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    <title>Jazz Journalists Association 2023 Best of Jazz from JJA Members.</title>
    <link>https://jja.wildapricot.org/</link>
    <description>Jazz Journalists Association blog posts</description>
    <dc:creator>Jazz Journalists Association</dc:creator>
    <generator>Wild Apricot - membership management software and more</generator>
    <language>en</language>
    <pubDate>Sun, 12 Apr 2026 11:15:55 GMT</pubDate>
    <lastBuildDate>Sun, 12 Apr 2026 11:15:55 GMT</lastBuildDate>
    <item>
      <pubDate>Wed, 04 Mar 2026 18:50:11 GMT</pubDate>
      <title>Steve Braunginn</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Top 20 Jazz Recordings for 2025&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Steve Braunginn, Host/Producer Strictly Jazz Sounds Podcast&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;EM&gt;I may be a little late with this, but it was a hard year medically speaking for me. One thing I can say about this music is that it saw me through some very tough nights in the hospital. Great jazz is the best medicine.&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Linda May Han Oh-&lt;EM&gt;Strange Heavens&lt;/EM&gt;, Biophilia Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Sullivan Fortner-&lt;EM&gt;Southern Nights&lt;/EM&gt;, Artwork Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;John Patitucci-&lt;EM&gt;Spirit Fall&lt;/EM&gt;, Edition Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Gonzalo Rubalcaba, Chris Potter, Larry Grenadier, and Eric Harland -&lt;EM&gt;First Meeting&lt;/EM&gt;, Five Passion&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Mark Turner-&lt;EM&gt;Reflections On: An Autobiography of an Ex-Colored Man&lt;/EM&gt;, Giant Step Arts&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Yuhan Su-&lt;EM&gt;OVER the MOONs&lt;/EM&gt;, Endectomorph Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Patricia Brennan-&lt;EM&gt;Of the Near and Far&lt;/EM&gt;, Pyroclastic Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Chick Corea, Christian McBride, &amp;amp; Brian Blade- &lt;EM&gt;Trilogy Three&lt;/EM&gt;, CANDID&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Billy Hart-&lt;EM&gt;Just&lt;/EM&gt;, ECM&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Joshua Redman-&lt;EM&gt;Words Fall Short&lt;/EM&gt;, Blue Note Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Artemis-&lt;EM&gt;Arboresque&lt;/EM&gt;, Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Branford Marsalis -&lt;EM&gt;Belonging&lt;/EM&gt;, Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Simon Willson-&lt;EM&gt;Bet&lt;/EM&gt;, Self-Released&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Terri Lyne Carrington &amp;amp; Christie Daschiel, &lt;EM&gt;We Insist 2025&lt;/EM&gt;, CANDID Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Sylvie Courvoisier &amp;amp; Mary Halverson-&lt;EM&gt;Bone Bells&lt;/EM&gt;, Pyroclastic&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Steve Lehman with Mark Turner-&lt;EM&gt;The Music of Anthony Braxton&lt;/EM&gt;, Pi Recordings&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Jaleel Shaw-&lt;EM&gt;Painter of the Invisible&lt;/EM&gt;, Changu Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Christian McBride Big Band-&lt;EM&gt;Without Further Ado Vol. 1&lt;/EM&gt;, Mack Ave.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Keith Jarrett-&lt;EM&gt;The Old Country&lt;/EM&gt;, ECM&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Rodney Jordan-&lt;EM&gt;Memphis Blue&lt;/EM&gt;, Baxter Music Enterprises&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Kaisa’s Machine, Moving Parts, Greenleaf Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Archival/Historical Releases&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Charles Mingus-&lt;EM&gt;Mingus in Argentina: The Buenos Aires Concerts&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Horace Silver-&lt;EM&gt;Silver in Seattle: Live at the Penthouse&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Rahsaan Roland Kirk-&lt;EM&gt;Vibrations in the Village: Live at the Village Gate&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Freddie Hubbard-&lt;EM&gt;Freddie Hubbard On Fire: Live from the Blue Morocco&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Rahsaan Roland Kirk-&lt;EM&gt;Seek &amp;amp; Listen: Live at the Penthouse&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Kenny Dorham-&lt;EM&gt;Blue Bossa in the Bronx: Live from the Blue Morocco&lt;/EM&gt;, Resonance Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13604844</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13604844</guid>
      <dc:creator>Stephen Braunginn</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 06 Jan 2026 20:59:34 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Geoffrey Himes: Twenty Best New Jazz Albums of 2025:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Charles Lloyd: &lt;EM&gt;Figure in Blue&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Linda May Han Oh: &lt;EM&gt;Strange Heavens&lt;/EM&gt; (Biophilia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;First Meeting:&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Gonzalo Chris Eric Larry Live at Dizzy's Club&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(5 Passion)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Henry Threadgill: &lt;EM&gt;Listen Ship&lt;/EM&gt; (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Lucian Ban John Surman Mat Maneri: &lt;EM&gt;Cantica Profana&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Fieldwork: &lt;EM&gt;Thereupon&lt;/EM&gt; (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Billy Hart: &lt;EM&gt;Just&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Joe Farnsworth: &lt;EM&gt;The Big Room&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Ron Blake: &lt;EM&gt;Scratch Band&lt;/EM&gt; (7ten33)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Branford Marsalis: &lt;EM&gt;Belonging&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The David Amram Quintet: &lt;EM&gt;The David Amram Quintet Honors the Songs of Woody Guthrie and Phil Ochs&lt;/EM&gt; (Guthrie Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Baltimore Jazz Collective: &lt;EM&gt;Baltimore Jazz Collective&lt;/EM&gt; (Stricker Street)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Joe Lovano &amp;amp; the Marcin Wasilewski Trio: &lt;EM&gt;Homage&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Shakti: &lt;EM&gt;Mind Explosion: 50th Anniversay Tour&lt;/EM&gt; Live (Abstract Logix)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Joshua Redman: &lt;EM&gt;Words Fall Short&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Arturo O'Farrill &amp;amp; the Afro Latin-Jazz Orchestra: &lt;EM&gt;Mundoagua: Celebrating Carla Bley&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Martin Berejano: &lt;EM&gt;The Purple Project: Reimagining the Music of Prince&lt;/EM&gt; (Figgland)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Aaron Parks: &lt;EM&gt;By All Means&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Artemis: &lt;EM&gt;Arboresque&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Dayna Stephens: &lt;EM&gt;Hopium&lt;/EM&gt; (Conscious)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Geoffrey Himes: Twenty Best New Non-Jazz Albums of 2025:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The Delines: &lt;EM&gt;Mr. Luck and Ms. Doom&lt;/EM&gt; (Décor/Jealous Butcher)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The Beths: &lt;EM&gt;Straight Line Was a Lie&lt;/EM&gt; (Anti-)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Sam Fender: &lt;EM&gt;People Watching&lt;/EM&gt; (Polydor)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Various Artists: &lt;EM&gt;A Tribute to the King of Zydeco, Clifton&lt;/EM&gt; Chenier (Valcour)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The Wood Brothers: &lt;EM&gt;Puff of Smoke&lt;/EM&gt; (Honey Jar)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Wet Leg: &lt;EM&gt;Moisturizer&lt;/EM&gt; (Domino)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Charley Crockett: &lt;EM&gt;Lonesome Drifter&lt;/EM&gt; (Son of Davy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Ken Pomeroy: &lt;EM&gt;Cruel Joke&lt;/EM&gt; (Rounder)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Hayes Carll: &lt;EM&gt;We’re Only Human&lt;/EM&gt; (Highway 87)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Bob Mould: &lt;EM&gt;Here We Go Crazy&lt;/EM&gt; (Granary/BMG)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Willie Nelson: &lt;EM&gt;Oh What a Beautiful World&lt;/EM&gt; (Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Bon Iver: &lt;EM&gt;Sable/Fable&lt;/EM&gt; (Jagjaguwar)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Taylor Swift: &lt;EM&gt;The Life of a Sweetheart&lt;/EM&gt; (Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Jerry Joseph &amp;amp; the Jackmormons: &lt;EM&gt;Panther Tracks, Vol. 1&lt;/EM&gt; (World Will Turn)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Paul Kelly: &lt;EM&gt;Seventy&lt;/EM&gt; (Cooking Vinyl)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;James McMurtry: &lt;EM&gt;The Black Dog and the Wandering Boy&lt;/EM&gt; (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Flock of Dimes: &lt;EM&gt;The Life You Save&lt;/EM&gt; (Sub Pop)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The Dropkick Murphys: &lt;EM&gt;For the People&lt;/EM&gt; (Dummy Luck)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Craig Finn: &lt;EM&gt;Always Been&lt;/EM&gt; (Tamarac)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;20.&amp;nbsp; &amp;nbsp;Sabrina Carpenter: &lt;EM&gt;Man’s Best Friend&lt;/EM&gt; (Island)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Geoffrey Himes’s Five Best Historical Jazz Albums of 2025:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Thelonious Monk: Bremen 1965 (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Charles Mingus: Mingus in Argentina: The Buenos Aires Concerts (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Horace Silver: Silver in Seattle: Live at the Penthouse (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Keith Jarrett: New Vienna (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Roy Brooks: Free Slave (Timeless Tales)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Geoffrey Himes’s Five Best Historical Non-Jazz Albums of 2025:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Bob Dylan: Through the Open Window—1956-1963 (Columbia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Neil Young: Tonight's the Night (50&lt;SUP&gt;th&lt;/SUP&gt; Anniversary) (Reprise)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;The Drive-By Truckers: The Definitive Decoration Day (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Luke Bell: The King Is Back (Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Husker Du: 1985: The Miracle Year (Numero)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13582013</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13582013</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 03 Jan 2026 22:51:27 GMT</pubDate>
      <title>Danica Pantovic</title>
      <description>&lt;P&gt;&lt;SPAN style="font-size:17px"&gt;I had an enormous pleasure of listening lots of truly great music during some European festivals. My list is based on what I find has marked 2025 and that I had heard performed live and was released in 2025.&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Ambrose Akinmusire,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;The Honey From a Winter Stone&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Johnathan Blake,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;My Life Matters&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Patricia Brennan,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Of The Near And Far&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Sullivan Fortner,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Southern Nights&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Mary Halvorson,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;About Ghosts&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Sun-Mi Hong Quintet,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Meaning Of A Nest&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;James Brandon Lewis,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Abstraction is Deliverance&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Charles Lloyd,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Figure In Blue, memories of Duke&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Brad Mehldau,&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Ride into the Sun&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Marc Ribot Quartet (Ava Mendoza,&amp;nbsp;Sebastian Steinberg,&amp;nbsp;Chad Taylor&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;STRONG&gt;),&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Hurry Red Telephone&lt;/EM&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Spinifex,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Maxximus&lt;/EM&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13580897</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13580897</guid>
      <dc:creator>Danica Pantovic</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 31 Dec 2025 23:10:10 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;P&gt;Recordings of 2025 I've most enjoyed listening to:&lt;/P&gt;

&lt;P&gt;Mulatu Astakte, &lt;EM&gt;Mulata Plays Mulata&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Extraordinary Popular Delusions, &lt;EM&gt;The Last Quintet&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Gustavo Cortiñas, &lt;EM&gt;The Crisis Knows No Borders&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Lucian Ban/John Surman/Mat Maneri, &lt;EM&gt;Cantica Profana: The Bela Bartøk Field Recordings&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Billy Branch, &lt;EM&gt;The Blues is my biography&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Thelonious Monk Quartet, &lt;EM&gt;Bremen 1965&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Etienne Charles, &lt;EM&gt;Gullah Roots&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;patrick brennan - Cooper Moore - On Ka'a Davis - Jason Kao Hwang - &lt;EM&gt;K n current&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Myra Melford with Michael Formanek and Ches Smith, &lt;EM&gt;Splash&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;Things of This Nature&amp;nbsp;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13577844</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13577844</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 28 Dec 2025 18:19:18 GMT</pubDate>
      <title>Natalia Rikker</title>
      <description>&lt;P&gt;2025 was fruitful for the Russian jazz community. Dozens of jazz festivals were held in different cities. Dozens of albums by Russian jazz musicians were released. A series of books about jazz music was published. Jazz art activists received state awards.&lt;/P&gt;

&lt;P&gt;Without pretending to be completely objective, I would like to offer my personal list of important events from this year.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Jazz Albums&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Igor Butman, Moscow Jazz Orchestra, &lt;EM&gt;Images. Mussorgsky and Borodin&lt;/EM&gt; (Butman Music)&lt;/P&gt;

&lt;P&gt;Victoria Kaunova, Iliya Morozov 's &lt;SPAN&gt;Sextet&lt;/SPAN&gt;, &lt;EM&gt;Reflections&lt;/EM&gt; (Butman Music)&lt;/P&gt;

&lt;P&gt;Kle2Go Trio, &lt;EM&gt;The Mockingbird&lt;/EM&gt; (ArtBeat Music)&lt;/P&gt;Krugly Band, &lt;EM&gt;Look...or 4/4 of the Path. In memory of Vladimir Kruglov&lt;/EM&gt; (ArtBeat Music)

&lt;P&gt;Makar Novikov (feat. Olivia Trummer, Alex Sipiagin, Donald Edwards &amp;amp; Gianni Gagliardi), &lt;EM&gt;Long Journey&lt;/EM&gt; (Rainy Days)&lt;/P&gt;

&lt;P&gt;Oleg Grymov, Petr Ivshin, &lt;EM&gt;Winter Dream&lt;/EM&gt;&amp;nbsp;(FANCYMUSIC)&lt;/P&gt;

&lt;P&gt;Alexey Kruglov, Masami Suzuki, &lt;EM&gt;Song For My Friend. Seaside Conversation&lt;/EM&gt; (Contempora Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jazz Books&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Vladimir Feyertag, &lt;EM&gt;&lt;A href="https://www.jazz.ru/2025/11/27/feyertag-jazz-chronicles/" target="_blank"&gt;Jazz Chronicles&lt;/A&gt;&lt;/EM&gt; (Russian publishing house, &lt;EM&gt;Scythia)&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Cyril Moshkov, &lt;A href="https://www.jazz.ru/library/moshkow-history-textbooks/" target="_blank"&gt;&lt;EM&gt;The&lt;/EM&gt; &lt;EM&gt;History of&lt;/EM&gt; &lt;EM&gt;Musical&lt;/EM&gt; &lt;EM&gt;Variety&lt;/EM&gt; &lt;EM&gt;Styles&lt;/EM&gt;&lt;/A&gt; (Igor Butman Foundation Publishing House)&lt;/P&gt;

&lt;P&gt;Anatoliy Tekuchyov, &lt;A href="https://www.jazz.ru/2024/06/01/tekuchev-book/" target="_blank"&gt;&lt;EM&gt;Solos&lt;/EM&gt; &lt;EM&gt;by&lt;/EM&gt; &lt;EM&gt;great&lt;/EM&gt; &lt;EM&gt;drummers&lt;/EM&gt;&lt;/A&gt; (Compozitor Saint-Petersburg Publishing House)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jazz&lt;/STRONG&gt; &lt;STRONG&gt;Events&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.jazz.ru/2025/06/30/jazz-across-borders-moscow-review/" target="_blank"&gt;7th International Forum-Fest &lt;EM&gt;Jazz Across&lt;/EM&gt; &lt;EM&gt;В&lt;/EM&gt;&lt;EM&gt;orders&lt;/EM&gt;&lt;/A&gt; (JAB, Moscow, June 13-14, 2025)&lt;/P&gt;

&lt;P&gt;The First All-Russian Scientific and Practical Forum on Jazz Education (JAB, Moscow, June 13-14, 2025)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Find of the year&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.jazz.ru/2025/11/17/uralski-dixie-69/" target="_blank"&gt;The first recording of the Uralskiy Dixieland Jazz Ensemble&lt;/A&gt; (Chelyabinsk Regional Radio, 1969)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13576535</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13576535</guid>
      <dc:creator>Natalia Rikker</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 26 Dec 2025 15:37:05 GMT</pubDate>
      <title>Wilbert Sostre</title>
      <description>&lt;DIV&gt;
  &lt;P&gt;&lt;FONT&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Best Jazz Albums from Puerto Rico 2025&lt;/FONT&gt;&lt;/P&gt;
&lt;/DIV&gt;

&lt;OL type="1" style="direction:ltr;unicode-bidi:embed;margin-top:0in;margin-bottom: 0in;font-family:Calibri;font-size:11.0pt;font-weight:normal;font-style:normal"&gt;
  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Dimas Sánchez - Afro Antillano&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Richard Peña - The Latin Side of Jazz Guitar&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Miguel Zenón - Vanguardia Subterránea Live at The Village Vanguard&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;José Negroni - Heart Beats&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Nomar Negroni -&lt;/SPAN&gt; &lt;SPAN&gt;Standards Jazz Vol. 1&lt;/SPAN&gt;&lt;SPAN&gt;.&amp;nbsp;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Aldemar Valentín - Insight&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Alex Apolo Ayala - Afro Puerto Rican Jazz&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Julito Alvarado - My Musical Journey 40 Years Celebration&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;The Afro-Caribbean Jazz Collective - Cortadito&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI style="margin-top:0;margin-bottom:0;vertical-align:middle"&gt;&lt;SPAN&gt;Humberto Ramírez - Las Canciones de Tite Curet Alonso&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13576077</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13576077</guid>
      <dc:creator>Wilbert Sostre</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 22 Dec 2025 14:25:56 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 15px;"&gt;TEN FAVORITE NEW JAZZ ALBUMS OF 2025&lt;BR&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 15px;"&gt;Chris Cheek,&amp;nbsp;&lt;EM&gt;Keepers of the Eastern Door&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 15px;"&gt;&amp;nbsp;(Analog Tone Factory)&lt;BR&gt;
&lt;STRONG&gt;Chick Corea - Christian McBride - Brian Blade,&amp;nbsp;&lt;EM&gt;Trilogy 3&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Candid)&lt;BR&gt;
&lt;STRONG&gt;Randal Despommier,&amp;nbsp;&lt;EM&gt;South&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Sunnyside)&lt;BR&gt;
&lt;STRONG&gt;Joe Farnsworth,&amp;nbsp;&lt;EM&gt;The Big Room&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Smoke Sessions)&lt;BR&gt;
&lt;STRONG&gt;Charles Lloyd,&amp;nbsp;&lt;EM&gt;Figure in Blue&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;BR&gt;
&lt;STRONG&gt;Brad Mehldau,&amp;nbsp;&lt;EM&gt;Ride Into the Sun&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Nonesuch)&lt;BR&gt;
&lt;STRONG&gt;Nordkraft Big Band - Remy Le Boeuf - Danielle Wertz,&amp;nbsp;&lt;EM&gt;Silent Course&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Gateway)&lt;BR&gt;
&lt;STRONG&gt;Linda May Han Oh,&amp;nbsp;&lt;EM&gt;Strange Heavens&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Biophilia)&lt;BR&gt;
&lt;STRONG&gt;John Patitucci,&amp;nbsp;&lt;EM&gt;Spirit Fall&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&lt;BR&gt;
&lt;STRONG&gt;John Scofield &amp;amp; Dave Holland,&amp;nbsp;&lt;EM&gt;Memories of Home&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(ECM)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 15px;"&gt;THIRTEEN OTHER NOTABLE JAZZ RELEASES&lt;/FONT&gt;&lt;/U&gt; &lt;FONT style="font-size: 15px;"&gt;&lt;BR&gt;
&lt;STRONG&gt;&lt;SPAN style="background-color: white;"&gt;Etienne Charles, Gullah Roots&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN style="background-color: white;"&gt;(Culture Shock)&lt;STRONG&gt;&lt;BR&gt;
Cyrus Chestnut, Rhythm, Melody and Harmony&lt;/STRONG&gt; (Impulse!)&lt;STRONG&gt;&lt;BR&gt;
Gerald Clayton, Ones &amp;amp; Twos&lt;/STRONG&gt; (Blue Note)&lt;STRONG&gt;&lt;BR&gt;
Duduka Da Fonseca Trio, Rio Fantasia&lt;/STRONG&gt; (Sunnyside)&lt;BR&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;SPAN style="background-color: rgb(249, 249, 251);"&gt;&lt;FONT style="font-size: 15px;"&gt;Luigi Grasso &amp;amp; NDR Bigband,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;EM&gt;La Dimora dell’Altrove&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(249, 249, 251);"&gt;&lt;FONT style="font-size: 15px;"&gt;(LP345)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;BR&gt;
&lt;STRONG&gt;Billy Hart Quartet, Just&lt;/STRONG&gt; (ECM)&lt;STRONG&gt;&lt;BR&gt;
Branford Marsalis Quartet, Belonging&lt;/STRONG&gt; (Blue Note)&lt;STRONG&gt;&amp;nbsp;&lt;BR&gt;
David Murray Quartet, Birdly Serenade&lt;/STRONG&gt; (Impulse!)&lt;STRONG&gt;&lt;BR&gt;
Arturo O’Farrill and the Afro-Latin Jazz Orchestra, Mundoagua&lt;/STRONG&gt;&amp;nbsp;– Celebrating Carla Bley (Zoho)|&lt;BR&gt;
&lt;STRONG&gt;Snarky Puppy &amp;amp; Metropole Orkest, Somni&lt;/STRONG&gt; (GroundUP)&lt;STRONG&gt;&lt;BR&gt;
James Suggs, For All We Know&lt;/STRONG&gt; (Arbors)&lt;STRONG&gt;&lt;BR&gt;
Craig Taborn, Nels Cline, Marcus Gilmore, Trio of Bloom&lt;/STRONG&gt; (Pyroclastic)&lt;STRONG&gt;&lt;BR&gt;
WDR Big Band featuring Darol Anger and Mike Marshall, Bluegrass&lt;/STRONG&gt; (MCG Jazz)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 15px;"&gt;REISSUES/ARCHIVAL&lt;/FONT&gt;&lt;/U&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;BR&gt;
&lt;STRONG&gt;Bill Evans, Further Ahead: Live in Finland 1964-1969&lt;/STRONG&gt; (Elemental)&lt;BR&gt;
&lt;STRONG&gt;Charles Mingus, Mingus in Argentina: The Buenos Aires Concerts&lt;/STRONG&gt; (Resonance)&lt;BR&gt;
&lt;STRONG&gt;Charles Mingus, Mingus at Monterey&lt;/STRONG&gt; (Candid Records)&lt;BR&gt;
&lt;STRONG&gt;Rahsaan Roland Kirk, Seek &amp;amp; Listen: Live at the Penthouse&lt;/STRONG&gt; (Resonance)&lt;BR&gt;
&lt;STRONG&gt;The Charlie Rouse Band, Cinnamon Flower: The Expanded Edition&lt;/STRONG&gt; (Resonance)&lt;/FONT&gt;&lt;/P&gt;&lt;U&gt;&lt;FONT style="font-size: 15px;"&gt;VOCAL&lt;/FONT&gt;&lt;/U&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;BR&gt;
&lt;STRONG&gt;Kurt Elling &amp;amp; Christian Sands, Wildflowers Vol. 3&lt;/STRONG&gt;&amp;nbsp;(Big Shoulders)&lt;BR&gt;
&lt;STRONG&gt;Allan Harris, The Poetry of Jazz&lt;/STRONG&gt;&amp;nbsp;(Love Productions)&lt;BR&gt;
&lt;STRONG&gt;Cecile McLorin Salvant, Oh Snap&lt;/STRONG&gt;&amp;nbsp;(Nonesuch)&lt;/FONT&gt;&lt;FONT style="font-size: 15px;"&gt;&amp;nbsp;&lt;BR&gt;
&lt;BR&gt;
&lt;U&gt;TEN NON-JAZZ FAVORITES&lt;BR&gt;&lt;/U&gt;&lt;STRONG&gt;Annie &amp;amp; the Caldwells, Can’t Lose My (Soul)&lt;/STRONG&gt; (Luaka Bop)&lt;STRONG&gt;&lt;BR&gt;
Tyler Childers, Snipe Hunter&lt;/STRONG&gt; (Hickman Holler)&lt;STRONG&gt;&lt;BR&gt;
Galactic and Irma Thomas, Audience With the Queen&lt;/STRONG&gt; (Tchoup-Zilla)&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 15px;"&gt;Jason Isbell, Foxes in the Snow&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT style="font-size: 15px;"&gt;(Southeastern Records)&lt;STRONG&gt;&lt;BR&gt;
Lettuce, Cook&lt;/STRONG&gt; (Lettuce)&lt;STRONG&gt;&lt;BR&gt;
Robert Plant with Suzi Dian, Saving Grace&lt;/STRONG&gt; (Nonesuch)&lt;BR&gt;
&lt;STRONG&gt;Quetzal and David Hidalgo, Memory and Return&lt;/STRONG&gt; (A Tlacuilo Joint!)&lt;BR&gt;
&lt;STRONG&gt;Mavis Staples, Sad and Beautiful World&lt;/STRONG&gt; (Anti-)&lt;STRONG&gt;&lt;BR&gt;
Jeff Tweedy, Twilight Override&lt;/STRONG&gt; (dBpm)&lt;STRONG&gt;&lt;BR&gt;
Various Artists, Tedeschi Trucks Band &amp;amp; Leon Russell &lt;FONT color="#361B0A"&gt;Present: Mad Dogs &amp;amp; Englishmen Revisited (Live at LOCKN’)&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT color="#361B0A"&gt;(Fantasy)&lt;/FONT&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13575362</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13575362</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 21 Dec 2025 16:52:16 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;John Chacona&lt;BR&gt;
Cleveland, Ohio, USA, All About Jazz, PostGenre Media and blogger at let's call this&lt;/P&gt;

&lt;P&gt;I'm not a big fan of polls, but one of journalism's functions is to clock a certain consensus about what's happening, and polls are one way to do that. Herewith: my favorite recordings of the year, alpha by artist.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;U&gt;New releases&lt;/U&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;BR&gt;
Ambrose Akinmusire&lt;/STRONG&gt;, Honey From A Winter Stone, (Nonesuch)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Nels Cline&lt;/STRONG&gt;, Consentrik Quartet (Blue Note)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Nicole Glover,&lt;/STRONG&gt; Memories, Dreams, Refoections (Savant)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Colin Hancock’s Jazz Hounds featuring Catherine Russell&lt;/STRONG&gt;,&amp;nbsp;Cat &amp;amp; The Hounds&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Mary Halvorson&lt;/STRONG&gt;, About Ghosts (Nonesuch)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Billy Hart&lt;/STRONG&gt;, Multidirectional&amp;nbsp; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Vijay Iyer &amp;amp; Wadada Leo Smith&lt;/STRONG&gt;, Defiant Life (ECM) 4.&amp;nbsp;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Steve Lehman Trio + Mark Turner&lt;/STRONG&gt;, The Music of Anthony Braxton (Pi)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Eric McPherson&lt;/STRONG&gt;, Double Bass Quartet, (Giant Step Arts)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Amina Claudine Myers&lt;/STRONG&gt;, Solace of the Mind (Red Hook)&lt;BR&gt;
&lt;BR&gt;
&lt;FONT style="font-family: tahoma, sans; font-weight: 700; font-style: italic; text-decoration: underline;"&gt;&lt;BR&gt;
Reissues, historical &amp;amp;c.&lt;/FONT&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;STRONG&gt;Masabumi Kikuchi,&lt;/STRONG&gt; Hanamichi: The Final Studio Recording Vol. II (2013, Red Hook)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Anthony Braxton&lt;/STRONG&gt;, Quartet (England) 1985 (Burning Ambulance)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Stanley Cowell&lt;/STRONG&gt;, Musa: Ancestral Streams (1974, Strata-East/Mack Avenue)&lt;BR&gt;
&lt;BR&gt;
&lt;BR&gt;
&lt;FONT style="font-family: tahoma, sans; font-weight: 700; font-style: italic; text-decoration: underline;"&gt;Vocal albums&lt;/FONT&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;STRONG&gt;Theo Bleckmann&lt;/STRONG&gt;, Love and Anger (Sunnyside Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Sarah Elizabeth Charles&lt;/STRONG&gt;, Dawn (Stretch Music/Ropeadope)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Cécile McLorin Salvant&lt;/STRONG&gt;, Oh Snap! (Nonesuch)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;
&lt;FONT style="font-family: tahoma, sans; font-weight: 700; font-style: italic; text-decoration: underline;"&gt;Debut album&lt;/FONT&gt;&lt;BR&gt;
&amp;nbsp;&lt;BR&gt;
&lt;STRONG&gt;Caelan Cardello&lt;/STRONG&gt;, Chapter One (Jazz Bird Records)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Paul Cornish&lt;/STRONG&gt;, You’re Exaggerating! (Blue Note Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jeff Walton&lt;/STRONG&gt;, Pack Animals (self released)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;
&lt;FONT style="font-family: tahoma, sans; font-weight: 700; font-style: italic; text-decoration: underline;"&gt;Latin jazz album&lt;/FONT&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;STRONG&gt;Arturo O'Farrill Afro Latin Jazz Orchestra&lt;/STRONG&gt;, Mundoagua - Celebrating Carla Bley (Zoho)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Juan Pastor's Chinchano&lt;/STRONG&gt;, Memorias (Calligram Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Miguel Zenón&lt;/STRONG&gt;, Vanguardia Subterranea (Miel Music)&lt;BR&gt;
&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13575062</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13575062</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 19 Dec 2025 15:22:51 GMT</pubDate>
      <title>Marcela Breton</title>
      <description>&lt;P&gt;New Releases:&lt;/P&gt;

&lt;P&gt;Patricia Brennan "Of the Near and Far" (Pyroclastic)&lt;/P&gt;

&lt;P&gt;George Coleman "George Coleman with Strings" (HighNote)&lt;/P&gt;

&lt;P&gt;Joe Farnsworth "The Big Room" (Smoke Session)&lt;/P&gt;

&lt;P&gt;Ruben Reinaldo "Fusion Olivica" (Free Code Jazz)&lt;/P&gt;

&lt;P&gt;John Santos Sextet &amp;amp; Friends "Horizontes" (Machete Records)&lt;/P&gt;

&lt;P&gt;Deborah Silver &amp;amp; The Count Basie Orchestra "Basie Rocks" (Green Hill Music)&lt;/P&gt;

&lt;P&gt;Various "Salsa de la Bahia v. 3 : Renegade Queens" (Patois) (2 CDs)&lt;/P&gt;

&lt;P&gt;Ines Velasco "A Flash of Cobalt Blue" (Bespoke Jazz)&lt;/P&gt;

&lt;P&gt;Brandee Younger "Gadabout Season" (Impulse)&lt;/P&gt;

&lt;P&gt;Reissues:&lt;/P&gt;

&lt;P&gt;Freddie Hubbard "On Fire : Live from the Blue Morocco" (Resonance) (2 CDs)&lt;/P&gt;

&lt;P&gt;Rahsaan Roland Kirk "Vibrations in the Village : Live at the Village Gate" (Resonance)&lt;/P&gt;

&lt;P&gt;Rahsaan Roland Kirk "Seek and Listen : Live at the Penthouse" (Resonance) (2 CDs)&lt;/P&gt;

&lt;P&gt;Charles Mingus "Mingus in Argentina : the Buenos Aires Concert" (Resonance) (2 CDs)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13574574</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13574574</guid>
      <dc:creator>Marcela Breton</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 18 Dec 2025 17:08:34 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;Here are my ten favorite new albums of 2025. A full write-up on each of these, as well as &lt;A href="https://postgenre.org/rob-shepherd-favorite-albums-of-2025/" target="_blank"&gt;my selections for numbers 11 through 35&amp;nbsp; can be found at PostGenre&lt;/A&gt;.&amp;nbsp;Also on that site, you can find interviews from the past year with several of the artists on my list.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;NEW JAZZ ALBUMS&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Patricia Brennan,&amp;nbsp;&lt;EM&gt;Of the Near and Far&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Pyroclastic)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Ambrose Akinmusire,&amp;nbsp;&lt;EM&gt;Honey From a Winter Stone&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Charles Lloyd,&amp;nbsp;&lt;EM&gt;Figure in Blue&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Amina Claudine Myers,&amp;nbsp;&lt;EM&gt;Solace of the Mind&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Red Hook)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG style="font-size: 10pt;"&gt;Theon Cross,&amp;nbsp;&lt;EM&gt;Affirmations: Live at the Blue Note New York&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(New Soil)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;James Brandon Lewis Trio,&amp;nbsp;&lt;EM&gt;Apple Cores&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Anti-)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;For Living Lovers,&amp;nbsp;&lt;EM&gt;Natural Name&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Sunnyside)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Amir ElSaffar &amp;amp; Lorenzo Bianchi Hoesch,&amp;nbsp;&lt;EM&gt;Inner Spaces&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Ornithology/Maqām)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Mary Halvorson,&amp;nbsp;&lt;EM&gt;About Ghosts&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Nonesuch)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Ivo Perelman &amp;amp; Matthew Shipp String Trio,&amp;nbsp;&lt;EM&gt;Armageddon Flower&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(TAO Forms)&amp;nbsp;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Pharoah Sanders,&amp;nbsp;&lt;EM&gt;Love Is Here: The Complete Paris 1975 ORTF Recordings&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Transcendence Sounds)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Sun Ra,&amp;nbsp;&lt;EM&gt;Uncharted Passages: New York Piano Soliloquies 1977-79&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Modern Marmonic)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Carlos Garnett,&amp;nbsp;&lt;EM&gt;Cosmos Nucleus&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1976, Muse/Time Traveler)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;&lt;EM&gt;Spiritual Jazz 18: Behind the Iron Curtain: Esoteric, Modal, and Progressive Jazz From Central and Eastern Europe (1962-1988)&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Jazzman)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Anthony Braxton,&amp;nbsp;&lt;EM&gt;Quartet (England) 1985&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Burning Ambulance)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Ambrose Akinmusire,&amp;nbsp;&lt;EM&gt;Honey From a Winter Stone&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Nonesuch)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Amina Claudine Myers,&amp;nbsp;&lt;EM&gt;Solace of the Mind&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Red Hook)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Sonya Belaya,&amp;nbsp;&lt;EM&gt;Dacha&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Ropeadope)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;LATIN&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Patricia Brennan,&amp;nbsp;&lt;EM&gt;Of the Near and Far&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Pyroclastic)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Adam O'Farrill,&amp;nbsp;&lt;EM&gt;For These Streets&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Out of Your Head)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Aruán Ortiz,&amp;nbsp;&lt;EM&gt;Créole Renaissance&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Intakt)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;DEBUT&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Thomas Morgan,&amp;nbsp;&lt;EM&gt;Around You Is a Forest&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Loveland Music)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Marcus Gilmore,&amp;nbsp;&lt;EM&gt;Journey to the New: Live at the Village Vanguard&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Drummerslams)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;Paul Cornish,&amp;nbsp;&lt;EM&gt;You're Exaggerating!&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13574206</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13574206</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 16 Dec 2025 20:00:55 GMT</pubDate>
      <title>Ralph A. Miriello</title>
      <description>&lt;P&gt;My Best of Jazz 2025&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Branford Marsalis Quartet-&lt;EM&gt;Belonging- (&lt;/EM&gt;Blue Note)&lt;/LI&gt;

  &lt;LI&gt;Sullivan Fortner-&lt;EM&gt;Southern Nights&lt;/EM&gt;-(Artwork)&lt;/LI&gt;

  &lt;LI&gt;Bela Fleck, Edmar Castaneda, Antonio Sanchez-&lt;EM&gt;BEATrio&lt;/EM&gt;- (Flecktone Recs)&lt;/LI&gt;

  &lt;LI&gt;Joe Lovano with Marcin Wasilewski Trio-&lt;EM&gt;Homage&lt;/EM&gt;-(ECM)&lt;/LI&gt;

  &lt;LI&gt;Sinne Eeg and Jacob Christoffersen-&lt;EM&gt;Skikori&lt;/EM&gt;-(Stunt Recs)&lt;/LI&gt;

  &lt;LI&gt;Wolfgang Muthspiel w Scott Colley an Brian Blade-&lt;EM&gt;Tokyo&lt;/EM&gt;-(ECM)&lt;/LI&gt;

  &lt;LI&gt;John Ellis-&lt;EM&gt;Heroes-(&lt;/EM&gt;Blue Room Music)&lt;/LI&gt;

  &lt;LI&gt;John Patitucci-&lt;EM&gt;Spirit Fall&lt;/EM&gt;- (Edition)&lt;/LI&gt;

  &lt;LI&gt;Alex Sipiagin-&lt;EM&gt;Reverberations-&lt;/EM&gt;(Cris Cross)&lt;/LI&gt;

  &lt;LI&gt;Linda May Han Oh-&lt;EM&gt;Strange Heavens&lt;/EM&gt;-(Biophilia)&lt;/LI&gt;

  &lt;LI&gt;Carl Allen-&lt;EM&gt;Tippin'&lt;/EM&gt;-(Cellar)&lt;/LI&gt;

  &lt;LI&gt;Amaury Faye-&lt;EM&gt;RUST&lt;/EM&gt;-(Hypnote)&lt;/LI&gt;

  &lt;LI&gt;Rez Abassi Quintet&lt;EM&gt;-Sound Remains&lt;/EM&gt;-(Whirlwind)&lt;/LI&gt;

  &lt;LI&gt;Denny Zeitlin-&lt;EM&gt;Worth A Song in My Heart-&lt;/EM&gt;(Sunnyside)&lt;/LI&gt;

  &lt;LI&gt;Larry Goldings-&lt;EM&gt;I Will&lt;/EM&gt;-(Sam First)&lt;/LI&gt;

  &lt;LI&gt;Pasquale Grasso-&lt;EM&gt;Fervency&lt;/EM&gt;-(Sony Masterworks)&lt;/LI&gt;

  &lt;LI&gt;The Perception Trio-&lt;EM&gt;The Wicked Trio&lt;/EM&gt;-(Music Release Club)&lt;/LI&gt;

  &lt;LI&gt;Tessa Souter-&lt;EM&gt;Shadows and Silence: The Erik Satie Project&lt;/EM&gt;-(NonAra)&lt;/LI&gt;

  &lt;LI&gt;Michael Dease-&lt;EM&gt;Flow&lt;/EM&gt;-(Posi-Tone)&lt;/LI&gt;

  &lt;LI&gt;Michael Mayo-&lt;EM&gt;Fly-(&lt;/EM&gt;Mack Ave)&lt;/LI&gt;

  &lt;LI&gt;Jeff Parker ETA IV Ntet-&lt;EM&gt;The Way Out Easy&lt;/EM&gt;-(Anthem Int)&lt;/LI&gt;

  &lt;LI&gt;Pheeroan aKlaff, Scott Robinson, Julian Thayer-&lt;EM&gt;aRT&lt;/EM&gt;- (ScienSonic)&lt;/LI&gt;

  &lt;LI&gt;Guilio Gentile-&lt;EM&gt;Dream's Madness&lt;/EM&gt;-(Auand)&lt;/LI&gt;

  &lt;LI&gt;WDR Big Band featuring Mike Marshall and Darol Anger-&lt;EM&gt;Bluegrass-&lt;/EM&gt;(MCG)&lt;/LI&gt;

  &lt;LI&gt;Phil Haynes, Steve Salerno. Drew Gress-&lt;EM&gt;Return to Electric&lt;/EM&gt;-(Cornerstore)&lt;/LI&gt;

  &lt;LI&gt;Gonzalo Rubalcaba-&lt;EM&gt;First Meeting: Live at Dizzy's Club&lt;/EM&gt;-(5Passion)&lt;/LI&gt;

  &lt;LI&gt;Josh Lawrence-&lt;EM&gt;Still We Dream&lt;/EM&gt;-(Posi-Tone)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Debut Album:&amp;nbsp;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Tyreek McDole-&lt;EM&gt;Open Up Your Senses&lt;/EM&gt;-(Artwork)&amp;nbsp;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Latin Jazz Albums:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Miguel Zenon Quartet-&lt;EM&gt;Vanguardia Subterranea-Live at the Village Vanguard&lt;/EM&gt;-(Miel Music)&lt;/LI&gt;

  &lt;LI&gt;Conrad Herwig, Eddie Palmieri. Luques Curtis&lt;EM&gt;-Reflections-Facing South&lt;/EM&gt;-(Savant)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Historical and Reissue Albums:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;George Colligan-&lt;EM&gt;Live at the Jazz Standard&lt;/EM&gt;-(Whirlwind)&lt;/LI&gt;

  &lt;LI&gt;John Surman-&lt;EM&gt;Flashpoints and Undercurrents&lt;/EM&gt;-(Cuneiform)&lt;/LI&gt;

  &lt;LI&gt;The Charlie Rouse Band-&lt;EM&gt;Cinnamon Flower&lt;/EM&gt;-(Resonance)&lt;/LI&gt;

  &lt;LI&gt;Rahsaan Roland Kirk- &lt;EM&gt;Vibrations in the Village-Live at the Village Gate&lt;/EM&gt;- (Resonance)&lt;/LI&gt;

