for Me," Tia Fuller&lt;/P&gt;

&lt;P&gt;"General Thunder," Julian Lage&lt;/P&gt;

&lt;P&gt;"Hialeah," Harold Lopez Nussa&lt;/P&gt;

&lt;P&gt;"Will You Love Me Tomorrow," Kamasi Washington&lt;/P&gt;

&lt;P&gt;"Just the Two of Us," Jose James&lt;/P&gt;

&lt;P&gt;"Timing," Marcus Strickland's Twi-Life&lt;/P&gt;

&lt;P&gt;"14th Street Bounce," Corcoran Holt&lt;/P&gt;

&lt;P&gt;"Fight for Freedom," Christian Sands&lt;/P&gt;

&lt;P&gt;"Walkin' Funny," Christian McBride&lt;/P&gt;

&lt;P&gt;"The Gentleman Is a Dope," Cecile McLorin Salvant&lt;/P&gt;

&lt;P&gt;"The Very Thought of You," Joey Alexander feat. Joshua Redman&lt;/P&gt;

&lt;P&gt;"Boffadem," The Bad Plus&lt;/P&gt;

&lt;P&gt;"Atomic Dog 2017," Me'Shell Ndegeocello&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Top Ten Albums of the Year&lt;/STRONG&gt; (Across Category, based on Lester Bangs' honest criterion of what got the most play at home, in the car and on the radio)&lt;/P&gt;

&lt;P&gt;1. Charles Lloyd and the Marvels + Lucinda Williams, &lt;EM&gt;Vanished Gardens&lt;/EM&gt; (Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;2. Ry Cooder, &lt;EM&gt;The Prodigal Son&lt;/EM&gt; (Fantasy)&lt;/P&gt;

&lt;P&gt;3. Dr. Lonnie Smith, &lt;EM&gt;All In My Mind&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;4. Buddy Guy, &lt;EM&gt;The Blues Is Alive and Well&lt;/EM&gt; (Silvertone/RCA)&lt;/P&gt;

&lt;P&gt;5. Chucho Valdes, Jazz Bata 2 (Mack Avenue)&lt;/P&gt;

&lt;P&gt;6. Bettye Lavette, &lt;EM&gt;Things Have Changed&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;7. Boz Scaggs, &lt;EM&gt;Out of the Blues&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;8. Harold Lopez Nussa, &lt;EM&gt;Un Dia Cualquiera&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;9. Julian Lage, &lt;EM&gt;Modern Lore&lt;/EM&gt; (Mack Avenue)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;10. Jose James, &lt;EM&gt;Lean On Me&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6942442</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6942442</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 02 Dec 2018 16:50:22 GMT</pubDate>
      <title>Nancy Barell</title>
      <description>&lt;P&gt;Leslie Pintchik You Eat My Food, You Drink My Wine,You Steal My Girl&amp;nbsp;&amp;nbsp; Pinch Hard&lt;/P&gt;

&lt;P&gt;Martin Wind Light Blue&amp;nbsp; Laika&lt;/P&gt;

&lt;P&gt;Cecile McLorin Salvant&amp;nbsp; The Window&amp;nbsp; Mack Avenue&lt;/P&gt;

&lt;P&gt;Jeremy Pelt Noir En Rouge High Note&lt;/P&gt;

&lt;P&gt;Fred Hersh Trio Live In Europe&amp;nbsp; Palmetto&lt;/P&gt;

&lt;P&gt;Sachal Vasandani Shadow Train GSI&lt;/P&gt;

&lt;P&gt;Amy Cervini&amp;nbsp; NoOne Ever Tells You&amp;nbsp; Anzic&lt;/P&gt;

&lt;P&gt;Cyrille Aimee Cyrille Aimee Live&amp;nbsp;&amp;nbsp; Mack Ave&lt;/P&gt;

&lt;P&gt;Eric Alexander Song Of No Regrets&amp;nbsp; High Note&lt;/P&gt;