  &lt;LI&gt;Keith Jarrett, Gary Peacock, Paul Motian-&lt;EM&gt;The Old Country-Live at the Deer Head Inn&lt;/EM&gt;- (ECM)&lt;/LI&gt;

  &lt;LI&gt;Zakir Hussain-&lt;EM&gt;Making Music&lt;/EM&gt;-(ECM)&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13573566</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13573566</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 15 Dec 2025 21:01:13 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;&lt;FONT&gt;New Recordings:&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;1.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Joe Farnsworth- “The Big Room” (Smoke Sessions)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Sullivan Fortner- “Southern Nights” (Artwork)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Brandee Younger- “Gadabout Season” (Impulse!)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Artemis- “Arboresque” (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Jimmy Greene- “As We Are Now” (Greene Music Works)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Branford Marsalis- “Belonging” (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Dave Stryker- “Stryker with Strings Goes to the Movies” (Strikezone)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;8.&amp;nbsp; Gregory Groover, Jr.- "Old Knew" (Criss Cross Jazz)&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Reissues/Rara Avis:&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;1.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Bill Evans- “Haunted Heart: The Legendary Riverside Studio Recordings” (Craft Recordings)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Pharoah Sanders: The Complete Theresa Recordings (Mosaic Records)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Horace Silver- “Silver in Seattle: Live at the Penthouse” (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Keith Jarrett: “The Old Country” (ECM)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Roy Brooks- “Free Slave” (Muse/Jazz Detective)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Sonny Criss- “Sonny’s Dream (Birth of the New Cool)” (Craft OJC)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Ken McIntyre/Eric Dolphy- “Looking Ahead” (Craft OJC)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;8.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT&gt;Nathan Davis- “Happy Girl” (MPS)&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13573199</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13573199</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 14 Dec 2025 22:09:08 GMT</pubDate>
      <title>Michael J. West</title>
      <description>&lt;P&gt;10 Best of 2025:&lt;/P&gt;

&lt;P&gt;1.&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Mary Halvorson – &lt;EM&gt;About Ghosts&lt;/EM&gt; (Nonesuch)&lt;/P&gt;

&lt;P&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Theo Croker – &lt;EM&gt;dream manifest&lt;/EM&gt; (Dom Recs) &lt;STRONG&gt;[TIE]&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Donny McCaslin – &lt;EM&gt;Lullaby for the Lost&lt;/EM&gt; (Edition)&lt;/P&gt;

&lt;P&gt;4.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Trio of Bloom – &lt;EM&gt;Trio of Bloom&lt;/EM&gt; (Pyroclastic)&lt;/P&gt;

&lt;P&gt;5.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; James Brandon Lewis Quartet – &lt;EM&gt;Abstraction Is Deliverance&lt;/EM&gt; (Intakt)&lt;/P&gt;

&lt;P&gt;6.&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Paul Cornish – &lt;EM&gt;You’re Exaggerating!&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;7.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Benjamin Lackner – &lt;EM&gt;Spindrift&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;8.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ambrose Akinmusire – &lt;EM&gt;honey from a winter stone&lt;/EM&gt; (Nonesuch)&lt;/P&gt;

&lt;P&gt;9.&amp;nbsp; Kalia Vandever – &lt;EM&gt;Another View&lt;/EM&gt; (Northern Spy)&lt;/P&gt;

&lt;P&gt;10. Mulatu Astatke - &lt;EM&gt;Mulatu Plays Mulatu&lt;/EM&gt; (Strut)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13572883</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13572883</guid>
      <dc:creator>Mike West</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 11 Dec 2025 17:15:09 GMT</pubDate>
      <title>Bill Milkowski</title>
      <description>&lt;P style="background-color: transparent;"&gt;Top 50 Picks for 2025:&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT&gt;1.&lt;/FONT&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT&gt;Mark Turner,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;FONT&gt;The Autobiography of an Ex-Colored Man&lt;/FONT&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Giant Step Arts)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;2.&lt;/STRONG&gt; &lt;STRONG&gt;Fred Hersch,&lt;/STRONG&gt; &lt;EM&gt;The Surrounding Green&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;3. Joshua Redman,&lt;/STRONG&gt; &lt;EM&gt;Words Fall Short&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;4. Dave Douglas&lt;/STRONG&gt;, &lt;EM&gt;Alloy&lt;/EM&gt; (Greenleaf Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;5. Nels Cline,&lt;/STRONG&gt; &lt;EM&gt;Concentric Quartet&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;6. Branford Marsalis,&lt;/STRONG&gt; &lt;EM&gt;Belonging&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;7. Carl Allen,&lt;/STRONG&gt; &lt;EM&gt;Tippin’&lt;/EM&gt; (Cellar Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;8. John Scofield/Dave Holland&lt;/STRONG&gt;, &lt;EM&gt;Memories of Home&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;9. Shakti&lt;/STRONG&gt;, &lt;EM&gt;Mind Explosion&lt;/EM&gt; (Abstract Logix)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;10. Jerome Sabbath&lt;/STRONG&gt;, &lt;EM&gt;Stand Up!&lt;/EM&gt; (Analog Tone Factory)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;11. Chris Cheek&lt;/STRONG&gt;, &lt;EM&gt;Keepers of the East Door&lt;/EM&gt; (Analog Tone Factory)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;12. Linda May Han Oh,&lt;/STRONG&gt; &lt;EM&gt;Strange Heavens&lt;/EM&gt; (Biophilia)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;13. Anthony Wilson Nonet&lt;/STRONG&gt;, &lt;EM&gt;House of the Singing Blossoms&lt;/EM&gt; (Sam First Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;14. Rez Abbasi Acoustic Quintet&lt;/STRONG&gt;, &lt;EM&gt;Sound Remains&lt;/EM&gt; (Whirlwind Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;15. Miguel Zenon&lt;/STRONG&gt;, &lt;EM&gt;Vanugardia Subterranean&lt;/EM&gt; (Miel Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;16. George Coleman&lt;/STRONG&gt;, &lt;EM&gt;With Strings&lt;/EM&gt; (Highnote)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;17. Gilad Hekselman&lt;/STRONG&gt;, &lt;EM&gt;Downhil From Here&lt;/EM&gt; (La Reserve Records)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;18. Gonzalo Rubalcaba/Chris Potter/Larry Grenadier/Eric Harland&lt;/STRONG&gt;, &lt;EM&gt;First Meeting: Live at Dizzy's Club (&lt;/EM&gt;5Passion Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;19. Mike Clark&lt;/STRONG&gt;, &lt;EM&gt;Itai Doshin&lt;/EM&gt; (Wide Hive)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;20. Sullivan Fortner&lt;/STRONG&gt;, &lt;EM&gt;Southern Nights&lt;/EM&gt; (Artwork Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;21. Jaleel Shaw&lt;/STRONG&gt;, &lt;EM&gt;Painter of the Invisible&lt;/EM&gt; (Changu)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;22. Tony Davis&lt;/STRONG&gt;, &lt;EM&gt;Jessamine&lt;/EM&gt; (La Reserve Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;23. Aaron Parks&lt;/STRONG&gt;, &lt;EM&gt;By All Means&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;24. Mary Halvorson&lt;/STRONG&gt;, &lt;EM&gt;About Ghosts&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;25. Bela Fleck/Edmar Castaneda/Antonio Sanchez&lt;/STRONG&gt;, &lt;EM&gt;BEATrio&lt;/EM&gt; (Thirty Tigers)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;26. Michael Dease&lt;/STRONG&gt;, &lt;EM&gt;City Life: Music of Gregg Hill&lt;/EM&gt; (Origin)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;27. Gregory Groover Jr.&lt;/STRONG&gt;, &lt;EM&gt;Old Knew&lt;/EM&gt; (Criss Cross)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;28. John O'Gallagher&lt;/STRONG&gt;, &lt;EM&gt;Ancestral&lt;/EM&gt; (Whirlwind Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;29. Amina Claudine Myers&lt;/STRONG&gt;, &lt;EM&gt;Solace of the Wind&lt;/EM&gt; (Red Hook)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;30. John McLaughlin&lt;/STRONG&gt;, &lt;EM&gt;Music for Abandoned Heights&lt;/EM&gt; (IMPEX Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;31.&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;David Kikoski Trio,&lt;/FONT&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;Weekend at Smalls&lt;/FONT&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;(Cellar Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;32. Mike LeDonne's Groover Quartet&lt;/STRONG&gt;, &lt;EM&gt;Turn It Up! Live at the Side Door&lt;/EM&gt; (Cellar Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;33. Juan Chiavassa&lt;/STRONG&gt;, &lt;EM&gt;Fourth Generation&lt;/EM&gt; (Whirlwind Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;34. Nicole Glover&lt;/STRONG&gt;, &lt;EM&gt;Memories, Dreams, Reflections&lt;/EM&gt; (Savant)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;35. Josh Lawrence&lt;/STRONG&gt;, &lt;EM&gt;Still We Dream&lt;/EM&gt; (PosiTone)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;36. Kenny Barron&lt;/STRONG&gt;, &lt;EM&gt;Songbook&lt;/EM&gt; (Artwork Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;FONT face="Times New Roman" style="font-size: 12px;"&gt;&lt;STRONG&gt;37. Nicole Zuraitis &amp;amp; Friends&lt;/STRONG&gt;, &lt;EM&gt;Live at Vic's Las Vegas&lt;/EM&gt; (La Reserve)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT&gt;&lt;STRONG&gt;38. Olli Soikkeli&lt;/STRONG&gt;, &lt;EM&gt;New&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;FONT&gt;&lt;EM&gt;York Trio&lt;/EM&gt; &lt;SPAN&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;SPAN&gt;(&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT&gt;&lt;A href="https://www.discogs.com/label/4291720-ollisoikkelicom"&gt;&lt;FONT&gt;ollisoikkeli.com&lt;/FONT&gt;&lt;/A&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;"&gt;)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;39. Eric McPherson&lt;/STRONG&gt;, &lt;EM&gt;Double Bass Quartet&lt;/EM&gt; (Giant Step Arts)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;40. Theon Cross&lt;/STRONG&gt;, &lt;EM&gt;Affirmations: Live at the Blue Note New York&lt;/EM&gt; (New Soil)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;41. Pasquale Grasso&lt;/STRONG&gt;, &lt;EM&gt;Solo Be-Bop!&lt;/EM&gt; (Sony Masterworks)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;42. Anat Fort&lt;/STRONG&gt;, &lt;EM&gt;The Dreamworld of Paul Motian&lt;/EM&gt; (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;43. Al Foster,&lt;/STRONG&gt; &lt;EM&gt;Live at Smoke&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;44. David Becker/Paul Wertico&lt;/STRONG&gt;, &lt;EM&gt;Tuxedo Man&lt;/EM&gt; (GAD Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;45. Billy Hart,&lt;/STRONG&gt; &lt;EM&gt;Multidirectional&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;46.&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;Eric Reed&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;Out Late&lt;/FONT&gt;&lt;/EM&gt; &lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;(Smoke Sessions)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;47. Karl Ratzer Trio,&lt;/STRONG&gt; &lt;EM&gt;Vienna Red&lt;/EM&gt; (In+Out Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;48. Tessa Souter&lt;/STRONG&gt;, &lt;EM&gt;Shadows and Silence: The Erik Satie Project&lt;/EM&gt; (Noanara Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;49. George Colligan&lt;/STRONG&gt;, &lt;EM&gt;Live at the Jazz Standard&lt;/EM&gt; (Whirlwind Recordings)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT face="Times New Roman"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;STRONG&gt;50.&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="font-size: 12px;"&gt;&lt;FONT face="Times New Roman"&gt;&lt;STRONG&gt;Danny Gatton&lt;/STRONG&gt;, &lt;EM&gt;Live at the Holiday Inn, 1987&lt;/EM&gt; (Gress Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="font-size: 12px;"&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13572077</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13572077</guid>
      <dc:creator>Bill Milkowski</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 11 Dec 2025 15:56:22 GMT</pubDate>
      <title>Hank Shteamer</title>
      <description>&lt;P&gt;Top 10 new releases of 2025:&lt;/P&gt;

&lt;P&gt;1. Marcus Gilmore, Journey to the New: Live at the Village Vanguard&amp;nbsp;&lt;BR&gt;
2. Amina Claudine Myers, Solace of the Mind&lt;BR&gt;
3. Jacob Garchik, Ye Olde 2: At the End of Time&lt;BR&gt;
4. Craig Taborn, Nels Cline, Marcus Gilmore, Trio of Bloom&lt;BR&gt;
5. Kassa Overall, Cream&lt;BR&gt;
6. Billy Hart Quartet, Just&lt;BR&gt;
7. Brandee Younger, Gadabout Season&lt;BR&gt;
8. Chicago Underground Duo, Hyperglyph&lt;BR&gt;
9. Joe Farnsworth, The Big Room&lt;BR&gt;
10. Marshall Allen’s Ghost Horizons, Live in Philadelphia&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13572015</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13572015</guid>
      <dc:creator>Hank Shteamer</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 10 Dec 2025 03:26:25 GMT</pubDate>
      <title>Marcia K Hocker</title>
      <description>&lt;p&gt;What a joy to have shared tracks from a number of new releases from local Portland musicians as well as established icons. Alternate Wednesdays on KBOO.FM/program/jazz-lives.&lt;/p&gt;

&lt;p&gt;The Powerhouse Quintet - Shared Stories; https://www.youtube.com/@PowerhouseJazz Quintet-xb6wt.&lt;/p&gt;

&lt;p&gt;Christopher Brown Quartet - Sole City; PJCE Records&lt;/p&gt;

&lt;p&gt;Kerry Politzer - Ruminations; PJCE Records&lt;/p&gt;

&lt;p&gt;Tom Wakeling - West By Northwest/Live at Ravenscroft:Vol 1; Cellar Music Group&lt;/p&gt;

&lt;p&gt;Domo Branch - Hands of Gifts: Albina Music Trust&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;*Terell Stafford&lt;/strong&gt; - Between Two Worlds; Le Coq Records&lt;/p&gt;

&lt;p&gt;Allan Harris - The Poetry of Jazz/Live at Blue Llama&lt;/p&gt;

&lt;p&gt;Caelan Cardello - Chapter One; Jazz Bird Records&lt;/p&gt;

&lt;p&gt;NYO Jazz - Live in Johannesburg; Carnegie Hall Weill Music Institute&lt;/p&gt;

&lt;p&gt;Lucy Yeghiazaryan - Some Other Spring w/Grant Steward; self published&lt;/p&gt;

&lt;p&gt;Nicholas Payton - Triune w/Esperanza Spalding, Karriem Riggins; Smoke Sessions&lt;/p&gt;

&lt;p&gt;The EMPRESS - Square One; Cellar Music&lt;/p&gt;

&lt;p&gt;*Live interview on 11/19 in the second hour&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13571485</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13571485</guid>
      <dc:creator>Marcia K Hocker</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 09 Dec 2025 10:56:31 GMT</pubDate>
      <title>Dan Polletta</title>
      <description>&lt;P&gt;Here's some of favorite recordings we shared with listeners on Ideastream Public Media's JazzNEO&amp;nbsp; &amp;nbsp;https://www.ideastream.org/jazz&amp;nbsp;in no particular order in 2025&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Omer Avital,&amp;nbsp;&lt;EM&gt;New York Now &amp;amp; Then&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Zamzama)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=504"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Marty Ehrlich Trio Exaltation,&amp;nbsp;&lt;EM&gt;This Time&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Sunnyside)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=123"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Anat Fort,&amp;nbsp;&lt;EM&gt;The Dreamworld of Paul Motian&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Sunnyside)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=731"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;James Brandon Lewis Quartet,&amp;nbsp;&lt;EM&gt;Abstraction Is Deliverance&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Intakt)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=31"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Billy Mohler,&amp;nbsp;&lt;EM&gt;The Eternal&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Contagious Music)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=104"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Linda May Han Oh,&amp;nbsp;&lt;EM&gt;Strange Heavens&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Biophilia)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=323"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Scofield &amp;amp; Dave Holland,&amp;nbsp;&lt;EM&gt;Memories of Home&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(ECM)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=732"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Chad Taylor Quintet,&amp;nbsp;&lt;EM&gt;Smoke Shifter&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Otherly Love)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=733"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Wild Iris Brass Band,&amp;nbsp;&lt;EM&gt;Way Up&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Ear Up)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=734"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sarah Wilson,&amp;nbsp;&lt;EM&gt;Incandescence&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Brass Tonic)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/25/album.php?id=542"&gt;&lt;FONT color="#1155CC"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13571126</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13571126</guid>
      <dc:creator>Daniel Polletta</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 07 Dec 2025 22:11:31 GMT</pubDate>
      <title>David Haney</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Top ten from Cadence Magazine&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;2025 TOP NEW RECORDINGS - LARRY HOLLIS&lt;/FONT&gt;&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;SHAREL CASSITY—GRATITUDE--SUNNYSIDE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ERIC ALEXANDER/VINCENT HERRING—SPLIT&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; DECISION—SMOKE SESSIONS&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;BRANFORD MARSALIS—BELONGING--BLUE NOTE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;BUDDY GUY—AIN'T DONE YET—RCA SILVERTONE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;JOE FARNSWORTH—BIG ROOM—SMOKE SESSIONS&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;CORY WEEDS—MEETS JERRY WELDON—CELLAR&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;BLUE MOODS—FORCE AND GRACE—POSITONE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ERIC ALEXANDER—LIKE SUGAR—CELLAR MUSIC&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;GEORGE COLEMAN—WITH STRINGS—HIGHNOTE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ALVIN QUEEN—THE JAZZ CUP CAFE BLUES—CELLAR&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL - LARRY HOLLIS&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;CHARLIE PARKER—BIRD IN K.C.--VERVE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;TUBBY HAYES—ANTIBES 1962—JAZZ IN BRITAIN&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;BACK DOOR—VIENNA BREAKDOWN—ESOTERIC&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;JIMMY WITHERSPOON/ROBBEN FORD—JUMP BLUES&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; LIVE 1972—LIBERATION HALL&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;CHET BAKER QUINTET—FIVE FROM 65—NEW LAND&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ROY BROOKS—THE FREE SLAVE—TIME TRAVELER&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;MEMPHIS SLIM—AT THE GATE OF HORN—CRAFT&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;MILES DAVIS QUINTET—COMPLETE PLUGGED&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; NICKEL—SONY LEGACY&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;KENNY BURRELL-ON VIEW AT THE FIVE SPOT—BLUE &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; NOTE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ROLAND KIRK QUARTET—DOMINO—MIG(CD/DVD}&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - FRANK KoHL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Florian Arbenz — The Alpine Sessions&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Yunmi Kang &amp;amp; John Stowell Duo — A Timeless&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Piece&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Dave Stryker — Goes To The Movies&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Ari Hoenig — Punkbop- Live At Smalls &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Leo Larratt — Rahim’s Blues&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Donny McCaslin — Lullaby Of The Lost&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Shawn Purcell — Oblivity&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Mike Stern — Echoes And Other Songs&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Johnathan Blake — My Life Matters&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Randy Napoleon — Waking Dream&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - ABE goldstein&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Eric McPherson — Double Bass Quartet —&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Giant Steps&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;James Brandon Lewis — Abstractions in&amp;nbsp; &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Deliverance — Intakt&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Thomas Ruckert&amp;nbsp;— For All We Know&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; — Challenge&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Ehud Asherie — Thank You Barry Harris —&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Arbors&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Michael Bisio — NuMBq — Mahakala&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Joe McPhee — We Know Why The Caged Bird Sings — Rogue Art&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Thomas Heberer — Hipp Hipp Hooray — FSR&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;David Kikoski— Weekend at Smalls&amp;nbsp;— Cellar&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Joris Roelofs— Rite of Spring — ICP&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Steve Hirsh — The Back Nine — Self produced&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL - ABE goldstein&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Dave Burrell — The Lost Session — No Business&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Rashied Ali — Sidewalks In Motion — Survival&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Ellery Eskelin&amp;nbsp;— About (Or On) First —&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Ezzthetics&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Kenny Dorham — Blue Bossa in the Bronx&amp;nbsp; — Resonance&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Irene Schweizer — Irene’s Hot Four — Intakt Gato Barbieri — Standards Lost &amp;amp; Found&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ChaRles Mingus — In Argentina — Resonance&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Jimmy Bennington — Blue Veils — That Swan&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Frank Kimbrough — The CallHorace Tapsctott — Live at Widney High 1971&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - Jerome wilson&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Ensemble C —&amp;nbsp; Every Journey — Adhyaropa&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Amina Claudine Myers — Solace of the Mind&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Linda May Han Oh — Strange Heavens&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Fabia Mantwill Orchestra — In - Sight&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Jason Kao Hwang — Myths of Origin&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Patricia Brennan — Of the Near and Far&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Van Morrison — Remembering Now — Exile&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Jimmy Farace —&amp;nbsp; Hours Fly, Flowers Die&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;The Hemphill Stringtet — Plays the Music of&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Julius Hemphill — Out Of Your Head&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Branford Marsalis Quartet — Belonging (&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - Ken weiss&lt;/STRONG&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;RAPHAEL PANNIER QUARTET/KHADIM NIANG &amp;amp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; SABAR GROUP – LIVE IN SAINT LOUIS, SENEGAL&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;SYLVIE COURVOISIER/MARY HALVORSON – BONE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; BELLS – PYROCLASTIC&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;SATOKO FUJII TOKYO TRIO – DREAM A DREAM&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;PATRICIA BRENNAN – OF THE NEAR AND FAR &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;SYLVIE COURVOISIER /WADADA LEO SMITH – ANGEL&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; FALLS – INTAKT&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ALISTER SPENCE TRIO – GATHER&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;HENRY THREADGILL – LISTEN SHIP – PI&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;SPINIFEX – MAXXIMUS – TRYTONE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;MARTY EHRLICH EXALTATION TRIO – THIS TIME&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;PLAINS PEAK – SOMEONE TO SOMEONE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL - Ken weiss&lt;/STRONG&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;PHAROAH SANDERS – THE COMPLETE THERESA&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; RECORDINGS &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;ELLERY ESKELIN - ELLERY ESKELIN TRIO NEW YORK:&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; ABOUT (OR ON) FIRST VISIT &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;FREDDIE HUBBARD – FREDDIE HUBBARD ON FIRE LIVE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; FROM THE BLUE MOROCCO – RESONANCE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;RAHSAAN ROLAND KIRK – SEEK &amp;amp; LISTEN: LIVE AT THE PENDTHOUSE – RESONANCE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;CHARLES MINGUS - MINGUS IN ARGENTINA – THE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp;&amp;nbsp; BUENOS AIRES CONCERTS&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;JIMMY LYONS – LIVE FROM STUDIO RIVBEA –1974 &amp;amp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; 1976 &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;KENNY DORHAM – KENNY DORHAM BLUE BOSSA IN&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; THE BRONX LIVE FROM THE BLUE MOROCCO&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;RAHSAAN ROLAND KIRK – VIBRATIONS IN THE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; VILLAGE: LIVE AT THE VILLAGE GATE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - Scott Yanow&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Joe Farnsworth – The Big Room – Smoke&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Sessions&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Irving Flores Afro-Cuban Sextet – Armando mi&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Conga – Amor de Flores Productions&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Sullivan Fortner – Southern Nights – Pias&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;nenna Freelon – Beneath The Skin – Origin&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Caity Gyorgy – Hello! How Are You? – Self-&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Released&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;David Kikoski – Weekend At Smalls – Cellar&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Branford Marsalis – Belonging – Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Arturo O’Farrill &amp;amp; The Afro Latin Jazz&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Orchestra - Mundoagua – Zoho&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Anais Reno – Lady Of The Lavender Mist – Club&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; 44&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Gonzalo Rubalcaba – First Meeting –&amp;nbsp; &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; 5passion&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL – Scott Yanow&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Bob Crosby - Classic Decca Recordings Of&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Bob Crosby Orchestra/Bob Cats (1936-1942) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Miles Davis – Miles In Paris – Columbia/Legacy&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Ella Fitzgerald – Live At The Concetgebouw&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; 1961 – The Lost Recordings&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Rahsaan Roland Kirk – Vibrations In The&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Village - Resonance&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Oscar Moore – The Enchanting Guitar – Fresh&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Sound&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Charlie Parker – Bird In Kansas City - Verve&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Art Pepper – An Afternoon In Norway –&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Elemental Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Andre Previn – Early Years – Acrobat&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;McCoy Tyner &amp;amp; Joe Henderson – Forces Of&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Nature – Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Various Artists – Classic Vanguard Small&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Group Swing Sessions – Mosaic&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - George Harris&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Eddie Daniels – To Milton With Love&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Mike LeDonne's Groover Quartet– Turn It Up!&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Denny Zeitlin – With A Song In My Heart&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Bob James and Dave Koz – Just Us&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Diego Figuieredo – I Love Samba&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Gunhild Carling – Jazz Is My Lifestyle&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Horace Silver – Live At The Penthouse&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Gillian Margot and Geoffrey Geezer – Gillian&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Margot and Geoffrey Geezer&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Freddie Hubbard – On Fire&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Kenny Dorham – Blue Bossa In Bronx&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;STRONG&gt;2025 TOP NEW RECORDINGS - ZIM TARRO&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;DAVID “FATHEAD” NEWMAN - RETURN TO THE WIDE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; OPEN SPACES&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Rob Brown - Walkabout - Mahakala&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Dave Sewelson, Steve Swell, Matthew Shipp,&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; William Parker &amp;amp; Steve Hirsh – Muscle&amp;nbsp;Memory&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;LOUIS ROSEN – AMERICAN SUNSET – DI-TONE&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;HENRY THREADGILL – LISTEN SHIP – PI&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;Patricia Brennan — Of the Near and Far&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;The Hemphill Stringtet — Plays the Music of&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Julius Hemphill — Out Of Your Head&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;BUDDY GUY—AIN'T DONE YET—RCA SILVERTONE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;John Taylor, Marc Johnson, Joey Baron · -&amp;nbsp; &amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&amp;nbsp; Tramonto&amp;nbsp; —&amp;nbsp; ECM&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 9px;" face="Futura"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13570696</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13570696</guid>
      <dc:creator>David Haney</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 06 Dec 2025 00:50:16 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Top Jazz Albums 2025&lt;/P&gt;

&lt;P&gt;Charles Lloyd, Figure In Blue&lt;/P&gt;

&lt;P&gt;Branford Marsalis Quartet, Belonging&lt;/P&gt;

&lt;P&gt;Kenny Barron, Songbook&lt;/P&gt;

&lt;P&gt;Artemis, Arboresque&lt;/P&gt;

&lt;P&gt;Joshua Redman, Words Fall Short&lt;/P&gt;

&lt;P&gt;Fieldwork, Thereupon&lt;/P&gt;

&lt;P&gt;David Murray Quartet, Birdly Serenade&lt;/P&gt;

&lt;P&gt;Mike Clark, Itai Doshin&lt;/P&gt;

&lt;P&gt;Tyreek McDole, Open Up Your Senses&lt;/P&gt;

&lt;P&gt;Irving Flores Afro-Cuban Jazz Sextet, Armando Mi Conga&lt;/P&gt;

&lt;P&gt;Joe Farnsworth, The Big Room&lt;/P&gt;

&lt;P&gt;Isaiah J. Thompson, The Book of Isaiah: Modern Jazz Ministry&lt;/P&gt;

&lt;P&gt;Billy Hart Quartet, Just&lt;/P&gt;

&lt;P&gt;Ryan Truesdale Presents Gil Evans Project, Shades of Sound&lt;/P&gt;

&lt;P&gt;George Coleman, George Coleman with Strings&lt;/P&gt;

&lt;P&gt;Comment: Though it was not planned, it occurs to me that each of these albums except one has one or more bad-ass saxophonists: The band leaders Charles Lloyd, Branford Marsalis, Joshua Redman and David Murray; the essential band members or side players Steve Lehman (with Fieldwork), Craig Handy (with Mike Clark), Mark Turner (with Billy Hart) Steve Wilson and Donny McCaslin (with Ryan Truesdale), Norbert Stachel (with Irving Flores); and the relative newcomers Nicole Glover (with Artemis), Sarah Hanahan (with Joe Farnsworth), Julian Lee (with Isaiah J. Thompson) and Dylan Band (with Tyreek McDole). And then there's 90-year-old George Coleman, surrounded by a bed of strings. The one exception is Kenny Barron's Songbook, which is all about the singers and the songs.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Five non-jazz albums I enjoy.&lt;/P&gt;

&lt;P&gt;Van Morrison, Remembering Now&lt;/P&gt;

&lt;P&gt;Various Artists, A Tribute to the King of Zydeco&lt;/P&gt;

&lt;P&gt;Don Was and the Pan-Detroit Ensemble, Groove in the Face of Adversity&lt;/P&gt;

&lt;P&gt;Mavis Staples, Sad and Beautiful World&lt;/P&gt;

&lt;P&gt;Taj Mahal and Keb' Mo', Room on the Porch&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13570371</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13570371</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 16 Jan 2025 12:50:48 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;GEOFFREY HIMES&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;TWENTY BEST JAZZ ALBUMS OF 2024:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Ambrose Akinmusire&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Owl Song&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Steve Coleman and Five Elements&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Polytropos/Of Many Turns&lt;/EM&gt; (Pi/M-Base)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Charles Lloyd&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;The Sky Will Still Be There Tomorrow&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Hamilton de Holanda/Gonzalo Rubalcaba&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Saudade, Saudade” from &lt;EM&gt;Collab&lt;/EM&gt; (De Holanda)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;David Murray Quartet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Francesca&lt;/EM&gt; (Intakt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Ben Wendel&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Under Story:&lt;/EM&gt; &lt;EM&gt;Ben Wendel Live at the Village Vanguard&lt;/EM&gt; (Edition)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Bill Frisell/Kit Downes/Andrew Cyrille:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Breaking the Shell&lt;/EM&gt; (Red Hook)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Micah Thomas&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Mountains&lt;/EM&gt; (Artwork)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The Lux Quartet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Tomorrowland&lt;/EM&gt; (Enja)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Leo Genovese&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Forward&lt;/EM&gt; (577)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Vijay Iyer&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Compassion&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Patricia Brennan Septet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Breaking Stretch&lt;/EM&gt; (Pyroclastic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Marta Sanchez Trio&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Perpetual Void&lt;/EM&gt; (Intakt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Tyshawn Sorey Trio&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;The Susceptible Now&lt;/EM&gt; (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Lucian Ban Mat Maneri:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Transylvanian Dances&lt;/EM&gt; (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Geof Bradfield&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Colossal Abundance&lt;/EM&gt; (Calligram)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Melissa Aldana:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Echoes of the Inner Prophet&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Lakecia Benjamin:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Phoenix Reimagined&lt;/EM&gt; (Live) (Ropeadope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Erik Friedlander:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Dirty Boxing/Floating City&lt;/EM&gt; (Friedlander)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Kenny Barron:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Beyond This Place&lt;/EM&gt; (Artwork)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;TWENTY BEST NON-JAZZ ALBUMS OF 2024:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Charley Crockett&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;$10 Cowboy, Chapters One &amp;amp; Two&lt;/EM&gt; (Son of Davy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Taylor Swift&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;The Tortured Poets Department&lt;/EM&gt; (Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Beyonce&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Cowboy Carter&lt;/EM&gt; (Columbia)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Kevin Gordon&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “You Can’t Hurt Me No More” from &lt;EM&gt;The In Between&lt;/EM&gt; (Gordon)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;MJ Lenderman&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “She’s Leaving You” from &lt;EM&gt;Manning Fireworks&lt;/EM&gt; (Anti-)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Steve Dawson&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Sooner than Expected” from &lt;EM&gt;Ghosts&lt;/EM&gt; (Pravda)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Billie Eilish&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Lunch” from &lt;EM&gt;Hit Me Hard and Soft&lt;/EM&gt; (Dark Room/Interscope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Willi Carlisle&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Two-Headed Lamb” from &lt;EM&gt;Critterland&lt;/EM&gt; (Signature Sounds)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Willie Nelson&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Last Leaf on the Tree” from &lt;EM&gt;The Last Leaf&lt;/EM&gt; (Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Jeremie Albino&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “I Don’t Mind Waiting” from &lt;EM&gt;Our Time in the Sun&lt;/EM&gt; (Easy Eye)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Japandroids&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “D&amp;amp;T” from &lt;EM&gt;Fate + Alcohol&lt;/EM&gt; (Anti-)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Yasmin Williams&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Harvest” from &lt;EM&gt;Acadia&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The Decemberists&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Burial Ground” from &lt;EM&gt;As It Ever Was, So It Will Be Again&lt;/EM&gt; (Yarb)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Zach Bryan&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Sandpaper” from &lt;EM&gt;The Great American Bar Scene&lt;/EM&gt; (Warner)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Kali Uchis&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: “Pensamientos Intrusivos” from Orquideas (Geffen)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;T Bone Burnett&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;The Other Side&lt;/EM&gt; (Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Charli XCX&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Brat&lt;/EM&gt; (Atlantic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Miranda Lambert&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;: &lt;EM&gt;Postcards from Texas&lt;/EM&gt; (Big Loud/Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Dave Alvin &amp;amp; Jimmie Dale Gilmore&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Texicali&lt;/EM&gt; (Yep Roc)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Cedric Burnside:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Hill Country Love&lt;/EM&gt; (Provogue)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;FIVE BEST HISTORICAL JAZZ ALBUMS:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Sonny Rollins:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Freedom Weaver: The 1959 European Tour Recordings&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Andrew Hill Sextet Plus 10:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;A Beautiful Day Revisited&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(2002, Palmetto)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Wayne Shorter:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Celebration, Volume 1&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(2014, Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Art Tatum:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Jewels in the Treasure Box: The 1953 Chicago Blue Note Club Recordings&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Sun Ra:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Lights on a Satellite: Live at the Left Bank&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(1978, Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;FIVE BEST HISTORICAL NON-JAZZ ALBUMS:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Elvis Costello:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;King of America &amp;amp; Other Realms&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Universal)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Neil Young:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Archives III&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Reprise)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Joni Mitchell:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;&lt;EM&gt;Archives—Volume Four (1976-1980)&lt;/EM&gt; (Rhino)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The dBs:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Stands for Decibels&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Propeller)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Joe Grushecky:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Houserocker: A Joe Grushecky Anthology&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Omnivore)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13450959</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13450959</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 15 Jan 2025 18:21:23 GMT</pubDate>
      <title>Jeff Cebulski</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 13px;" color="#222222"&gt;TOP 10 NEW RELEASES&lt;/FONT&gt;&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Vijay Iyer,&amp;nbsp;&lt;EM&gt;Compassion&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(ECM)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Charles Lloyd,&amp;nbsp;&lt;EM&gt;The Sky Will Still Be There Tomorrow&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;James Brandon Lewis Quartet,&amp;nbsp;&lt;EM&gt;Transfiguration&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Intakt)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Lux Quartet,&amp;nbsp;&lt;EM&gt;Tomorrowland&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(enja)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Peter Bernstein,&amp;nbsp;&lt;EM&gt;Better Angels&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Smoke Sessions Records)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;One for All,&amp;nbsp;&lt;EM&gt;Big George&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Smoke Sessions Records)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Walter Smith III,&amp;nbsp;&lt;EM&gt;three of us are from Houston and Rueben is not&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joel Ross,&amp;nbsp;&lt;EM&gt;Nublues&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Chris Potter-Brad Mehldau-John Patitucci-Brian Blade,&amp;nbsp;&lt;EM&gt;Eagle's Point&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Immanuel Wilkins,&amp;nbsp;&lt;EM&gt;Blues Blood&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Blue Note)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Tomasz Stanko Quartet,&amp;nbsp;&lt;EM&gt;September Night&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(ECM)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Roy Hargrove's Crisol,&amp;nbsp;&lt;EM&gt;Grande-Terre&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Verve)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Emily Remler,&amp;nbsp;&lt;EM&gt;Cookin' at the Queens: Live in Las Vegas&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Resonance)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Kurt Rosenwinkel,&amp;nbsp;&lt;EM&gt;The Next Step Band: Live at Smalls, 1996&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Heartcore Records)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;McCoy Tyner &amp;amp; Joe Henderson,&amp;nbsp;&lt;EM&gt;Forces of Nature, Live at Slugs&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;1. Alyssa Allgood,&amp;nbsp;&lt;EM&gt;From Here&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Next Records)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;2. Samara Joy,&amp;nbsp;&lt;EM&gt;Portrait&amp;nbsp;&lt;/EM&gt;&lt;/STRONG&gt;(Verve)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;DEBUT ALBUM&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;1. Sarah Hanahan,&amp;nbsp;&lt;EM&gt;Among Giants&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Blue Engine Records)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13450687</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13450687</guid>
      <dc:creator>Jeff Cebulski</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 01 Jan 2025 23:33:12 GMT</pubDate>
      <title>Chuck Koton</title>
      <description>&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;1) &lt;STRONG&gt;Azar Lawrence Experience&lt;/STRONG&gt; @Yoshi's, Oakland...6/18/2024. Master tenor and soprano saxophonist Azar Lawrence brought his band to a nearly sold out, mid-week gig at venerable Oakland jazz club, Yoshi’s, to celebrate Freedom Day, Juneteenth. On this night, Lawrence was joined by long time band mate, Brian Swartz (trumpet), among others, and special guests vocalist Tiffany Austin and old friend ,the legendary Taj Mahal!!!! The band generated the fire that one expects from Azar Lawrence, a searing heat he felt first hand with the bands of Elvin Jones and McCoy Tyner in the 1970s. A Tyner composition, ”Walk Spirit, Talk Spirit,” that Lawrence recorded with the piano master on the classic “live” album, “Enlightenment Suite,” afforded an opportunity for the band to stretch out. In my humble opinion, there is no one on the jazz scene today who blows the saxophone with the fire Lawrence generates.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;2)The great alto saxophonist, &lt;STRONG&gt;Charles McPherson&lt;/STRONG&gt;, celebrated his 85&lt;SUP&gt;th&lt;/SUP&gt; birthday and his hard swinging 2024 release, “Reverance”(Smoke Sessions Records), with Mr Jazz San Diego, Gilbert Castellanos(trumpet) at Lou Lou's, a swanky new club in San Diego. McPherson, at eight-five, still plays with the speed of a 20 year old but tempered by the more than six decades of musical experience he embodies. The alto master's display of his undiminished dexterity on the Be Bop classic, “Cherokee,” had Castellanos shaking his head in admiration. The band performed several compositions from the CD, including sensitive originals honoring McPherson’s beloved fellow Motowners, Barry Harris and Lonnie Hillyer. To reference a Be Bop classic, “Now's The Time” to honor Charles McPherson with an NEA Jazz Masters award.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;3) Veteran tenor saxophonist, &lt;STRONG&gt;Ralph Moore&lt;/STRONG&gt;, brought a hard swingin' band into one of the top jazz clubs in the Los Angeles area, Sam First, conveniently located just down the street from LAX. This cozy club has also started recording music, as well as presenting live jazz almost nightly for the last several years. It's hard to believe that Moore has been one of the most respected saxophonists of the last forty years. It seems like just yesterday he was one of the Young Lions of the 80s, along with Cats like his dear, departed friend Roy Hargrove, the Marsalis Brothers &amp;amp; Joshua Redman, among others. Moore and the band, including the supernaturally youthful 88 year old dynamo of the drums, Roy McCurdy, came out of the gate with an uptempo composition, “Ugetsu” by master pianist and composer, the late Cedar Walton. And on the classic, “Moment's Notice,” the band transported the audience to a 1950s smoky club on NYC's Lower East Side where this pure, unadulterated, foot tappin' hard bop could be heard regularly. These days it seems, at least to my jaundiced ears, there's a bit too much ambient sound emanating from the band stand. Not on this night as Moore breathed a Coltrane influence and McCurdy drove the band to delirious heights.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;STRONG&gt;4) Phil Ranelin, “The Found Tapes: Live in Los Angeles, 1978-1981&lt;/STRONG&gt;” (Org Music). One of the most important musicians of the last 50+ years, trombonist, composer and band leader Phil Ranelin discovered these recordings in the (process of&amp;nbsp; moving back to his Indianapolis hometown after suffering a debilitating stroke. Most of this CD was recorded by Ranelin on&amp;nbsp; cassettes during a performance at Maiden Voyage in LA in the summer of 1981. The band included a young and already brilliant pianist, Billy Childs along with two of LA’s first call Cats, bassist Tony Dumas and drummer Ralph Penland. Included is music from a broad spectrum of jazz including be bop and the post-bop modal sound that Ranelin reveled in. While the music is technically a bit raw, that quality has its charms in preserving these vital years of Ranelin’s on the LA jazz scene.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;5) &lt;STRONG&gt;Michael Stephans, “Om Shalom” (Dot Time Records)&lt;/STRONG&gt;. This remarkable recording by drummer, composer, author and educator, Michael Stephans is a valuable reissue first recorded in 2005. Stephans had an epiphany over decades ago in which he was inspired to create music that would somehow blend his memories of Jewish sounds(both songs and prayers) with the Eastern influenced sounds in John Coltrane’s music in which he immersed himself as an adult. The result is an unforgettable recording made with his intrepid friends including NEA saxophone master, David Liebman, Bennie Maupin(saxophones, bass clarinet), Scott Colley(acoustic bass) and percussionist Munyungo Jackson.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; And 5 more special performances of 2024&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;1) &lt;STRONG&gt;Henry “the Skipper” Franklin Quintet&lt;/STRONG&gt; @ LACMA, 5/9/2024.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;2) &lt;STRONG&gt;Cosmic Vibrations&lt;/STRONG&gt; @The World Stage, 5/30/2024.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;3) &lt;STRONG&gt;Pan African Peoples Arkestra&lt;/STRONG&gt; @The World Stage, 2/9/2024.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;4) &lt;STRONG&gt;Bobby West Trio&lt;/STRONG&gt; @The World Stage, 1/19/2024.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;5) &lt;STRONG&gt;Joshua White Trio&lt;/STRONG&gt; @The World Stage, 2/2/2024.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13445487</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13445487</guid>
      <dc:creator>Chuck Koton</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 29 Dec 2024 18:03:58 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;Top Jazz Releases of 2024:&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222" style="font-size: 12px;"&gt;NEW ALBUMS&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;1. Jim Snidero,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;For All We Know&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(Savant)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;2. Kenny Barron,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Beyond This Place&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(Artwork)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;3. Immanuel Wilkins,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Blues Blood&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(Blue Note)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;4. Peter Bernstein,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Better Angels&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(Smoke Sessions)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;5. Louis Hayes,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Artform Revisited&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(Savant)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222" style="font-size: 12px;"&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;6. McCoy Tyner &amp;amp; Joe Henderson,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Forces of Nature: Live at Slugs'&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(1966, Blue Note)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;7. Roy Hargrove's Crisol,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Grande-Terre&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(1998, Verve)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;8. Louis Armstrong,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Louis in London&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(1968, Verve)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;9. Sonny Rollins,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;A Night at the Village Vanguard: The Complete Masters&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT color="#222222"&gt;(1957, Blue Note)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;FONT color="#222222"&gt;10. Bobby Hutcherson,&lt;/FONT&gt; &lt;EM&gt;&lt;FONT color="#222222"&gt;Classic Bobby Hutcherson Blue Note Sessions 1963-1970&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#222222"&gt;(Mosaic)&lt;/FONT&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13444709</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13444709</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 28 Dec 2024 15:46:40 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;Here are my ten favorite new albums of 2024. A full write-up on each of these, as well as my selections for numbers 11 through 35&amp;nbsp; can be found at&amp;nbsp;&lt;A href="https://postgenre.org/rob-shepherd-favorite-2024/"&gt;PostGenre.&lt;/A&gt;&amp;nbsp;Also on that site, you can find interviews from the past year with several of the artists on my list.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#455CA7"&gt;&lt;STRONG&gt;NEW RELEASES&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Wadada&lt;/SPAN&gt; Leo Smith &amp;amp; Amina Claudine Myers, &lt;EM&gt;Central Park's Mosaics of Reservoir, Lake, Paths and Gardens&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Red Hook)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Mulatu Astatke and Hoodna Orchestra, &lt;EM&gt;Tension&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Batov)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Brandon Ross Phantom Station, &lt;EM&gt;Off the End&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Sunnyside)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Amaro Freitas, &lt;EM&gt;Y'Y&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Psychic Hotline)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Colin &lt;SPAN&gt;Stetson&lt;/SPAN&gt;&lt;EM&gt;, The love it took to leave you&lt;/EM&gt;&lt;/STRONG&gt; (Envision)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Patricia Brennan,&amp;nbsp;&lt;/STRONG&gt;&lt;EM&gt;&lt;STRONG&gt;Breaking Stretch&lt;/STRONG&gt;&lt;/EM&gt;&amp;nbsp;(Pyroclastic)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;David Leon, &lt;EM&gt;Bird's Eye&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Pyroclastic)&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;&lt;STRONG&gt;The Messthetics and James Brandon Lewis&amp;nbsp;&lt;/STRONG&gt;&lt;/EM&gt;(Impulse!)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Mary Halvorson&lt;EM&gt;, Cloudward&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sun Ra Arkestra, &lt;EM&gt;Lights on a Satellite&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(In&amp;nbsp;+ Out)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT color="#455CA7"&gt;&lt;STRONG&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Emily Remler, &lt;EM&gt;Cookin' at the Queens: Live in Las Vegas (1984 &amp;amp; 1988)&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Resonance)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Wayne Shorter,&amp;nbsp;&lt;EM&gt;Celebration Vol. 1&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Alice Coltrane,&lt;/STRONG&gt; &lt;EM&gt;&lt;STRONG&gt;Live at Carnegie Hall&lt;/STRONG&gt;&lt;/EM&gt; (Impulse!)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joe Henderson &amp;amp; McCoy Tyner,&lt;/STRONG&gt; &lt;EM&gt;&lt;STRONG&gt;Forces of Nature: Live at Slug's 1966&lt;/STRONG&gt;&amp;nbsp;&lt;/EM&gt;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;The Malombo&lt;/STRONG&gt; &lt;STRONG&gt;Jazz Men&lt;/STRONG&gt;&lt;STRONG&gt;,&lt;/STRONG&gt; &lt;EM&gt;&lt;STRONG&gt;Castle Lager Jazz Festival, 1964&lt;/STRONG&gt;&lt;/EM&gt;&amp;nbsp;(Strut)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT color="#455CA7"&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Arooj Aftab,&amp;nbsp;&lt;EM&gt;Night Reign&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Verve)&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Zorn &amp;amp; Jesse Harris, &lt;EM&gt;Love Songs Live&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Tzadik)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Milton Nascimento &amp;amp; esparanza&amp;nbsp;spalding, &lt;EM&gt;Milton&amp;nbsp;+ esperanza&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Concord)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT color="#455CA7"&gt;&lt;STRONG&gt;DEBUT&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Riley Mulherkar, &lt;EM&gt;Riley&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Westerlies)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Willy Rodriguez, Seeing Sounds&lt;/STRONG&gt; (Coucs)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Alfredo Co&lt;/STRONG&gt;&lt;SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT&gt;&lt;STRONG&gt;lón, &lt;EM&gt;Blood Burden&lt;/EM&gt;&lt;/STRONG&gt; (Out of Your Head)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT color="#455CA7"&gt;&lt;STRONG&gt;LATIN&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Amaro Freitas,&amp;nbsp;&lt;EM&gt;Y'Y&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Psychic Hotline)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Patricia Brennan,&amp;nbsp;&lt;/STRONG&gt;&lt;EM&gt;&lt;STRONG&gt;Breaking Stretch&lt;/STRONG&gt;&lt;/EM&gt;&amp;nbsp;(Pyroclastic)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;David Leon,&amp;nbsp;&lt;EM&gt;Bird's Eye&lt;/EM&gt;&amp;nbsp;&lt;/STRONG&gt;(Pyroclastic)&lt;/LI&gt;
&lt;/OL&gt;&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13444533</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13444533</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 20 Dec 2024 17:30:02 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Top Ten New Releases&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Charles Lloyd, &lt;EM&gt;The Sky Will Still Be There Tomorrow&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Jon Batiste, &lt;EM&gt;Beethoven Blues&lt;/EM&gt; (Verve)&lt;/P&gt;

&lt;P&gt;Milton + Esperanza, &lt;EM&gt;Milton + Esperanza&lt;/EM&gt; (Concord)&lt;/P&gt;

&lt;P&gt;Joel Ross, &lt;EM&gt;nublues&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Vijay Iyer, &lt;EM&gt;Compassion&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;Walter Smith III, &lt;EM&gt;three of Us Are From Houston and Reuben Is Not&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Tarbaby, &lt;EM&gt;You Think This America (&lt;/EM&gt;Giant Step Arts)&lt;/P&gt;

&lt;P&gt;Ndudzo Makhathini, &lt;EM&gt;Unomkhubulwane&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Lizz Wright, &lt;EM&gt;Shadow&lt;/EM&gt; (Blues and Greens)&lt;/P&gt;

&lt;P&gt;Lakecia Benjamin, &lt;EM&gt;Phoenix Reimagined&lt;/EM&gt; (ropeadope)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Ten (or so) More&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Isaiah Collier and the Chosen Few, &lt;EM&gt;The Almighty/The World Is On Fire&lt;/EM&gt; (Division 81) (I counted these as one release because it's my list and I can do what I want.)&lt;/P&gt;

&lt;P&gt;Sun Ra Arkestra, &lt;EM&gt;Lights on a Satellite&lt;/EM&gt; (In+Out Records)&lt;/P&gt;

&lt;P&gt;Steve Turre, &lt;EM&gt;Sanyas&lt;/EM&gt; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Jazzmeia Horn, &lt;EM&gt;Messages&lt;/EM&gt; (Empress Legacy)&lt;/P&gt;

&lt;P&gt;Melissa Aldana, &lt;EM&gt;Echoes of the Inner Prophet&lt;/EM&gt; (Blue Note)&lt;/P&gt;

&lt;P&gt;Oscar Hernandez &amp;amp; Alma Libre, &lt;EM&gt;No Words Needed&lt;/EM&gt; (Ovation)&lt;/P&gt;

&lt;P&gt;Brian Bromberg, &lt;EM&gt;LaFaro&lt;/EM&gt; (Be Squared)&lt;/P&gt;

&lt;P&gt;Mike Stern, &lt;EM&gt;Echoes and Other Songs&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Emmet Cohen, &lt;EM&gt;Vibe Provider&lt;/EM&gt; (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Out of/Into&lt;EM&gt;, Motion 1&lt;/EM&gt; (Blue Note) (This is probably a top ten album but it was just released and I have only listened to it once...)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Best Archival Releases&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Art Tatum, &lt;EM&gt;Jewels in the Treasure Box, The 1953 Chicago Blue Note Jazz Club Recordings&lt;/EM&gt; (Resonance)&lt;/P&gt;

&lt;P&gt;Keith Jarrett/Gary Peacock/Paul Motian, &lt;EM&gt;The Old Country&lt;/EM&gt; (ECM)&lt;/P&gt;

&lt;P&gt;Roy Hargrove Crisol, &lt;EM&gt;Grande-Terre (&lt;/EM&gt;Verve)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Best Non-Jazz Archival Release&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;B.B King In France, Live at the 1977 Nancy Jazz Pulsations Festival&lt;/EM&gt; (Deep Digs/Elemental)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Best Non-Jazz New Release&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Beyonce, &lt;EM&gt;Cowboy Carter&lt;/EM&gt; (Parkwood/Columbia)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Best Dance Music&amp;nbsp;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Spanish Harlem Orchestra, &lt;EM&gt;Swing Forever&lt;/EM&gt; (Ovation) (This is the best salsa album I have heard in decades...)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13442959</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13442959</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 19 Dec 2024 19:31:51 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;Some 2024 favorites&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;NEW ALBUMS&lt;/STRONG&gt;&amp;nbsp;(alphabetical)&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Peter Bernstein,&amp;nbsp;&lt;EM&gt;Better Angels&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Smoke Sessions)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=486" title="http://hw.home/jazzpoll/24/album.php?id=486"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Escreet,&amp;nbsp;&lt;EM&gt;The Epicenter of Your Dreams&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Room Music)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=194" title="http://hw.home/jazzpoll/24/album.php?id=194"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Orrin Evans and the Captain Black Big Band,&amp;nbsp;&lt;EM&gt;Walk a Mile in My Shoe&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Imani)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=398" title="http://hw.home/jazzpoll/24/album.php?id=398"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Bill Frisell,&amp;nbsp;&lt;EM&gt;Orchestras&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=47" title="http://hw.home/jazzpoll/24/album.php?id=47"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Julian Lage,&amp;nbsp;&lt;EM&gt;Speak to Me&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=74" title="http://hw.home/jazzpoll/24/album.php?id=74"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Brian Landrus,&amp;nbsp;&lt;EM&gt;Plays Ellington &amp;amp; Strayhorn&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Palmetto)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=144" title="http://hw.home/jazzpoll/24/album.php?id=144"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Charles Lloyd,&amp;nbsp;&lt;EM&gt;The Sky Will Still Be There Tomorrow&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=225" title="http://hw.home/jazzpoll/24/album.php?id=225"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;One for All,&amp;nbsp;&lt;EM&gt;Big George&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Smoke Sessions)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=111" title="http://hw.home/jazzpoll/24/album.php?id=111"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Chris Potter-Brad Mehldau-John Patitucci-Brian Blade,&amp;nbsp;&lt;EM&gt;Eagle's Point&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=261" title="http://hw.home/jazzpoll/24/album.php?id=261"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joel Ross,&amp;nbsp;&lt;EM&gt;Nublues&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=198" title="http://hw.home/jazzpoll/24/album.php?id=198"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;REISSUES/ARCHIVAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;McCoy Tyner &amp;amp; Joe Henderson,&amp;nbsp;&lt;EM&gt;Forces of Nature: Live at Slugs'&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1966, Blue Note)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=501" title="http://hw.home/jazzpoll/24/album.php?id=501"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sonny Rollins,&amp;nbsp;&lt;EM&gt;Freedom Weaver: The 1959 European Tour Recordings&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Resonance)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=12" title="http://hw.home/jazzpoll/24/album.php?id=12"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Miles Davis Quintet,&amp;nbsp;&lt;EM&gt;Miles in France 1963 &amp;amp; 1964 [The Bootleg Series, Vol. 8]&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Columbia/Legacy)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=499" title="http://hw.home/jazzpoll/24/album.php?id=499"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Abercrombie-Dave Holland-Jack DeJohnette,&amp;nbsp;&lt;EM&gt;Gateway&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1975, ECM)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=243" title="http://hw.home/jazzpoll/24/album.php?id=243"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Terry Gibbs Dream Band,&amp;nbsp;&lt;EM&gt;Vol. 7: The Lost Tapes, 1959&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Whaling City Sound)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=487" title="http://hw.home/jazzpoll/24/album.php?id=487"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Samara Joy,&amp;nbsp;&lt;EM&gt;Portrait&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Verve)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=522" title="http://hw.home/jazzpoll/24/album.php?id=522"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Kurt Elling &amp;amp; Sullivan Fortner,&amp;nbsp;&lt;EM&gt;Wildflowers Vol. 1&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=593" title="http://hw.home/jazzpoll/24/album.php?id=593"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Kurt Elling &amp;amp; Sullivan Fortner,&amp;nbsp;&lt;EM&gt;Wildflowers Vol. 2&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=704" title="http://hw.home/jazzpoll/24/album.php?id=704"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;LATIN&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Miguel Zenón,&amp;nbsp;&lt;EM&gt;Golden City&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Miel Music)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=520" title="http://hw.home/jazzpoll/24/album.php?id=520"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Dafnis Prieto,&amp;nbsp;&lt;EM&gt;3 Sides of the Coin&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Dafnison Music)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=467" title="http://hw.home/jazzpoll/24/album.php?id=467"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Diego Rivera,&amp;nbsp;&lt;EM&gt;Ofendra&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Posi-Tone)&amp;nbsp;&lt;A href="http://hw.home/jazzpoll/24/album.php?id=705" title="http://hw.home/jazzpoll/24/album.php?id=705"&gt;&lt;FONT face="inherit"&gt;→&lt;/FONT&gt;&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13442639</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13442639</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 18 Dec 2024 22:41:56 GMT</pubDate>
      <title>Michael Ambrosino</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;My 20 favorite albums for 2024.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Andrew Bird - Sunday Morning Put On&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;Arooj Aftab - Night Reign&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;David Preston - Volume 2 - Purple / Black&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Edward Simon - Three Visitors&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Eyolf Dale - The Space Between Two Notes&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Fernando Huergo - Relentless&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Ivanna Cuesta - A Letter To The Earth&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Jihye Lee Orchestra - Infinite Connections&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Jonathan Powell - Mambo Jazz Party&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Joy Guidry - Amen&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Karl-Martin Almqvist - The Travelers&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Marlon Simon - On Different Paths&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Michael Eckroth - Human Geography&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Miguel Zenón - Golden City&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Milton Nascimento &amp;amp; esperanza spalding - Milton &amp;amp; esperanza&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;OKAN - Okantomi&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Ryan Keberle &amp;amp; Catharsis - Music Is Connection&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Ryan Truesdell - SYNTHESIS: The String Quartet Sessions&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Shabaka - Perceive its Beauty, Acknowledge its Grace&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Taylor Eigsti - Plot Armor&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13442356</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13442356</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Wed, 18 Dec 2024 17:20:06 GMT</pubDate>
      <title>Filipe Freitas</title>
      <description>&lt;P&gt;Patricia Brennan Septet - Breaking Stretch&lt;BR&gt;
Oded Tzur - My Prophet&lt;BR&gt;
Tomeka Reid - 3+3&lt;BR&gt;
Vijay Iyer - Compassion&lt;BR&gt;
Charles Lloyd - The Sky Will Still Be There Tomorrow&lt;BR&gt;
Peter Evans - Extra&lt;BR&gt;
Miguel Zenon - Golden City&lt;BR&gt;
Jon irabagon - Recharge the Blade&lt;BR&gt;
Anna Webber - Simpletrio2000&lt;BR&gt;
Nduduzo Makhathini - Unomkhubulwane&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13442227</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13442227</guid>
      <dc:creator>Filipe Freitas</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 16 Dec 2024 22:17:05 GMT</pubDate>
      <title>Wilbert Sostre</title>
      <description>&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;Best Puerto Rico Jazz Albums 2024&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;1. Miguel Zenón - Golden City&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;2. Papo Vázquez - Songs del Yucayeke&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;3. Oscar Hernández Alma Libre - No Words Needed&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;4. Giovanni Hidalgo - Jubilation&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;5. William Cepeda - The Sound of Puerto Rican Jazz&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;6. Sofia Ramos y Richard Peña - La Música de Sylvia Rexach&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;7. Rubén Caban - Kangana&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;8. Angel Cuyar - Chapter One&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;9. William García - Aventuras del Caribe&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size: 13.3333px;"&gt;10. Willy Rodríguez - Seeing Sounds&lt;/SPAN&gt;&lt;/P&gt;

&lt;DIV&gt;
  &lt;BR&gt;
&lt;/DIV&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13441501</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13441501</guid>
      <dc:creator>Wilbert Sostre</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 14 Dec 2024 16:47:35 GMT</pubDate>
      <title>Steve Braunginn</title>
      <description>&lt;UL&gt;
  &lt;LI style="list-style: none; display: inline"&gt;
    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;2024 Top 20 Recordings + Historical Recordings-&lt;/STRONG&gt;&lt;/FONT&gt;&lt;STRONG style="font-size: 16px;"&gt;Strictly Jazz Sounds Podcast&amp;nbsp;&lt;/STRONG&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;1.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Kris Davis: Run the Gauntlet-Pyroclastic Records&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Tarbaby: You Think This America-Imani Records&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Patricia Brennan Septet: Breaking Stretch-Pyroclastic Records&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Orin Evans and The Captain Black Big Band: Walk a Mile in My Shoe-Imani Records&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Lakecia Benjamin: Phoenix Reimagines (Live)-Ropeadope Records&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Geoffrey Keezer: Live at Birdland-Markeez Records&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Melissa Aldana: Echoes of the Inner Prophet-Blue Note&lt;/LI&gt;

  &lt;LI&gt;8.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Charles Lloyd: The Sky Will Still Be There Tomorrow-Blue Note&lt;/LI&gt;

  &lt;LI&gt;9.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Sarah Hanahan: Among Giants-Blue Engine Records&lt;/LI&gt;

  &lt;LI&gt;10.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Ulysses Owens, Jr. and Generation Y: A New Beat-Cellar&lt;/LI&gt;

  &lt;LI&gt;11.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Marta Sanchez: Perpetual Void-Intakt Records&lt;/LI&gt;

  &lt;LI&gt;12.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Caleb Wheeler-Curtis: The True Story of Bears and the Invention of the Battery-Imani Records&lt;/LI&gt;

  &lt;LI&gt;13.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Jason Palmer: The Cross Over: Live in Brooklyn-Giant Step Arts&lt;/LI&gt;

  &lt;LI&gt;14.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; The Fury: Live in Brooklyn-Giant Step Arts&lt;/LI&gt;

  &lt;LI&gt;15.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Walter Smith III: three of us are from Houston and Reuben is not-Blue Note&lt;/LI&gt;

  &lt;LI&gt;16.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Jason Robinson: Ancestral Numbers-Playscape Records&lt;/LI&gt;

  &lt;LI&gt;17.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Alex Spain: Horizons-Blue Room Music&lt;/LI&gt;

  &lt;LI&gt;18.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Neta Raanan: Unforeseen Blossom-Giant Step Arts&lt;/LI&gt;

  &lt;LI&gt;19.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Out of/Into: Motion 1-Blue Note&lt;/LI&gt;

  &lt;LI&gt;20.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Marius Van Den Brink: New York Knock-Highline Music NYC&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Historical&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;McCoy Tyner, Joe Henderson: Forces of Nature: Live at Slubs’-Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Roy Hargrove: Grande-Terre-Verve&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Alice Coltrane: The Carnegie Hall Concert-Impulse&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Louis Stewart &amp;amp; Jim Hall: Louis Stewart with Jim Hall-The Dublin Concert-Livia Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Wayne Shorter: Celebration, Vol. 1-Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13440859</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13440859</guid>
      <dc:creator>Stephen Braunginn</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 13 Dec 2024 20:45:19 GMT</pubDate>
      <title>Sanford Josephson</title>
      <description>&lt;P&gt;Top 10 2024 Albums, alphabetical by artist&lt;/P&gt;

&lt;P&gt;Brian Bromberg, La Faro (Be Squared)&lt;/P&gt;

&lt;P&gt;Summer Camargo, To Whom I Love (Blue Engine)&lt;/P&gt;

&lt;P&gt;Anat Cohen, Bloom (Anzic)&lt;/P&gt;

&lt;P&gt;Sarah Hanahan, Among Giants (Blue Engine)&lt;/P&gt;

&lt;P&gt;Vincent Herring (Something Else!), Soul Jazz (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Charles McPherson, Reverence (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;Ulysses Owens, Jr. and Generation Y, A New Beat (Cellar Music)&lt;/P&gt;

&lt;P&gt;Ken Peplowski, Live at Mezzrow (Cellar Music)&lt;/P&gt;

&lt;P&gt;Catherine Russell &amp;amp; Sean Mason, My Ideal (Dot Time)&lt;/P&gt;

&lt;P&gt;Bria Skonberg, What It Means (Cellar Music)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13440711</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13440711</guid>
      <dc:creator>Sanford Josephson</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 02 Dec 2024 19:28:12 GMT</pubDate>
      <title>Natalia Rikker</title>
      <description>&lt;P&gt;In my personal chart, I would include not only musicians, but also those who contribute to the development of jazz, such as teachers and educators.&lt;/P&gt;

&lt;P&gt;Among my favorites in 2024 are super professionals, with whom I had the opportunity to meet and work at the University of North Texas College of Music. These include&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Alan Baylock, a composer, arranger, band leader, and director of the One O’clock Lab Band,&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;Kimberly Hannon Teal, Associate Professor of Jazz History and Research, whose lectures on Jazz I was grateful to attend,&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;the fantastic Ari Hoening Trio which brought me bright emotions,&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;and Park Stickney, a wonderful harpist, and his magical harp which stole my heart.&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13436842</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13436842</guid>
      <dc:creator>Natalia Rikker</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 02 Dec 2024 19:12:39 GMT</pubDate>
      <title>Ralph A. Miriello</title>
      <description>&lt;P&gt;Best of Contemporary Jazz Releases 2024:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Taylor Eigsti-Plot Armor-Ground Up Music&lt;/LI&gt;

  &lt;LI&gt;Jamie Baum- What Times Are These-Sunnyside&lt;/LI&gt;

  &lt;LI&gt;Jim Snidero-For All We Know- Savant&lt;/LI&gt;

  &lt;LI&gt;Peter Bernstein-Better Angels-Smoke Sessions&lt;/LI&gt;

  &lt;LI&gt;Ben Allison, Steve Cardenas, Ted Nash- Tell The Birds I Said Hello; The Music of Herbie Nichols- Sonic Camera&lt;/LI&gt;

  &lt;LI&gt;Kenny Barron-Beyond This Place-Artworks/PIAS&lt;/LI&gt;

  &lt;LI&gt;Isaiah Collier and the Chosen Few-The World Is On Fire-Division 81&lt;/LI&gt;

  &lt;LI&gt;Chris Potter-Eagle's Point-Edition&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;Julian Lage-Speak To Me-Blue Note&lt;/LI&gt;

  &lt;LI&gt;Ryan Keberle And Catharsis-Music Is Connection-Alternate Side&lt;/LI&gt;

  &lt;LI&gt;Charles Llyod-The Sky Will Be There Tomorrow- Blue Note&lt;/LI&gt;

  &lt;LI&gt;Tomasz Stanko Quartet-September&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;Gregoire Maret and Romain Collin-Ennio-ACT&lt;/LI&gt;

  &lt;LI&gt;Andy Milne and Unison-Time Will Tell-Sunnyside&lt;/LI&gt;

  &lt;LI&gt;John Surman-Words Unspoken-ECM&lt;/LI&gt;

  &lt;LI&gt;Pat Bianchi-Three-21H&lt;/LI&gt;

  &lt;LI&gt;Jenny Scheinman-All Species Parade-Royal Potato Family&lt;/LI&gt;

  &lt;LI&gt;Michael Shrieve- Drum Compassion- 7D Media&lt;/LI&gt;

  &lt;LI&gt;Ron Horton-A Prayer for Andrew-Newvelle&lt;/LI&gt;

  &lt;LI&gt;Ben Wolfe-The Understated-Resident Arts&lt;/LI&gt;

  &lt;LI&gt;Tyshawn Sorey Trio- the Susceptible-PI&amp;nbsp;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Jazz and Contemporary Music Releases:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Fay Victor-Life Is Funny That Way-Tao Form&lt;/LI&gt;

  &lt;LI&gt;Catherine Russell and Sean Mason-My Ideal-Dot Time&lt;/LI&gt;

  &lt;LI&gt;Lizz Wright-Shadow-Blues and Greens&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Latin Jazz Releases:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Donald Vega- As I Travel- Imaginary&lt;/LI&gt;

  &lt;LI&gt;Gonzalo Rubalcaba and Hamilton De Holanda- Collab- Sony Brazil&lt;/LI&gt;

  &lt;LI&gt;Zaccai Curtis-Cubop Lives! -Truth Revolution&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Jazz Debut Albums:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Art Baden-How Much Of It Is Real-Rainy Day&lt;/LI&gt;

  &lt;LI&gt;Euan Edmonds-Beyond Hope and Fear- Desafino Candente&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Big Band Jazz Releases:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Mike Holober- This Rock We're On: Imaginary Letters- Palmetto&lt;/LI&gt;

  &lt;LI&gt;Jihye Lee Orchestra- Daring Mind-Motema&lt;/LI&gt;

  &lt;LI&gt;John Hollenbeck and The NDR Big Band-Colouring Hockets-Flexatonic&amp;nbsp;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Bets Historical Release:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Art Tatum-Jewels In The Treasure Box-Resonance&lt;/LI&gt;

  &lt;LI&gt;Chet Baker and Jack Sheldon-In Perfect Harmony: The Lost Album- Jazz Detective&lt;/LI&gt;

  &lt;LI&gt;Yusef Lateef-Atlantis Lullaby- Elemental&lt;/LI&gt;

  &lt;LI&gt;Emily Remler- Cookin' at The Queens- Resonance&lt;/LI&gt;

  &lt;LI&gt;Keith Jarrett, Gary Peacock, Paul Motion-The Old Country-ECM&amp;nbsp;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13436823</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13436823</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 02 Dec 2024 16:47:19 GMT</pubDate>
      <title>Lawrence Peryer</title>
      <description>&lt;P&gt;The Kris Davis Trio - &lt;EM&gt;Run the Gauntlet&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Kevin Sun - &lt;EM&gt;Fate of the Tenor&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Spinifex - &lt;EM&gt;Undrilling the Hole&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Satoko Fujii Quartet - &lt;EM&gt;Dog Days of Summer&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;John Johnson - &lt;EM&gt;Unusal Object&lt;/EM&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13436734</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13436734</guid>
      <dc:creator>Lawrence Peryer</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 30 Nov 2024 20:39:10 GMT</pubDate>
      <title>Paul Rauch</title>
      <description>&lt;OL&gt;
  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;Joel Ross- &lt;EM&gt;Nu Blues&lt;/EM&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Kris Davis Trio- &lt;EM&gt;Run the Gauntlet&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Orrin Evans &amp;amp; The Captain Black Big Band- &lt;EM&gt;Walk a Mile in My Shoe&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Miguel Zenon- &lt;EM&gt;Golden City&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Nicole Glover- &lt;EM&gt;Plays&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Eric Jacobson- &lt;EM&gt;Heading Home&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Immanuel Wilkins- &lt;EM&gt;Blues Blood&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Samara Joy- &lt;EM&gt;Portrait&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;SPAN style="background-color: rgb(255, 255, 255);"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Isaiah Collier- &lt;EM&gt;The Almighty&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 22px;"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;&lt;FONT style="font-size: 16px;" color="#111111"&gt;Caleb Wheeler Curtis- &lt;EM&gt;The True Story of the Bear and the Invention of the Battery&lt;/EM&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13436263</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13436263</guid>
      <dc:creator>Paul Rauch</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 28 Nov 2024 15:37:29 GMT</pubDate>
      <title>Notable Recordings 2024</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;1. Omar Sosa - 88 Well-Tuned Drums (Lossless)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;2. David Schumacher and Cubeye - Smoke in the Sky (Cellar Live)&lt;/P&gt;

&lt;P&gt;3. Pete Rodriguez - I'm Pete Rodriguez (Sunnyside)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;4. William Cepeda Afro-Puerto Rican Big Band - The Sound of Puerto Rican Jazz (Casabe Records)&lt;/P&gt;

&lt;P&gt;5. Roy Hargrove's Crisol - Grand Terre (Lossless)&lt;/P&gt;

&lt;P&gt;6. Kenny Garrett - Sounds from the Ancestors (Mack Avenue)&lt;/P&gt;

&lt;P&gt;7. Milton + Esperanza - Milton Nascimento and Esperanza Spalding (Lossless)&lt;/P&gt;

&lt;P&gt;8. Avy'a Jave -Joaju Quartet (Lossless)&lt;/P&gt;

&lt;P&gt;9. Jonathan Powell - Mambo Jazz Party (Circle Nine).&amp;nbsp;&lt;/P&gt;

&lt;P&gt;10. 85 Anos de la Orquesta Aragon (Lossless).&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13435823</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13435823</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 13 Feb 2024 21:18:10 GMT</pubDate>
      <title>Chuck Koton</title>
      <description>&lt;P&gt;Gratefully Live: Favorite shows of 2023&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#10.&amp;nbsp; January 13, 2023.&amp;nbsp; Virtuosic pianist Bobby West, back in his adopted hometown of Los Angeles during a break in his years long Taiwan residency, opened The World Stage’s 2023 season of Friday night concerts. His trio, which included long time veterans of the LA music scene, bassist Kevin O’Neal and drummer Jerrell Ballard, began with the thunderous and instantly recognizable George Gershwin composition, “Rhapsody In Blue.” The rest of the evening rocked with this hard swingin’ trio performing original compositions from West’s highly acclaimed recording, “Leimert Park After Dark.” If you’re living in Taiwan or gonna be there soon, look up Bobby West!&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#9.&amp;nbsp; &amp;nbsp; July 20, 2023. Pianist Adam Ledbetter brought an inspiring band into The World Stage that transformed this historic Leimert Park venue(founded over 35 years ago by jazz giant Billy Higgins and world renowned poet Kamau Daaood), into the church that it often becomes. Along with &amp;nbsp;his better half, vocalist Kizzie Ledbetter, and Houston born drummer Reggie Quinerly, the Cats and “Catress” truly lifted the spirits of all. Their original composition, “Train,” created a dynamic tension that built more and more as Ms Ledbetter’s vocals buoyed up the listeners to “climb on board” the Freedom Train. Then Mr Ledbetter exhorted the audience to join in with his dexterous, rapid rapping of his spiritual experience and, all the while, the talented, slick drumming of Reggie Quinerly drove the beat with restrained yet insistent rhythms. The Ledbetters make every performance feel like Sunday!&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#8. &amp;nbsp; June 8, 2023.&amp;nbsp; &amp;nbsp; Tenor saxophonist Fuasi Abdul-Khaliq, a long time fixture on the Los Angeles jazz scene and an integral member and often the leader of Horace Tapscott’s Pan African People’s Arkestra (PAPA), departed the US several decades ago. Eventually resettling in Germany where he has continued performing for European audiences, Abdul-Khaliq has regularly returned to Leimert Park in Los Angeles for gigs where he has seamlessly stepped right back into the scene, performing with his own bands as well as with PAPA. His band cooked at The World Stage, reminding the listeners in the room, as well as those watching via “live stream,” that he is at the top of his game!&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#7. &amp;nbsp; Jan. 9,2023. &amp;nbsp; &amp;nbsp; One of the top drummers of the last 35 years, Marvin “Smitty” Smith brought his All Stars to the venerable Baked Potato in Universal City, just a stones throw from where “Smitty,” along with brilliant tenor saxophonist, Ralph Moore, played for several years in the Tonight Show band. Joining Moore on the front line were veteran multi-reedist Dale Fielder and rising star, trumpeter Chris Lowery who gained invaluable experience and exposure the last few years with Azar Lawrence. Recently arrival to the LA area, keyboardist Adam Ledbetter&amp;nbsp; and veteran bassist Edwin Livingston rounded out the band. A sold out audience was treated to a night of hard swinging, straight ahead jazz that included compositions by Wayne Shorter, McCoy Tyner and Thelonious Monk.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#6 &amp;nbsp; Feb. 24, 2023.&amp;nbsp; The World Stage audience was treated to a celebration of Los Angeles born and raised jazz giant, Dexter Gordon, by an all star band of veterans. Like a previous tribute when the tallest jazz fan, Kareem Abdul-Jabbar, presented Maxine Gordon and her memoir of life with Dex, the front line included tenor sax masters Justo Almario and Teodross Avery. The dynamic veteran of the drums, Roy McCurdy, was joined by first call Cats, pianist Theo Saunders and bassist Henry Franklin. The band swung hard on “The Chase,” with Almario and Avery pushing each other like Gordon and Wardell Grey famously did on Central Avenue in the 1940s!&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#5 &amp;nbsp; June 22, 2023. Since 1999, the Healdsburg Jazz Festival has been presenting the finest unadulterated jazz to its devoted California wine country audiences. Founder Jessica Felix literally and figuratively received her flowers as she stepped down as festival director. New musical director, bassist and band leader Marcus Shelby, organized a stirring tribute to two of the music's legends who ascended to Jazz Heaven this past year, legendary saxophonist Pharoah Sanders and master of the Hammond B3 organ Joey DeFrancesco. The front line of recently named NEA jazz master saxophonist Gary Bartz, the great tenor and soprano saxophonist Azar Lawrence and Pharoah's son, tenor saxophonist Tomoki Sanders led the performance of Sanders’ compositions. Brian Ho, on organ, represented DeFrancesco's legacy and the interstellar rhythm section of pianist Marc Cary, bassist Marcus Shelby and, legend in his own right, drummer Billy Hart drove the band&amp;nbsp; through the tribute. The Cats generated cheers and tears from the audience when they performed Sanders' transcendent composition “The Creator Has a Master Plan.” An unexpected highlight of the performance came when young Sanders mimicked his father's inimitable way of introducing his band mates, a display that elicited plenty of amazement from the audience. The Cats may be gone, but the music lives on!&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#4)&amp;nbsp; June 15, 2023. Legendary pianist and composer Horace Tapscott’s Leimert Park, Los Angeles based Pan Afrikan Peoples Arkestra, now led by drummer Mekala Session, performed their spirited, joyful yet, at times, solemn music to a wildly responsive and appreciative audience at The World Stage. On the tune, “Dred Scott,” composed by the late Nate Morgan, bass clarinetist James Andrews and bassist Joey Ector established a haunting groove with their deep, low notes. The bass drum of Session joined in, followed by the powerful horns to express a mood of profound and sacred outrage at this ugliest of decisions by the US Supreme Court. In 1857, the infamous Chief Justice Taney “interpreted” the Constitution to rule that Black Americans “had no rights which the white man was bound to respect.” That is the nation’s history, still reflected in white supremacy today, which the Black nationalist creative arts movement has been dedicated to overcoming since the 1960s. Now in its 62nd year, the “Ark,” as it is known, continues to keep the Black community-based mission and musical legacy of founder and visionary Tapscott alive. When one considers the criminally scant financial resources that Tapscott and the Ark have had to subsist on for all these years, the accomplishment rightfully assumes mythic proportions.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#3)&amp;nbsp; Sept. 23, 2023. The venerable Charles Lloyd, at 85, as inventive and unrelenting as ever, and with a still mesmerizing tone, closed his set at the Monterey Jazz Festival with his iconic composition,“Forest Flower,” which he had performed with universal acclaim on this same stage in 1966. Unforgettable!&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#2)&amp;nbsp; Oct. 23, 2023. Marcus Miller brought his latest band, featuring trumpeter Russell Gunn, into Catalina's Bar &amp;amp; Grill in Hollywood for 4 sold out nights of pure jazz funk! One only needed to hear the band perform, “Papa Was a Rolling Stone” to understand why a line of people snaked around the club for Miller’s second set.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;#1) &amp;nbsp; Sept. 23, 2023. The Azar Lawrence Experience closed out the Monterey Jazz Festival and, as they finished the 90 minute set (twice the allotted length), the audience was screaming &amp;amp; dancing in the aisles and in front of the stage. Saxophonist Lawrence blew ecstatically on his eponymous original composition from the recently re-released 1976 Prestige recording, &lt;EM&gt;People Moving&lt;/EM&gt;! Lawrence’s performance seared the ears of the listeners and reminded them that the young saxophonist who performed in the bands of Elvin Jones, McCoy Tyler and Miles Davis in the 1970s, still played this fiery music like no one else on the scene today.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