&lt;P&gt;Stacey Kent I Know I Dream&amp;nbsp;&amp;nbsp; The Orchestral Sessions&amp;nbsp;&amp;nbsp; Okeh&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Nancy Barell Jazz Spotlight On Sinatra&lt;/P&gt;

&lt;P&gt;Purejazzradio.org&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6942119</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6942119</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sat, 01 Dec 2018 02:48:15 GMT</pubDate>
      <title>Hrayr Attarian</title>
      <description>&lt;P&gt;My Best of 2018&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1) Kenny Barron "Concentric Circles" (Blue Note)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;2) Roxy Coss "The Future is Female" (Posi-Tone)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;3) Monika Herzig "Sheroes" (Whaling City Sound)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;4) Steve Coleman "Live at the Village Vanguard, Vol. 1 (The Embedded Sets)" (Pi Recordings)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;5) Henry Threadgill "Dirt… And More Dirt" (Pi Recordings)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;6) Satoko Fujii "Solo" (Libra)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;7) Andrew Cyrille "Lebroba" (ECM)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;8) Henry Threadgill "Double Up, Plays Double Up Plus" (Pi)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;9) Keith Jarrett "La Fenice" (ECM)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;10) Carol Liebowitz and and Birgitta Flick "Malita-Malika" (Leo)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Reissues&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;1) Woody Shaw "Tokyo' 81" (Elemental)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;2) Sun Ra "Discipline 27-11" (Corbett vs. Dempsey)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;3) Dexter Gordon "Tokyo 75" (Elemental)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6940736</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6940736</guid>
      <dc:creator>Hrayr Attarian</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 30 Nov 2018 20:23:00 GMT</pubDate>
      <title>Sammy Stein</title>
      <description>&lt;P&gt;My best Jazz Bits of 2018&lt;/P&gt;

&lt;P&gt;Where to begin is the first question. 2018 has seen many stellar recordings, gigs and surprising live experiences, both in the UK and in South America, where I spent much of the year.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Highlight releases include&lt;/P&gt;

&lt;P&gt;Ed Jones' album, Prick Up Your Ears'&amp;nbsp; (impossible Ark'&lt;/P&gt;

&lt;P&gt;Mark Ward 'Moving Day' ( Edition 66)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Mats Gustafsson's Fire! The Hands (Rune Gramofon)&lt;/P&gt;

&lt;P&gt;Paul Jolly and Mike Adcock 'Risky Furniture' (33 Jazz)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Han Bennink, Steve Noble and Alexander Hawkins 11.1.17 (Otoruku)&lt;/P&gt;

&lt;P&gt;John Edwards/Mark Sangers/John Hall FGBH (Entr'Acte)&lt;/P&gt;

&lt;P&gt;Monk - Monk (Gearbox)&lt;/P&gt;

&lt;P&gt;Wayne Shorter 'Emanon' (Blue Note Records)&lt;/P&gt;

&lt;P&gt;Writing Highlights - writing with Mats Gustafsson for Free Jazz Collective. Mats did the pictures and I did the narrative about his trip to Columbia.&lt;/P&gt;

&lt;P&gt;Also, reviews of gigs including Full Blast at Café Oto - Peter's incredible energy and musical mastery were just amazing.&lt;/P&gt;

&lt;P&gt;Other highlights include the amazing women who have come in on my new book which has been commissioned by 8th House Publishing in Canada and some great reviews for my last book ' All That's Jazz' on All About Jazz and Amazon as well as elsewhere, which was incredible. &amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6940342</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6940342</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 30 Nov 2018 15:09:15 GMT</pubDate>
      <title>Sanford Josephson</title>
      <description>&lt;P&gt;Tony Bennett, Diana Krall, Love is Here to Stay (Verve)&lt;/P&gt;

&lt;P&gt;Scott Hamilton, Live at Pyatt Hall (Cellar Live)&lt;/P&gt;

&lt;P&gt;Eric Alexander, Songs of No Regret (HighNote)&lt;/P&gt;

&lt;P&gt;Houston Person, Ron Carter, Remember Love (HighNote)&lt;/P&gt;