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&lt;P&gt;&lt;FONT style="font-size: 12px;" face="Times New Roman"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13315022</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13315022</guid>
      <dc:creator>Chuck Koton</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 05 Feb 2024 21:26:36 GMT</pubDate>
      <title>Danica Pantovic</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 17px;"&gt;From what I have heard live,&lt;/FONT&gt; &lt;FONT style="font-size: 17px;"&gt;in&lt;/FONT&gt; &lt;FONT style="font-size: 17px;"&gt;my opinion,&lt;/FONT&gt; &lt;FONT style="font-size: 17px;"&gt;2023 has been marked by these artists in&lt;/FONT&gt; &lt;FONT style="font-size: 17px;"&gt;the widest possible range of their concepts and collaborations including their 2023 recordings.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="font-size:17px"&gt;Fred Hersch and Esperanza Spalding (diverse creative&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;concepts;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;North Sea Jazz, Rotterdam, Netherlands)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Myra Melford (from her latest project to unique colaborations in Saalfelden, Austria and&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;Lisbon, Portugal&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Zoh Amba (various formations and contexts,&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;Saalfelden, Austria&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Kris Davis &lt;FONT&gt;(MVPlayer,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;Umbria Jazz Winter&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;Orvieto, Italy, and&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;NSJ,&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;Roterdam)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Brandee Younger (harph back in spotlight and Alice Coltrane's heritage, passionately&amp;nbsp; and freshly redefined; NSJ, Rotterdam)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Kurt Elling's&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Super Blue&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;(&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;pulsating party;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;NSJ, Rotterdam)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Oded Tzur (&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;NSJ, Rotterdam; BJF, Belgrade, Serbia; master of dynamics, draining the wood out his sax&lt;/SPAN&gt;&lt;SPAN style="font-size:17px"&gt;)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Isaiah Collier (Belgrade; an&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;exclamation&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;of "Peace and Love")&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;John Scofield&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Uncle John's Band&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;(that being enough, Belgrade)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Ambrose Akinmusire's&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Owl Song&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;(this colaboration and because of his impact on other mostly younger musicians, becoming an important point of reference)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Henry Threadgill (performance in Berlin, Jazzfest and an impact he has and an inspiration he is for other musicians)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;Cecile McLorin Salvant&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Melusine&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;(meticulous; almost herd her for NYE but I had missed the plane reservation for Rome- Orvieto,Italy)&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;
&lt;SPAN style="font-size:17px"&gt;&lt;EM&gt;Bark Out Thunder,&amp;nbsp; Roar out Lightning&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:17px"&gt;by&amp;nbsp; Chief Adjuah (because of delicately coloured performance of Christian Scott in Belgrade, some years ago, and the way his interests evolve I would like to hear this live. Is it happening anywhere?)&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13311010</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13311010</guid>
      <dc:creator>Danica Pantovic</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 13 Jan 2024 03:37:03 GMT</pubDate>
      <title>Leslie Lynnton Fuller</title>
      <description>&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;From the Jazz State of Indiana:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;A Highly Hoosiercentric Selection of 14 Best Jazz Releases of 2023.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;The Buselli-Wallarab Jazz Orchestra,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;The Gennett Suite&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Patois Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;This album is a soaring sonic expedition to jazz Mt. Olympus, otherwise known as the Gennett Records studio of Richmond, Indiana.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Sam Butler,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Folklore&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Shifting Paradigm Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Composer/trumpeter Butler avoids the “primrose path” and strikes out on his own bold creative direction.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Sara Caswell,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;The Way To You&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Anzic Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Well worth the 17+ year wait for the GRAMMY-nominated violinist/composer’s latest as bandleader.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Discover the artist that esperanza spalding describes as “an anointed musician.”&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Jeff Coffin,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;&amp;nbsp;Live At The Jazz Kitchen&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Bandcamp)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Coffin generously dropped this free album of his band’s performance at The Jazz Kitchen, in Indianapolis, Indiana.&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Coffin:&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;“In The Kitchen” was written during soundcheck and performed during both sets.”&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Free, but put something in the online tip jar for the musicians, won’t you?&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Here:&amp;nbsp;&lt;A href="https://coffinperlsonkrauss.bandcamp.com/album/a-free-pop-up-album-live-the-jazz-kitchen"&gt;&lt;SPAN&gt;https://coffinperlsonkrauss.bandcamp.com/album/a-free-pop-up-album-live-the-jazz-kitchen&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Andrew Danforth,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Homegrown&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Self Released)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Hoosier trombonist proudly owns the label Homegrown, with a requiem for an Indiana Avenue scene decimated by urban renewal and a love song for Bloomington.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Monika Herzig,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Both Sides of Joni&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(ACME Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;An excellent album, with a backstory worthy of a movie.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Jason Moran,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;From the Dancehall to the Battlefield&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Yes)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Composer/pianist Jason Moran follows the footsteps of legendary Harlem Hellfighters James Reese Europe and Indy’s own Noble Sissile, revealing hallowed and joyful ground.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Mark Ortwein,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;&amp;nbsp;It Was Time&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Terra Voce)&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;An accomplished jazz and classical multi-instrumentalist unafraid to explore any/all instruments, genres or emotions.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Walter Smith III,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;return to casual&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Blue Note Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Despite the album’s title, the music is not casual, but insistent, a bandleader and band reuniting with much to say.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Quinn Sternberg,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Walking On Eggshells&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Mind Beach)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;&amp;nbsp;As JAZZIZ Online Editor Matt Micucci says: “meticulously crafted songs that navigate complexities of modern life through the prism of group dynamics.”&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Jared Thompson &amp;amp; Premium Blend,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Virtue&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;&amp;nbsp;(Self Released)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Jared Thompson’s band continues to further the reach of the Naptown sound, using bebop, hard bop, R&amp;amp;B and groove.&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Historic Releases&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Wes Montgomery,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Wes Montgomery: The Complete Full House Recordings&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Craft Recordings&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;2023 was the Naptown guitarist’s centenary, but every year is the year of Wes. Hear him live at Tsubo coffee house in Berkeley, with saxophonist Johnny Griffin, pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Wes Montgomery/ Wynton Kelly Trio&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Maximum Swing: The Unissued 1965 Half Note Recordings&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Resonance Records)&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Treasures from indefatigable jazz detective Zev Feldman’s latest Wes quest. Recorded at the Half Note jazz club in New York City in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright, and Indiana’s own Larry Ridley.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Latin Jazz&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Pavel &amp;amp; Direct Contact&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT face="UICTFontTextStyleEmphasizedItalicBody"&gt;Essentials&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;FONT face="UICTFontTextStyleEmphasizedBody"&gt;Self Released)&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Oye, mamacita, ¿quieres bailar? Let’s dance. Grab this hit reel from Indiana pianist Pavel Polanco-Safadit.&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Greetings from the land of Hoagy, Cole, Slide, J.J., Freddie, Wes, Buddy, Monk and others.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;Link to article:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;A href="https://www.nuvo.net/music/craving-jazz-get-your-music-fix-with-these-14-picks/article_32c0c71a-b15c-11ee-aa6a-9b94d0cdbd51.html"&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;https://www.nuvo.net/music/craving-jazz-get-your-music-fix-with-these-14-picks/article_32c0c71a-b15c-11ee-aa6a-9b94d0cdbd51.html&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 23px;"&gt;&lt;SPAN&gt;&lt;FONT face="UICTFontTextStyleBody"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13300616</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13300616</guid>
      <dc:creator>Leslie Lynnton Fuller</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 03 Jan 2024 00:27:06 GMT</pubDate>
      <title>J Hunter</title>
      <description>&lt;P&gt;TOP 10 JAZZ2K RELEASES OF 2023&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ARTEMIS - In Real Time (Blue Note)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ALLISON MILLER - Rivers in Our Veins (Royal Potato Family)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;LAKECIA BENJAMIN - Phoenix (Whirlwind Recordings)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;CHRISTIAN McBRIDE'S NEW JAWN - Prime (Brother Mister/Mack Avenue)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ORRIN EVANS - The Red Door (Smoke Sessions)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;JACQUES SCHWARZ-BART - The Harlem Suite (Ropeadope)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;JAKOB BRO / JOE LOVANO - Once Around the Room: A Tribute to Paul Motian (ECM)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;JD ALLEN - This (Savant)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ERIC KRASNO &amp;amp; STANTON MOORE - Krasno Moore Project: Book of Queens (Concord Jazz)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;JOEY ALEXANDER - Continuance (Mack Avenue)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;AND NOW, THE WINNERS OF "THE 2023 JAZZ2K AWARDS!"&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;BEST PARTY DATE:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;DAVE McMURRAY - Grateful Deadication 2 (Blue Note)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;LIFETIME ACHIEVEMENT AWARD:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;JOE CHAMBERS - Dance Kobina (Blue Note)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;BEST SOLO OR DUO RELEASE:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;FRED HERSCH &amp;amp; ESPERANZA SPALDING - Alive at the Village Vanguard (Palmetto)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;BEST VOCAL RELEASE:&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;CHRISTIE DASHIELL - Portrait in Black (Self-released)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ROOKIE OF THE YEAR (Best first release as a Leader):&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;ARMAN SANGALANG - Quintet (Calligram)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;LOCAL HERO AWARD (Best regional Release):&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT&gt;&lt;SPAN&gt;PATRICIA JULIEN PROJECT - Sky Pointing (Planet Arts)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13296276</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13296276</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 29 Dec 2023 20:20:10 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;P&gt;&lt;FONT color="#222222" style="font-size: 16px;"&gt;My list as prepared for the Francis Davis poll. It feels very provisional to me, and begs for annotation. I've sketched in brief comments --&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 13px;" color="#222222" face="Symbol"&gt;·&lt;/FONT&gt; &lt;STRONG&gt;&lt;FONT color="#222222"&gt;this year's 10 best New Releases (albums of new music, recorded since 2013) listed in descending order, one-through-ten).&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Hear the Light Singing&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Myra Melford’s Fire and Water Quintet -&lt;/STRONG&gt; all-stars inspiring each other. Serious, original, endlessly fresh.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Viento Sur,&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt; &lt;FONT color="#222222"&gt;&lt;STRONG&gt;Edmar Castañeda World Ensemble&lt;/STRONG&gt; upbeat, passionate take on Caribbean/Central American sources for new world music&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Inception&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, JoVia Armstrong&lt;/STRONG&gt; imaginative, percussive, electric Afro-futuristic blues&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Uncle John’s Band&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, John Scofield&lt;/STRONG&gt; laid back and so masterful, guitar trio of unforced but real feeling&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Rivers in Our Veins&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Allison Miller&lt;/STRONG&gt; ingenious compositions show off a unique ensemble (akin to &lt;EM&gt;Hear the Light Singing)&lt;/EM&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Bark Out Thunder Roar Out Lightning&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Christian Scott Atunde Adjuah, Chief Adjuah&lt;/STRONG&gt; unexpected deep funk, ancient to the future (akin to &lt;EM&gt;Inception&lt;/EM&gt;)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Going Home,&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt; &lt;FONT color="#222222"&gt;&lt;STRONG&gt;Greg “Organ Monk” Lewis Trio&lt;/STRONG&gt; hottest organ trio of the century to date&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Ancient Future&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Dwight Trible&lt;/STRONG&gt;&amp;nbsp;the baritone as seer, prophet, healer&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Captivity&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Caroline Davis’ Alula&lt;/STRONG&gt; an alto saxophonist with her own voice and unique direction (I'm quick to add Ingrid Laubrock deserves kudos, too)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Sun Ra’s Journey,&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt; &lt;FONT color="#222222"&gt;&lt;STRONG&gt;Tyler Mitchell Octet featuring Marshall Allen&lt;/STRONG&gt; cosmic grace and the freedom to be awful (one track) in honor of enduring elders&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#222222" face="Symbol" style="font-size: 13px;"&gt;·&lt;/FONT&gt; &lt;STRONG style="font-size: 16px; font-family: Calibri, sans-serif;"&gt;&lt;FONT color="#222222"&gt;&amp;nbsp;Top-three Historical/Rara Avis (albums with old music: reissued of any age or previously unissued recorded before 2013), again listed in descending order&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;With Strings&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Dorothy Ashby&lt;/STRONG&gt; prior to her Rubyait, she was cooly blue and sexy on that harp -- with super Frank Wess, flute, and A-list bass/drums.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG style="font-style: italic;"&gt;Classic Jazz at the Philharmonic Jam Sessions (1950 – 1957)&lt;/STRONG&gt; swing to bop&lt;STRONG style="font-style: italic;"&gt;&amp;nbsp;&lt;/STRONG&gt;masters blew to the rafters, night after night&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;&lt;EM&gt;A Lovesome Thing&lt;/EM&gt;&lt;/STRONG&gt;,&lt;/FONT&gt; &lt;FONT color="#222222"&gt;&lt;STRONG&gt;Geri Allen and Kurt Rosenwinkel&lt;/STRONG&gt; ruminative communications, achingly lyrical&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 13px;" color="#222222" face="Symbol"&gt;·&lt;/FONT&gt; &lt;STRONG&gt;&lt;FONT color="#222222"&gt;Best Vocal album&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Ancient Future&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;, &lt;STRONG&gt;Dwight Trible&lt;/STRONG&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 13px;" color="#222222" face="Symbol"&gt;·&lt;/FONT&gt; &lt;STRONG&gt;&lt;FONT color="#222222"&gt;Your choice for the year's best Latin jazz album&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;EM&gt;&lt;FONT color="#222222"&gt;Havana Nocturne&lt;/FONT&gt;&lt;/EM&gt;&lt;/STRONG&gt;&lt;FONT color="#222222"&gt;&lt;STRONG&gt;, Aymee Nuviola -&lt;/STRONG&gt; forthright Cuban singer with empathic piano-led accompaniment.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13295178</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13295178</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 29 Dec 2023 20:16:17 GMT</pubDate>
      <title>Steve Braunginn</title>
      <description>&lt;P&gt;This was an extraordinary year for women musicians and my top 25 albums reflect that. My list also includes a separate category of Historical albums, limited to five. As promised to Terri Lyne Carrington in my final episode of 2023 in my podcast, Strictly Jazz Sounds, I intend to advance the names of women in jazz. Not because they are women but because they are outstanding artists who are women. Most notably, Lakecia Benjamin. 2023 was the year of Lakecia Benjamin in jazz.&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;1.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Lakecia Benjamin-Phoenix (Whirlwind)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Linda May Han Oh-The Glass Hours (Biophilia)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Chien Chien Lu-Built In System: Live in New York (Feeling Good Music)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Mike Clark-Kosen Rufu (Wide Hive Records)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Isaiah J. Thompson-The Power of the Spirit (Blue Engine)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Kris Davis-Diatom Ribbons: Live at the Village Vanguard (Pyroclastic)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;James Brandon Lewis-For Mahalia, With Love (TAO Forms)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;8.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Miki Yamanaka-Shades of Rainbow (Cellar)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;9.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Johnathan Blake-Passage (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;10. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Orrin Evans-The Red Door (Smoke Sessions)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;11. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Walter Kemp 3: Black Whole-Live (Walter Kemp)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;12. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Artemis-In Real Time (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;13. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Emmet Cohen Featuring Houston Person-Master Legacy Series Vol. 5 (Mack Ave.)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;14. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Tyshawn Sorey Trio: Continuing (Pi Recordings)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;15. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Christian McBride’s New Jawn (Mack Ave.)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;16. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Brian Blade &amp;amp; the Fellowship Band-Live From the Archives (Stoner Hill)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;17. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Brandee Younger-Brand New Life (Impulse)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;18. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Mark Turner-Live at the Village Vanguard (Giant Step Arts)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;19. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Sean Mason-The Southern Suite (JALC-Blue Engine)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;20. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Joe Farnsworth-In What Direction Are You Headed? (Smoke Sessions)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;21. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Rachel Therrien Latin Jazz Project-Mi Hogar (Outside in Music)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;22. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Kaisa’s Machine-Taking Shape (Greenleaf)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;23. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Jane Bunnett and Maqueque-Playing With Fire (Jane Bunnett)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;24. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Arturo O’Farrill-Legacies (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;25. &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Walter Smith III-return to casual (Blue Note)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI style="list-style: none; display: inline"&gt;
    &lt;P&gt;&lt;FONT style="font-size: 18px;"&gt;Best Historical&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;1.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;John Coltrane/Eric Dolphy-Evenings at the Village Gate: John Coltrane with Eric Dolphy (Impulse)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Terri Lyne Carrington-TLC&amp;amp; Friends (Candid)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Charles Mingus-Changes: The Complete 1970s Atlantic Recordings (Rhino)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Dorothy Ashby-Dorothy Ashby with Strings Attached (New Land)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT face="Times New Roman" style="font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT face="AppleSystemUIFont" style="font-size: 17px;"&gt;Dexter Gordon-Bouncin’ With Dex (Steeplechase)&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13295174</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13295174</guid>
      <dc:creator>Stephen Braunginn</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 28 Dec 2023 01:22:15 GMT</pubDate>
      <title>Russell Perry</title>
      <description>&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;Favorite 2023 Releases in order of release:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;John Bailey - &lt;EM&gt;Time Bandits&lt;/EM&gt;&lt;/STRONG&gt; (Freedom Road Records, 01/13/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Lakecia Benjamin - Phoenix&lt;/STRONG&gt; (Whirlwind Recordings, 01/27/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Ben Wolfe - Unjust&lt;/STRONG&gt;(Resident Arts, 02/03/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Brad Mehldau - Your Mother Should Know: Brad Mehldau Plays the Beatles&lt;/STRONG&gt;(Nonesuch, 02/10/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;John D’earth Quintet - Coin of the Realm&lt;/STRONG&gt; (Cosmology Records, 02/14/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Chris Potter - Got The Keys To the Kingdom&lt;/STRONG&gt; (Edition Records, 02/17/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Jane Bunnett &amp;amp; Maqueque - Playing With Fire&lt;/STRONG&gt; (Linus Entertainment, 03/10/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Billy Childs - Winds of Change&lt;/STRONG&gt; (Mack Avenue, 03/17/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Chembo Corniel Quintet - Artistas, Músicos Y Poetas&lt;/STRONG&gt;(Chemboro Records, 03/17/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Wayne Escoffery - Like Minds&lt;/STRONG&gt; (Smoke Sessions, 04/14/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Artemis - In Real Time&lt;/STRONG&gt; (Blue Note, 05/05/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Avishai Cohen - Abraham Rodriguez Jr. - Iroko&lt;/STRONG&gt; (Naive Records, 05/05/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Joe Farnsworth - In What Direction Are You Headed?&lt;/STRONG&gt; (Smoke Sessions, 05/19/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Edward Simon - Femeninas: Songs of Latin American Women&lt;/STRONG&gt; (Artist Share, 05/31/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Buselli / Wallarab Jazz Orchestra - The Gennett Suite&lt;/STRONG&gt; (Patios Records, 06/09/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Johnathan Blake - Passages&lt;/STRONG&gt; (Blue Note, 08/11/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Miguel Zenón &amp;amp; Luis Perdomo - El Arte Del Bolero, Vol. 2&lt;/STRONG&gt; (Miel Music, 08/25/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Jaimie Branch Fly or Die Fly or Die Fly or Die ((world war))&lt;/STRONG&gt; (International Anthem, 08/25/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Darcy James Argue’s Secret Society - Dynamic Maximum Tension&lt;/STRONG&gt; (Nonesuch, 09/08/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Mark Turner - Live At The Village Vanguard&lt;/STRONG&gt; (Giant Step Arts, 09/08/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Clark Sommers - Feast Ephemera&lt;/STRONG&gt; (Irabbagast Records, 09/15/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Shuteen Eredenebaatar - Rising Sun&lt;/STRONG&gt; (Motéma Music, 09/15/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Miho Hazama - m_unit: Beyond Orbits&lt;/STRONG&gt; (Edition Records, 09/23/2023)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Helvetica" style="font-size: 14px;"&gt;&lt;STRONG&gt;Allison Miller - Rivers In Our Veins&lt;/STRONG&gt; (Royal Potato Family, 10/06/2023)&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13294698</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13294698</guid>
      <dc:creator>Russell Perry</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 21 Dec 2023 01:33:11 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Ten Favorite 2023 Recordings&lt;/STRONG&gt;&lt;BR&gt;
(alphabetical)&lt;BR&gt;
Darcy James Argue’s Secret Society, Dynamic Maximum Tension (Nonesuch Records)&lt;BR&gt;
Kenny Barron, The Source (Artwork Records)&lt;BR&gt;
Brian Blade &amp;amp; the Fellowship Band, Kings Highway (Stoner Hill Records)&lt;BR&gt;
Aaron Diehl &amp;amp; the Knights, Zodiac Suite (Mack Avenue)&lt;BR&gt;
Joe Locke, Makram (Circle 9 Records)&lt;BR&gt;
Linda May Han Oh, The Glass Hours (Biophilia Records)&lt;BR&gt;
Chuck Owen and the WDR Big Band, Renderings (Summit Records)&lt;BR&gt;
Chris Potter, Got the Keys to the Kingdom (Edition Records)&lt;BR&gt;
John Scofield, Uncle John’s Band (ECM)&lt;BR&gt;
Ben Wolfe, Unjust (Resident Arts)&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#242424"&gt;Favorite historical albums&lt;BR&gt;&lt;/FONT&gt;&lt;/STRONG&gt;(alphabetical)&lt;BR&gt;
John Coltrane with Eric Dolphy, Evenings at the Village Gate (Impulse!)&lt;BR&gt;
Wes Montgomery, Maximum Swing: The Unissued 1965 Half Note Recordings (Resonance Records)&lt;BR&gt;
Kurt Rosenwinkel and Geri Allen, Lovesome Thing (Motema Music)&lt;BR&gt;
&lt;FONT color="#242424"&gt;&lt;BR&gt;
&lt;STRONG&gt;Favorite vocal album&lt;/STRONG&gt;&lt;BR&gt;
Fred Hersch &amp;amp; Esperanza Spalding, Alive at the Village Vanguard (Palmetto Records)&lt;BR&gt;
&lt;BR&gt;
&lt;STRONG&gt;Favorite debut album&lt;/STRONG&gt;&lt;BR&gt;
Christian Dillingham, Cascades (Greenleaf Music)&lt;BR&gt;
&lt;BR&gt;
&lt;STRONG&gt;Favorite Latin jazz album&lt;/STRONG&gt;&lt;BR&gt;
Alfredo Rodriguez, Coral Way (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;10 other favorites&lt;/STRONG&gt;&lt;BR&gt;
(alphabetical)&lt;BR&gt;
Sara Caswell, The Way to You (Anzic)&lt;BR&gt;
Johnathan Blake, Passage (Blue Note Records)&lt;BR&gt;
Joe Farnsworth, In What Direction Are You Headed? (Smoke Sessions Records)&lt;BR&gt;
Sullivan Fortner, Solo Game (Artwork Records)&lt;BR&gt;
Rickie Lee Jones, Pieces of Treasure (Modern Recordings)&lt;BR&gt;
Christian McBride’s New Jawn, Prime (Mack Avenue Records)&lt;BR&gt;
Brad Mehldau, Your Mother Should Know: Brad Mehldau Plays the Beatles (Nonesuch)&lt;BR&gt;
Pat Metheny, Dream Box (Modern Recordings)&lt;BR&gt;
Jason Moran, From the Dancehall to the Battlefield (Yes Records)&lt;BR&gt;
Rudy Royston, Flatbed Buggy (Greenleaf Music)&lt;/FONT&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13293292</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13293292</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 19 Dec 2023 17:17:53 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;A Select Dozen of the Best Jazz Releases of 2023:&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;New Recordings-&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Jim Snidero- &lt;STRONG&gt;Far Far Away&lt;/STRONG&gt; (Savant)&lt;/P&gt;

&lt;P&gt;Joe Farnsworth- &lt;STRONG&gt;In What Direction Are You Headed?&lt;/STRONG&gt; (Smoke Sessions)&lt;/P&gt;

&lt;P&gt;John Scofield- &lt;STRONG&gt;Uncle John's Band&lt;/STRONG&gt; (ECM)&lt;/P&gt;

&lt;P&gt;John Hart- &lt;STRONG&gt;Resonance&lt;/STRONG&gt; (SteepleChase)&lt;/P&gt;

&lt;P&gt;Jim Rotondi- &lt;STRONG&gt;Over Here&lt;/STRONG&gt; (Criss Cross Jazz)&lt;/P&gt;

&lt;P&gt;Steve Smith &amp;amp; Vital Information- &lt;STRONG&gt;Time Flies&lt;/STRONG&gt; (Wounded Bird)&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;Historical/Reissues-&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;Charles Mingus- &lt;STRONG&gt;Changes: The Complete 1970's Atlantic Recordings&lt;/STRONG&gt; (Rhino)&lt;/P&gt;

&lt;P&gt;McCoy Tyner- &lt;STRONG&gt;Extensions&lt;/STRONG&gt; (Blue Note Tone Poet)&lt;/P&gt;

&lt;P&gt;Jack Wilson- &lt;STRONG&gt;Easterly Winds&lt;/STRONG&gt; (Blue Note Tone Poet)&lt;/P&gt;

&lt;P&gt;Big John Patton- &lt;STRONG&gt;Let 'Em Roll&lt;/STRONG&gt; (Blue Note Tone Poet)&lt;/P&gt;

&lt;P&gt;Wes Montgomery- &lt;STRONG&gt;The Complete Full House Recordings&lt;/STRONG&gt; (Craft)&lt;/P&gt;

&lt;P&gt;Cal Tjader- &lt;STRONG&gt;Catch the Groove&lt;/STRONG&gt; (Jazz Detective)&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13292663</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13292663</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 18 Dec 2023 13:27:51 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;BEST JAZZ ALBUMS OF 2023:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Piernick Pedron &amp;amp; Gonzalo Rubalcaba: Pedron &amp;amp; Rubalcaba (Gazebo)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lafayette Gilchrist:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Undaunted (Morphius)&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Allison Miller: Rivers in Our Veins (Royal Potato Family)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ivo Perelman-Matthew Shipp: Triptych (ESP-Disk)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Rudy Royston: Day (Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Johnathan Blake: Passages &lt;A name="_Hlk153525913"&gt;&lt;/A&gt;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Cecile McLorin Salvant: &lt;A name="_Hlk153523353"&gt;&lt;/A&gt;Melusine (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Koppel Colley Blade&amp;nbsp; Perspective (Nu)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Orrin Evans: The Red Door (Smoke Sessions)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;James Brandon Lewis &amp;amp; the Red Lily Quintet: For Mahalia with Love (Tao Forms)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Tyshawn Sorey Trio: Continuing (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;John Scofield: Uncle John's Band (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Darcy James Argue's Secret Society: Dynamic Maximum Tension (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Joe Lovano’s Trio Tapestry: Our Daily Bread (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Walter Smith III: Return to Casual (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Dan Weiss Trio: Dedication (Cygnus)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Magos Herrera: Aire (Sunnyside)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bela Fleck-Zakir Hussain-Edgar Meyer: As We Speak (Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Susan Alcorn &amp;amp; Septeto del Sur: Canto (Relative Pitch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Christian McBride's New Jawn: Prime (Mack Avenue)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;BEST NON-JAZZ ALBUMS OF 2023:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jon Dee Graham: Only Dead for a While (Strollin’ Bones)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jerry Joseph: Baby, You're the Man Who Would Be King (Cosmo Sex School)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charley Crockett: Live from the Ryman Auditorium&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; (Son of Davy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;SZA: SOS (Top Dawg, RCA)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;boygenius: The Record (Matador)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ashley McBryde: The Devil I Know (Warner Nashville)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Zach Bryan: Zach Bryan (Warner Nashville)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Buddy &amp;amp; Julie Miller: In the Throes (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Olivia Rodrigo: Guts (Geffen)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Martin Hayes &amp;amp; the Common Ground Ensemble: Peggy’s Dream (251)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Nude Party: The Nude Party Rides On (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Low Cut Connie: Art Dealers (Contender)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Martin Zellar: Head West (Owen Lee)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Iris DeMent: Workin’ on a World (Flariella)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jason Isbell &amp;amp; the 400 Unit: Weathervanes (Southeastern)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Young Fathers: Heavy Heavy (Ninja Tune)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lucero: Should’ve Learned by Now (Liberty &amp;amp; Lament)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Ray Bonneville: On the Blind Side&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; (Stonefly)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Joy Oladokun: Proof of Life (Amigo/Republic/Verve Forecast)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Robbie Fulks: Bluegrass Vacation (Compass)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13292088</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13292088</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 16 Dec 2023 22:33:25 GMT</pubDate>
      <title>Bill Brownlee</title>
      <description>&lt;P&gt;1. Sebastian Rochford and Kit Downes- A Short Diary (ECM)&lt;BR&gt;
2. Jason Moran- From the Dancehall to the Battlefield (Yes)&lt;BR&gt;
3. Sylvie Courvoisier- Chimaera (Intakt)&lt;BR&gt;
4. Kassa Overall- Animals (Warp)&lt;BR&gt;
5. Joe Lovano Trio Tapestry- Our Daily Bread (ECM)&lt;BR&gt;
6. Henry Threadgill Ensemble- The Other One (Pi)&lt;BR&gt;
7. Cécile McLorin Salvant- Mélusine (Nonesuch)&lt;BR&gt;
8. Aja Monet- When the Poems Do What They Do (Drink Sum Wtr)&lt;BR&gt;
9. Matt Otto- Umbra (Origin)&lt;BR&gt;
10. Irreversible Entanglements- Protect Your Light (Impulse!)&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13291750</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13291750</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sat, 16 Dec 2023 16:11:21 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="HelveticaNeue"&gt;NEW RELEASES&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT face="HelveticaNeue"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;1.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;fLuXkit Vancouver (&lt;S&gt;i-t-s&lt;/S&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;suite but sacred)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Darius Jones&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Northern Spy Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;2.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Diatom Ribbons Live At The Village Vanguard&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Kris Davis&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Pyroclastic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;3.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Continuing&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Tyshawn Sorey Trio&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Pi Recordings)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;4.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;From the Dancehall to the Battlefield&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Jason Moran&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Yes Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;5.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;London Brew&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;London Brew&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Concord Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;6.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#000000"&gt;As Things Do&lt;/FONT&gt;&lt;/SPAN&gt;&lt;FONT color="#000000"&gt;&lt;SPAN&gt;&lt;FONT&gt;,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Michael Formanek Elusion Quartet&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/EM&gt;(Intakt Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;7.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Bear Proof&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Todd Sickafoose&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Secret Hatch Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;8.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;The Separatist Party&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT color="#212121" face="Raleway" style="font-size: 15px;"&gt;M&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;ike Reed&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT color="#212121" face="Raleway" style="font-size: 15px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;(We Jazz Records and Astral Spirits)&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;9.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 9px;"&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Legacies&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Arturo O'Farrill&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;(Blue Note Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;10. Live At The Village Vanguard&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;Mark Turner&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/EM&gt;(Giant Step Arts)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" face="HelveticaNeue" style="font-size: 14px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Abdul Wadud&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;By Myself&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;Gotta Groove Records)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Nina Simone&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;,&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;EM&gt;You've Got To Learn&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/EM&gt;(Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;John Coltrane With Eric Dolphy,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Evenings at the Village Gate&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp; (Impulse!)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT color="#000000" style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;VOCAL&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Jo Lawry,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Acrobats&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;(Whirlwind)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT color="#000000" style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;DEBUT&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT color="#202020"&gt;Vicente Archer,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT color="#202020"&gt;Short Stories&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;(Cellar)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT color="#000000" style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;LATIN&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Miguel Zenón &amp;amp; Luis Perdomo,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;El Arte Del Bolero, Vol. 2&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;(Miel Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;&lt;BR&gt;
&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13291687</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13291687</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 15 Dec 2023 17:05:25 GMT</pubDate>
      <title>Mark Lomanno</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Highlights from the&amp;nbsp; “Year in review – 2023” at &lt;A href="http://rhythmofstudy.com" target="_blank"&gt;rhythmofstudy.com&lt;/A&gt;.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ten of the many recordings worth mentioning (in alphabetical order)&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Kenny Barron, &lt;EM&gt;The Source&lt;/EM&gt; (PIAS, released January 20th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Lakecia Benjamin, &lt;EM&gt;Phoenix&lt;/EM&gt; (Whirlwind, released January 27&lt;SUP&gt;th&lt;/SUP&gt;)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Josh Lawrence, &lt;EM&gt;And That Too&lt;/EM&gt; (Positone, released February 24th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Myra Melford, &lt;EM&gt;Hear the Light Singing&lt;/EM&gt; (Rogue Art, released November 17th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Allison Miller, &lt;EM&gt;Rivers in our Veins&lt;/EM&gt; (Royal Potato, released October 6th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Hery Paz, &lt;EM&gt;Jardineros&lt;/EM&gt; (577 Records, released August 25&lt;SUP&gt;th&lt;/SUP&gt;)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Matana Roberts, &lt;EM&gt;Coin Coin chapter 5 - In the Garden&lt;/EM&gt; (Constellation, released September 29th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Rudy Royston and Flatbed Buggy. &lt;EM&gt;Day&lt;/EM&gt; (Greenleaf, released May 5th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Angelica Sanchez Nonet, &lt;EM&gt;Night Time Creatures&lt;/EM&gt; (Pyroclastic, released October 27th)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 16px;"&gt;Esperanza Spalding and Fred Hersch. &lt;EM&gt;Alive at the Village Vanguard&lt;/EM&gt; (Palmetto, released January 6th)&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Read the entire “Year in Review” post – with dozens more recordings - at &lt;A href="http://rhythmofstudy.com" target="_blank"&gt;rhythmofstudy.com&lt;/A&gt;.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13291426</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13291426</guid>
      <dc:creator>Mark Lomanno</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 13 Dec 2023 17:34:27 GMT</pubDate>
      <title>Rob Hoff</title>
      <description>&lt;P&gt;1 Kris Davis' Diatom Ribbons, Live at the Village Vanguard (Pyroclastic)&lt;/P&gt;

&lt;P&gt;2 Tyshawn Sorey Trio, Continuing (Pi)&lt;/P&gt;

&lt;P&gt;3 Steve Lehman &amp;amp; Orchestra National de Jazz, Ex Machina (Pi)&lt;/P&gt;

&lt;P&gt;4 Susan Alcorn &amp;amp; Septeto Del Sur, Canto (Relative Pitch)&lt;/P&gt;

&lt;P&gt;5 Mark Turner Quartet, Live at the Village Vanguard (Giant Step Arts)&lt;/P&gt;

&lt;P&gt;6 James Brandon Lewis Trio, Eye of I (Anti-)&lt;/P&gt;

&lt;P&gt;7 Mike Reed, The Separatist Party (We Jazz/Astral Spirits)&lt;/P&gt;

&lt;P&gt;8 Yuhan Su, Liberated Gesture (Sunnyside)&lt;/P&gt;

&lt;P&gt;9 Todd Sickafoose, Bear Proof (Secret Hatch)&lt;/P&gt;

&lt;P&gt;10 Antti Lotjonen Quintet East, Circus/Citadel (We Jazz)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13290611</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13290611</guid>
      <dc:creator>Rob Hoff</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 13 Dec 2023 15:36:39 GMT</pubDate>
      <title>Filipe Freitas</title>
      <description>&lt;P&gt;1- Steve Lehman &amp;amp; Orchestre National de Jazz, Ex Machina (Pi)&lt;BR&gt;
2- Michael Formanek Elusion Quartet, As Things Do (Intakt)&lt;BR&gt;
3- Brian Blade and the Fellowship Band, Kings Highway (Stoner Hill)&lt;BR&gt;
4- Ingrid Laubrock, The Last Quiet Place (Pyroclastic)&lt;BR&gt;
5- Bobo Stenson Trio, Sphere (ECM)&lt;BR&gt;
6- Sylvie Courvoisier &amp;amp; Cory Smythe, The Rite of Spring/Spectre D'Un Songe (Pyroclastic)&lt;BR&gt;
7- Darius Jones, Fluxkit Vancouver (We Jazz)&lt;BR&gt;
8- Walter Smith III, Return to Casual (Blue Note)&lt;BR&gt;
9- Dan Rosenboom, Polarity (Orenda)&lt;BR&gt;
10- Gard Nilssen's Supersonic Orchestra, Family (We Jazz)&lt;/P&gt;

&lt;P&gt;My 30 best of the year here:&amp;nbsp;https://jazztrail.net/best-jazz-albums-2023&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13290544</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13290544</guid>
      <dc:creator>Filipe Freitas</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 13 Dec 2023 15:22:17 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Here are thirty top albums played on my radio programs Jazz in the New Millennium (syndicated through the African American Public Radio Consortium) and The Motif (KBOO-FM, Portland, Oregon). Together, I think these albums help define a 21st Century mainstream, centered straight-ahead, bracketed by the avant-garde and funk/fusion, with a healthy infusion of Afro-Latin. What they also have in common is a strong rhythmic core. And so this year I have decided to give the drummers some by naming the drummers and percussionists on each album.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Joshua Redman, where are we, Blue Note: (Brian Blade, drums)&lt;/P&gt;

&lt;P&gt;Cecile McLoren Salvant, Melusine, Nonesuch: (Kyle Poole, Obed Calviere, drums; Weedie Bramah, percussion)&lt;/P&gt;

&lt;P&gt;Joe Chambers, Dance Kobina, Blue Note: (Joe Chambers, drums; Emilio Valdez, percussion)&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey Trio, Continuing, Pi: (Tyshawn Sorey, drums)&lt;/P&gt;

&lt;P&gt;Billy Childs, The Winds of Change, Mack Avenue: (Brian Blade, drums)&lt;/P&gt;

&lt;P&gt;Mike Clark, Kosen Rufu, Wide Hive: (Mike Clark, drums; Bill Summers, percussion)&lt;/P&gt;

&lt;P&gt;Sammy Figueroa, Searching for a Memory, Ashe: (Sammy Figueroa, percussion; Ludwig Afonso, drums)&lt;/P&gt;

&lt;P&gt;Johnathan Blake, Passage, Blue Note: (Johnathan Blake, drums)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Terrell Stafford, Between Two Worlds, Le Coq: (Johnathan Blake, drums; Alex Acuna, percussion)&lt;/P&gt;

&lt;P&gt;Walter Smith III, Return to Casual, Blue Note: (Kendrick Scott, drums)&lt;/P&gt;

&lt;P&gt;Kendrick Scott, Corridors, Blue Note: (Kendrick Scott, drums)&lt;/P&gt;

&lt;P&gt;Artemis, In Real Time, Blue Note: (Allison Miller, drums)&lt;/P&gt;

&lt;P&gt;Hilario Duran and his Latin Jazz Big Band, Cry Me a River, Alma: Horacio "El Negro" Hernandez, drums; Jose Luis Torres, Magdelys Savigne, percussion)&lt;/P&gt;

&lt;P&gt;Isiah J. Thompson, The Power of the Spirit, Blue Engine: (TJ Reddick, Domo Branch, drums)&lt;/P&gt;

&lt;P&gt;Eddie Henderson, Witness to History, Smoke Sessions: (Lenny White, drums)&lt;/P&gt;

&lt;P&gt;Orrin Evans, The Red Door, Smoke Sessions: (Marvin "Smitty" Smith, drums)&lt;/P&gt;

&lt;P&gt;Dave Stryker Trio, Prime, Strike Zone: (McClenty Hunter, drums)&lt;/P&gt;

&lt;P&gt;SuperBlue: Kurt Elling and Charlie Hunter, The Iridescent Spree, Edition: (Corey Fonville, drums)&lt;/P&gt;

&lt;P&gt;John Scofield, Uncle John's Band, ECM: (Bill Stewart, drums)&lt;/P&gt;

&lt;P&gt;Michael Feinberg, Blues Variant, Criss Cross: (Nasheet Waits, drums)&lt;/P&gt;

&lt;P&gt;Ben Wolfe, Unjust, Resident Arts: (Aaron Kimmel, drums)&lt;/P&gt;

&lt;P&gt;Cecilia Smith, The Mary Lou Williams Resurgence Project. Volume One, Innova: (Ron Savage, drums)&lt;/P&gt;

&lt;P&gt;Joe Farnsworth, In What Directrion Are You Headed, Smoke Sessions: (Joe Farnsworth, drums)&lt;/P&gt;

&lt;P&gt;Louis Hayes, Exactly Right, Savant: (Louis Hayes, drums)&lt;/P&gt;

&lt;P&gt;Edmar Castenada World Ensemble, Viento Sur, self-released: (Marcelo Woloski, Rodrigo Villalon, percussion)&lt;/P&gt;

&lt;P&gt;Jane Bunnett and Maqueque, Playing with Fire, Linus: (Yissy Garcia, drums; Mary Paz, percussion)&lt;/P&gt;

&lt;P&gt;Harold Lopqz-Nussa, Timba a la Americana, Blue Note: (Ruy Adrian Lopez-Nussa, drums; Barbaro "Machito" Crespo, percussion)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Noah Haidu, Standards, Sunnyside: (Lewis Nash, drums)&lt;/P&gt;

&lt;P&gt;Lauren Henderson, Conjuring, Brontosaurus: (Joe Dyson, drums)&lt;/P&gt;

&lt;P&gt;Leon Lee Dorsey, Cantaloupe Island, Jazz Avenue: (Mike Clark, drums)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13290568</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13290568</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 12 Dec 2023 20:50:43 GMT</pubDate>
      <title>Jeff Cebulski</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Top 10&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Chris Potter,&amp;nbsp;&lt;EM&gt;Got the Keys to the Kingdom: Live at the Village Vanguard&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Edition)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Billy Childs,&amp;nbsp;&lt;EM&gt;The Winds of Change&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Mack Avenue)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;James Brandon Lewis Red Lily Quintet,&amp;nbsp;&lt;EM&gt;For Mahalia, With Love&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Tao Forms)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joe Farnsworth,&amp;nbsp;&lt;EM&gt;In What Direction Are You Headed?&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Smoke Sessions)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Paul Wertico,&amp;nbsp;&lt;EM&gt;Paul Wertico's Drums Without Boundaries&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Da Vinci Classics)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Christian McBride's New Jawn,&amp;nbsp;&lt;EM&gt;Prime&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Mack Avenue)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Fareed Haque,&amp;nbsp;&lt;EM&gt;Casseus! The Music of Frantz Casseus Re-Imagined&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Wardude Music)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joe Lovano Trio Tapestry,&amp;nbsp;&lt;EM&gt;Our Daily Bread&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(ECM)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Artemis,&amp;nbsp;&lt;EM&gt;In Real Time&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Eric Alexander,&amp;nbsp;&lt;EM&gt;A New Beginning: Alto Saxophone With Strings&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(HighNote)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/STRONG&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Wes Montgomery &amp;amp; Wynton Kelly Trio,&amp;nbsp;&lt;EM&gt;Maximum Swing: The Unissued 1965 Half Note Recordings&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Resonance)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sonny Rollins,&amp;nbsp;&lt;EM&gt;Go West! The Contemporary Records Albums&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1957-58, Craft)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Miles Davis Quintet,&amp;nbsp;&lt;EM&gt;In Concert at the Olympia Paris 1957&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Fresh Sound)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Libby York,&amp;nbsp;&lt;EM&gt;Dreamland&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(OA2)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;STRONG&gt;DEBUT&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Christian Dillingham,&amp;nbsp;&lt;EM&gt;Cascades&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Greenleaf Music)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;STRONG&gt;LATIN&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Roy McGrath,&amp;nbsp;&lt;EM&gt;Menjunje&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(JL)&lt;/LI&gt;
&lt;/UL&gt;&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13290227</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13290227</guid>
      <dc:creator>Jeff Cebulski</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 12 Dec 2023 17:04:45 GMT</pubDate>
      <title>David Basse</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;2023 Top Ten – no particular order - Jazz with David Basse&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Melissa Pipe Sextet and the album Of What Remains on Odd Sound (Canada)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Don Aliquo and the album Growth a self-produced project in Nashville&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Planet D Nonet and their album Blues To be There on Eastlawn Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Fareed Haque and his tribute to Franz Casseus, entitled Casseus! On Wahdude Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Gabriel Latchin Trio’s album Viewpoint produced by Alys Jazz in the UK&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Mike Allen and his To A Star on Cellar Music Group (Canada)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Jivco Petrov Trio entitled On The Way produced by JP3 (Bulgaria)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Pianist Hilario Duran and Paquito D Rivera Cry Me A River for Alma Records (Canada)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Joe Chambers and Dance Kobina on Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Diego Rivera and Love &amp;amp; Peace for Posi-Tone&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13290104</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13290104</guid>
      <dc:creator>David Basse</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 11 Dec 2023 21:07:56 GMT</pubDate>
      <title>Dan Ouellette</title>
      <description>&lt;P&gt;2023 Best Ofs:&lt;/P&gt;

&lt;P&gt;1. Todd Sickafoose—Bear Proof (Secret Hatch Records)&lt;/P&gt;

&lt;P&gt;2. Tania Giannouli—Solo (Rattle Records)&lt;/P&gt;

&lt;P&gt;3. Will Bernard &amp;amp; Beth Custer—Sky (Dreck to Disc Records)&lt;/P&gt;

&lt;P&gt;4. Luciana Souza &amp;amp; Trio Corrente—Cometa (Sunnyside)&lt;/P&gt;

&lt;P&gt;5. Allison Miller—Rivers in Our Veins (Royal Potato Family)&lt;/P&gt;

&lt;P&gt;6. Janiece Jaffe &amp;amp; Monika Herzig—Both Sides of Joni (Acme Records)&lt;/P&gt;

&lt;P&gt;7. Tyshawn Sorey Trio—Continuing (Pi Recordings)&lt;/P&gt;

&lt;P&gt;8. The Peggy Lee Band—A Giving Way (Songlines)&lt;/P&gt;

&lt;P&gt;9. Susan Alcorn—Canto (Relative Pitch Records)&lt;/P&gt;

&lt;P&gt;10. Wolfgang Muthspiel—Dance of the Elders (ECM)&lt;/P&gt;

&lt;P&gt;Honorable Mentions:&lt;/P&gt;

&lt;P&gt;1. Mod Cons (with Charlie Hunter)—(SideHustle Records)&lt;/P&gt;

&lt;P&gt;2. Lafayette Gilchrist—Undaunted (Morphius Records)&lt;/P&gt;

&lt;P&gt;3. Ralph Towner—At First Light (ECM)&lt;/P&gt;

&lt;P&gt;4. Douyé—The Golden Sèkèrè (Rhombus Records)&lt;/P&gt;

&lt;P&gt;5. Malika Zarra—RWA (The Essence) (D. Zel Records)&lt;/P&gt;

&lt;H5 style="line-height: 25px;"&gt;&lt;BR&gt;&lt;/H5&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13289804</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13289804</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 11 Dec 2023 15:56:06 GMT</pubDate>
      <title>Tomas Pena</title>
      <description>&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Flautas Gigantes - Orlando Maraca Valle Big Band Flute Gigantes (Egrem)&lt;/font&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 13px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Artemis - In Real Time (Blue Note)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Cal Tjader - Catch the Groove - Live at the Penthouse 1963-1967 (Ingrooves)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Chembo Corniel - Artistas, Musicos y Poetas (Chemboro Records)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Donald Vega - As I Travel (Imagery Records)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Colette Michaan - Earth Rebirth (Independent)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Humberto Ramirez - Better Days (Three Two Music)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Jay Rodriguez Sierra - Muthaflower (Jay Rodriguez Sierra)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Lezlie Harrison - Let Them Talk (Cellar Live)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica Neue" style="font-size: 14px;"&gt;Carlos Henriquez - A Nuyorican Tale (Carlos Henriquez)&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13289632</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13289632</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 11 Dec 2023 02:32:40 GMT</pubDate>
      <title>Wilbert Sostre Maldonado</title>
      <description>&lt;P&gt;Best 5 Puerto Rico Jazz Albums&amp;nbsp;&lt;/P&gt;

&lt;P&gt;1. Sammy Figueroa - Searching for a Memory&amp;nbsp;&lt;/P&gt;

&lt;P&gt;2. Miguel Zenón &amp;amp; Luis Perdomo&amp;nbsp; - El Arte del Bolero Vol. 2&lt;/P&gt;

&lt;P&gt;3. Bobby Sanabria&amp;nbsp; - Vox Humana&lt;/P&gt;

&lt;P&gt;4. Carlos Henríquez&amp;nbsp; - A Nuyorican Tale&amp;nbsp;&lt;/P&gt;

&lt;P&gt;5. Chembo Corniel - Artistas, Músicos Y Poetas&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13289469</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13289469</guid>
      <dc:creator>Wilbert Sostre</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 11 Dec 2023 02:20:38 GMT</pubDate>
      <title>Christopher Burnett</title>
      <description>&lt;p style="background-color: transparent;"&gt;&lt;a href="https://jazzartistrynow.com/christopher-burnetts-favorite-albums-of-2023/" target="_blank"&gt;&lt;font style="font-size: 14px;" face="Georgia"&gt;&lt;strong&gt;&lt;font&gt;Jazz Artistry Now |&amp;nbsp;&lt;/font&gt;JAN Best of 2023&lt;/strong&gt;&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p style="background-color: transparent;"&gt;&lt;a href="https://jazzartistrynow.com/christopher-burnetts-favorite-albums-of-2023/" target="_blank"&gt;&lt;img width="456" height="210" src="https://jazzartistrynow.com/wp-content/uploads/2023/12/Screenshot-2023-12-10-at-3.55.05-PM-1200x553.png"&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Georgia"&gt;&lt;span&gt;&lt;font style="font-size: 14px;"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;span&gt;JAN Editor Christopher Burnett’s favorite albums of 2023 list, with audio embeds, and reasons why.&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/span&gt; &lt;a href="https://jazzartistrynow.com/christopher-burnetts-favorite-albums-of-2023/" target="_blank"&gt;&lt;strong&gt;&lt;span&gt;&lt;font&gt;&lt;font style="font-size: 14px;"&gt;&lt;font&gt;10+1 favorite albums released in 2023&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/font&gt; &lt;span&gt;&lt;font&gt;&lt;font style="font-size: 14px;"&gt;&lt;font face="Georgia"&gt;featuring the work of&lt;/font&gt; &lt;em&gt;&lt;font face="Georgia"&gt;Seula Noh Jazz Orchestra, Johnathan Blake, Darcy James Argue, Patrick Cornelius, David Binney, Darden Purcell, Logan Richardson, Florian Arbenz, Greg Osby, Arno Krijger, The Count Basie Orchestra, Mikkel Ploug, Mark Turner, Matt Otto, Enzo Carniel, Hermon Mehari...&lt;/font&gt;&lt;/em&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13289468</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13289468</guid>
      <dc:creator>Christopher Burnett</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 08 Dec 2023 23:51:17 GMT</pubDate>
      <title>Ralph a. Miriello</title>
      <description>&lt;DIV&gt;
  My List of best in no particular order:
&lt;/DIV&gt;

&lt;UL&gt;
  &lt;LI&gt;Billy Childs: &lt;EM&gt;The Winds of Change&lt;/EM&gt;: Mack Ave Records&lt;/LI&gt;

  &lt;LI&gt;Nick Finzer: &lt;EM&gt;Dreams, Visions, Illusions:&lt;/EM&gt; Outside in Music&lt;/LI&gt;

  &lt;LI&gt;Kenny Barron: &lt;EM&gt;The Source:&lt;/EM&gt; Artwork Records&lt;/LI&gt;

  &lt;LI&gt;Tyshawn Sorey Trio: &lt;EM&gt;Continuing:&lt;/EM&gt; PI Records&lt;/LI&gt;

  &lt;LI&gt;Rudy Royston &amp;amp; Flatbed Buggy: &lt;EM&gt;Day:&lt;/EM&gt; Greenleaf Music&lt;/LI&gt;

  &lt;LI&gt;John Scofield: &lt;EM&gt;Uncle John's Band:&lt;/EM&gt; ECM&lt;/LI&gt;

  &lt;LI&gt;Chris Potter: &lt;EM&gt;Got the Keys to the Kingdom:&lt;/EM&gt; Edition Records&lt;/LI&gt;

  &lt;LI&gt;Gretchen Parlato and Lionel Loueke: &lt;EM&gt;Lean In:&lt;/EM&gt; Edition Records&lt;/LI&gt;

  &lt;LI&gt;Steve Lehman and the Orchestre National De Jazz: Ex Machina: PI Records&lt;/LI&gt;

  &lt;LI&gt;Ralph Towner: &lt;EM&gt;At First Light:&lt;/EM&gt; ECM&lt;/LI&gt;

  &lt;LI&gt;Sullivan Fortner: &lt;EM&gt;Solo Game:&lt;/EM&gt; Artwork Records&lt;/LI&gt;

  &lt;LI&gt;Brad Turner: &lt;EM&gt;The Magnificent:&lt;/EM&gt; Cellar Music Group&lt;/LI&gt;

  &lt;LI&gt;Denny Zeitlin: &lt;EM&gt;Crazy Rhythm Exploring George Gershwin:&lt;/EM&gt; Sunnyside Records&lt;/LI&gt;

  &lt;LI&gt;Michael Blake: &lt;EM&gt;Dance with the Mystic Bliss:&lt;/EM&gt;&amp;nbsp;PM Records&lt;/LI&gt;

  &lt;LI&gt;Champian Fulton: &lt;EM&gt;Meet Me at Birdland:&lt;/EM&gt; Champian Records&lt;/LI&gt;

  &lt;LI&gt;Brian Blade Fellowship Band: &lt;EM&gt;Kings Highway:&lt;/EM&gt; Stoner Hill Records&lt;/LI&gt;

  &lt;LI&gt;Chuck Owens with the WDR Big Band: &lt;EM&gt;Renderings:&lt;/EM&gt; Mama Records&lt;/LI&gt;

  &lt;LI&gt;Art Hirahara: &lt;EM&gt;Echo Canyon:&lt;/EM&gt; Positone Records&lt;/LI&gt;

  &lt;LI&gt;Ryan Keberle &amp;amp; Collectiv Do Brasil: &lt;EM&gt;Considerado:&lt;/EM&gt; Alternate Side Records&lt;/LI&gt;

  &lt;LI&gt;Pat Metheny: &lt;EM&gt;Dream Box:&lt;/EM&gt; Modern records/BMG&lt;/LI&gt;

  &lt;LI&gt;Sammy Figueroa: &lt;EM&gt;Searching for a Memory:&lt;/EM&gt; Ashe Records&lt;/LI&gt;

  &lt;LI&gt;Loren Stillman: &lt;EM&gt;Time and Again:&lt;/EM&gt; Sunnyside Records&lt;/LI&gt;

  &lt;LI&gt;Nicole Zuraitis: &lt;EM&gt;How Love Begins:&lt;/EM&gt; Outside in Music&lt;/LI&gt;

  &lt;LI&gt;Ambrose Akinmusire: &lt;EM&gt;Owl Song:&lt;/EM&gt; Nonesuch Records&lt;/LI&gt;

  &lt;LI&gt;Darcy James Argue's Secret Society: &lt;EM&gt;Dynamic Maximum Tension:&lt;/EM&gt; Nonesuch Records&lt;/LI&gt;

  &lt;LI&gt;Mark Turner Quartet: &lt;EM&gt;Live at the Village Vanguard&amp;nbsp;&lt;/EM&gt;Giant Steps Arts&lt;/LI&gt;

  &lt;LI&gt;Claire Daly w/Geroge Garzone: &lt;EM&gt;Vu Vu for Francis:&lt;/EM&gt; Self-Produced&lt;/LI&gt;

  &lt;LI&gt;Jim Snidero featuring Kurt Rosenwinkel: &lt;EM&gt;Far, Far Away:&lt;/EM&gt; Savant Records&lt;/LI&gt;

  &lt;LI&gt;Geri Allen &amp;amp; Kurt Rosenwinkel: &lt;EM&gt;A Lovesome Thing:&lt;/EM&gt; Motema Music&lt;/LI&gt;

  &lt;LI&gt;John Ellis Quartet: &lt;EM&gt;Bizet: Carmen in Jazz:&lt;/EM&gt; Blue Room Music&lt;/LI&gt;

  &lt;LI&gt;Cecile McLorin Savant: &lt;EM&gt;Melusine:&lt;/EM&gt; Nonesuch Music&lt;/LI&gt;

  &lt;LI&gt;Langren, Wollny, Danielsson, Haffner:&lt;EM&gt;4 Wheel Drive II:&lt;/EM&gt; ACT Records&lt;/LI&gt;

  &lt;LI&gt;Michael Dease: &lt;EM&gt;Swing Low:&lt;/EM&gt; Positone Records&lt;/LI&gt;

  &lt;LI&gt;Miguel Zenon &amp;amp; Luis Perdomo: &lt;EM&gt;El Arte Del Bolero Vol 2:&lt;/EM&gt; Meil Music&lt;/LI&gt;

  &lt;LI&gt;J.D. Simo Trio: &lt;EM&gt;Songs from the House of Grease:&lt;/EM&gt; Self-Produced&lt;/LI&gt;

  &lt;LI&gt;Rachel Ekroth: &lt;EM&gt;Humanoid:&lt;/EM&gt; Sam First Records&lt;/LI&gt;

  &lt;LI&gt;Blue Cranes: &lt;EM&gt;My Only Secret:&lt;/EM&gt; Butcher Records&lt;/LI&gt;

  &lt;LI&gt;Joshua Redman with Gabrielle Cavassa: &lt;EM&gt;Where We Are:&lt;/EM&gt; Blue Note Records&lt;/LI&gt;

  &lt;LI&gt;Walter Smith II: &lt;EM&gt;Return to Casual:&lt;/EM&gt; Blue Note Records&lt;/LI&gt;

  &lt;LI&gt;Rob Luft: &lt;EM&gt;Dahab Days:&lt;/EM&gt; Edition Records&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Historical Releases:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Pharoah Sanders (live from 1977): &lt;EM&gt;Pharoah:&lt;/EM&gt; Luaba Bop Records&lt;/LI&gt;

  &lt;LI&gt;John Coltrane w/Eric Dolphy: &lt;EM&gt;Evenings at the Village Gate: Imp&lt;/EM&gt;ulse Records&lt;/LI&gt;

  &lt;LI&gt;Wes Montgomery/Wynton Kelly Trio: &lt;EM&gt;Maximum Swing: The Unissued 1965 Half Note Recordings:&lt;/EM&gt; Resonance Records&lt;/LI&gt;

  &lt;LI&gt;Bill Evans Trio: Live in Copenhagen 1965: Elemental Music&lt;/LI&gt;

  &lt;LI&gt;The Dave Brubeck Quartet: &lt;EM&gt;Live from the Northwest:&lt;/EM&gt; Brubeck Edition&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Best Debut Album: Jonathan Suazo: &lt;EM&gt;Ricano:&lt;/EM&gt; Ropeadope&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13289021</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13289021</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 08 Dec 2023 16:32:49 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;Here are my ten favorite new albums of 2023. A full write-up on each of these, as well as my selections for numbers 11 through 25 can be found at&amp;nbsp;&lt;A href="https://postgenre.org/https-postgenre-org-rob-shepherd-favorite-2023/"&gt;PostGenre.&lt;/A&gt;&lt;/P&gt;

&lt;P style="line-height: 16px;"&gt;&lt;FONT color="#222222"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;A href="https://postgenre.org/rob-shepherd-favorite-2023/"&gt;&lt;FONT style="font-size: 16px;" color="#455CA7"&gt;&lt;FONT color="#1155CC"&gt;NEW RELEASES&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Susan Alcorn and Septeto Del Sur -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/alcorn-canto"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Canto&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Relative Pitch&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Steve Lehman &amp;amp; Orchestre National de Jazz -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/lehman-ex-machina/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Ex Machina&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Pi)&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;James Brandon Lewis Red Lily Quintet -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/something-bigger-jbl/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;For Mahalia, With Love&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Tao Forms)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Angel Bat Dawid -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/newportjazz2023dayi/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Requiem for Jazz&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(International Anthem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Anna Webber -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/shimmer-wince-anna-webber/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Shimmer Wince&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Intakt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;John Zorn and Bill Laswell -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;"&gt;Memoria&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Tzadik)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Wadada Leo Smith and Orange Wave Electric:&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;"&gt;Fire Illuminations&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Kabell)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Ingrid Laubrock -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;"&gt;Monochromes&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Intakt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Brandon Seabrook Epic Proportions-&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/mysterious-textures-brandon-seabrook/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Brutalovechamp&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Pyroclastic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
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  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Arooj Aftab, Vijay Iyer, Shahzad Ismaily -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/live-composing-vijay-iyer/"&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;FONT color="#1155CC"&gt;Love in Exile&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P style="line-height: 16px;"&gt;&lt;FONT color="#222222"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 16px;" color="#455CA7"&gt;REISSUES/HISTORICAL&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Various Artists - WaJazz: Japanese Jazz Spectacle Vol. II - Deep, Heavy and Beautiful Jazz from Japan 1962-1985 - The King Records Masters (Universounds)&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;Abdul Wadud -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;"&gt;By Myself&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Gotta Groove)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P style="line-height: 19px;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;John Coltrane and Eric Dolphy -&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;"&gt;Evenings at the Village Gate&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt; &lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;"&gt;(Impulse!)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 16px;" color="#455CA7"&gt;VOCAL&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT color="#222222"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;Cautious Clay -&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/tide-witness-cautious-clay-newport-2023/"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT color="#1155CC"&gt;Karpeh&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&amp;nbsp;(Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 16px;" color="#455CA7"&gt;DEBUT&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT color="#222222"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;Miguel Atwood-Ferguson -&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;L&lt;A href="https://postgenre.org/composing-peace-atwood-ferguson/"&gt;&lt;FONT color="#1155CC"&gt;es Jardins Mystiques&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;A href="https://postgenre.org/composing-peace-atwood-ferguson/"&gt;&lt;FONT color="#1155CC"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&amp;nbsp;(&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;Vol. 1)&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&amp;nbsp;(Brainfeeder)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT style="font-size: 16px;" color="#455CA7"&gt;LATIN&lt;/FONT&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P style="line-height: 18px;"&gt;&lt;FONT color="#222222"&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;Susan Alcorn and Septeto Del Sur -&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;EM&gt;&lt;A href="https://postgenre.org/alcorn-canto"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&lt;FONT color="#1155CC"&gt;Canto&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN style="background-color: transparent;"&gt;&lt;FONT style="font-size: 15px;" color="#000000"&gt;&amp;nbsp;(Relative Pitch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13288822</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13288822</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 05 Dec 2023 09:36:40 GMT</pubDate>
      <title>David Adler</title>
      <description>&lt;p&gt;&lt;font style="font-size: 14px;"&gt;&lt;span&gt;&lt;font face="Helvetica"&gt;New Releases:&lt;/font&gt;&lt;/span&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Darcy James Argue’s Secret Society, Dynamic Maximum Tension (Nonesuch)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Sullivan Fortner, Solo Game (Artwork)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Angelica Sanchez Nonet, Nighttime Creatures (Pyroclastic)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;JD Allen, This (Savant)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Daniel Santiago &amp;amp; Pedro Martins, Movement (Heartcore)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;säje, säje (säjevoices)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Kris Davis, Diatom Ribbons: Live at the Village Vanguard (Pyroclastic)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Lesley Mok, The Living Collection (American Dreams)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Steve Lehman &amp;amp; Orchestre National de Jazz, Ex Machina (ONJ)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Linda May Han Oh, The Glass Hours (Biophilia)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Historical:&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Hasaan Ibn Ali, Reaching for the Stars: Trios/Duos/Solos (Omnivore)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Sonny Stitt, Boppin’ in Baltimore: Live at the Left Bank (Jazz Detective)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Luis Russell, At the Swing Cats Ball: Newly Discovered Recordings from the Closet, Vol. 1 1938-1940 (Dot Time Legends)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Vocal:&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;säje, säje (säjevoices)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Debut:&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Lesley Mok, The Living Collection (American Dreams)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Latin:&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Helvetica" style="font-size: 14px;"&gt;&lt;span&gt;Sofia Rei &amp;amp; Jorge Roeder, Coplas Escondidas (Cascabelera)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13287092</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13287092</guid>
      <dc:creator>David Adler</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 03 Dec 2023 12:00:20 GMT</pubDate>
      <title>Gene Seymour</title>
      <description>&lt;ul&gt;
  &lt;li style="list-style: none; display: inline"&gt;
    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;There’s been so much wonderful music out and about this year that I could have easily plucked a few more from my runners-up without losing any sleep. (A motif to which, as with others baked into this year’s blog, we shall, in roundabout manner, return.) And not to sound like a broken record, as it were, but you wonder why with so much talent and achievement coming from so many directions and from so many generations, jazz remains an afterthought, a marginal presence in the global marketplace. Unless I’m mistaken, nobody’s yet asked Esperanza Spalding – sorry, esperanza spalding – to headline a Super Bowl halftime show. Or even an NBA All-Star Weekend. &amp;nbsp;At least, she headlines this list, or, more accurately, shares top billing.&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; But then, I often wonder whether music, any music, has much of a place in people’s lives these days. If whatever I’ve been seeing lately on &lt;em&gt;Saturday Night Live&lt;/em&gt;’s musical guest shots are any indication, presentation and fashion are what matter more than whatever sounds are being made. (I know, I know, whatever the hell am I doing watching &lt;em&gt;Saturday Night Live&lt;/em&gt; lately in the first place? Can’t blame COVID anymore, even if it doesn’t seem to have gone away after all…) So maybe it’s no longer just jazz –whatever people believe it to be – that’s getting hit in the face; it’s all the other genres that are now all merely boutiques. There are now college curricula in Hip-Hop History in case you haven’t heard.&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Maybe this explains why lately I’ve been thinking about the way past generations, including mine, used to buy records. Briefly: you went to whatever outlet or department store had people you could trust, and you hung out, browsed, and maybe something was playing in the background that made you go, “What’s that?” The people you trusted were happy to not only tell you, but bring out a fresh copy of the thing that turned our head and you decided you needed to take this “ride” home. And then you shared it with other people who trusted you and maybe if there were little people in your house, they would hear it and start getting ideas…&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; My origin story. If you’re reading this, it’s probably yours, too.&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I don’t know what the equivalent of this process is today unless you count tweets and Bandcamp messages in whatever in-box you reserve for such intelligence. I only know it’s not the same and neither is the world that make those earlier, more haphazard encounters possible.&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; All I know is that the Good Stuff still somehow makes it out and about. Think of me, then, as that guy in the department store or record outlet – whatever that is – tilting his head at the turntable in the corner. Like that? There’s some more over here…&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;&lt;font&gt;1.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Fred Hersch &amp;amp; esperanza spalding, &lt;em&gt;Alive at the Village Vanguard&lt;/em&gt; (Palmetto) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;You need to give this one to the wisenheimers in your life demanding to know what’s so special about jazz, or even what jazz &lt;em&gt;is&lt;/em&gt;. It’s possible these people at least remember hearing Barack Obama profess affection for Spalding while he was still president; maybe they’ve heard or even seen live performances of her varied bands showcasing her upright bass, acrobatic vocals, and varied ensembles. For this bare-bones live set at jazz’s Holy Dive with the redoubtable pianist Hersch, Spading left her bass at home and what results from their collaboration – which I’ve been labeling “Herschsperanza,” and try and stop me from obtaining a copyright! – may be the grandest, most insurgent act of her still-ascendant career. Traditional pop standards are blown up, rewoven, and all-but terraformed into audacious counter-narratives through the interaction of Hersch’s polymorphic variations and Spalding’s serpentine, uproarious digressions. From Ira Gershwin’s lines of “But Not For Me” (“I was a fool to fall and get that way/Hi-ho, alas, and also lack-a-day”), Spalding extrapolates the following strain of vocalese: &lt;em&gt;“&lt;/em&gt;&lt;/font&gt;&lt;em&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;Oh, me. Oh, my. What a sad case I seem to be. It's my fault, letting love to lead the way. I should know that there'll be skies of gray. I can't say I've seen too many, but they say that Russian plays do boast of many gray skies, all right - and then some words I don't really understand because it's, like, old English - hi-ho, alas, and lackaday. That's how I feel, confused about the whole situation…”&lt;/font&gt;&lt;/span&gt;&lt;/em&gt; &lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;She carries this willed ingenuity into smart-alecky battle against Bobby Troup’s ring-a-ding lyrics on Neal Hefti’s “Girl Talk, which in her hands becomes a twelve-minute proto-feminist interrogation of male presumptiveness, at one point, veering into issues of &lt;em&gt;“economic sustainability. Reduce, Reuse. Recycle…Am I lying?”&lt;/em&gt; while still riding the song’s theme and changes as if she were on a thoroughbred leading the Preakness by a length-and-a-half. Charlie Parker’s “Little Suede Shoes,” in like fashion, weaves a dream of dancing in suede shoes just as Hersch’s “Dream of Monk” becomes, with Spalding’s vocals, a clarion call for diligent, if circumspect weirdness. These tracks were culled from a three-night engagement, and I bet those in attendance felt as you will when this album ends: wishing these two crazy kids never stop.&lt;/font&gt;&lt;/span&gt;&lt;/li&gt;

  &lt;li style="list-style: none; display: inline"&gt;
    &lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;em&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;&lt;font&gt;2.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Matthew Shipp, &lt;em&gt;The Intrinsic Nature of Shipp&lt;/em&gt; (Mahakala) –&lt;/font&gt;&lt;/strong&gt;&lt;font&gt;Three years ago, Shipp wrote an intriguing essay/manifesto, “Black Mystery School Pianists” (Monk, Herbie Nichols, Mal Waldron, Andrew Hill, Hassan Ibn Ali, to name a few examples) who each cultivated willfully idiosyncratic styles constituting “the subconscious of the jazz idiom…a secret code, passed through an underground way of passage, a language outside the mainstream.” Shipp’s own body-of-work over the last quarter-century so exemplifies this subversive counter-tradition he’s defined that it’s tempting to think of him as its apotheosis, especially when weighing the considerable assets of this latest solo album, which could be a kind of hypertext to his essay. The performances here feel at once more expansive and more challenging than usual. While he can still pile on the tone clusters with his customary intensity, as on the aptly named “Crystal Structures,” Shipp here lets more air and space flow and settle in his thematic extensions as with the graceful and intricate “That Vibration” and in his enigmatic montage of fugitive riffs on “The” – yes, that’s what it’s called and whatever mood he’s in, there abides in Shipp a punkish “what’s-it-to-you” impertinence hat, oddly and appropriately, makes him more endearing, whether&amp;nbsp; he’s throwing down the sledgehammer on “The Bulldozer Poetics” or letting his ruminative side reach for deeper, wider tonal combinations on “Tune Into It.” Shipp cherishes his “Mystery School” progenitors for giving him permission to be as mad, bad, glad, and unpredictable as he wants, and needs, to be. However far he continues to expand on this tradition (and there’s a lot about this album that suggests a transition, even a breakthrough), this school won’t close with him. And times being what they are, I think the school will only increase its enrollment because there’ll always be outliers in America’s backyards and basements searching, as Shipp once did, for affirmation that it’s not only O.K. to be as weird as Thelonious, Herbie, and the rest, it’s necessary.&lt;/font&gt;&lt;/li&gt;

  &lt;li&gt;&lt;em&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/em&gt;&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;&lt;font&gt;3.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Jason Moran, &lt;em&gt;From the Dancehall to the Battlefield&lt;/em&gt; (Yes) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;Visionary badass James Reese Europe (1881-1919) helped make the American Century possible, though you likely never heard of him. He journeyed from his native Alabama to New York in his early 20s to write and conduct show music, then organized the Clef Club, an ambitious collective of Black musicians, whose dance orchestra, 125 members strong, performed a significant recital at Carnegie Hall. His ensembles bent the angularities of ragtime closer towards the looser, more propulsive syncopations shaping the jazz to come. He fought in World War I and organized the 369&lt;sup&gt;th&lt;/sup&gt; Infantry Band, better known as the “Hellfighters.” He hadn’t been back home in Harlem for very long before he was stabbed to death, at just 38, by a drummer incensed with the boss’s criticisms of his on-stage deportment. You would think that a legend of this magnitude yielded dozens of contemporary tribute albums by now, if not a whole Netflix series. But you would also figure that Moran, an artist of comparable vision, would leap to the forefront of an eclectic parade in Europe’s honor, carrying the Hellfighter’s legacy across the century by seamlessly fusing Europe’s arrangement of “Ballin’ the Jack” with the late Geri Allen’s rousing standard “Feed the Fire.” A similar, even greater melding of different eras is executed with Europe’s paean to fallen soldiers, “Flee as a Bird to Your Mountain” transitioning to Albert Ayler’s “Ghosts” with solicitousness and intelligence towards both forms of 20&lt;sup&gt;th&lt;/sup&gt; century modernism. Throughout, Moran’s wide-ranging pianistic gifts and crafty showmanship honors tradition and extends its possibilities with neither undue solemnity nor gratuitous flourish and his various ensembles, anchored by longtime trio mates bassist Tarus Mateen and drummer Nasheet Waits and including David&lt;/font&gt; &lt;span style="background-color: white;"&gt;&lt;font color="#202124"&gt;Adewumi on trumpet, Reginald Cyntje and Chris Bates on trombones, Logan Richardson on alto sax, Brian Settles on tenor sax, Darryl Harper on clarinet, José Davila (about whom more later) on tuba, acquit themselves on “Clef Club March,” “Castle House Rag,” “St. Louis Blues” and “That Moaning Trombone” with discipline and energy that would have mightily pleased the demanding Europe. (Available on vinyl and from Bandcamp.)&lt;/font&gt;&lt;/span&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;4.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Henry Threadgill Ensemble, &lt;em&gt;The Other One&lt;/em&gt; (PI) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;The best jazz book I read this past year is &lt;em&gt;Easily Slip Into Another World&lt;/em&gt; (Knopf), Threadgill’s autobiography, written with Brett Hayes Edwards. If you only knew Threadgill’s music, for which he’s already received the Pulitzer Prize, you could have surmised he had an extraordinary life. But…wow! Growing up musical in Chicago and helping create the seminal Association for the advancement of Creative Musicians (AACM) &lt;em&gt;before&lt;/em&gt; touring with an evangelical preacher in the mid-1960s and &lt;em&gt;then&lt;/em&gt; heading off to Vietnam, hoping to survive jungle combat and racism…And even these experiences, however vividly rendered, are no less significant than all his spellbinding insights into modernism, improvisation, and using time and space to extend harmonic possibilities. Not that you couldn’t retrieve some of those same insights from listening to this three-movement composition, “On Valence,” conducted by Threadgill, rendered by an arresting 12-member combination of musicians, including pianist Davis Virelles, violinist Sara Caswell (about whom more later), violist Stephanie Griffin, cellists Christopher Hoffman and Mariel Roberts, and Threadgill’s longtime tuba player Jose Davilo. Even bassoonists Sara Schoenbeck and Adam Cordero are given opportunities to break off into their own intricate, elegantly woven musings. The 16-minute “Movement II” is a tour-de-force of roiling, extemporaneous interplay of the string section with saxophonists Alfredo Colón, Noah Becker, and Peyton Pleninger Each movement and subsection can be heard as episodes in an edge-of-the-seat pursuit thriller and its myriad arcane pleasures may be more accessible. But then, even at its most abstract and inscrutable, Threadgill’s music, in any configuration, finds a way of inviting you in. At the precipice of 80, Threadgill’s compositional powers seem, if anything, more formidable than ever. And as both his book and this album prove, he’s a helluva storyteller, too.&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;5.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Darcy James Argue’s Secret Society, &lt;em&gt;Dynamic Maximum Tension&lt;/em&gt; (Nonesuch) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;So let’s see: Buckminster Fuller, Levon Helm, Mae West, Bob Brookmeyer, Alan Turing…The far-flung subject matter for this wild and, yes, somewhat wooly program of inspirational big-band adventures comes across like a code waiting to be deciphered. Indeed, the first track on the second disc, a tribute to Turing, whose genius helped break down the Nazis, is entitled “Codebreaker” and its opening bars dare you to write out whatever combination of words and numbers its beat is tapping out – except you’ll be too busy digging that beat to care whether it means anything or not. The pleasures are constant, the inventions surprise. “Dymaxion,” a portmanteau of the album title, was coined by Fuller the merry futurist and the rhythmic mischief makes you alert to possibility and transfiguration throughout from “All In,” a tribute to charter Secret Society member Laurie Frank, to “Last Waltz for Levon,” which honors the memory of the late drummer for The Band to “Wingèd Beasts,” whose silky, tendril-like design is reminiscent of Brookmeyer’s arrangements for Gerry Mulligan’s big bands. Elsewhere, Cecile McLorin Salvant (about whom more later) drops by for “Mae West: Advice,” to have her impudent fun with Paisley Rekdal’s dada-like lyrics mimicking La West’s saucy bon mots (“…date a cad and canoodle/be éclat on a cot…”) As brainy as Argue’s music is, thematically and conceptually, it never fails to hit and sustain a solid groove, even on the epic, near-35-minute “Tensile Curves,” an anthology of tension-release motifs, time signatures, and riff extensions inspired by Duke Ellington’s “Diminuendo and Crescendo in Blue.” Once again, you’ll be tempted to take the track apart, shove its fragments beneath an ontological microscope, and probe for methodology by virtue of its sheer dimension. But as with everything else in this bountiful, sunny exhibition of relentless virtuosity and cheeky intelligence, you’re better off just letting the orchestrations wash over and carry you along with its most of its mysteries intact and undisturbed. Not for nothing, after all, does Argue’s 18-&lt;/font&gt;&lt;font&gt;piece aggregation roam the Earth as a “Secret Society.”&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;6.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Cecile McLorin Salvant, &lt;em&gt;Mélusine&lt;/em&gt; (Nonesuch) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;She keeps raising the stakes on her range of expression, her repertoire, and her conceptual prowess, both as a vocalist and as a maker of albums. Once again, she shows her fearlessness in not doing the same thing twice with this daring, almost imposing array of French &lt;em&gt;chanson&lt;/em&gt; and other music woven around the record’s eponymous half-woman-half-serpent mythic figure from the 14&lt;sup&gt;th&lt;/sup&gt; century. (The short version: she turned into a dragon and flew away after her duplicitous lover came upon her snake-like part.)&amp;nbsp; The song cycle fashioned to tell her story begins with “Est-Ce Ainsi Que Les Hommes Vivent” (“Is This the Way Men Live?”) with lyrics by Louis Aragon and music by Leo Ferre, which is followed closely by Charles Trenet’s “La Route Enchantée” and eventually to Mélusine posing the musical question, “Dites Moi Que Je Suis Belle” (“Tell Me I’m Beautiful”), carrying echoes of Salvant’s “Look at Me” from her 2015 &lt;em&gt;For One to Love.&lt;/em&gt; Which is as good a prompt as any to how the singer’s gifts as a composer meld so seamlessly with those of the French composers she honors here, most especially in the startlingly gorgeous title song, which she performs bilingually with only Daniel Swenberg’s acoustic guitar as backup. It would be tempting to say that Salvant, like her heroine here, has taken flight it weren’t for the fact – yes, an irrefutable fact – that she is already her own mighty legend, soaring several hundred miles above any vocalist in any medium you can name.&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;7.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Sara Caswell, &lt;em&gt;The Way to You&lt;/em&gt; (Anzic) –&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;One of those cases where a seasoned, resourceful instrumentalist is matched with a first-rate supporting cast (vibraphonist Chris Dingman as special guest star!) and a far-flung itinerary of genres and styles. And what you get is an album that refuses to sit quietly on the shelf all year long. Caswell’s clear tone, fluid dynamics, and agile phrasing on the violin is something you needed all year round, whether to paint sonic landscapes you can imagine drifting by your car window (“South Shore”), pull your coat in frisky, breathless give-and-take on a crowded dance floor (“7 Anéis”), tear off an aromatic slice of classic hard bop (“Voyage” by Kenny Barron – about whom more later), or bathe the senses in balladry, by turns probing (”Stillness”), impassioned (“O Que Tinha De Ser,” “On the Way to You”), and pastoral (“Warren’s Way”). Caswell led her working quartet of bassist Ike Sturm, drummer Jared Schonig, and guitarist Jesse Lewis for a project that, if the album notes are to be believed, took 17 years to put together. She’s very busy; her dance card has names like the aforementioned Threadgill, Spalding and Argue, and prominent jazz bandleaders crowded all along the genre waterfront in pursuit of her services.&lt;/font&gt; &lt;font&gt;I speak here only for myself, but I hope it doesn’t take as long for a follow-up to materialize, even though I don’t expect to get tired of this one.&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;8.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Kenny Barron, &lt;em&gt;The Source&lt;/em&gt; (Artwork)&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;– The first thing to mention is the gorgeous acoustics. I’ve never actually been to the Théâtre d’Athenéé in Paris, but after diving deep into this solo recital countless times over the past year, the place is as familiar to me as my family’s basement rec room (where, by the way, I first heard Barron’s piano comping on Joe Henderson’s 1967 album, &lt;em&gt;The Kicker.&lt;/em&gt;) As with his immediate surroundings, Professor Barron conveys an imposing, but expansive familiarity in his playing. And yet, as much as you think you may already know about the Strayhorn-Ellington standards, “Daydream” and “Isfahan,” Barron burrows deep within the contours of their melodies rather than spin into virtuosic inventions. The corners, this approach insists, is where you find the gold. He also reasserts his primacy as an interpreter of Monk’s music, speaking fluent Thelonious (while remaining his elegant. dryly romantic self) on “Teo” and “Well, You Needn’t.” But it’s in Barron’s own beautiful and haunting compositions where what once seems familiar is transformed into something you never heard before. “Dolores Street, SF” comes across a landscape huge enough to contain both possibility and loss and he has you on the edge of your seat wondering how, or if, it reaches resolution. The Brazilian-inflected “Sunshower” has a different, downward trajectory that puts for its own bittersweet lyricism while the jocular “What If?” and the eerie “Phantoms” are reinvigorated by Barron’s authoritative progressions. The master, all told, is in wondrously durable voice and leaves you waiting for more surprises, alone or with others.&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;9.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Anat Fort Trio, &lt;em&gt;The Berlin Sessions&lt;/em&gt; (Sunnyside)&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;– The world as we know it has been all too much with Israeli pianist Fort, who was forced by the 2020 lockdown to be separated from bassist Gary Lang and drummer Roland Schneider after two decades of working together. Two-and-a-half years later, they reunited in Munich for a one-time gig and then headed for Berlin’s Hansa Studios to release what was apparently a metric ton of pent-up energy. In these sessions, you hear the joy, relief, and exuberance in being able to let chance take its course and play freely with whatever ideas and phrases materialize in their shared space. “First Dance” sets off a four-part, 16-minute suite of reacquaintance that gives the group a chance to loosen up, pitch, catch, and spin off each other’s ideas and, as the cliché goes, it’s as though they’ve never been away each other. Once they’re settled in, the trio settles in for another series of pieces written by Fort and inspired by pieces of eastern art at New York’s Rubin Museum, making “The Jain Suite” its own gallery of insinuating harmonic and tonal designs. The reunion spills over into another disc with a rollicking blend of Fort originals (“Wish Cloud,” “Fire Drill Blues”), a matched set of old (“All the Things You Are”) and (relatively) new (“Just The Way You Are”) pop standards delivered with conviction and affection, and even a little something from Level 42 (“The Sun Goes Down”) What made this trio session stand out so starkly from others released this year are two meditative pieces that seemed especially affecting given the violent upheavals in Fort’s homeland: “Oseh Shalom,” a rendition of composer Nurit Hirsh’s prayer for peace and “The World as a Human Being,” which comes across as both a somber lament for squandered opportunities and a defiant plea for renewal and resolution. At least, that’s what I heard. But, as a listener, I’m part of this collaborative process, too.&lt;/font&gt;&lt;/li&gt;