&lt;P&gt;Harold Mabern, The Iron Man (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Don Braden, Earth Wind and Wonder (Creative Perspective)&lt;/P&gt;

&lt;P&gt;Adrian Cunningham, Ken Peplowski, Duologue (Arbors)&lt;/P&gt;

&lt;P&gt;Jeff Hamilton Trio, Live From San Pedro (Capri Records)&lt;/P&gt;

&lt;P&gt;Eddie Daniels, Heart of Brazil (Resonance Records)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6939475</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6939475</guid>
      <dc:creator>Sanford Josephson</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 30 Nov 2018 02:17:55 GMT</pubDate>
      <title>John Pietaro</title>
      <description>&lt;P align="center"&gt;&lt;FONT&gt;&lt;SPAN style="font-size: 12px;"&gt;&lt;STRONG&gt;&lt;EM&gt;MY OWN 'BEST OF 2018' - a perhaps alternative view...&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Albums&lt;/FONT&gt;&lt;/U&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;New Releases&lt;/FONT&gt;&lt;/U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;John Zorn,&amp;nbsp;&lt;EM&gt;The Urmuz Epigrams&lt;/EM&gt;&amp;nbsp;(Tzadik)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Harriet Tubman, &lt;EM&gt;Araminta&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Marty Ehrlich,&amp;nbsp;&lt;EM&gt;Trio Exaltation&lt;/EM&gt;&amp;nbsp;(Clean Feed)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Ra Kalam Bob Moses and Bukky Leo,&amp;nbsp;&lt;EM&gt;Spaceships Over Africa&amp;nbsp;&lt;/EM&gt;(Ra Kalam)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Benjamin Boone/Philip Levine,&amp;nbsp;&lt;EM&gt;The Poetry of Jazz&amp;nbsp;&lt;/EM&gt;(Origin)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Yusef Komunyakaa/David Cieri/Mike Brown,&amp;nbsp;&lt;EM&gt;White Dust&lt;/EM&gt;&amp;nbsp;(Ropeadopa)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Christine Correa and Ran Blake, Streaming (Red Piano)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Elliot Levin/Gabriel Lauber Duo,&amp;nbsp;&lt;EM&gt;Yu&lt;/EM&gt;&amp;nbsp;(Dimensional Recordings)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Historic:&lt;/FONT&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;Coltrane, &lt;EM&gt;Both Directions at Once&lt;/EM&gt; (Impulse)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Walt Dickerson/Richard Davis - &lt;EM&gt;Divine Gemini&lt;/EM&gt; (SteepleChase)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Latin&lt;/FONT&gt;&lt;/U&gt; &lt;FONT style="font-size: 16px;" color="#000000"&gt;: Arturo O’Farrill, &lt;EM&gt;Fandango at the Wall&lt;/EM&gt; (Resilience)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Vocals&lt;/FONT&gt;&lt;/U&gt; &lt;FONT style="font-size: 16px;" color="#000000"&gt;: Christine Correa and Ran Blake, &lt;EM&gt;Streaming&lt;/EM&gt; (Red Piano)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Debuts&lt;/FONT&gt;&lt;/U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;: Benjamin Boone/Philip Levine,&amp;nbsp;&lt;EM&gt;The Poetry of Jazz&amp;nbsp;&lt;/EM&gt;(Origin)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Concert:&lt;/FONT&gt;&lt;/U&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;I Never Left and Now I’m Back: A Tribute to Roswell Rudd (Nov 17, 2018, Murmrr, Brooklyn)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Musicians:&lt;/FONT&gt;&lt;/U&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;piano:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Ran Blake&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Chris Forbes&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Matt Shipp&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;organ:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Matthew Whitaker&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;bass:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Ken Filiano&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Adam Lane&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;drums:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Milford Graves&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Nasheet Waits&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Kenny Wolleson&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;vibes:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Brian Carrot&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Bill Ware&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Patricia Brennan&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;percussion:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Warren Smith&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Cyro Baptista&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Ches Smith&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;guitar:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Marc Ribot&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Brandon Ross&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Mary Halvorson&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;On' Kai Davis&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;flute:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Nicole Mitchell&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Steve Gorn&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;soprano saxophone:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Lee Odom&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;alto:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Sonny Fortune&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Gary Bartz&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Avram Fefer&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;tenor:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Joe Lovano&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Ras Moshe&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;James Brandon Lewis&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;bari:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Dave Sewlson&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;trumpet:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Wadada Leo Smith&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Tom Harrell&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;trombone:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Steve Swell&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;tuba:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Bob Stewart&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;violin:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Gwen Laster&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;vocals:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Cassandra Wilson&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Jay Clayton&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Sheila Jordan&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;poetry:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&amp;nbsp;Steve Dalachinsky&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Amina Baraka&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Venues:&lt;/FONT&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Minton’s Playhouse (Harlem)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Village Vanguard (West Village)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Joe’s Pub (SoHo/East Village)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;ShapeShifter Lab (Park Slope/Gowanus Bklyn)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Roulette (Boerum Hill Bklyn)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;17 Frost (Williamsburg Bklyn)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;Scholes Street Studio (Williamsburg Bklyn)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;FONT style="font-size: 16px;" color="#000000"&gt;The Colony (Woodstock NY)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT&gt;&lt;SPAN style="font-size: 12px;"&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/FONT&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6938924</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6938924</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 29 Nov 2018 20:18:23 GMT</pubDate>
      <title>Bill Milkowski</title>
      <description>&lt;P&gt;THE BEST OF 2018&lt;BR&gt;
&lt;BR&gt;
1. JD Allen, &lt;EM&gt;Love Stone&lt;/EM&gt; (Savant)&lt;BR&gt;
2. John Scofield, &lt;EM&gt;Combo 66&lt;/EM&gt; (Verve)&lt;BR&gt;
3. Bill Frisell, &lt;EM&gt;Music IS&lt;/EM&gt; (OKeh/Sony Masterworks)&lt;BR&gt;
4. Francois Moutin &amp;amp; Kavita Shah, &lt;EM&gt;Interplay&lt;/EM&gt; (Dot Time)&lt;BR&gt;
5. Michael Leonhart Orchestra, &lt;EM&gt;The Painted Lady Suite&lt;/EM&gt; (Sunnyside)&lt;BR&gt;
6. Wayne Shorter, &lt;EM&gt;Emanon&lt;/EM&gt; (Blue Note)&lt;BR&gt;
7. Eddie Henderson, &lt;EM&gt;Be Cool&lt;/EM&gt; (Smoke Sessions Records)&lt;BR&gt;
8. Andrew Cyrille, &lt;EM&gt;Lebroba&lt;/EM&gt; (EMC)&lt;BR&gt;
9. Joshua Redman, &lt;EM&gt;Still Dreaming&lt;/EM&gt; (Nonesuch)&lt;BR&gt;
10. Carlos Hernandez, Dizzy Con Clave (Rodbros Music)&lt;/P&gt;