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  &lt;li&gt;&lt;strong&gt;&lt;font&gt;10.)&lt;font style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;Allen Lowe &amp;amp; the Constant Sorrow Orchestra, &lt;em&gt;In the Dark&lt;/em&gt; (ESP)&lt;/font&gt;&lt;/strong&gt; &lt;font&gt;– These three discs celebrate (if that’s the right word) a more arduous recovery process. Lowe, a protean composite of saxophonist, bandleader, archivist, producer, composer, sound engineer, musicologist, cultural historian, and gadfly (still not sure whether he altogether approves of my using that last one) has had to somehow persevere through these myriad vocations while undergoing more than a dozen operations for cancer, including surgery for removal of a tumor from his sinus. This left Lowe with a debilitating case of insomnia in which he was at best able to doze for minutes at a time, said times being as early at 5 a.m. or as late as, well, 5 a.m. Throughout this harrowing time, Lowe somehow kept writing and composing music and, with the help of his faithful and highly adaptable musician friends – pianist (and fellow musicologist) Lewis Porter, clarinetist Ken Peplowski, altoist Aaron Johnson, drummer Rob Landis, bassist Kyle Colina, trombonist Brian Simontacchi, trumpeter Kellin Hannas, and baritone saxist Lisa Parrott – assembled a formidably eclectic bounty of recordings that manage to evoke several traditions of jazz and blues in ways that sound both cutting edge and mischievously retro in the manner of Lowe’s previous projects. (In case you need it, there’s even a tango called “Velasco’s Revenge.”) Scattered throughout are compositions prefaced by “In the Dark” suggesting they were written at those midnight-or-later hours when he couldn’t sleep. The rest of those titles suggest his moods of those moments; on the one hand, there are “Night Terrors,” “Tears,” and “; on the other, there’s “Dance of the Apparitions” and “Elvis Don’t you Weep.” Along with the tributes to Eric Dolphy, Barry Harris, Jelly Roll Morton, and Duke Ellington, there are other crafty gnomish tunes with such crafty gnomish titles as “Kickin’ the Bucket,” “Innuendo in Blue,” “Blues for Old Jews,” and “Do You Know What It Means to Leave New Orleans,” the latter of which could be a teaser for his long-awaited Louis Armstrong project. Yes, he’s working as you read this, despite the ongoing physical challenges and, lest one forget, he sounds pretty good on his tenor saxophone for somebody who’s been through as much as he has.&lt;/font&gt;&lt;/li&gt;
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&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;HONORABLE MENTION: Tyshawn Sorey Trio, &lt;em&gt;Continuing&lt;/em&gt; (PI), Myra Melford’s Fire &amp;amp; Water Quintet, &lt;em&gt;Hear the Light Singing&lt;/em&gt; (RogueArt), Christian McBride’s New Jawn, &lt;em&gt;Prime&lt;/em&gt; (Mack Avenue), Brad Mehldau, &lt;em&gt;Your Mother Should Know: Brad Mehldau Plays the Beatles&lt;/em&gt; (Nonesuch), Kris Davis’s Diatom Ribbons, &lt;em&gt;Live at the Village Vanguard&lt;/em&gt; (Pyroclastic), Orrin Davis, &lt;em&gt;The Red Door&lt;/em&gt; (Smoke Sessions) Craig Taborn, Joëlle Léandre, Mat Maneri, &lt;em&gt;hEARoes&lt;/em&gt; (RogueArt).&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

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&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Fred Hersch &amp;amp; esperanza spalding, &lt;em&gt;Alive at the Village Vanguard&lt;/em&gt; (Palmetto)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Cecile McLorin Salvant,&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;em&gt;&lt;font&gt;Mélusine&lt;/font&gt;&lt;/em&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font&gt;(Nonesuch)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Luciana Sousa &amp;amp; Trio Corrente, &lt;em&gt;Cometa&lt;/em&gt; (Sunnyside)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

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&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Miguel Zenon &amp;amp; Luis Perdomo, &lt;em&gt;El Arte del Bolero, Vol. 2&lt;/em&gt; (Miel Music)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Luciana Sousa &amp;amp; Trio Corrente, &lt;em&gt;Cometa&lt;/em&gt; (Sunnyside)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

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&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Kurt Rosenwinkel &amp;amp; Geri Allen, &lt;em&gt;Lovesome Thing&lt;/em&gt; (Motema)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Ahmad Jamal, &lt;em&gt;Emerald City Nights: Live at the Penthouse 1966-1968&lt;/em&gt; (Jazz Detective)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;&lt;font&gt;Sun Ra &amp;amp; His Arkestra, &lt;em&gt;Jazz in Silhouette: Expanded Edition&lt;/em&gt; (Cosmic)&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13286305</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13286305</guid>
      <dc:creator>Gene Seymour</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 30 Nov 2023 18:39:16 GMT</pubDate>
      <title>Sanford Josephson</title>
      <description>&lt;P&gt;Best of 2023 in no particular order&lt;/P&gt;

&lt;P&gt;Terell Stafford Between Two Worlds (Le Coq)&lt;/P&gt;

&lt;P&gt;Benny Benack Third Time's the Charm (La Reserve/Bandstand Presents)&lt;/P&gt;

&lt;P&gt;Sean Mason The Southern Suite (Blue Engine)&lt;/P&gt;

&lt;P&gt;Bill Mays Autumn Serenade (Sunnyside)&lt;/P&gt;

&lt;P&gt;Lafayette Harris, Jr. Swinging Up in Harlem (Savant)&lt;/P&gt;

&lt;P&gt;Jocelyn Gould Sonic Bouquet (Jocelyn Gould Music)&lt;/P&gt;

&lt;P&gt;Noah Haidu Standards (Sunnyside)&lt;/P&gt;

&lt;P&gt;Eric Alexander: A New Beginning-Alto Saxophone with Strings (HighNote)&lt;/P&gt;

&lt;P&gt;Isaiah J. Thompson The Power of Spirit (Blue Engine)&lt;/P&gt;

&lt;P&gt;Emmet Cohen ft Houston Person (Bandstand Presents)&lt;/P&gt;

&lt;P&gt;Diego Figueiredo My World (Arbors)&lt;/P&gt;

&lt;P&gt;Count Basie Orchestra Basie Swings the Blues (Candid)&lt;/P&gt;

&lt;P&gt;Kenny Barron The Source (Artwork Records)&lt;/P&gt;

&lt;P&gt;Joe Alterman Plays Les McCann: Big Mo and Little Joe (self-produced)&lt;/P&gt;

&lt;P&gt;Danny Jonokuchi Big Band Voices (Outside in Music)&lt;/P&gt;

&lt;P&gt;Mariel Bildsten Steppin' Out (Outside in Music)&lt;/P&gt;

&lt;P&gt;Mike LeDonne and Eric Alexander The Heavy Hitters (Cellar Music Group)&lt;/P&gt;

&lt;P&gt;Miki Yamanaka Shades of Rainbow (Cellar Live)&lt;/P&gt;

&lt;P&gt;George Coleman Live at Smalls Jazz Club (Cellar Music Group)&lt;/P&gt;

&lt;P&gt;Adam Birnbaum Preludes (Chelsea Music Festival Records)&lt;/P&gt;

&lt;P&gt;Aaron Diehl &amp;amp; the Knights Zodiac Suite (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Louis Hayes Exactly Right (Savant)&lt;/P&gt;

&lt;P&gt;Lucy Wijnands Something Awaits (self produced)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13285454</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13285454</guid>
      <dc:creator>Sanford Josephson</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 30 Nov 2023 15:23:22 GMT</pubDate>
      <title>Virgil Mihaiu</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;Among the festivals I was able to attend in 2023, I note first of all &lt;EM&gt;Montenegro’s JAM&lt;/EM&gt; (=Jazz Appreciation Month), organised by Maja Popovic throughout that country during April. Its highlight was the concert by the marvellous group TRIGON, founded in Chisinau (Eastern Moldova) in 1992, and which continues to be active ever since under the direction of viola-virtuoso Anatol Stefanet.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;Last spring I participated, as an emcee, in the &lt;EM&gt;Jazz in Church Festival&lt;/EM&gt;, organized in the premises of the Evangelical Church in Bucharest by Cristian Moraru. A revelation of this festival was the recital of a "Eurasian" duo, made up of graceful Japanese performer Mieko Miyazaki, on the traditional instrument &lt;EM&gt;koto&lt;/EM&gt;, and French saxophonist Franck Wolf.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 19px;"&gt;In June I &lt;SPAN style="background-color: white;"&gt;was invited by Romania's Federation of Jewish Communities to participate in the 120th anniversary of Dadaism-coryphaeus Victor Brauner (b. Piatra Neamț 1903 - d. Paris 1966), which took place in the&amp;nbsp;&lt;EM&gt;Baal Shem Tov Wooden Synagogue&lt;/EM&gt;&amp;nbsp;of Piatra Neamț. The main organiser&lt;EM&gt;&amp;nbsp;&lt;/EM&gt;was writer Emanuel Nadler, custodian of this Synagogue dating back to the Middle Ages. My contribution consisted in presenting &lt;EM&gt;CONSTRUCT&lt;/EM&gt;, an artistic documentary film by Sorin Iliesiu about Marcel Iancu, close friend of Brauner and Tristan Tzara (the three of them launched the Dadaist movement in Zurich in 1916). The picture’s avant-garde-&lt;EM&gt;cum&lt;/EM&gt;-free jazz soundtrack was conceived and performed by Andrei Tanasescu as a solo piano suite.&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT style="font-size: 19px;"&gt;Other memorable events: the tenth edition of the excellent Jazz Festival in the Bran Mediaeval Castle, located in southern Transylvania/central Romania (with Lia Doru Trandafir, Paul Tutungiu, Alex Priscu as deserving managers); the impressive recitals given by Azerbaijan’s Rain Sultanov/soprano sax &amp;amp; Shahin Novrasli/piano in some Transylvanian locations; the Romanian tour of &lt;EM&gt;Triosence&lt;/EM&gt; led by pianist Bernhard Schuler, a group nicknamed "the New Faces of German Jazz" (organiser: Ciprian Moga); the 32nd edition of the Festival managed by Johnny Bota at the Timisoara Philharmonic; the &lt;EM&gt;Retracing Bartok&lt;/EM&gt; concert performed by John Surman, Mat Maneri, Lucian Ban &amp;amp; Brad Jones in Timisoara (European cultural capital in 2023); the masterful recital of American vibraphonist Eldad Tarmu - together with bassist Johnny Bota and Hungarian drummer Gyorgy Jeszenszky – at Cluj’s Sala &lt;EM&gt;Urania&lt;/EM&gt;. It was an emotional reunion, after at the beginning of the century Eldad had been a teacher for five years in Timișoara at Romania’s first Jazz Faculty. Last but nost least, two enticing performances by the Duo Alex Harding/bar s &amp;amp; Lucian Ban/p &amp;amp; el-p, put on by Thomas Mendel in Ban’s home-city Cluj.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13285457</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13285457</guid>
      <dc:creator>Virgil Mihaiu</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 30 Nov 2023 10:15:50 GMT</pubDate>
      <title>Jeroen de Valk</title>
      <description>&lt;P&gt;My favorite albums for 2023 are, in no particular order:&amp;nbsp;&lt;/P&gt;

&lt;P&gt;- SUN RA / 'Paradiso 1970 Amsterdam' (Nederlands Jazz Archief)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;- CHET BAKER / 'Blue Room' (same)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;- TEUS NOBEL / 'After Hours' (TNMCD)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;- VINCE MENDOZA &amp;amp; METROPOLE ORKEST / 'Olympians' (Modern Recordings/BMG)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;- FRED HERSCH/ESPERANZA SPAULDING: 'Alive at the Village Vanguard' (Palmetto Recordings)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;all the best, Jeroen de Valk / www.jeroendevalk.nl&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13285214</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13285214</guid>
      <dc:creator>Jeroen de Valk</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 29 Nov 2023 20:30:46 GMT</pubDate>
      <title>Michael Ambrosino</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;My favorite 20 albums for 2023.&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Áron Tálas - New Questions, Old Answers&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;ARTEMIS - In Real Time&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Ben Wendel - All One&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Billy Childs - The Winds of Change&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Bobby Sanabria - Vox Humana&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Chuck Owen - Renderings&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Clark Sommers - Feast Ephemera&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Darcy James Argue - Maximum Dynamic Tension&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Hugues Mayot &amp;amp; L'Arbre Rouge - Invocations&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Jalen Baker - Be Still&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Kenny Barron - The Source&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Lakecia Benjamin - Phoenix&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Lauren Henderson - Conjuring&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Leon Foster Thomas - Calasanitus&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Nicole Zuraitis - How Love Begins&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Peter Somuah - Letter to the Universe&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Sammy Figueroa - Searching For A Memory (Busco Tu Recuerdo)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Tim Garland &amp;amp; Jason Rebello - Life to Life&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Vince Mendoza - Olympians&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;FONT style="font-size: 14px;"&gt;Walter Smith III - return to casual&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN style="font-size: 14px;"&gt;Read my summary for the year in Jazz on &lt;A href="https://www.33third.org/favorite-albums-2023/" target="_blank"&gt;33third.org&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13285031</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13285031</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 28 Nov 2023 22:08:03 GMT</pubDate>
      <title>Lawrence Peryer</title>
      <description>&lt;P&gt;&lt;STRONG style="font-size: 14px; font-family: Tahoma;"&gt;Noteworthy Jazz and Jazz-Adjacent Artists who Appeared on the&amp;nbsp;&lt;A href="https://www.spotlightonpodcast.com/" target="_blank"&gt;Spotlight On&lt;/A&gt;&amp;nbsp;podcast in 2023.&amp;nbsp;&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/javon-jackson-gives-peter-bradleys-art-a-swinging-soundtrack/" style="font-size: 1.35em;"&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;Javon Jackson gives Peter Bradley's art a swinging soundtrack&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/benjamin-koppel-plays-jazz-with-a-novelists-narrative/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Benjamin Koppel plays jazz with a novelist's narrative&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/simon-berz-creates-art-with-drums-sound-and-trash/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Simon Berz creates art with drums, sound, and trash&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/joe-mills-aver-of-move-78-decodes-jazz-from-the-algorithms/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Joe Mills (Aver) of Move 78 decodes jazz from the algorithms&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/ember-are-a-jazz-trio-with-a-collective-mindset/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;EMBER are a jazz trio with a collective mindset&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/brandon-seabrooks-magic-clusterk-of-merciless-banjo-torture/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Brandon Seabrook’s magic clusterf**k of merciless banjo torture&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/brian-mccarthy-blends-jazz-astronomy-and-the-afterlife/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Brian McCarthy blends jazz, astronomy, and the AfterLife&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/lilamors-electronically-redefine-the-jazz-trio/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;LILAMORS electronically redefine the jazz trio&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/danny-fox-loves-good-jazz-and-great-pizza/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Danny Fox loves good jazz and great pizza&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/bruno-raberg-pushes-the-boundaries-of-acoustic-bass/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Bruno Råberg pushes the boundaries of acoustic bass&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/marijus-aleksa/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Marijus Aleksa&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/dominic-miller/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Dominic Miller&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/monika-herzig/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Monika Herzig&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/jane-ira-bloom-mark-helias/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Jane Ira Bloom &amp;amp; Mark Helias&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/christopher-hale/"&gt;&lt;FONT color="#111111" style="font-size: 13px;"&gt;Christopher Hale&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/conic-rose/"&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;&lt;FONT style="font-size: 13px;"&gt;Conic Rose&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P style="font-size: 13.333333px;"&gt;&lt;A href="https://www.spotlightonpodcast.com/bart-wirtz-and-emiel-van-rijthoven-of-waan/"&gt;&lt;FONT color="#111111" face="Tahoma" style="font-size: 12px;"&gt;&lt;FONT style="font-size: 13px;"&gt;Bart Wirtz and Emiel van Rijthoven of WAAN&lt;/FONT&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13284639</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13284639</guid>
      <dc:creator>Lawrence Peryer</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 28 Aug 2023 14:31:07 GMT</pubDate>
      <title>Tomas Pena</title>
      <description>&lt;p&gt;Best of 2023 So Far (August 28, 2023)&lt;/p&gt;

&lt;p&gt;Miguel Zenon &amp;amp; Luis Perdomo - El Arte del Bolero Vol.2 (Miguel Zenon)&lt;/p&gt;

&lt;p&gt;Eddie Palmieri presents Sonido Solar (TRR Collective)&lt;/p&gt;

&lt;p&gt;Doug Beavers - Luna (Circle 9 Records)&lt;/p&gt;

&lt;p&gt;Artemis - In Real Time (Blue Note Records)&lt;/p&gt;

&lt;p&gt;Jonathan Suazo - Ricano (Ropeadope)&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13246608</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13246608</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 03 Feb 2023 20:58:52 GMT</pubDate>
      <title>Dan Ouellette</title>
      <description>&lt;p&gt;https://danouellette.net/f/jazz-beyond-intel-december-2022-top-ten-plus-three-dot-lounge&lt;br&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13084180</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13084180</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 03 Jan 2023 02:26:38 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000" face="inherit"&gt;Jazz remains a thing of great beauty and intrinsic value, a lively art worthy of our support and admiration. That's despite the best efforts of the likes of Spotify and other bean-counting music industry profiteers to ensure that sales of recordings profit platform owners to the greatest degree possible and financially benefit the actual music makers (the "content creators") to the least degree legally permitted. Consequently, it’s more difficult than ever for musical artists to sustain life by solely focusing on their artistic efforts.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000" face="inherit"&gt;Sadly, in 2022 public radio overlords – at WUSF-FM in my town, Tampa, and elsewhere -- continued dismantling decades-long traditions, ditching originally produced jazz programming and replacing it with generic news broadcasts, consequently damaging local musical communities.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000" face="inherit"&gt;Still, jazz art flourishes, with challenging and provocative music presented live and on recordings by younger and established players alike, in communities around the globe.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#000000" face="inherit"&gt;Here are some of my favorite jazz releases of 2022, &lt;EM&gt;in alphabetical order:&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;&lt;U&gt;New Releases&lt;/U&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Martin Bejerano,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;#CubanAmerican&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Figgland)&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;Jeff Coffin,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Between Dreaming and Joy&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Ear Up)&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Billy Drummond and Freedom of Ideas,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Valse Sinistre&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Cellar)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Al Foster,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Reflections&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Smoke Sessions)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Tom Harrell&lt;FONT&gt;,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Oak Tree&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(HighNote)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Julian Lage&lt;FONT&gt;,&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;View With a Room&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Blue Note)&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Chuck Owen and the Jazz Surge,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Within Us: Celebrating 25 Years of the Jazz Surge&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(MAMA)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;&lt;SPAN&gt;Redman Mehldau McBride Blade,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;LongGone&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Nonesuch)&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;

&lt;P&gt;&lt;SPAN&gt;Joel Ross,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-family: inherit; font-size: 16px;"&gt;The Parable of the Poet&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Blue Note)&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Snarky Puppy,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Empire Central&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(GroundUp)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" face="Tahoma"&gt;&lt;U&gt;Historical&lt;/U&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Bill Evans,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Morning Glory&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Resonance)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Bill Evans,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Inner Spirit&amp;nbsp;&lt;/EM&gt;&lt;SPAN&gt;(Resonance)&amp;nbsp;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Jack McDuff,&amp;nbsp;&lt;/SPAN&gt;&lt;EM style="font-size: 16px; font-family: inherit;"&gt;Live at Parnell’s&lt;/EM&gt;&lt;SPAN&gt;&amp;nbsp;(Soul Bank)&lt;/SPAN&gt;&lt;/P&gt;&lt;FONT style="font-size: 16px;" color="#000000" face="inherit"&gt;&lt;BR&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 15px;" color="#242424"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13042231</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13042231</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 30 Dec 2022 19:24:02 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;In terms of music and life, it seemed to me that 2022 was in many ways an extension of 2020 and 2021.&amp;nbsp; Opportunities for straight ahead jazz seemed to be fewer and farther between as the industry embraced music that sports more extreme outlooks.&amp;nbsp; As a full time educator and active musician, my time for enjoying music has become limited these days, so quite honestly the time I do have is devoted to music that truly moves me and that is usually material within the swing tradition.&amp;nbsp; As such, my list of favorite new recordings for 2022 is slim.&amp;nbsp; But I have decided to focus on music that often gets overlooked and make that my muse.&amp;nbsp; So, this list includes a deep dive into what inspires me: the ever-growing vinyl reissue market.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;"&gt;Top New Music Releases 2022:&lt;/FONT&gt;&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Larry Goldings/Peter Bernstein/Bill Stewart- &lt;EM&gt;Perpetual Pendulum&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Joshua Redman/Brad Mehldau/Christian McBride/Brian Blade- &lt;EM&gt;LongGone&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ron Carter- &lt;EM&gt;Finding the Right Notes: Original Motion Picture Soundtrack&lt;/EM&gt; (In+Out Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Steve Davis- &lt;EM&gt;Bluesthetic&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Tony Monaco- &lt;EM&gt;Four Brothers&lt;/EM&gt; (Chicken Coup)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Brian Lynch- &lt;EM&gt;Songbook Vol.1: Bus Stop Serenade&lt;/EM&gt; (Hollistic MusicWorks)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;"&gt;Top Discoveries of 2022:&lt;/FONT&gt;&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Elvin Jones- &lt;EM&gt;Revival: Live at Pookie’s Pub&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ahmad Jamal- &lt;EM&gt;Emerald City Nights: Live at the Penthouse 1963-1964&lt;/EM&gt; (Jazz Detective)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ahmad Jamal- &lt;EM&gt;Emerald City Nights: Live at the Penthouse 1965-1966&lt;/EM&gt; (Jazz Detective)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Pepper Adams- &lt;EM&gt;Live at Room at the Top&lt;/EM&gt; (Real to Reel)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;"&gt;Top Vinyl Reissues of 2022:&lt;/FONT&gt;&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Blue Mitchell- &lt;EM&gt;Bring It Home to M&lt;/EM&gt;e (Blue Note Tone Poet)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Harold Vick- &lt;EM&gt;Steppin’ Out&lt;/EM&gt; (Blue Note Tone Poet)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Grant Green- &lt;EM&gt;Feelin’ the Spirit&lt;/EM&gt; (Blue Note Tone Poet)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Bobby Hutcherson- &lt;EM&gt;Stick-Up&lt;/EM&gt; (Blue Note Tone Poet)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Roy Brooks- &lt;EM&gt;Roy Brooks Beat&lt;/EM&gt; (Verve By Request)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Bill Evans- &lt;EM&gt;You Must Believe in Spring&lt;/EM&gt; (Craft Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Mongo Santamaria- &lt;EM&gt;Sofrito&lt;/EM&gt; (Craft Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Yusef Lateef- &lt;EM&gt;The Three Faces of Yusef&lt;/EM&gt; (Riverside-Vinyl Me Please)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Melvin Sparks- &lt;EM&gt;Spark Plug&lt;/EM&gt; (Prestige-Vinyl Me Please)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Lee Morgan- &lt;EM&gt;Take Twelve&lt;/EM&gt; (Jazzland- Vinyl Me Please)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Phineas Newborn, Jr.- &lt;EM&gt;Here is Phineas&lt;/EM&gt; (Atlantic- Vinyl Me Please)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13039352</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13039352</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 28 Dec 2022 20:29:09 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;SPAN&gt;Not a big fan of rankings, nor of presuming that I know which recordings were the year's best. So here are my ten favorite recordings released between Dec. 1, 2021 and Dec. 1, 2022, arranged in alpha order by title.&lt;BR&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;SPAN&gt;Similar lists appear at &lt;A href="https://postgenre.org/" target="_blank"&gt;PostGenre&lt;/A&gt; and will post soon at Tom Hull's mammoth yearend concatenation. I'll probably have more to say about these recordings--and probably a few late additions--at my own site, &lt;A href="http://johnchacona.com/lets-call-this/" target="_blank"&gt;let's call this&lt;/A&gt;, depending on my ambition.&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;SPAN&gt;&lt;BR&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Amyrillis&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;and &lt;STRONG&gt;Belladonna&lt;/STRONG&gt;, &lt;EM&gt;Mary Halvorson&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;For The Love Of Fire And Water&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;, &lt;EM&gt;Myra Melford's Fire And Water Quintet&lt;/EM&gt; (RogueArt)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Ghost Song&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;, &lt;EM&gt;Cécile McLorin Salvant&lt;/EM&gt; (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Good Time Music: Community Music, Vol. 2&lt;/STRONG&gt;&lt;EM&gt;,&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Steven Bernstein's Millennial Territory Orchestra with Catherine Russell&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;(Royal Potato Family)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;New Gospel Revisited&lt;/STRONG&gt; ,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Marquis Hill&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;(Edition Records, Ltd.)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;New Standards Vol. 1&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Terri Lyne Carrington&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;(Candid)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Other Zones&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;, &lt;EM&gt;Michael Formanek Quartet&lt;/EM&gt; (Circular File Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Séances&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;, &lt;EM&gt;Trevor Dunn’s Trio-Convulsant avec Folie à Quatre&lt;/EM&gt; (Pyroclastic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Seismic Shift&lt;/STRONG&gt;&lt;EM&gt;,&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;John Escreet&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;(Whirlwind Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;The Bottom&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;, &lt;EM&gt;Luke Stewart's Silt Trio&lt;/EM&gt; (Cuneiform)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;Reissues or Historical albums&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;STRONG&gt;Albert Ayler&lt;/STRONG&gt;, &lt;EM&gt;Revelations&lt;/EM&gt; (Elemental Music)&lt;BR&gt;
&lt;STRONG&gt;Ahmad Jamal&lt;/STRONG&gt;, &lt;EM&gt;Emerald City Nights: Live At The Penthouse 1963-1964&lt;/EM&gt; (Jazz Detective Records)&lt;BR&gt;
&lt;STRONG&gt;Cecil Taylor&lt;/STRONG&gt;, &lt;EM&gt;The Complete, Legendary, Live Return Concert&lt;/EM&gt; (Oblivion Records)

&lt;P&gt;&lt;STRONG&gt;&lt;U&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Lagniappe&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/U&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;589 recordings qualified for consideration (509 qualified last year; I get a &lt;EM&gt;lot&lt;/EM&gt; of music).&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Of these, 24 made the not-so-shortlist for this page&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Here are the other 14 as they stand today (in alpha order by artist):&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;JD Allen&lt;/STRONG&gt;, &lt;EM&gt;Americana, Vol. 2&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;David Binney&lt;/STRONG&gt;, &lt;EM&gt;Tomorrow’s Journey&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Amanda Ekery&lt;/STRONG&gt;, &lt;EM&gt;Some (more) Short Songs&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Bill Frisell&lt;/STRONG&gt;, &lt;EM&gt;Four&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Art Hirahara&lt;/STRONG&gt;, &lt;EM&gt;Verdant Valley&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Miles Okazaki&lt;/STRONG&gt;, &lt;EM&gt;Thisness&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Aaron Parks&lt;/STRONG&gt;, &lt;EM&gt;Volume 1&lt;BR&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Redman, Mehldau, McBride, Blade&lt;/STRONG&gt;, &lt;EM&gt;LongGone&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Matthew Shipp Trio&lt;/STRONG&gt;, &lt;EM&gt;World Construct&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Tyshawn Sorey Trio&lt;/STRONG&gt;, &lt;EM&gt;Mesmerism&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Tyshawn Sorey Trio +1&lt;/STRONG&gt;, &lt;EM&gt;The Off-Off Broadway Guide to Synergism&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Thumbscrew&lt;/STRONG&gt;, &lt;EM&gt;Multicolored Midnight&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;Dan Weiss&lt;/STRONG&gt;, &lt;EM&gt;Dedication&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;&lt;STRONG&gt;various artists&lt;/STRONG&gt;, &lt;EM&gt;John Zorn's Bagatelles&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13037359</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13037359</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 22 Dec 2022 17:11:15 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;Here are my ten favorite new albums of 2022. A full write-up on each of these, as well as my selections for numbers 11 through 25 can be found at &lt;A href="https://postgenre.org/rob-shepherd-favorite-2022/" target="_blank"&gt;PostGenre.&lt;BR&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;1. The Philadelphia Experiment (Christian McBride, Questlove, Uri Caine, DJ Logic), &lt;EM&gt;Live at Newport Jazz 2017&lt;/EM&gt; (Newport Jazz)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;2. Columbia Icefield, &lt;EM&gt;Ancient Songs of Burlap Heroes&lt;/EM&gt; (Pyroclastic)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;3. Jamaaladeen Tacuma &amp;amp; Mary Halvorson, &lt;EM&gt;Strings &amp;amp; Things&lt;/EM&gt; (self-release)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;4. Sélébéyone, &lt;EM&gt;Xaybu: The Unseen&lt;/EM&gt; (Pi)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;5. Mary Halvorson, &lt;EM&gt;Amaryllis&lt;/EM&gt; and &lt;EM&gt;Belladonna&lt;/EM&gt; (Nonesuch)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;6. Wayne Shorter, Terri Lyne Carrington, Leo Genovese, esperanza spalding, &lt;EM&gt;Live at the Detroit Jazz Festival&lt;/EM&gt; (Candid)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;7. Steven Bernstein, &lt;EM&gt;Manifestos of Henryisms (Community Music, Vol. 3)&lt;/EM&gt; (Royal Potato Family)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;8. Wolfert Brederode, Matangi Quartet, &amp;amp; Joost Lijbaart, &lt;EM&gt;Ruins and Remains&lt;/EM&gt; (ECM)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;9. Ulf Ivarsson &amp;amp; Bill Laswell, &lt;EM&gt;Nammu&lt;/EM&gt; (Ropeadope)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;10. Sam Gendel, &lt;EM&gt;Cicada Lite (Live in Texas)&lt;/EM&gt; (Beyond Language)&lt;/STRONG&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13033376</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13033376</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 21 Dec 2022 22:03:12 GMT</pubDate>
      <title>Best of 2022</title>
      <description>&lt;P&gt;I provided a list of top 20-25 jazz recordings during my last five years at WORT89.9-FM, Madison, WI and played those on the air. Now that I am no longer on the air, I proudly display this list on JJA's site along with my first list on my new website which will soon announce my new podcast, "Strictly Jazz Sounds."&amp;nbsp;&lt;/P&gt;

&lt;P&gt;It was my delight to meet a number of these artists and interview a few. I am particularly honored to have spent time with Brian Blade during my final days in Madison, WI during the Madison Jazz Festival. Thanks to Brian Blade for his tremendous contribution in 2022 as, during my last count, he can be found on at least eight releases. Not all of them were under his name. This demonstrates his broad appeal.&amp;nbsp;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;1.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Terri Lyne Carrington: New Standards Vol. 1 (Candid Records)&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Tyshawn Sorey: The Off-Off Guide to Synergism (Contemporary Jazz)&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Jon Irabagon: Rising Sun (Irrabagast Records)&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Joshua Redman, Brad Mehldau, Christian McBride, Brian Blade: LongGone (Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; John Patitucci Trio: Live in Italy (Three Faces Music)&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Marquis Hill: New Gospel Revisited (Contemporary Jazz)&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Brian Blade &amp;amp; the Fellowship Band: Liver From the Archives (Stoner Hill)&lt;/LI&gt;

  &lt;LI&gt;8.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Nduduzo Makhathini: In the Spirit of Ntu ( Blue Note)&lt;/LI&gt;

  &lt;LI&gt;9.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Avram Fefer Quartet: Juba Lee (Clean Feed Records)&lt;/LI&gt;

  &lt;LI&gt;10.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Melissa Aldana: 12 Stars (Blue Note)&lt;/LI&gt;

  &lt;LI&gt;11.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Immanuel Wilkins: The 7&lt;SUP&gt;th&lt;/SUP&gt; Hand (Blue Note)&lt;/LI&gt;

  &lt;LI&gt;12.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Roxy Coss: Disparate Parts (Outside In Music)&lt;/LI&gt;

  &lt;LI&gt;13.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Samara Joy: Linger Awhile (Verve)&lt;/LI&gt;

  &lt;LI&gt;14.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Joel Ross: The Parable of the Poet (Blue Note)&lt;/LI&gt;

  &lt;LI&gt;15.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Ron Carter: Finding the Right Notes (In &amp;amp; Out Records)&lt;/LI&gt;

  &lt;LI&gt;16.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Geof Bradfield, Scott Burns, John Wojciechowski (AFAR)&lt;/LI&gt;

  &lt;LI&gt;17.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Mary Halvorson: Amaryllis (Nonesuch)&lt;/LI&gt;

  &lt;LI&gt;18.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; The Jon Cowherd Trio &amp;amp; Jon Cowherd: Pride &amp;amp; Joy (Le Coq Records)&lt;/LI&gt;

  &lt;LI&gt;19.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Johannes Wallmann: Precarious Towers (Shifting Paradigm Records)&lt;/LI&gt;

  &lt;LI&gt;20.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Caleb Wheeler Curtis: Heatmap (Imani Records)&lt;/LI&gt;

  &lt;LI&gt;21.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Timo Vollbrecht: Givers &amp;amp; Takers (BERTHOLD Records)&lt;/LI&gt;

  &lt;LI&gt;22.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Somi: Zenzile: The Reimagination of Miriam Makeba (Salon Africana)&lt;/LI&gt;

  &lt;LI&gt;23.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Alexander Claffy: Good Spirts (Contemporary Jazz)&lt;/LI&gt;

  &lt;LI&gt;24.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Dennis Mitcheltree: Golden Rule (Dengor)&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;25.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; Michael Dease: Best Next Thing (Posi-Tone)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Legacy/Historical:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Charles Mingus: The Lost Album from Ronnie Scotts (Resonance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ornette Coleman: Genesis of Genius: The Contemporary Albums (2-LP Box Set) (Craft Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Keith Jarrett: Budapest Concert (ECM)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Oscar Peterson: On a Clear Day (Mack Ave)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ahmad Jamal: Emerald City Nights: Live at the Penthouse 1963-64 (Live) (Jazz Detective)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;Best Beyond Jazz:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Tedeschi-Trucks Band: I Am the Moon-A Four Album Set (Fantasy)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13032674</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13032674</guid>
      <dc:creator>Stephen Braunginn</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 19 Dec 2022 21:55:12 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;p&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;strong&gt;NEW RELEASES&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;ol&gt;
  &lt;li&gt;&lt;strong&gt;Myra Melford's Fire and Water Quintet,&amp;nbsp;&lt;em&gt;For the Love of Fire and Water&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(RogueArt)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Tony Malaby's Sabino,&amp;nbsp;&lt;em&gt;The Cave of Winds&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Pyroclastic)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Charles Lloyd,&amp;nbsp;&lt;em&gt;Trios: Sacred Thread&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Blue Note)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Immanuel Wilkins,&amp;nbsp;&lt;em&gt;The 7th Hand&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Blue Note)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Al Foster,&amp;nbsp;&lt;em&gt;Reflections&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Smoke Sessions)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Terri Lyne Carrington,&amp;nbsp;&lt;em&gt;New Standards Vol. 1&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Candid)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;John Scofield,&amp;nbsp;&lt;em&gt;John Scofield&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(ECM)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Franco Ambrosetti,&amp;nbsp;&lt;em&gt;Nora&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Enja)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Free Form Funky Freqs,&amp;nbsp;&lt;em&gt;Hymn of the 3rd Galaxy&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Ropeadope)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;SWR Big Band-Magnus Lindgren-John Beasley,&amp;nbsp;&lt;em&gt;Bird Lives&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(ACT '21)&lt;/li&gt;
&lt;/ol&gt;

&lt;p&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;strong&gt;RARA AVIS (REISSUES/ARCHIVAL)&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;ol&gt;
  &lt;li&gt;&lt;strong&gt;The Jimi Hendrix Experience,&amp;nbsp;&lt;em&gt;Los Angeles Forum April 26, 1969&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Legacy/Experience Hendrix)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Cecil Taylor,&amp;nbsp;&lt;em&gt;The Complete, Legendary, Live Return Concert: The Town Hall, NYC November 4, 1973&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Oblivion)&lt;/li&gt;

  &lt;li&gt;&lt;strong&gt;Frank Kimbrough,&amp;nbsp;&lt;em&gt;2003-2006: Lullabluebye/Play&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;(Palmetto)&lt;/li&gt;
&lt;/ol&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13030359</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13030359</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 19 Dec 2022 20:13:40 GMT</pubDate>
      <title>Bill Milkowski</title>
      <description>&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;1. Franco Ambrosetti,&lt;/STRONG&gt; &lt;EM&gt;Nora&amp;nbsp;&lt;/EM&gt;(Enja)&lt;/P&gt;

&lt;P&gt;&lt;STRONG style="font-size: 10pt;"&gt;2. Julian Lage&lt;/STRONG&gt;&lt;SPAN style="font-size: 10pt;"&gt;,&lt;/SPAN&gt;&lt;SPAN style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size: 10pt;"&gt;&lt;EM&gt;View with a Room&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN style="font-size: 10pt;"&gt;(Blue Note)&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;3. Charles Lloyd Trios&lt;/FONT&gt;&lt;/STRONG&gt;,&amp;nbsp;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Chapel&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&amp;nbsp;(Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;4. John Scofield&lt;/FONT&gt;&lt;/STRONG&gt;,&amp;nbsp;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;John Scofield&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;(ECM)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;5. Pasquale Grasso&lt;/FONT&gt;&lt;/STRONG&gt;,&amp;nbsp;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Be-Bop!&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&amp;nbsp;(Sony Masterworks)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;6. Bill Frisell,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Four&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;(Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;7. Marta Sanchez&lt;/FONT&gt;&lt;/STRONG&gt;,&amp;nbsp;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;SAAM (Spanish American Art Museum)&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&amp;nbsp;(Whirlwind Reordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;8. Dave Stryker,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;As We Are&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;(Strike Zone)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;9. Tyshawn Sorey Trio,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Mesmerism&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;(Yeros7 Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;10. Steven Bernstein’s Millennial Territory Orchestra,&amp;nbsp;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Popular Culture&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;&amp;nbsp;(Community Music, Vol. 4)&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;(Royal Potato Family)&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT face="inherit"&gt;Honorable Mention:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Seamus Blake,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;New York Factor, Vol. 1&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(self-release);&amp;nbsp;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Tyshawn Sorey Trio + 1,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;&amp;nbsp;The Off-Off Broadway Guide to Synergism&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Pi)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Javon Jackson&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;The Gospel According to Nikki Giovanni&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Solid Jackson)&lt;FONT&gt;; &lt;STRONG&gt;I&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: inherit; font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;mmanuel Wilkins,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;FONT face="inherit" style="font-style: italic;"&gt;&amp;nbsp;The 7th Hand (Blue Note)&lt;/FONT&gt;&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Mary Halvorson&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Amaryllis&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Nonesuch)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;The Jon Cowerd Trio,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Pride And Joy&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Le Cog Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Enrico Rava/Fred Hersch&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;The Song Is You&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(ECM)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Terri Lyne Carrington,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;New Standards Vol. 1&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Candid)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Gaia Wilmer Large Ensemble&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Folia: The Music of Egbert Gismonti&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Sunnyside)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Fareed Haque&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Return to the Joyous Lake&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Wahdude Music)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Marc Copland Quartet,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;&amp;nbsp; Someday&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(InnerVoice Jazz)&lt;FONT&gt;; &lt;STRONG&gt;C&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;onrad Herwig&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;The Latin Side of Mingus&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Savant)&lt;FONT&gt;; &amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Melissa Aldana,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;12 Stars&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Nonesuch).&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Redman/Mehldau/McBride/Blade,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;LongGone&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Nonesuch)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;JD Allen,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Americana Vol. 2&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Savant)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Samara Joy,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Linger Awhile&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Verve)&lt;FONT&gt;; &amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Burton/McPherson Trio featuring Dezron Douglas,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;The Summit Rock Session at Seneca Village&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Giant Step Arts);&amp;nbsp;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Miguel Zenón&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Mùsica De Las Américas&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Miel Music)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Peter Erskine,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;&amp;nbsp;Live in Italy&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Fuzzy Music)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Dave Liebman,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Truth and Honesty&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Newvelle Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Erik Friedlander,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;A Queen's Firefly&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Skiptone Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Bobby Watson,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Back Home in Kansas City&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Smoke Sessions)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Will Vinson,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Tripwire&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Whirlwind Recordings)&lt;FONT&gt;; &amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Harish Raghavan,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;In Tense&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Whirlwind Recordings).&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Jakob Bro/Joe Lovano,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Once Around The Room: A Tribute to Paul Motian&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(ECM)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Samo Salamon,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Dolphyology: Complete Eric Dolphy for Solo Guitar&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Samo Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Alternative Guitar Summit,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Honoring Pat Martino, Vol. 1&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(HighNote)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Jonathan Barber &amp;amp; Vision Ahead,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Poetic&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(self release)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Julieta Eugenio,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Jump&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Greenleaf Music)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Steve Cardenas/Ben Allison/Ted Nash&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Healing Power&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Sunnyside)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Jon Irabagon&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Rising Sun&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Irabbagast)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Kris Allen,&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;June&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Truth Revolution Recording)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Gary Smulyan&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Tadd’s All, Folks&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(SteepleChase)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Michael Blake,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Combobulate&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;(Newvelle Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Wadada Leo Smith,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;The Emerald&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;Duets (TUM)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;James Singleton&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;,&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Malabar&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(Sinking City Records)&lt;FONT&gt;;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG style="font-family: var(--ricos-custom-p-font-family,unset); font-size: 10pt;"&gt;&lt;FONT face="inherit"&gt;Kate Baker &amp;amp; Vic Juris,&lt;/FONT&gt;&lt;/STRONG&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;EM&gt;&lt;FONT face="inherit"&gt;Return to Shore&lt;/FONT&gt;&lt;/EM&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;(StrikeZone).&lt;/SPAN&gt;&lt;/P&gt;