&lt;P&gt;11. Rudy Royston, &lt;EM&gt;Flatbed Buggy&lt;/EM&gt; (Greenleaf Music)&lt;BR&gt;
12. Kurt Elling, &lt;EM&gt;The Questions&lt;/EM&gt; (OKeh)&lt;BR&gt;
13. Steve Cardenas, &lt;EM&gt;Charlie and Paul&lt;/EM&gt; (Newvelle)&lt;BR&gt;
14. Ben Allison, &lt;EM&gt;Quiet Revolution&lt;/EM&gt; (Sonic Camera)&lt;BR&gt;
15. Henry Threadgill, &lt;EM&gt;Dirt…And More Dirt&lt;/EM&gt; (Pi Recordings)&lt;BR&gt;
16. Myra Melford’s Snowy Egret, &lt;EM&gt;The Other Side of Air&lt;/EM&gt; (Firehouse 12)&lt;BR&gt;
17. Dr. Lonnie Smith, &lt;EM&gt;All In My Mind&lt;/EM&gt; (Blue Note)&lt;BR&gt;
18. Cuong Vu, &lt;EM&gt;Change in the Air&lt;/EM&gt; (RareNoise)&lt;BR&gt;
19. The Nels Cline 4, &lt;EM&gt;Currents, Constellations&lt;/EM&gt; (Blue Note)&lt;BR&gt;
20. Mary Halvorson-Bill Frisell, &lt;EM&gt;The Maid With The Flaxen Hair — A Tribute to Johnny Smith&lt;/EM&gt; (Tzadik)&lt;BR&gt;
21. Adam Nussbaum, &lt;EM&gt;The Lead Belly Project&lt;/EM&gt; (Sunnyside)&lt;BR&gt;
22. Dafnis Prieto Big Band, &lt;EM&gt;Back to the Sunset&lt;/EM&gt; (Dafnison Music)&lt;BR&gt;
23. Marshall Gilkes w/WDR Big Band, &lt;EM&gt;Always Forward&lt;/EM&gt; (Alternate Side Records)&lt;BR&gt;
24. Bobby Sanabria Multiverse Big Band, &lt;EM&gt;West Side Story Reimagined&lt;/EM&gt; (Jazzheads)&lt;BR&gt;
25. The Gil Evans Orchestra, &lt;EM&gt;Hidden Treasures, Vol. 1&lt;/EM&gt; (Geo)&lt;BR&gt;
26. Ralph Peterson’s Gen-Next Big Band, &lt;EM&gt;I Remember Bu: Alive Vol. 4 at Sculler’s&lt;/EM&gt; (Onyx)&lt;BR&gt;
27. Ralph Peterson’s Aggregate Prime, &lt;EM&gt;Inward Venture: Alive Vol. 5 at the Side Door&lt;/EM&gt; (Onyx)&lt;BR&gt;
28. Frank Kimbrough, &lt;EM&gt;Monk’s Dream&lt;/EM&gt; (Sunnyside)&lt;BR&gt;
29. Davy Mooney/Ko Omura, &lt;EM&gt;Benign Strangers&lt;/EM&gt; (Sunnyside)&lt;BR&gt;
30. The Chick Corea-Steve Gadd Band, &lt;EM&gt;Chinese Butterfly&lt;/EM&gt; (Concord Jazz)&lt;BR&gt;
31. Joey Alexander, &lt;EM&gt;Eclipse&lt;/EM&gt; (Motema Music)&lt;BR&gt;
32. Cecile McLorin Salvant, &lt;EM&gt;The Window&lt;/EM&gt; (Mack Avenue)&lt;BR&gt;
33. Roman Filiu, &lt;EM&gt;Quarteria&lt;/EM&gt; (Sunnyside) Mark Masters, Our Metier (Capri)&lt;BR&gt;
34. Fernando Garcia, &lt;EM&gt;Guasabara Puerto Rico&lt;/EM&gt; (Zoho)&lt;BR&gt;
35. Jon Iragabon Quartet, &lt;EM&gt;Dr. Quixotic’s Traveling Exotics&lt;/EM&gt; (Irrabagast)&lt;BR&gt;
36. Julian Lage, &lt;EM&gt;Modern Love&lt;/EM&gt; (Mack Avenue)&lt;BR&gt;
37. Gilad Hekselman, &lt;EM&gt;Ask for Chaos&lt;/EM&gt; (Hexaphonic/Motema Music)&lt;BR&gt;
38. Joe Lovano &amp;amp; Dave Douglas, &lt;EM&gt;Scandal&lt;/EM&gt; (Greenleaf)&lt;BR&gt;
39. Matthew Shipp, &lt;EM&gt;Sonic Fiction&lt;/EM&gt; (ESP-Disk)&lt;BR&gt;
40. Charles Lloyd &amp;amp; The Marvels + Lucinda Williams, &lt;EM&gt;Vanished Gardens&lt;/EM&gt; (Blue Note)&lt;BR&gt;
41. Christian McBride, &lt;EM&gt;New Jawn&lt;/EM&gt; (Mack Avenue)&lt;BR&gt;
42. James Brandon Lewis/Chad Taylor, &lt;EM&gt;Radiant Imprints&lt;/EM&gt; (Off Records)&lt;BR&gt;
43. Sylvie Courvoirsier, &lt;EM&gt;D’Agala&lt;/EM&gt; (Intakt)&lt;BR&gt;
44. Bobby Previte, &lt;EM&gt;Rhapsody&lt;/EM&gt; (Tzadik)&lt;BR&gt;
45. Thumbscrew, &lt;EM&gt;Theirs&lt;/EM&gt; (Cuneiform)&lt;BR&gt;
46. Aaron Parks, &lt;EM&gt;Little Big&lt;/EM&gt; (Ropeadope)&lt;BR&gt;
47. Jonathan Finlayson, &lt;EM&gt;3 Times Round&lt;/EM&gt; (Pi Recordings)&lt;BR&gt;
48. Marcus Miller, &lt;EM&gt;Laid Black&lt;/EM&gt; (Blue Note)&lt;BR&gt;
49. Fima Ephron, &lt;EM&gt;Songs From The Tree&lt;/EM&gt; (Fima)&lt;BR&gt;
50. Jean Chaumont, &lt;EM&gt;The Beauty of Differences&lt;/EM&gt; (Musfitme Music)&lt;BR&gt;
&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6938538</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6938538</guid>
      <dc:creator>Bill Milkowski</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 29 Nov 2018 19:50:43 GMT</pubDate>
      <title>Karl Ackermann</title>
      <description>&lt;P&gt;Best of 2018&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Not Two, Amir ElSaffar/Rivers of Sound (New Amsterdam Records)&lt;/P&gt;

&lt;P&gt;All the Rivers – Live at Panteão Nacional, Susana Santos Silva (Clean Feed Records)&lt;/P&gt;

&lt;P&gt;Arild Andersen/Paolo Vinaccia/Tommy Smith In-House Science (ECM Records)&lt;/P&gt;

&lt;P&gt;Zero, Matthew Shipp (ESP Disk)&lt;/P&gt;

&lt;P&gt;Bright Force, Satoko Fujii’s Kira Kira (Libra Records)&lt;/P&gt;

&lt;P&gt;Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich (Intakt Records)&lt;/P&gt;

&lt;P&gt;Obsidian, Kit Downes (ECM Records)&lt;/P&gt;

&lt;P&gt;Marcin Wasilewski Trio Live (ECM Records)&lt;/P&gt;

&lt;P&gt;Lionel Loueke Close Your Eyes (Newvelle Records)&lt;/P&gt;

&lt;P&gt;Introverted Cultures, Adam Berenson / Scott Barnum / Eric Hofbauer (Dream Play Records)&lt;/P&gt;

&lt;P&gt;Esbjorn Svensson Trio e.s.t. live in London (ACT)&lt;/P&gt;

&lt;P&gt;Keith Jarrett / Gary Peacock / Jack DeJohnette After The Fall (ECM Records)&lt;/P&gt;

&lt;P&gt;Anniversary, Spanish Harlem Orchestra (ArtistShare)&lt;/P&gt;

&lt;P&gt;Cyrille Aimée Live, Cyrille Aimée (Mack Avenue records)&lt;/P&gt;

&lt;P&gt;Goya, Giuseppe Doronzo (Tora Records)&lt;/P&gt;

&lt;P&gt;10³²K, The Law of Vibration (Self-Produced)&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey, Pillars (Firehouse 12)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Historical Albums:&lt;/P&gt;

&lt;P&gt;Espace Cardin 1977, Dexter Gordon Quartet (Elemental Music)&lt;/P&gt;

&lt;P&gt;Mønk, Thelonious Monk (Gearbox Records)&lt;/P&gt;