&lt;P style="line-height: 20px;"&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13030242</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13030242</guid>
      <dc:creator>Bill Milkowski</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 14 Dec 2022 03:49:42 GMT</pubDate>
      <title>John Pietaro</title>
      <description>&lt;P align="center"&gt;&lt;FONT&gt;&lt;U&gt;Poll 2022&lt;/U&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;MUSICIANS OF THE YEAR&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&amp;nbsp;&amp;nbsp;&lt;EM&gt;Lifetime achievement&lt;/EM&gt;: Amina Claudine Myers&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Violin:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Gwen Laster&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Viola:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Melanie Dyer&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Cello:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Lester St. Louis&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Harp:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Zeena Parkins&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Flute:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Nicole Mitchell&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Clarinet:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Ned Rothenberg&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Bassoon:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Claire de Brunner&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Trumpet:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Mac Gollehon&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;French Horn:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Vincent Chancey&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Trombone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Steve Swell&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Tuba:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Joe Daley&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Soprano saxophone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Sam Newsome&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Alto saxophone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Darius Jones&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Tenor saxophone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;James Brandon Lewis&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Baritone saxophone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Claire Daly&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Electric guitar:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Chris Cochrane&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Acoustic guitar:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Marco Capelli&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Various fretted instrument:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Cynthia Sayer (plectrum banjo)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Upright bass:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Ken Filiano&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Electric bass:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Jamaaladeen Tacuma&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Piano:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Mara Rosenbloom&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Drumset:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Michael Wimberly&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Percussion:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Warren Smith&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Vibraphone:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Patricia Brennan&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Multi-instrumentalist:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Scott Robinson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Vocals:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Fay Victor&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;Spoken Word:&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;Tracie Morris&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;DUO:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT color="#000000"&gt;Elliott Sharp and Tracie Morris&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;SMALL GROUP:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT color="#000000"&gt;Ceramic Dog&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;LARGE ENSEMBLE&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;: Ed Palermo Big Band&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;New Releases&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;1)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Sun Ra Arkestra, &lt;EM&gt;Living Sky&lt;/EM&gt; (Omni Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;2)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Ches Smith, &lt;EM&gt;Interpret It Well&lt;/EM&gt; (Pyroclastic)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;3)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Elliott Sharp and Eric Mingus, &lt;EM&gt;Songs From the Rogue State&lt;/EM&gt; (Zoar)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;4)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;We Free Strings, &lt;EM&gt;Love in the Form of Sacred Outrage&lt;/EM&gt; (ESP-Disk)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;5)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Bi Ba Doom, &lt;EM&gt;Graceful Collision&lt;/EM&gt; (Astral Spirits)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;6)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Mac Gollehon, &lt;EM&gt;The End is the Beginning&lt;/EM&gt; (Nefarious Industries)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;7)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Heroes Are Gangleaders, &lt;EM&gt;LeAutoRoiOgraphy&lt;/EM&gt; (577)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;8)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Gene Pritsker’s Sound Liberation, &lt;EM&gt;Let’s Save the World Suite&lt;/EM&gt; (Composers Concordance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;FONT color="#000000"&gt;9)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/EM&gt; &lt;FONT color="#000000"&gt;John Zorn, &lt;EM&gt;Meditations on the Tarot&lt;/EM&gt; (Tzadik)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;10)&lt;/FONT&gt;&lt;FONT color="#000000"&gt;Cint Bahr, &lt;EM&gt;Puzzle Box&lt;/EM&gt; (MoonJune)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Historical albums/Unearthed Gems&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;1)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;No Safety, &lt;EM&gt;Spill&lt;/EM&gt; (Cuneiform)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;2)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Cecil Taylor, &lt;EM&gt;The Complete, Legendary, Live Return Concert&lt;/EM&gt; (Oblivion)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;3)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;Nikki Giovanni, &lt;EM&gt;The Way I Feel&lt;/EM&gt; (Modern Harmonic)&lt;EM&gt;&lt;BR&gt;&lt;/EM&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Vocal album&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;: Elliott Sharp and Eric Mingus, &lt;EM&gt;Songs from the Rogue State&lt;/EM&gt; (Zoar)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Debut album&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;: Bi Ba Doom, &lt;EM&gt;Graceful Collision&lt;/EM&gt; &lt;A name="_Hlk121770023"&gt;&lt;/A&gt;(Astral Spirits)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Live album:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT color="#000000"&gt;No Safety, &lt;EM&gt;Live at the Knitting Factory&lt;/EM&gt; (Cuneiform)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Solo album:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT&gt;Ava Mendoza, &lt;EM&gt;New Spells&lt;/EM&gt; (Relative Pitch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Large ensemble album:&lt;/STRONG&gt; &lt;FONT color="#000000"&gt;Sun Ra Arkestra, &lt;EM&gt;Living Sky&lt;/EM&gt; (Omni Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Record labels of the year:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;Cuneiform, 577, Modern Harmonic&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#000000"&gt;Venues of the year:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;FONT color="#000000"&gt;Café Bohemia (Manhattan), 411 Kent (Brooklyn)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;The music has experienced an expanse over recent years, particularly with spoken word coming into a newly rediscovered place up front. I feel this advancement, only in part an homage to the Beat Generation, compiles the best of free jazz, post-mod composition and a bold, Left outspokenness.&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13024556</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13024556</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 12 Dec 2022 22:02:47 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Here are my 25 favorite jazz tracks to be featured on the year-end-best episode of my radio program The Motif, KBOO-FM in Portland, Oregon. The top ten albums correspond to my poll ballot, though not in this order.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"On the Way to Be Free," Chicago Soul Jazz Collective (&lt;EM&gt;On the Way to Be Free, Chicago Soul Jazz Collective Meets Dee Alexander&lt;/EM&gt;, jMarq)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Respected Destroyer," Terri Lyne Carrington (&lt;EM&gt;The New Standard Vol. 1&lt;/EM&gt;, Candid)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Navegando (Las Estrellas Nos Guian)," Miguel Zenon (&lt;EM&gt;Musica de las Americas&lt;/EM&gt;, Miel Music)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Blood Count," Charles Lloyd Trios (&lt;EM&gt;Chapel,&lt;/EM&gt; Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Newport Aperitif/Diminuendo &amp;amp; Crescendo in Blue," Steven Bernstein and the Hot 8 (&lt;EM&gt;A Manifesto of Henryisms, Community Music Vol. 3&lt;/EM&gt;, Royal Potato Family)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Finger Buster," Emmet Cohen (&lt;EM&gt;Uptown in Orbit&lt;/EM&gt;, Mack Avenue)&lt;/P&gt;

&lt;P&gt;"Monroe," Bill Frisell (&lt;EM&gt;Four,&lt;/EM&gt; Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Autumn Leaves," Tyshawn Sorey Trio (&lt;EM&gt;Mesmerism&lt;/EM&gt;, Yeros 7 Music)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Moon Song," Cecile McLoren Salvant (&lt;EM&gt;Ghost Song&lt;/EM&gt;, Nonesuch)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Marshall's Groove," Sun Ra Arkestra (&lt;EM&gt;Living Sky&lt;/EM&gt;, Omni Sound)&lt;/P&gt;

&lt;P&gt;"Invitation," Ahmad Jamal (&lt;EM&gt;Emerald City Nights Live at the Penthouse 1965-1966&lt;/EM&gt;, Jazz Detective)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Pent-up House," Al Foster (&lt;EM&gt;Reflections&lt;/EM&gt;, Smoke Sessions)&lt;/P&gt;

&lt;P&gt;"Sittin' at the Bar," Eugenie Jones (&lt;EM&gt;Players&lt;/EM&gt;, Open Mic Records)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Wade in the Water," Javon Jackson (&lt;EM&gt;The Gospel According to Nikki Giovanni,&lt;/EM&gt; Solid Jackson Records)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"In These Times," Makaya McCraven (&lt;EM&gt;In These Times,&lt;/EM&gt; International Anthem Recording)&lt;/P&gt;

&lt;P&gt;"Prayer," Joel Ross (&lt;EM&gt;The Parable of the Poet&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;"Witness," Immanuel Wilkins (&lt;EM&gt;The 7th Hand&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"David's Tumbao," Duran/Virelles (&lt;EM&gt;Front Street Duets&lt;/EM&gt;, Alma)&lt;/P&gt;

&lt;P&gt;"Cairo Street Ride," Todd Marcus Jazz Orchestra (&lt;EM&gt;In the Valley&lt;/EM&gt;, Stricker Street)&lt;/P&gt;

&lt;P&gt;"Homesick," Doug Wamble (&lt;EM&gt;Blues In the Present Tense&lt;/EM&gt;, Halcyonic)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Unonkanyamba," Ndudozo Makhathini (&lt;EM&gt;In the Spirit of Ntu&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"You've Got It Bad Girl," Donald Byrd (&lt;EM&gt;Cookin' With Blue Note at Montreux&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"Tributary," Julian Lage (&lt;EM&gt;View with a Room&lt;/EM&gt;, Blue Note)&lt;/P&gt;

&lt;P&gt;"Sweet Pumpkin," Samara Joy (&lt;EM&gt;Linger Awhile&lt;/EM&gt;, Verve)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;"This World Is a Mean World," JD Allen (&lt;EM&gt;Americana Vol. 2&lt;/EM&gt;, Savant)&amp;nbsp;&lt;BR&gt;
&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Favorite Non-Jazz Album&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;I Am the Moon,&lt;/EM&gt; Tedeschi Trucks Band (Fantasy, Four Discs, available separately or in a boxed set)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13023118</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13023118</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 12 Dec 2022 14:56:00 GMT</pubDate>
      <title>John Szwed</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;1&amp;nbsp; Jim McNeeley/Frankfurt Radio BigBand/Chris Potter&amp;nbsp; Ritual &amp;nbsp; Double Moon&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;2&amp;nbsp; David Virelles &amp;nbsp; &amp;nbsp;&amp;nbsp; Nuna&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Pi&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;3&amp;nbsp; Mary Halvorson&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Belladonna &amp;nbsp; &amp;nbsp; Nonesuch&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;4&amp;nbsp; Charles Lloyd &amp;nbsp; &amp;nbsp; Sacred Thread &amp;nbsp; &amp;nbsp; Blue Note&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;5&amp;nbsp; Matt Shipp&amp;nbsp; World Construct&amp;nbsp;&amp;nbsp; ESP&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;7&amp;nbsp; Sun Ra &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Living Sky&amp;nbsp; Omni&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;8&amp;nbsp; Billy Drummond &amp;amp; Freedom of Ideas.&amp;nbsp; Valse Sinistre&amp;nbsp;&amp;nbsp;Cellar Music Group&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;9 &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Marta Sanchez &amp;nbsp; SAAM&amp;nbsp;&amp;nbsp;&amp;nbsp; Whirlwind&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;10&amp;nbsp;&amp;nbsp; Steve Cardenas / Ben Allison /Ted Nash&amp;nbsp; Healing Power: The Music of Carla Bley &amp;nbsp;&amp;nbsp; Sunnyside&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;10 Eve Risser Red Desert Orchestra&amp;nbsp;&amp;nbsp; Clean Feed&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Historical:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Lennie Tristano&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Personal Recordings &amp;nbsp; &amp;nbsp; Mosaic&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Sun Ra&amp;nbsp;&amp;nbsp;&amp;nbsp; Universe in Blue&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Cosmic Myth&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Max Roach&amp;nbsp;&amp;nbsp; We Insist&amp;nbsp;&amp;nbsp;&amp;nbsp; Candid&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Vocal:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Peter Stampfel &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;20&lt;SUP&gt;th&lt;/SUP&gt; Century in 100 Songs&amp;nbsp;&amp;nbsp;&amp;nbsp;Louisiana Red Hot&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;Latin:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;&lt;FONT&gt;Dafnis Prieto&amp;nbsp;&amp;nbsp;&amp;nbsp; Cantar&amp;nbsp;&amp;nbsp; Dafnison Music&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13022437</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13022437</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 09 Dec 2022 01:34:53 GMT</pubDate>
      <title>Best of 2022</title>
      <description>&lt;P&gt;&lt;STRONG&gt;BEST NEW RELEASES OF 2022 :&amp;nbsp;&amp;nbsp;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Geoff Keezer And Friends : "Playdate"&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey Trio +1 Greg Osby : "The Off-Off-Broadway Guide to Synergism"&lt;/P&gt;

&lt;P&gt;Dave Stryker: "As We Are"&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Peter Erskine Trio "Live in Italy"&lt;/P&gt;

&lt;P&gt;Mary Halvorsen: "Amaryliss"&lt;/P&gt;

&lt;P&gt;Gonzalo Rubalcaba Trio D'Ete: "Turning Point"&lt;/P&gt;

&lt;P&gt;Grant Geisman:"Blooz"&lt;/P&gt;

&lt;P&gt;Boris Kozlov: "First Things First"&lt;/P&gt;

&lt;P&gt;Jeff Coffin: "Between Dreaming and Joy"&lt;/P&gt;

&lt;P&gt;Dave Liebman: "Trust and Honesty"&lt;/P&gt;

&lt;P&gt;Steve Feifke &amp;amp; Bijon Watson: Generation Gap Jazz Orchestra&lt;/P&gt;

&lt;P&gt;Reverso: "Harmonic Alchemy"&lt;/P&gt;

&lt;P&gt;Pete Malinverni: "On the Town"&lt;/P&gt;

&lt;P&gt;Oz Noy, Ugoma Okegow, Ray Marchica: "Riverside"&lt;/P&gt;

&lt;P&gt;Yellowjackets: "Parallel Motion"&lt;/P&gt;

&lt;P&gt;Martin Wind and the NY Bass Quartet: "Air"&lt;/P&gt;

&lt;P&gt;Michael Blake: "Combobulate"&lt;/P&gt;

&lt;P&gt;Steve Cardenas, Ben&amp;nbsp; Allison &amp;amp; Ted Nash: "Healing Power-The Music of Carla Bley"&lt;/P&gt;

&lt;P&gt;Pasquale Grasso: "BeBop!"&lt;/P&gt;

&lt;P&gt;JD Allen: "Americana Vol2"&lt;/P&gt;

&lt;P&gt;Kevin Eubanks &amp;amp; Orrin Evans: "EEE"&lt;/P&gt;

&lt;P&gt;Michael Dease: "Best Next Thing"&lt;/P&gt;

&lt;P&gt;Jon Cowherd Trio: "Pride &amp;amp; Joy"&lt;/P&gt;

&lt;P&gt;Michael Wollny Trio: "Ghosts"&lt;/P&gt;

&lt;P&gt;Marshall Gilkes: "Cyclic Journey"&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;"&gt;Best Vocal Albums:&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Claudia Acuna: "Duo"&lt;/P&gt;

&lt;P&gt;Giacomo Gates: "You"&lt;/P&gt;

&lt;P&gt;Flora Purim: "If You Will"&lt;/P&gt;

&lt;P&gt;Cecile McLorin Savant: "Ghost Song"&lt;/P&gt;

&lt;P&gt;Sarah Gazarek: "Vanity"&lt;/P&gt;

&lt;P&gt;Gonzalo Rubalcaba and Aymee Nuviola: "Live at Marciac"&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;BEST LATIN JAZZ ALBUM:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Miguel Zenon: "Musica de Las Americas"&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;BEST HISTORICAL RECORDINGS&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Bill Evans: Morning Glory/ Inner Spirit (2 albums)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Ahmad Jamal: Emerald City Nights: (2 albums)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;Mingus the lost tapes at Ronnie Scott's :&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13019135</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13019135</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 04 Dec 2022 23:43:46 GMT</pubDate>
      <title>Danica Pantovic</title>
      <description>&lt;P&gt;2022 List&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Home.S. Esbjørn Svensson Solo, ACT&amp;nbsp;&lt;/P&gt;

&lt;P&gt;I AM Beyond by Isaiah Collier &amp;amp; Michael Shekwoaga Ode, HHV Records&lt;/P&gt;

&lt;P&gt;Ghost Song by Cecile McLorin Salvant, Nonesuch&lt;/P&gt;

&lt;P&gt;Jazz is Expensive/Live in Saalfelden by Kühn Fu, Berthold Records&lt;/P&gt;

&lt;P&gt;Elastic Wave by Gard Nilssen Acustic Unity, ECM&lt;/P&gt;

&lt;P&gt;Louise by Emile Parisien, ACT&lt;/P&gt;

&lt;P&gt;Wind Rose by Majamisty TriO, Mistyland&lt;/P&gt;

&lt;P&gt;Melange by Schime &amp;amp; Muzikon, Sequoia Music&lt;/P&gt;

&lt;P&gt;Catching the Wind by Vladimir Samardžić, SKC NS&lt;/P&gt;

&lt;P&gt;Fruška Džungla (Jungle) by Dragon's Fuel, HORZ&lt;/P&gt;

&lt;P&gt;Bonus&lt;/P&gt;

&lt;P&gt;3 Generations by Nils Landgren, ACT&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13013134</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13013134</guid>
      <dc:creator>Danica Pantovic</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 02 Dec 2022 22:51:00 GMT</pubDate>
      <title>David Basse</title>
      <description>&lt;P align="center"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;TOP TEN 2022&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;"&gt;SAMARA JOY&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; LINGER AWHILE&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;STEVE DAVIS&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;BLUESTHETIC&amp;nbsp;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;"&gt;SAN GABRIEL 7 / SINNE EEG&amp;nbsp; &amp;nbsp; UNDER THE STARS&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;JOSH NELSON/BOB BOWMAN TOMORROW IS NOT PROMISED&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;BEN MORRIS&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;POCKET GUIDES&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;BILL CHARLAP TRIO&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; STREET OF DREAMS&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;IDIT SHNER &amp;amp; MHONDORO&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; HEAT WAVE&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;SIMEON DAVIS GROUP&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;OF NARRATIVES &amp;amp; NOCTURNES&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;BEN SIDRAN&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; SWING STATE&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;TIERNEY SUTTON&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;PARIS SESSIONS 2&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="center"&gt;&lt;FONT&gt;&lt;SPAN style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;A href="http://davidbasse.com" target="_blank"&gt;http://davidbasse.com&lt;/A&gt;&amp;nbsp;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;&lt;STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13011346</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13011346</guid>
      <dc:creator>David Basse</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 02 Dec 2022 14:44:58 GMT</pubDate>
      <title>Ken Franckling</title>
      <description>&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite new jazz releases of 2022&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Dave Wilson Quartet,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Stretching Supreme&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(self-released)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Lynne Arriale,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Lights Are Always On&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Challenge)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Wayne Shorter, Terri Lyne Carrington, Leo Genovese, esparanza spalding,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live st the Detroit Jazz Festival&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Candid)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Jo Harrop,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Heart Wants&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Lateralize)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Javon Jackson,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Gospel According to Nikki Giovanni&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Solid Jackson)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Samara Joy,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Linger Awhile&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Verve)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Steven Feifke and Bijon Watson,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;… present Generation Gap Jazz Orchestra&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Cellar)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Sam Kirmayer,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;In This Moment&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Cellar Music)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Ricky Ford,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Paul's Scene&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Whaling City)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Chris Cortez,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live at Blue Bamboo&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Blue Bamboo)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite 2022 vocal recordings:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Jo Harrop,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Heart Wants&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Lateralize)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Samara Joy,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Linger Awhile&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Verve)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Tierney Sutton,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Paris Sessions 2&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(BFM Jazz)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Mark Winkler,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Late Bloomin' Jazzman&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Caf&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Pacific)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Carol Sloane,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live at Birdland&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Club 44)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;San Gabriel 7 featuring Sinne Eeg,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Under the&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Stars (JRL-SGS)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Catherine Russell,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Send For Me&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Dot Time)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Kim Nalley Band,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;I Want a Little Boy&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(self-released)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Gonzalo Rubalcaba &amp;amp; Aym&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;e Nuviola,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Live in&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Marciac (5Passion)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Xiomara Torres,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;La Voz Del&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Mar (Patois)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite&lt;/STRONG&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;STRONG&gt;historical/reissues of 2022&lt;/STRONG&gt;&lt;/FONT&gt; &lt;FONT&gt;(includes any recordings made over 10 years ago, whether newly released or reissued):&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Bill Evans,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Morning Glory&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Resonance)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Ahmad Jamal,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Emerald City Nights: Live at the Penthouse1965-1966 (Jazz Detective)&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Dave Brubeck Trio,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live From Vienna 1967&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Derry Music)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Charles Mingus,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Mingus: The Los Album From Ronnie Scott's&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Resonance)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Ella Fitzgerald,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Ella at the Hollywood Bowl: The Irving Berlin&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Songbook (Verve)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Elvin Jones,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Revival: Live at Pookie's Pub&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;(Blue Note)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Chet Baker Trio,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live in Paris&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Elemental)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Clark Terry,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Big Bad Band, Live in Holland 1979&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Storyville)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Frank Kimbrough,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;2003-2006&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Palmetto)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Peck Allmond Quartet,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Live at Yoshi's 1994&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Eastlawn)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite 2022 debut recording:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Timothy Norton,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Visions of Phaedrus&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Truth Revolution Recording Collective)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite 2022 Latin/Brazilian jazz recordings:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Oscar Hern&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;á&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;ndez &amp;amp; Alma Libre,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Visi&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;ó&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;n&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Ovation)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Miguel Zen&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;ó&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;n,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;M&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;ú&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;sica de las Am&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;ricas&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Miel)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Gonzalo Rubalcaba, Aym&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;e Nuviola,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Live in&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Marciac (5Passion)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Xiomara Torres,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;La Voz Del&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Mar (Patois)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Juan&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Carlos Quintero,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Table for Five&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Moondo)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;Favorite new compositions from CDs released in 2022, listed alphabetically:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Lynne Arriale, ”Sounds Like America” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Lights Are Always On&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Challenge)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Bob Bowman, “Yae San”” from Josh Nelson/Bob Bowman Collective,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Tomorrow is Not&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Promised (Steel Bird)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Yelena Eckemoff, “Like Rain Upon the Mown Grass” from&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;I Am a Stranger in This World&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(L&amp;amp;H)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Yosef Gutman and Gilad Ronen, “Joshua” from Yosef Gutman,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Upside Down&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Mountain (independent)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Jo Harrop, Natalie Williams, James McCredie, Hannah Vasanth, “Weather the Storm” from Jo Harrop,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Heart Wants&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Lateralize)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT color="#000000"&gt;&lt;SPAN&gt;Timothy Norton, “King's Inn” from&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;&lt;EM&gt;&lt;SPAN&gt;Visions of Phaedrus&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT color="#000000"&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Truth Revolution Recording Collective)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Rick Roe, “Agent 88” from Roe Bickley Kramer,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Lucid Dream&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(RNR Unknown)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Jamieson Trotter and Mark Winkler, “Old Enough” from Mark Winkler,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Late Bloomin' Jazzman&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Caf&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Pacific)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Walt Weiskopf, “Other Jewels” from Walt Weiskopf European Quartet,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Diamonds and Other Jewels&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(AMM)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Miguel Zen&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;ó&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;n, “Imperios” from&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;M&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;ú&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;sica de las Am&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;é&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;ricas&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Miel)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13010712</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13010712</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 29 Nov 2022 12:24:28 GMT</pubDate>
      <title>Matty Bannond</title>
      <description>&lt;P&gt;Here’s my top ten albums that I reviewed in 2022, in alphabetical order…&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Full Circle - Nadje Noorhuis.&lt;/P&gt;

&lt;P&gt;Ibio-Ibio - Camilla George.&lt;/P&gt;

&lt;P&gt;I get along without you very well - Ellen Arkbro &amp;amp; Johan Graden.&lt;/P&gt;

&lt;P&gt;Marram - Matt Carmichael&lt;/P&gt;

&lt;P&gt;Pale Blue Dot - Georg Demel Quartett.&lt;/P&gt;

&lt;P&gt;Spiritual Car Wash - Taxi Consilium.&lt;/P&gt;

&lt;P&gt;The Good Spirits Part 2 - Denis Gäbel.&lt;/P&gt;

&lt;P&gt;The Sound of Listening - Mark Guiliana.&lt;/P&gt;

&lt;P&gt;White Juju - Soweto Kinch.&lt;/P&gt;

&lt;P&gt;Wolves and Mirrors - Wolves and Mirrors.&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13006472</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13006472</guid>
      <dc:creator>Matty Bannond</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 29 Nov 2022 03:19:54 GMT</pubDate>
      <title>Michael Ambrosino</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Below are my favorite 25 albums for 2022.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;They are listed in alphabetical and not any hierarchical order.&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;------&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Pablo Ablanedo - Chistreza&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;SPAN&gt;Afro Bop Alliance -&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;The Pan American Nutcracker Suite&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Kenny Barron - The Source&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Andrea Brachfeld - Evolution&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Tito Carrillo - Urbanessence&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Terri Lyne Carrington - New Standards Vol 1&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Sarah Elizabeth Charles - Blank Canvas&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Anat Cohen - Quartetinho&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Roxy Coss - Disparate Parts&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Luis DenizEl - Tinajón&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Marshall Gilkes - Cyclic Journey&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Robert Glasper - Black Radio III&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Rafael Greco - Dice Que Vive (Signs Of Life)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Connie Han - Secrets of Inanna&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Conrad Herwig - The Latin Side of Mingus&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Samara Joy - Linger Awhile&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Ryan Keberle - Sonhos Da Esquina&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Brian Lynch - Songbook Vol. 2: Dance The Way U Want To&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Makaya McCraven - In These Times&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Kham Meslien - Fantômes... Futurs&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Hailey Niswanger &amp;amp; Mia Garcia - Between All Things&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Rufus Reid - Celebration&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Cécile McLorin Salvant - Ghost Song&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Dave Stryker - As We Are&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Miguel Zenón - Musica De Las Americas&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;------&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Michael Ambrosino&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;"&gt;Programmer/Producer/Host of &lt;A href="https://www.33third.org/currents/" target="_blank"&gt;Currents&lt;/A&gt;, &lt;A href="https://www.33third.org/art-of-time-ensemble/" target="_blank"&gt;Dialogs&lt;/A&gt;, &lt;A href="https://www.33third.org/tapas/" target="_blank"&gt;Tapas&lt;/A&gt; and &lt;A href="https://www.33third.org/los-olvidados/" target="_blank"&gt;Los Olvidados&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;A href="https://www.33third.org/#1" target="_blank"&gt;&lt;FONT style="font-size: 14px;"&gt;33third.org&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/13006084</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/13006084</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 06 Mar 2022 14:40:13 GMT</pubDate>
      <title>Wilbert Sostre</title>
      <description>&lt;P&gt;Top 3 Jazz Albums from Puerto Rico Jazz Musicians 2021&lt;/P&gt;

&lt;P&gt;1. Miguel Zenon &amp;amp; Luis Perdomo - El Arte del Bolero&lt;/P&gt;

&lt;P&gt;2. Carlos Henriquez - South Bronx Story&lt;/P&gt;

&lt;P&gt;3. Charlie Sepulveda - This is Latin Jazz&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12643512</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12643512</guid>
      <dc:creator>Wilbert Sostre</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 01 Feb 2022 14:51:12 GMT</pubDate>
      <title>Geoffrey Himes</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;GEOFFREY HIMES: BEST ALBUMS OF 2021&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;TWENTY BEST JAZZ ALBUMS OF 2021:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charles Lloyd &amp;amp; the Marvels: Tone Poem (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Joe Lovano &amp;amp; Dave Douglas Soundprints: Other Worlds (Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Matthew Shipp: Codebreaker (Tao Forms)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Vijay Iyer: Uneasy (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Amir El Saffar Rivers of Sound The Other Shore (Out Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;East Axis: Cool with That (ESP-Disk)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;David Sanford Big Band featuring Hugh Ragin: A Prayer for Lester Bowie (Greenleaf)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Henry Threadgill: Zooid Poof (Pi)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Johnathan Blake: Homeward Bound (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Abdullah Ibrahim: Solotude (Gearbox)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Allison Miller &amp;amp; Jane Ira Bloom: Tues Days (Outline)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Jihye Lee Orchestra: Daring Mind (Motema)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Arturo O'Farrill Afro Latin Jazz Orchestra: Virtual Birdland (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;William Parker: Painters Winter (AUM Fidelity)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Julian Lage: Squint Blue Note&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Gonzalo Rubalcaba Ron Carter Jack DeJohette Skyline (Passion)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;James Brandon Lewis: Jesup Wagon Tao&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lionel Loueke: Close Your Eyes (Sounderscore)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Pat Metheny Side Eye: NYC V1.IV (Metheny Group)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Esperanza Spalding: Songwrightsapothecarylab (Concord Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;TWENTY BEST NON-JAZZ ALBUMS OF 2021:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;James McMurtry: The Horses and the Hounds (New West)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Charley Crockett: Music City USA (Son of Davy/Thirty Tigers)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Valerie June: The Moon and Stars: Prescriptions for Dreamers (Fantasy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Rhiannon Giddens with Francesco Turrisi: They're Calling Me Home (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Robert Plant / Alison Krauss: Raise the Roof&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; (Rounder)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Hayes Carll: You Get It All (Dualtone)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Mickey Guyton: Remember Her Name (Capitol Nashville)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Olivia Rodrigo: “Driver's License” from Sour (Geffen)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lindsey Buckingham: Lindsey Buckingham (Reprise)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lil Nas X: Montero (Columbia&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;11.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Taylor Swift: Red (Taylor’s Version) (Republic)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;12.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Billie Eilish: Happier than Ever (Inerscope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;13.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Julien Baker Little Oblivions (Matador)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;14.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Black Keys: Delta Kream (Nonesuch)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;15.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Hold Steady: Open Door Policy (Partisan)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;16.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Yasmin Williams Urban Driftwood (Spinster)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;17.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lucy Dacus: Home Video (Matador)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;18.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Eric Church: Heart &amp;amp; Soul (EMI Nashville/Big EC)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;19.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Dropkick Murphys: Turn Up That Dial (Born &amp;amp; Bred)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;20.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Lady Blackbird: Black Acid Soul (Foundation)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;THE FIVE BEST HISTORICAL JAZZ ALBUMS:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;A name="_Hlk92465176"&gt;&lt;/A&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Sam Rivers Quartet: &lt;EM&gt;Braids&lt;/EM&gt; (No Business)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Hasaan Ibn Ali: &lt;EM&gt;Metaphysics&lt;/EM&gt; and &lt;EM&gt;Retrospect in Retirement of Delay: The Solo Recordings&lt;/EM&gt; (Omnivore)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;John Coltrane: &lt;EM&gt;A Love Supreme: Live in Seattle&lt;/EM&gt; (Impulse)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Art Blakey &amp;amp; the Jazz Messengers: &lt;EM&gt;First Flight to Tokyo: The Lost 1961 Recordings&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Sheila Jordan: &lt;EM&gt;Comes Love: Lost Session 1960&lt;/EM&gt; (Capri)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;THE FIVE BEST HISTORICAL NON-JAZZ ALBUMS:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;The Beach Boys: &lt;EM&gt;Feel Flows: The Sunflower &amp;amp; Surf’s Up Sessions: 1969-1971&lt;/EM&gt; (Universal/Capitol/Brother)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bob Dylan: &lt;EM&gt;Springtime in New York: The Bootleg Series Vol. 16, 1980-1985&lt;/EM&gt; (Columbia/Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Bruce Springsteen &amp;amp; the E Street Band: &lt;EM&gt;The Legendary 1979 No Nukes Concert&lt;/EM&gt; (Columbia/Legacy)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Various Artists: &lt;EM&gt;It's a Good Feeling: The Latin Soul of Fania Records, The Singles&lt;/EM&gt; (Craft Latino)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;Buck Owens: &lt;EM&gt;The Capitol Albums&lt;/EM&gt; (Omnivore)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 16px;"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12497209</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12497209</guid>
      <dc:creator>Geoffrey Himes</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 25 Jan 2022 21:46:10 GMT</pubDate>
      <title>Michael Ambrosino</title>
      <description>&lt;P&gt;33third.org's Top ten Albums for 2021&lt;/P&gt;

&lt;P&gt;Another banner year for Jazz made all the more remarkable given COVID and the polarized response to the pandemic in the US.&lt;/P&gt;

&lt;P&gt;Here's is my &lt;A href="https://www.33third.org/best-albums-2021/" target="_blank"&gt;write up of the very best for 2021&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;Enjoy!&lt;/P&gt;

&lt;P&gt;Michael Ambrosino / 33third.org&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12314746</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12314746</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Tue, 18 Jan 2022 22:17:29 GMT</pubDate>
      <title>Stephen Braunginn</title>
      <description>&lt;UL&gt;
  &lt;LI style="list-style: none; display: inline"&gt;
    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Top 30 Jazz Albums for 2021&lt;/FONT&gt;&lt;/P&gt;

    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Stephen Braunginn&lt;/FONT&gt;&lt;/P&gt;

    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Producer/Host – Strictly Jazz Sounds: WORT89.9-FM, Madison, WI&lt;/FONT&gt;&lt;/P&gt;

    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Not in particular order:&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI style="list-style: none; display: inline"&gt;
    &lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;As I compiled this list while preparing for my annual "Jazz in Retrospective" show, I realized the different strategies jazz musicians used to advance their music, to just play music with someone else. Trends reflect the times. I'm mostly moved by the passion exhibited through the music. I spent more time with smaller and indie labels this year. One final observation, the British are coming. Innovative jazz is springing from the UK!&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;1)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Benito Gonzalez: &lt;EM&gt;Sing to the World&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;2)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt; Joe Chambers: &lt;EM&gt;Samba de Maracatu&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;3)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Pierrick Pedron: &lt;EM&gt;Fifty-Fifty (New York Sessions)&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;4)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Miguel Zenón: &lt;EM&gt;Long Years: The Music of Ornette Coleman&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;5)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt; Joe Lovano, Marilyn Crispell, Carmen Castaldi: &lt;EM&gt;Trio Tapestry: Garden of Expression&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;6)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt; Marcin Wasilewski Trio, Joe Lovano: &lt;EM&gt;Arctic Riff&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;7)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; Isaiah Collier&amp;amp; The Chosen Few: &lt;EM&gt;Cosmic Transitions&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;8)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt; Joe Lovano and Dave Douglas Sound Prints: &lt;EM&gt;Other Worlds&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;9)&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/EM&gt; Alchemy Sound Project: &lt;EM&gt;Afrika Love&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;10) Dennis Mitcheltree: &lt;EM&gt;Nevermind the Circus&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;11)&lt;/EM&gt; Nicole Glover: &lt;EM&gt;Strange Lands&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;12)&lt;/EM&gt; Ches Smith and We All Break: &lt;EM&gt;Path of Seven Colors&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;13) Terence Blanchard: &lt;EM&gt;Absence&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;14) Johannes Wallmann: &lt;EM&gt;Elegy for an Undiscovered Species&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;15) Chick Corea Akoustic Band: &lt;EM&gt;Live&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;16) Christian McBride and Inside Straight: &lt;EM&gt;Live at the Village Vanguard&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;17)&lt;/EM&gt; Brandee Younger: &lt;EM&gt;Somewhere Different&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;18) Sons of Kemet: &lt;EM&gt;Black to the Future&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;19) Frank Kimbrough: &lt;EM&gt;Ancestors&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;20)&lt;/EM&gt; Vijay Iyer, Linda May Han Oh and Tyshawn Sorey: &lt;EM&gt;Uneasy&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;21) Carlos Henriquez: The South Bronx Story&lt;/LI&gt;

  &lt;LI&gt;22) Victor Gould: &lt;EM&gt;In our Time&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;23) Renee Rosnes: &lt;EM&gt;Kinds of Love&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;24)&lt;/EM&gt; Pat Metheny: &lt;EM&gt;Side-Eye NYC&amp;nbsp;(V1.IV)&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;25) Kenny Garrett: &lt;EM&gt;Sounds From the Ancestors&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;26) James Brandon Lewis Quartet: &lt;EM&gt;Code of Being&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;27) Remy Le Boeuf’s Assembly of Shadows: &lt;EM&gt;Architect of Storms&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;28) Jihye Lee Orchestra: &lt;EM&gt;Daring Mind&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;EM&gt;29)&lt;/EM&gt; Arturo O'Farrill and the Afro Latin Jazz Orchestra: &lt;EM&gt;Virtual Birdland&lt;/EM&gt;&lt;/LI&gt;

  &lt;LI&gt;30) The Cookers: &lt;EM&gt;Look Out!&lt;/EM&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Historical:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Hal Galper Quintet: &lt;EM&gt;Live at the Berlin Philharmonic 1977&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Ella Fitzgerald: &lt;EM&gt;The Berlin Tapes&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Alice Coltrane: &lt;EM&gt;Turiya Sings&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;John Coltrane: &lt;EM&gt;A Love Supreme: Live in Seattle&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Art Blakey and the Jazz Messengers: &lt;EM&gt;First Flight to Tokyo: The Lost 1961 Recordings&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Lee Morgan: &lt;EM&gt;The Complete Live at the Lighthouse&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12277954</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12277954</guid>
      <dc:creator>Stephen Braunginn</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 06 Jan 2022 14:21:18 GMT</pubDate>
      <title>Luis Cubells - 99.9% Jazz</title>
      <description>&lt;P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 11px;" face="Helvetica Neue"&gt;&lt;STRONG&gt;SOME OF MY “BEST OF 2021”&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" face="Helvetica"&gt;GREGORI HOLLIS - LANDING&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" face="Helvetica"&gt;MIGUEL ZENON - EL ARTE DEL BOLERO&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;ROY HARGROVE &amp;amp; MULGREW MILLER - IN HARMONY&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;JOCELYN GARTH - TELL HIM I SAID HELLO&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;WILD BLUE HERONS - Darlene Cooper &amp;amp; Bill Sample - YOU &amp;amp; I&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;CONNIE HAN - PRETTY WOMAN&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;PAU MOLTO - FRENCH HORN JAZZ PROJECT&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;MICHAEL STEPHENSON - meets ALEXANDER CLAFFY TRIO&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;DAN WILSON - VESSELS OF WOOD AND EARTH&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;BILL CHARLAP - STREET OF DREAMS&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;CARLOS HENRIQUEZ - THE SOUTH BRONX STORY&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;ALEXANDER BROTT - THE AESTHETIC ATTITUDE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;TONY BENNETT - LOVE FOR SALE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;LUCY YEGHIAZARYAN &amp;amp; VANISHA GOULD - IN HER WORDS&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;JARED SCHONIG - TWO TAKES VOL 2&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;ROSA PASSOS - DUNAS, LIVE IN COPENHAGEN&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;MADS MATHIAS - I’M ALL EARS&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;ANTHONY WONSEY - LORRAINE’S LULLABYE&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;JOHANNA PATTERSON - THE SHOW MUST GO ON&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 11px;" color="#2A2620" face="Helvetica"&gt;SHANNON GUNN - ON A MOUNTAIN&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12244056</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12244056</guid>
      <dc:creator>Luis Cubells</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 02 Jan 2022 13:14:06 GMT</pubDate>
      <title>Mirian Arbalejo</title>
      <description>&lt;P align="center"&gt;&lt;STRONG&gt;50 Favorite Recordings of 2021*&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Artifacts. Nicole Mitchell, Tomeka Reid, Mike Reed. ... And Then There's This. Astral Spirits&lt;/P&gt;

&lt;P&gt;Patricia Brennan. Maquishti. Valley of Search&lt;/P&gt;

&lt;P&gt;Roy Brooks. Understanding. Reel To Real&lt;/P&gt;

&lt;P&gt;George Cables. Too Close For Comfort. HighNote Records&lt;/P&gt;

&lt;P&gt;Caminero Trio. Al Toque. Karonte&lt;/P&gt;

&lt;P&gt;Àlex Cassanyes. Composició II. UnderPool&lt;/P&gt;