&lt;P&gt;Both Directions at Once: The Lost Album, John Coltrane (Impulse!)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6938502</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6938502</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 29 Nov 2018 19:28:10 GMT</pubDate>
      <title>Joe Lang</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Times New Roman"&gt;TOP TEN LISTS 2018&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT face="Times New Roman"&gt;&lt;EM&gt;Note,&amp;nbsp; The numbering on these lists do not indicate the order of preference.&amp;nbsp;&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="Times New Roman"&gt;Small Groups&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 1.&amp;nbsp; Holland-Coots Jazz Quintet – &lt;EM&gt;This Is So Nice It Must Be Illegal: A Tribute to Fats &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Waller and His Rhythm&lt;/EM&gt; (Self-produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 2. &amp;nbsp;Dan Block – &lt;EM&gt;Block Party&lt;/EM&gt; (Miles High – 8628)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 3.&amp;nbsp; Scott Hamilton &amp;amp; Rossano Sportiello – &lt;EM&gt;Live at Pyatt Hall&lt;/EM&gt; (Cellar Live – 070217)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 4.&amp;nbsp; Vinnie Raniolo – &lt;EM&gt;Air Flight: Songs of Flight&lt;/EM&gt; (Self-produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 5.&amp;nbsp; John Eaton &amp;amp; Jay Leonhart – &lt;EM&gt;Jerome Kern: The Master&lt;/EM&gt; (Wolf Trap – 015)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 6.&amp;nbsp; Adrian Cunningham &amp;amp; Ken Peplowsi – &lt;EM&gt;Doulogue&lt;/EM&gt; (Arbors – 19460)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 7.&amp;nbsp; Dennis Lichtman – &lt;EM&gt;Just Across the River&lt;/EM&gt; (Triple Treble Music – 007)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 8.&amp;nbsp; Andy Schumm and His Sink-O-Pators – &lt;EM&gt;Futuristic Rhythms&lt;/EM&gt; (Rivermont – 2244)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 9.&amp;nbsp; Bootsie Barnes &amp;amp; Larry McKenna – &lt;EM&gt;The More I See You&lt;/EM&gt; (Cellar Live – 50718)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;10.&amp;nbsp; Joe Magnarelli – &lt;EM&gt;If You Could See Me Now&lt;/EM&gt; (Cellar Live – 41818)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="Times New Roman"&gt;Big Bands&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 1. The New York All-Star Big Band – &lt;EM&gt;The Unheard Artie Shaw&lt;/EM&gt; (HEP – 2104)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 2.&amp;nbsp; The DIVA Jazz Orchestra – &lt;EM&gt;25&lt;SUP&gt;th&lt;/SUP&gt; Anniversary Project&lt;/EM&gt; (Arttist Share – 166)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 3.&amp;nbsp; Ira B. Liss Big Band Jazz Machine – &lt;EM&gt;Tasty Tunes&lt;/EM&gt; (Tall Man)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 4.&amp;nbsp; The Ken Peplowski Big Band – &lt;EM&gt;Sunrise&lt;/EM&gt; (Arbors – 19458)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 5.&amp;nbsp; The Flying Horse Big Band – &lt;EM&gt;The Bat Swings&lt;/EM&gt; (Flying Horse Records – 30518)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 6.&amp;nbsp; The Glenn Crytzer Orchestra – &lt;EM&gt;Ain’t It Grand?&lt;/EM&gt; (Self-produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 7.&amp;nbsp; New England Jazz Ensemble with Gacomo Gates – Peter and the Wolf (Self-&amp;nbsp; Produced)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 8.&amp;nbsp; Stan Kenton Legacy Orchestra – &lt;EM&gt;Flyin’ Through Florida&lt;/EM&gt; (Summit – 727)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 9.&amp;nbsp; The Count Basie Orchestra – &lt;EM&gt;All About Basie&lt;/EM&gt; (Concord – 00109)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;10.&amp;nbsp; Bobby Sanabria – &lt;EM&gt;West Side Story Reimagined&lt;/EM&gt; (Jazzheads – 1231)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="Times New Roman"&gt;Vocalists&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT face="Times New Roman"&gt;1.&amp;nbsp; Cheryl Bentyne – &lt;EM&gt;rearrangements of Shadows&lt;/EM&gt; (Artist Share – 0157)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 2.&amp;nbsp; Veronica Swift and Jeff Rupert – &lt;EM&gt;Let’s Sail Away&lt;/EM&gt; (Rupe Media -10311)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 3.&amp;nbsp; Alex Pangman – &lt;EM&gt;Alex Pangman’s Hot Three&lt;/EM&gt; (Justin Time – 8610)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 4.&amp;nbsp; Jay Leonhart &amp;amp; Tomoko Ohno – &lt;EM&gt;Don’t You Wish&lt;/EM&gt; (Chancellor Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 5.&amp;nbsp; Dave Tull – &lt;EM&gt;Texting and Driving&lt;/EM&gt; (Toy Car Records 0210)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 6. &amp;nbsp;Daryl Sherman – &lt;EM&gt;Lost in a Crowd&lt;/EM&gt; (Audiophile – 357)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 7.&amp;nbsp; Mark Winkler &amp;amp; Cheryl Bentyne – &lt;EM&gt;Eastern Standard Time&lt;/EM&gt; (Café Pacific – 4065)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 8.&amp;nbsp; Cécile McLorin Salvant – &lt;EM&gt;The Window&lt;/EM&gt; (Mack Avenue – 1132)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 9. &amp;nbsp;Petra Van Nuis &amp;amp; Dennis Luxon – &lt;EM&gt;Because We’re Night People&lt;/EM&gt;&lt;/FONT&gt;&lt;SPAN&gt;&amp;nbsp;&lt;FONT face="Times New Roman"&gt;(String Damper – 2136)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;10.&amp;nbsp; Ann Hampton Callaway – &lt;EM&gt;Jazz Goes to the Movies&lt;/EM&gt; (Shanachie/After 9 – 5464)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="Times New Roman"&gt;Historical&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 1. &amp;nbsp;Stan Kenton – &lt;EM&gt;Mellophonium Magic&lt;/EM&gt; (Tantara – 1133)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 2.&amp;nbsp; Various Artists – &lt;EM&gt;The Herdsmen &amp;amp; the Kentonians: Paris Sessions 1954-1956&amp;nbsp;&lt;/EM&gt;&lt;/FONT&gt;&lt;SPAN&gt;&lt;FONT face="Times New Roman"&gt;(Fresh Sound – 939)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 3.&amp;nbsp; Harry South – &lt;EM&gt;The Songbook&lt;/EM&gt; (Rhythm and Blues Records – 040)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 4.&amp;nbsp; Rogér Guerin – &lt;EM&gt;La Formidable Roger Guerin: Paris Meetings&lt;/EM&gt; (Fresh Sound – 942)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 5. &amp;nbsp;Wes Montgomery – &lt;EM&gt;In Paris&lt;/EM&gt; (Resonance – 2032)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 6.&amp;nbsp; Oscar Peterson – &lt;EM&gt;Oscar Peterson Plays&lt;/EM&gt; (Verve – 5380361)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 7.&amp;nbsp; Ella Fitzgerald &amp;amp; Louis Armstrong – &lt;EM&gt;Cheek to Cheek: The Complete Duet &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Recordings&lt;/EM&gt; (Verve – B0026763)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 8.&amp;nbsp; Erroll Garner – &lt;EM&gt;Nightconcert&lt;/EM&gt; (Mack Avenue – 1142)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&amp;nbsp; 9.&amp;nbsp; Louis Armstrong – &lt;EM&gt;Pops Is Tops&lt;/EM&gt; (Verve &lt;EM&gt;–&lt;/EM&gt; B0027518)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;10.&amp;nbsp; Dave McKenna – &lt;EM&gt;Dave McKenna in Madison&lt;/EM&gt; (Arbors – 19467)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2018-Best-Lists/6938475</link>
      <guid>https://jja.wildapricot.org/2018-Best-Lists/6938475</guid>
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