&lt;P&gt;Bill Charlap Trio. Street Of Dreams. Blue Note Records&lt;/P&gt;

&lt;P&gt;Clasijazz Valparaíso Big Band. Casijazz Fundación Valparaíso&lt;/P&gt;

&lt;P&gt;John Coltrane. A Love Supreme - Live In Seattle. Impulse!&lt;/P&gt;

&lt;P&gt;Sylvie Courvoisier - Mary Halvorson. Searching for the Disappeared Hour. Pyroclastic&lt;/P&gt;

&lt;P&gt;Dr. Lonnie Smith. Breathe. Blue Note&lt;/P&gt;

&lt;P&gt;Scott DuBois. Summer Water. Watertone Music&lt;/P&gt;

&lt;P&gt;Bill Evans Trio. On a Friday Evening. Craft&lt;/P&gt;

&lt;P&gt;Floating Points, Pharoah Sanders &amp;amp; the London Symphony Orchestra. Promises. Luaka Bop&lt;/P&gt;

&lt;P&gt;Michael Formanek - Peter Formanek. Dyads. Out Of Your Head&lt;/P&gt;

&lt;P&gt;María Grand. Reciprocity. Biophilia Records&lt;/P&gt;

&lt;P&gt;Roy Hargrove - Mulgrew Miller. In Harmony. Resonance&lt;/P&gt;

&lt;P&gt;Abdullah Ibrahim. Solotude: My Journey, My Vision. Gearbox Records&lt;/P&gt;

&lt;P&gt;Ethan Iverson &amp;amp; Umbria Jazz Orchestra, Bud Powell in the 21st Century. Sunnyside&lt;/P&gt;

&lt;P&gt;Vijay Iyer, Linda May Han Oh, Tyshawn Sorey. Uneasy. ECM&lt;/P&gt;

&lt;P&gt;Jazz Worms. Squirmin'. Capri&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Sheila Jordan,&amp;nbsp;&lt;EM&gt;Comes Love: Lost Session 1960.&amp;nbsp;&lt;/EM&gt;Capri&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Charlotte Keefe.&amp;nbsp;&lt;EM&gt;Right Here, Right Now&lt;/EM&gt;. Discus Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Martín Leiton.&amp;nbsp;&lt;EM&gt;Desde a Bajo&lt;/EM&gt;. UnderPool&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;James Brandon Lewis - Red Lily Quintet.&amp;nbsp;&lt;EM&gt;Jesup Wagon&lt;/EM&gt;. TAO Forms&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Charles Lloyd &amp;amp; the Marvels.&amp;nbsp;&lt;EM&gt;Tone Poem&lt;/EM&gt;. Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Jean-Marie Machado Quartet.&amp;nbsp;&lt;EM&gt;Majakka&lt;/EM&gt;. La Buissonne&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Georgia Mancio - Alan Broadbent.&amp;nbsp;&lt;EM&gt;Quiet Is The Star&lt;/EM&gt;. Roomspin Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Ossi Maristo.&amp;nbsp;&lt;EM&gt;Arc&lt;/EM&gt;. Eclipse Music / Supersounds Music Oy&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Marco Martínez.&amp;nbsp;&lt;EM&gt;NOI.&lt;/EM&gt;&amp;nbsp;Errabal&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Makaya McCraven.&lt;EM&gt;&amp;nbsp;Deciphering the Message&lt;/EM&gt;. Blue Note&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Tomoko Omura.&amp;nbsp;&lt;EM&gt;Branches Vol. 2&lt;/EM&gt;. Outside In Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Moisés P. Sánchez.&amp;nbsp;&lt;EM&gt;Bach (Re)Inventions&lt;/EM&gt;. MarchVivo&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Gretchen Parlato.&amp;nbsp;&lt;EM&gt;Flor&lt;/EM&gt;. Edition Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Marcelo Peralta. Northwest Wind. Mariana Potenza y Juan Calvi&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Guillem Plana, Aleix Forts, David Viñolas.&amp;nbsp;&lt;EM&gt;NUCLI TRIO&lt;/EM&gt;. Errabal&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Alex Riel, Bo Stief, Carsten Dahl.&amp;nbsp;&lt;EM&gt;Our Songs&lt;/EM&gt;. Storyville Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Sara Serpa.&lt;EM&gt;&amp;nbsp;Intimate Strangers&lt;/EM&gt;. Biophilia Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Fran Serrano Quintet.&amp;nbsp;&lt;EM&gt;0202&lt;/EM&gt;. ESMUC&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Archie Shepp / Jason Morán.&amp;nbsp;&lt;EM&gt;Let My People Go&lt;/EM&gt;. Archieball&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Ches Smith &amp;amp; We All Break.&amp;nbsp;&lt;EM&gt;Path of Seven Colors&lt;/EM&gt;. Pyroclastic Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Sons Of Kemet.&amp;nbsp;&lt;EM&gt;Black To The Future&lt;/EM&gt;. Impulse!&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Kevin Sun.&amp;nbsp;&lt;EM&gt;&amp;lt;3 Bird&lt;/EM&gt;.&amp;nbsp;Endectomorph Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" color="#5B5E60"&gt;&lt;FONT face="verdana"&gt;Arthur Taylor, Marc Cary, Tyler Mitchell, Abraham Burton, Willie Williams.&amp;nbsp;&lt;EM&gt;Taylors Wailers&amp;nbsp;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT face="verdana"&gt;[sic]&amp;nbsp;&lt;/FONT&gt;&lt;EM&gt;&lt;FONT face="verdana"&gt;Live In NYC&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT face="verdana"&gt;&amp;nbsp;(Birdland, 1992). The Harlem Sessions / Marc Cary&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;UNDP Collective. Esto Sí Se Llama Querer. UnderPool&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;UNDP Collective. UNDERPOOL 5&amp;nbsp; Vol 2. UnderPool&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Angel Unzu Cuarteto.&amp;nbsp;&lt;EM&gt;Orain.&amp;nbsp;&lt;/EM&gt;Moskito Rekords&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Wadada Leo Smith’s Great Lakes Quartet.&amp;nbsp;&lt;EM&gt;The Chicago Symphonies&lt;/EM&gt;. TUM&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Wadada Leo Smith, Jack DeJohnette, Vijay Iyer.&amp;nbsp;&lt;EM&gt;A Love Sonnet for Billie Holiday&lt;/EM&gt;. TUM&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Anna Webber.&amp;nbsp;&lt;EM&gt;Idiom&lt;/EM&gt;. Pi&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="verdana" style="font-size: 14px;" color="#5B5E60"&gt;Mareike Wiening.&amp;nbsp;&lt;EM&gt;Future Memories&lt;/EM&gt;. Greenleaf Music&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;*As published by Mirian Arbalejo &lt;A href="http://www.missingduke.com/2021/12/50-buenos-discos-de-2021.html" target="_blank"&gt;on December 31st&lt;/A&gt; 2021.&lt;/P&gt;

&lt;P&gt;A shorten list was presented to the Jazz Critics Poll (&lt;A href="https://artsfuse.org/244710/the-2021-jazz-critics-poll-only-the-best/" target="_blank" style="font-size: 10pt;"&gt;The Arts Fuse&lt;/A&gt;).&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12232356</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12232356</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Wed, 29 Dec 2021 23:48:26 GMT</pubDate>
      <title>Bill Milkowski Best of 2021 List</title>
      <description>&lt;P align="justify"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT face="Tahoma"&gt;The Top Ten:&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;FONT face="Tahoma"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;1. Henry Threadgill&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;EM&gt;, Poof (Pi Recordings) &amp;nbsp; &amp;nbsp;&lt;/EM&gt;&lt;/FONT&gt; &lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;EM&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;STRONG&gt;2.&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;Charles Lloyd &amp;amp; the Marvels&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Tone Poem&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;3. Terence Blanchard&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Absence&lt;/EM&gt; (Blue Note)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;STRONG&gt;4. Andrew Cyrille Quartert&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;The News&lt;/EM&gt; (ECM)&lt;/FONT&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;5. Dave Holland&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Another Land&lt;/EM&gt; (Edition)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;STRONG&gt;6.&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;Brian Lynch&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Songbook, Vol. 1: Bus Stop Serenade&lt;/EM&gt; (Hollistic Music Works)&lt;/FONT&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;7.&lt;/FONT&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;Dave Stryker&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;As We Are&lt;/EM&gt; (Strikezone)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;FONT style="font-size: 14px;"&gt;&lt;STRONG&gt;8&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;. Alex Conde&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Descarga for Bud&lt;/EM&gt; (SedaJazz Records)&lt;/FONT&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;9. Michael Feinberg&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Hard Times&lt;/EM&gt; (Fresh Sound)&lt;/FONT&gt;&lt;/FONT&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/P&gt;

&lt;P align="left"&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;10. Steven Bernstein’s Millennial Territory Orchestra&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT style="font-size: 14px;"&gt;, &lt;EM&gt;Community Music, Vol. 1: Tinctures in Time&lt;/EM&gt; (Royal Potato Family)&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;The Other Forty:&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;11. Miguel Zenon&lt;/STRONG&gt;, &lt;EM&gt;Law Years: The Music of Ornette Coleman&lt;/EM&gt; (Miel Music&lt;STRONG&gt;)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;12. Eric Wyatt&lt;/STRONG&gt;, &lt;EM&gt;A Song of Hope&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;13. Dan Wilson&lt;/STRONG&gt;, &lt;EM&gt;Vessels of Wood&lt;/EM&gt; (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;14. Kurt Elling w/Charlie Hunter&lt;/STRONG&gt;, &lt;EM&gt;Super Blue&lt;/EM&gt; (Edition)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;15. Gerry Gibbs Thrasher Dream Trios&lt;/STRONG&gt;, &lt;EM&gt;Songs From My Father&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;16. John McLaughlin&lt;/STRONG&gt;, &lt;EM&gt;Liberation Time&lt;/EM&gt; (Abstract Logix)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;17. Renee Rosnes&lt;/STRONG&gt;, &lt;EM&gt;Kinds of Love&lt;/EM&gt; (Smoke Sessions)&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;1&lt;/STRONG&gt;&lt;STRONG&gt;8. Pasquale Grasso&lt;/STRONG&gt;, &lt;EM&gt;Pasquale Plays Duke&lt;/EM&gt; (Sony Music Masterworks)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;19. Dave Stryker&lt;/STRONG&gt;, &lt;EM&gt;Baker’s Circle&lt;/EM&gt; (Strikezone)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;20. Rale Micic&lt;/STRONG&gt;, &lt;EM&gt;Only Love Will Stay&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;21. Orrin Evans&lt;/STRONG&gt;, &lt;EM&gt;The Magic of Now&lt;/EM&gt; (Smoke Sessions)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;22. Nicole Glover&lt;/STRONG&gt;, &lt;EM&gt;Strange Lands&lt;/EM&gt; (Savant)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;23. Charged Particles w/Tod Dickow&lt;/STRONG&gt;, &lt;EM&gt;Live at the Baked Potato!&lt;/EM&gt; (Summit)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;24. Don Braden/Joris Teepe Quartet&lt;/STRONG&gt;, &lt;EM&gt;In the Spirit of Herbie Hancock&lt;/EM&gt; (O.A.P.)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;25. Fred Hersch&lt;/STRONG&gt;, &lt;EM&gt;Breath By Breath&lt;/EM&gt; (Palmetto)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;26. John Pizzarelli&lt;/STRONG&gt;, &lt;EM&gt;Better Days Ahead&lt;/EM&gt; (Ghostlight Deluxe)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;27. Lorne Lofsky&lt;/STRONG&gt;, &lt;EM&gt;This Song Is New&lt;/EM&gt; (Modica Music)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;28. Greg Belisle-Chi&lt;/STRONG&gt;, &lt;EM&gt;Koi: Performing the Music of Tim Berne&lt;/EM&gt; (Relative Pitch)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;29. Alex Sipiagin&lt;/STRONG&gt;, Upstream (Posi-Tone)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;30. Fay Claassen &amp;amp; David Linx w/WDR Big Band Köln&lt;/STRONG&gt;, &lt;EM&gt;And Still We Sing&lt;/EM&gt; (Jazzline)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;31. Franco Ambrosetti&lt;/STRONG&gt;, &lt;EM&gt;Lost Within You&lt;/EM&gt; (Unit Records)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;32. Reggie Quinerly&lt;/STRONG&gt;, &lt;EM&gt;New York Nowhere&lt;/EM&gt; (Redefinition)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;33. Dr. Lonnie Smith&lt;/STRONG&gt;, &lt;EM&gt;Breathe&lt;/EM&gt; (Blue Note)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;34. David Kikoski/Boris Kozlov&lt;/STRONG&gt;, &lt;EM&gt;Sure Thing&lt;/EM&gt; (HighNote)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;35. Frank Kimbrough&lt;/STRONG&gt;, &lt;EM&gt;Ancestors&lt;/EM&gt; (Sunnyside)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;36. Martin Wind Quartet&lt;/STRONG&gt;, &lt;EM&gt;My Astorian Queen&lt;/EM&gt; (Laika Reocrds)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;37. Leon Lee Dorsey/Manuel Valera/Mike Clark&lt;/STRONG&gt;, &lt;EM&gt;Freedom Jazz Dance&lt;/EM&gt; (Jazz Avenue&amp;nbsp; 1)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;38.&lt;/STRONG&gt; &lt;STRONG&gt;Alex Norris&lt;/STRONG&gt;, &lt;EM&gt;Fleet from the Heat&lt;/EM&gt; (SteepleChase)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;39. Dafnis Prieto&lt;/STRONG&gt;, &lt;EM&gt;Transparency&lt;/EM&gt; (Dafnison Music)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;40.&lt;/STRONG&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;Chuck Owen and the Jazz Surge&lt;/STRONG&gt;, &lt;EM&gt;Within Us&lt;/EM&gt; (Summit)&lt;/FONT&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;41. Bill Charlap&lt;/STRONG&gt;, &lt;EM&gt;Street of Dreams&lt;/EM&gt; (Blue Note)&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;42. Johnathan Blake&lt;/STRONG&gt;, &lt;EM&gt;Homeward Bound&lt;/EM&gt; (Blue Note)&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;43. Brian Charette&lt;/STRONG&gt;, &lt;EM&gt;Power from the Air&lt;/EM&gt; (SteepleChase)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;44. Steve Slagle&lt;/STRONG&gt;, &lt;EM&gt;Nascentia&lt;/EM&gt; (Panorama Records)&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;45. Eliane Elias&lt;/STRONG&gt;, &lt;EM&gt;Mirror Mirror&lt;/EM&gt; (Candid)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;46. Mark Masters&lt;/STRONG&gt;, &lt;EM&gt;Masters and Baron Meet Blanton and Webster&lt;/EM&gt; (Capri)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;47. Jeff Lederer&lt;/STRONG&gt;, &lt;EM&gt;Eightfold Path&lt;/EM&gt; (little i music)&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;48. Graham Dechter&lt;/STRONG&gt;, &lt;EM&gt;Major Influence&lt;/EM&gt; (Capri)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;49. Roseanna Vitro&lt;/STRONG&gt;, &lt;EM&gt;Sing a Song of Bird&lt;/EM&gt; (Skyline)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;50. Mike Neer&lt;/STRONG&gt;, &lt;EM&gt;Keepin' It Real&lt;/EM&gt; (Mike Neer Music)&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;"&gt;Best Historical Recordings/Reissues:&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;1. Hasaan Ibn Ali&lt;/STRONG&gt;, &lt;EM&gt;Metaphysics: The Lost Atlantic Album&lt;/EM&gt; (Omnivore)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;2. Roy Brooks&lt;/STRONG&gt;, &lt;EM&gt;Understanding&lt;/EM&gt; (Reel to Real)&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;3. Sheila Jordan&lt;/STRONG&gt;, &lt;EM&gt;Comes Love: Lost Session 1960&lt;/EM&gt; (Capri)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;4. Larry Coryell &amp;amp; Philip Catherine&lt;/STRONG&gt;, &lt;EM&gt;The Last Call&lt;/EM&gt; (ACT)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;5. Roy Hargrove &amp;amp; Mulgrew Miller&lt;/STRONG&gt;, &lt;EM&gt;In Harmony&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;6. John Coltrane&lt;/STRONG&gt;, &lt;EM&gt;A Love Supreme: Live in Seattle&lt;/EM&gt; (Impulse!)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;7. Oscar Peterson&lt;/STRONG&gt;, &lt;EM&gt;A Time For Love&lt;/EM&gt; (Two Lions/Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;8. Bill Evans&lt;/STRONG&gt;, &lt;EM&gt;Everybody Still Digs Bill Evans: A Career Retrospective (1956-1980)&lt;/EM&gt; (Craft Recordings)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;9. Art Blakey &amp;amp; The Jazz Messengers&lt;/STRONG&gt;, &lt;EM&gt;First Flight to Tokyo: The Lost 1961 Recordings&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 14px;" face="Times New Roman"&gt;&lt;STRONG&gt;10. Harvie S w/Mike Stern and Alan Dawson&lt;/STRONG&gt;, &lt;EM&gt;Going For It&lt;/EM&gt; (Savant)&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Times New Roman"&gt;&lt;STRONG&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12223783</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12223783</guid>
      <dc:creator>Bill Milkowski</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 29 Dec 2021 14:18:42 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;&lt;STRONG&gt;TOP JAZZ PICKS FOR 2021&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;New Releases-&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;1. Joe Farnsworth- City of Sounds (Smoke Sessions)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;2. Donald Edwards- The Color of Us Suite (Criss Cross)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;3. Orrin Evans- The Magic of Now (Smoke Sessions)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;4. Pat Metheny- Side-Eye NYC (Modern Recordings)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;5. Bill Charlap- Street of Dreams (Blue Note)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;6. Mike LeDonne- It's All Your Fault (Savant)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;7. John Pizzarelli- Better Days Ahead: Solo Guitar Takes on Pat Metheny (Ghostlight)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;8. Brian Lynch- Songbook Vol.1: Bus Stop Serenade (Hollistic Music)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;9. Renee Rosnes- Kinds of Love (Smoke Sessions)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;10. Brian Charette- Power From the Air (SteepleChase)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;EM&gt;Historical Releases-&lt;/EM&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;1. Louis Armstrong- The Complete Columbia and RCA Victor Sessions 1946-1966 (Mosaic)&lt;/P&gt;

&lt;P&gt;2. Lee Morgan- The Complete Live at the Lighthouse (Blue Note)&lt;/P&gt;

&lt;P&gt;3. Roy Brooks- Understanding (Reel to Real)&lt;/P&gt;

&lt;P&gt;4. Thelonious Monk- Palo Alto (Impulse)&lt;/P&gt;

&lt;P&gt;5. Harold Land- Westward Bound (Reel to Real)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12222715</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12222715</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 28 Dec 2021 14:19:15 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;FONT face="Times New Roman"&gt;I&lt;/FONT&gt;n alpha order by artist name, my favorite recordings of&lt;/FONT&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;creative music&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;in the Black American tradition.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Artifacts Trio,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;…and then there’s this&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Roy Brooks,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Understanding&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Steve Coleman and Five Elements,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Live at the Village Vanguard Volume II (MDW NTR)&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Mark Feldman,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Sounding Point&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Irreversible Entanglements,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Open The Gates&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;David Leon,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Aire De Agua&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;James Brandon Lewis&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;STRONG&gt;Red Lily Quintet&lt;/STRONG&gt;&lt;STRONG&gt;,&lt;/STRONG&gt; &lt;EM&gt;Jesup Wagon&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Dave Liebman Expansions,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Selflessness&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;William Parker,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Migration of Silence Into &amp;amp; Out of the Tone World&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Diego Rivera,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Indigenous&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Ches Smith and We All Break,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Path Of Seven Colors&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;/P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Sons Of Kemet,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Black To The Future&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Stringers and Struts,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Stringers and Struts&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Kevin Sun,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&amp;lt;3 Bird&lt;BR&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Craig Taborn&lt;STRONG&gt;,&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Shadow Plays&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Henry Threadgill Zooid,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Poof&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Thumbscrew,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Never Is Enough&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;Miguel Zenón,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;Law Years: The Music of Ornette Coleman&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;various artists,&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT face="EUROSTILE BOLD CONDENSED"&gt;&lt;EM&gt;John Zorn's Bagatelles&lt;/EM&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12219845</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12219845</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 23 Dec 2021 20:07:33 GMT</pubDate>
      <title>Christopher Burnett</title>
      <description>&lt;P&gt;&lt;A href="http://jazzartistrynow.com/" target="_blank" style="font-size: 21px; font-family: NonBreakingSpaceOverride, &amp;quot;Hoefler Text&amp;quot;, Garamond, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;IMG width="471" height="199" src="http://jazzartistrynow.com/wp-content/uploads/2017/09/cropped-logo_transparent_background-1024x491.png"&gt;&lt;/A&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;I'm founder and editor of &lt;STRONG&gt;&lt;A href="http://jazzartistrynow.com/" target="_blank"&gt;&lt;STRONG&gt;Jazz Artistry Now.&lt;/STRONG&gt;&lt;/A&gt;&amp;nbsp;&lt;/STRONG&gt;Our&amp;nbsp;Contributing Writers lists follow:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;READ:&amp;nbsp;&lt;A href="http://jazzartistrynow.com/burnett-2021/" target="_blank"&gt;Christopher Burnett&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;READ: David R. Adler - &lt;A href="http://jazzartistrynow.com/adler-2021/" target="_blank"&gt;part 1&lt;/A&gt; and&amp;nbsp;&lt;A href="http://jazzartistrynow.com/adler-2021-part2/" target="_blank"&gt;part 2&lt;/A&gt;&lt;/LI&gt;

  &lt;LI&gt;READ:&amp;nbsp;&lt;A href="http://jazzartistrynow.com/yanow-2021/" target="_blank"&gt;Scott Yanow&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12212487</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12212487</guid>
      <dc:creator>Christopher Burnett</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 23 Dec 2021 17:54:19 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>&lt;P&gt;&lt;SPAN style="font-size: 10pt; background-color: rgb(255, 255, 255); font-family: tahoma, sans;"&gt;&lt;FONT style="font-size: 21px;"&gt;Here are my top ten for 2021. I also list another 15, with commentary on the whole twenty-five, over at&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;A href="https://postgenre.org/rob-shepherds-favorite-albums-of-2021/"&gt;&lt;FONT style="font-size: 21px;"&gt;PostGenre.&lt;/FONT&gt;&lt;/A&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;" color="#212121"&gt;NEW RELEASES&lt;/FONT&gt;&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Kaidi Tatham,&amp;nbsp;&lt;EM&gt;An Insight to All Minds&lt;/EM&gt;&lt;/STRONG&gt;(First Word)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Kenny Garrett,&amp;nbsp;&lt;EM&gt;Sounds From the Ancestors&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Mack Avenue)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Natural Information Society &amp;amp; Evan Parker,&amp;nbsp;&lt;EM&gt;Descension (Out of Our Constrictions)&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Aguirre/Eremite)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Wadada Leo Smith-Jack DeJohnette-Vijay Iyer,&amp;nbsp;&lt;EM&gt;A Love Sonnet for Billie Holiday&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(TUM)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Archie Shepp &amp;amp; Jason Moran,&amp;nbsp;&lt;EM&gt;Let My People Go&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Archieball)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Pino Palladino and Blake Mills,&amp;nbsp;&lt;EM&gt;Notes With Attachments&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Impulse!)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sylvie Courvoisier &amp;amp; Mary Halvorson,&amp;nbsp;&lt;EM&gt;Searching for the Disappeared Hour&lt;/EM&gt;&lt;/STRONG&gt;(Pyroclastic)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;James Brandon Lewis Red Lily Quintet,&amp;nbsp;&lt;EM&gt;Jesup Wagon&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Tao Forms)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Terence Blanchard,&amp;nbsp;&lt;EM&gt;Absence&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Brandee Younger,&amp;nbsp;&lt;EM&gt;Somewhere Different&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Verve)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#212121"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Marcos Resende &amp;amp; Index,&amp;nbsp;&lt;EM&gt;Marcos Resende &amp;amp; Index&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1976, Far Out)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Khan Jamal,&amp;nbsp;&lt;EM&gt;Infinity&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1982, Jazz Room)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;John Coltrane,&amp;nbsp;&lt;EM&gt;A Love Supreme: Live in Seattle&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1965, Impulse)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#212121"&gt;&lt;STRONG&gt;VOCAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Jen Shyu &amp;amp; Jade Tongue,&amp;nbsp;&lt;EM&gt;Zero Grasses: Ritual for the Losses&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Pi)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#212121"&gt;&lt;STRONG&gt;DEBUT&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Sara Schoenbeck,&amp;nbsp;&lt;EM&gt;Sara Schoenbeck&lt;/EM&gt;&lt;/STRONG&gt;(Pyroclastic)&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#212121"&gt;&lt;STRONG&gt;LATIN&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Arturo O'Farrill,&amp;nbsp;&lt;EM&gt;. . . Dreaming in Lions . . .&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12212353</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12212353</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 21 Dec 2021 18:03:23 GMT</pubDate>
      <title>Jordannah Elizabeth</title>
      <description>&lt;p style="line-height: 16px;"&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;This is the time of year where jazz critics clammer to contribute their favorite albums of the passing year. This year has been particularly fruitful for jazz musicians as the pandemic continues to create opportunities to explore and release new bodies due to the lessening of live performances and tours, specifically at the beginning of 2021 when the live venues were unable to open their doors to full capacity.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;The end of 2021 has offered many more opportunities as many jazz clubs completed successful fundraising campaigns to keep their doors open and have reverted back to full offering capacity shows with the condition that attendees show their vaccination cards. I personally attended an Artemis performance at Birdland in New York City last week and was able to enjoy the show maskless because I had proof of vaccination.&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;I have my opinions of the Best Jazz Albums of 2021 which I am sure reflects similar sentiments from several jazz critics yet, of course, is also arguable and may invite differing outlooks and choices. This list is a culmination of my choices for Year-End Polls for a number of publications and from notable albums, I wanted to highlight during my chat with Nate Chinen and Greg Bryant for the taping of the Jazz United podcast, which will be released later this month.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#222222" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;I’ve listened, enjoyed and learned so much on my continuing journey as a busy jazz critic who has published nearly 30 reviews, articles and columns this year. I am thankful for these artists’ courageousness and ingenuity during these uncertain times. I look forward to hearing more music in 2022.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Makaya McCraven,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Deciphering the Message (November 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Brandee Younger,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Somewhere Different (August 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Jamie Branch,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Fly or Die Live (May 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Amirtha Kidambi &amp;amp; Lea Bertucci,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;End of Softness&lt;/font&gt;&lt;/em&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;&amp;amp;&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Phase Eclipse (June 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Steph Richards,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Zephyr (October 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Vijay Iyer Trio,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Uneasy (April 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Terence Blanchard,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Absence - tribute to Wayne Shorter (August 2021)&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Alice Coltrane,&amp;nbsp;&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Kirtan: Turiya Sings (July 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;John Coltrane,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Live in Seattle (October 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Luke Stewart,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Works for Electric Bass Guitar (September 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Luke Stewart &amp;amp; Jarvis Earnshaw Quartet,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Self-titled (October 2021)&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Brad Linde with Wendy Eisenberg/Erika Dohi/Luke Stewart/Allison Miller,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Into Thin Air (October 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Irreversible Entanglements,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Open the Gates (Nov 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Sara Serpa and Emmanuel Iduma,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Intimate Strangers (December 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Esperanza Spalding,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Songwrights Apothecary Lab (September 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;William Parker,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Migration of Silence Into and Out of the Tone World (January 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Roxana Amed,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Ontology (April 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;James Brandon Lewis,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Jesup Wagon (May 2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Branford Marsalis,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Ma Rainey’s Black Bottom (2021)&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;James Brandon Lewis – Molecular (October 2021)&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Jazzmeia Horn,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Dear Love (September 2021)&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;/li&gt;

  &lt;li&gt;
    &lt;p style="line-height: 17px;"&gt;&lt;em&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;font style="font-size: 15px;" color="#000000" face="Georgia"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;Floating Points, Pharoah Sanders, &amp;amp; The London Symphony Orchestra&lt;/font&gt;&lt;/span&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style="font-size: 15px;" face="Georgia"&gt;, Promises (2021)&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;/li&gt;
&lt;/ul&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12208781</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12208781</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 20 Dec 2021 21:19:17 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;p&gt;For convenience, I've followed the template of the Davis-Hull poll, but for honesty of my enjoyments, I've added albums beyond its proscription.. When the year ends and these lists are compiled, I learn of how much I missed. It's not gone, I'll try to catch up, but (gladly) there's so much more to come.&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;XXXX&lt;/em&gt; (ACT) - Wollny-Parisien-Lefebvre-Lillinger&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;The Other Shore&lt;/em&gt; (El Saffar Music) – Amir ElSaffar Rivers of Sound&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;. . . And Then There's This (Astral Spirits) –&lt;/em&gt; Artifacts (Nicole Mitchell, Tomeka Reid, Mike Reed)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Everything Happens to M&lt;/em&gt;e (BAG Production Records) – Ben Goldberg&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Kimbrough&lt;/em&gt; (Newvelle Records) – Various Artists&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Skyline&lt;/em&gt;, Gonzalo Rubalcaba-Ron Carter-Jack DeJohnette&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;A Love Suite for Billie Holiday&lt;/em&gt; (Tum) – Wadada Leo Smith&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Homeward Bound&lt;/em&gt; (Blue Note) – Johnathan Blake&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Angels Over Oakanda&lt;/em&gt; – Burnt Sugar&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;The News&lt;/em&gt; (ECM) – Andrew Cyrille Quartet&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;strong&gt;Reissues/Historical&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Corona&lt;/em&gt; (FMP) Cecil Taylor and Sunny Murray&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;The Summer House Sessions&lt;/em&gt; (Blank Forms Editions) – Don Cherry&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;A Love Supreme Live in Seattle&amp;nbsp;&lt;/em&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;(Impulse!)&lt;/font&gt; &lt;em&gt;–&lt;/em&gt; John Coltrane&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;strong&gt;Best Boxed Set&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Julius Hemphill (1938 – 1995): The Boyé Inter-National Crusade for Harmony&lt;/em&gt; (New World Records)&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;strong&gt;Vocal&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Dear Love&lt;/em&gt;&amp;nbsp;(Empress Legacy) – Jazzmeia Horn&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=""&gt;&lt;em&gt;Petite Fleur&lt;/em&gt; &lt;span style=""&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;(Storyville)&lt;/font&gt;&lt;/span&gt;&lt;em&gt;-&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;Adonis Rose and the New Orleans Jazz Orchestra featuring Cyrille Aimée&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;span style=""&gt;Superblue &lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;span style=""&gt;(Edition Records)&amp;nbsp;&lt;/span&gt;&lt;/font&gt;– Kurt Elling with Charlie Hunter&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;strong&gt;Debut&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman" style="font-size: 16px;"&gt;&lt;em&gt;Ruminate: Improvisations for Fretless Guitar and Dutar&lt;/em&gt; (Worlds Within Worlds) - Gabriel Ahkmad Marin&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Times New Roman"&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong&gt;Jazz with prominent Afro-Caribbean characteristics and marketing&lt;/strong&gt;:&amp;nbsp;&lt;/font&gt;&lt;em style="font-size: 16px; font-family: &amp;quot;Bookman Old Style&amp;quot;;"&gt;Chapter 10: Breaking Cover&lt;/em&gt; &lt;span style=""&gt;&lt;font style="font-size: 16px;"&gt;(&lt;/font&gt;&lt;font style="font-size: 16px;"&gt;Picaro Records)&lt;/font&gt; -- &lt;font style="font-size: 16px;"&gt;Papo Vasquez and the Latin Troubadours&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12207151</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12207151</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 19 Dec 2021 17:49:11 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;Here are twenty recommended tracks featured on my radio shows, Jazz In the New Millennium (syndicated nationally through the African American Public Radio Consortium) and KBOO-FM in Portland, Oregon. The first ten are from my top albums ballot, though not necessarily in this order. Obviously, no one can listen to everything; what I heard was in part dictated by what came my way.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Top Ten Albums and Tracks&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Charles Lloyd and the Marvels, "Ramblin'" (&lt;EM&gt;Tone Poem&lt;/EM&gt;, Blue Note)&lt;/P&gt;

&lt;P&gt;Dr. Lonnie Smith, "Why Can't We Live Together," (&lt;EM&gt;Breathe&lt;/EM&gt;, Blue Note)&lt;/P&gt;

&lt;P&gt;Lauren Henderson, "I Concentrate on You," (&lt;EM&gt;Musa&lt;/EM&gt;, Brontosaurus)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Kenny Garrett, "Sounds from the Ancestors" (&lt;EM&gt;Sounds from the Ancestor&lt;/EM&gt;s, Mack Avenue)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Pat Metheny, "Time Line" (&lt;EM&gt;Side Eye NYC V1.1V&lt;/EM&gt;, Metheny Group)&lt;/P&gt;

&lt;P&gt;Gerry Gibbs Thrasher Dream Trios, "Tango for Terry" (&lt;EM style="font-size: 10pt;"&gt;Songs From My Father,&lt;/EM&gt; Whaling City Sound)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Vijay Iyer, "Drummer's Song" (&lt;EM&gt;Uneasy&lt;/EM&gt;, ECM)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Joe Lovano and Dave Douglas, "The Transcendentalists" (&lt;EM&gt;Other Worlds&lt;/EM&gt;, Greenleaf)&lt;/P&gt;

&lt;P&gt;Arturo O'Farrill The Afro Latin Jazz Ensemble, "Del Mar" (&lt;EM&gt;Dreaming In Lions&lt;/EM&gt;..., Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Johnathan Blake, "Steppin' Out" (&lt;EM&gt;Homeward Bound,&lt;/EM&gt; Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Ten More for the Radio&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Joe Chambers, "Samba de Maracatu" (&lt;EM&gt;Samba de Maracatu&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Leon Lee Dorsey, "Freedom Jazz Dance" (&lt;EM&gt;Freedom Jazz Dance&lt;/EM&gt;, Jazz Avenue)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Julian Lage, "Saint Rose" (&lt;EM&gt;Squint&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Kurt Elling, "Manic Panic Epiphanic" (&lt;EM&gt;SuperBlue&lt;/EM&gt;, Edition)&lt;/P&gt;

&lt;P&gt;John Patitucci/Vinnie Colaiuta/Bill Cunliffe, "Ana Maria" (&lt;EM&gt;Trio&lt;/EM&gt;, Le Coq)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Terence Blanchard feat. the E! Collective and Turtle Island Quartet, "Diana" (&lt;EM&gt;Absence&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Noah Haidu, "Chambers of Tain" &lt;EM&gt;(Doctone&lt;/EM&gt;, Sunnyside)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Brandee Younger, "Love &amp;amp; Struggle" (&lt;EM&gt;Somewhere Different&lt;/EM&gt;, Impulse)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;James Francies, "My Favorite Things" (&lt;EM&gt;Purest Form&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Makaya McCraven, "Wail Bait" (&lt;EM&gt;Deciphering the Message&lt;/EM&gt;, Blue Note)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Three Very Cool Reissues&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Art Blakey and the Jazz Messengers, &lt;EM&gt;First Flight to Tokyo: The Lost Recordings&lt;/EM&gt; (Blue Note): Lee Morgan, Wayne Shorter, Bobby Timmons, Jymie Merritt, Art Blakey. We now have proof. On January 14, 1961, this was the greatest band in the world.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Sheila Jordan, &lt;EM&gt;Comes Love: Lost Session 1960&lt;/EM&gt; (Capri): She can't remember who was in the band but they sound great. She does, too.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Oscar Peterson Quartet, &lt;EM&gt;A Time for Love&lt;/EM&gt; (Mack Avenue): Oscar is Oscar, Joe Pass is shredding...&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Three Very Cool Non-Jazz Albums&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Robert Plant/Alison Krauss, &lt;EM&gt;Raise the Roof&lt;/EM&gt; (Rounder)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Allison Russell, &lt;EM&gt;Outside Child&lt;/EM&gt; (Fantasy)&lt;/P&gt;

&lt;P&gt;Charley Crockett, &lt;EM&gt;The Valley&lt;/EM&gt; (Son of Davy/Thirty Tigers)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12203736</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12203736</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 17 Dec 2021 15:44:54 GMT</pubDate>
      <title>Ken Franckling</title>
      <description>&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;The 10 best new jazz releases of 2021&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Yoko Miwa,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Songs of Joy&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Ubuntu)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Greg Abate,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Magic Dance: The Music of Kenny Barron&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Whaling City Sound)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Pasquale Grasso,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Pasquale Plays Duke&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Sony Music Masterworks)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Paxton/Spangler Septet,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Anthem for the New Nation&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Eastlawn)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Dave Stryker,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Baker’s Circle&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Strikezone)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Graham Dechter,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Major Influence&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Capri)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Gonzalo Rubalcaba, Ron Carter, Jack DeJohnette,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Skyline&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Passion)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Diego Rivera,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Indigenous (Posi-Tone)&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Dan Wilson,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Vessels of Wood and Earth&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Brother Mister)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Out To Dinner,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Play On&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Posi-Tone)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;2021’s best vocal recordings:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Veronica Swift,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;This Bitter&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;Earth (Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Samara Joy,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Samara Joy&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Whirlwind)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Roderick Harper,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Evolving&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(RHM Entertainment)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Anaïs Reno,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Lovesome Thing&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Harbinger)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Roxana Amed,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Ontology (&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Sony Latin)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;The best&lt;/STRONG&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;STRONG&gt;historical/reissues of 2021&lt;/STRONG&gt;&lt;/FONT&gt; &lt;FONT&gt;(includes any recordings made over 10 years ago, whether newly released or reissued):&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Lee Morgan,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Complete Live at the Lighthouse&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Blue Note, 1970)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Roy Hargrove &amp;amp; Mulgrew Miller,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;In Harmony&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Resonance, 2006-7)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;John Coltrane,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;A Love Supreme: Live in Seattle&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Impulse!, 1965)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Oscar Peterson,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;A Time For Love&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;((Two Lions/Mack Avenue, 1987)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Bill Evans,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Behind the Dikes: The 1969 Netherlands Recordings&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Elemental, 1969)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Art Blakey &amp;amp; The Jazz Messengers,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;First Flight to Tokyo: The Lost 1961 Recordings&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Blue Note, 1961)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Miles Davis,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Merci Miles! Live at Vienne&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Rhino, 1991)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Roy Brooks,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Understanding&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Reel to Real, 1970)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Sheila Jordan,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Comes Love: Lost Session 1960&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Capri, 1960)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Juan Carlos Quintero,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Caminando&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;[originally&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The Way Home&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;]&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;(Moondo, 1997)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;2021’s top debut recording:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Emma-Jean Thackray,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Yellow&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;(Movementt/Warp)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;2021’s best Latin/Brazilian jazz recordings:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Carlos Henriquez,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;The South Bronx Story&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Tiger Turn)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Miguel Zenón and Luis Perdomo,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;El Arte Del Bolero&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Miel Music)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Antonio Adolfo,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Jobim Forever&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(AAM Music)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Lunar Octet,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Convergence&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Summit)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Gabriel Alegria Afro-Peruvian Sextet,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Social Distancing&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Saponegro)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Iván Melon Lewis,&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Voyager&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;(Cezanne Producciones)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Roxana Amed,&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;&lt;SPAN&gt;Ontology (&lt;/SPAN&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;FONT&gt;&lt;SPAN&gt;&lt;SPAN&gt;Sony Latin)&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Carlos Barbosa-Lima and Johannes Tonio Kreusch,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Manisero&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(Zoho)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Mauricio J. Rodriguez,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Luz&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;(self-produced)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Various&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;arists,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;CHANGÜÍ - The Sound of Guantánamo&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(&lt;/FONT&gt;&lt;FONT&gt;Petaluma)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;The 10 best new compositions from CDs released in 2021, listed alphabetically:\&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Gabriel Alegria, “The New Normal” from Gabriel Alegria Afro-Peruvian Sextet,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Social Distancing&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Saponegro)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Rahsaan Barber, “Quarantine Queens” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Mosaic&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Jazz Music City)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Ollie Dudek, “Children of the Sun” from The Scenic Route Trio,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Flight of&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;Life (Crosscurrent Jazz)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Giveton Gelin, “Armageddon” from Out To Dinner,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Play On&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Posi-Tone)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Cameron Graves, “Seven” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Seven&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Mack Avenue)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Lisa Hilton, “So This Is Love” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;More Than Another Day&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Ruby Slippers)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Aron Kaufman, “Norm’s Nambo” from Lunar Octet, Convergence (Summit)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Chuck Owen, “American Noir” from Chuck Owen and the Jazz Surge,&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Within&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;SPAN&gt;Us (Summit)&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;&lt;SPAN&gt;Lukasz&lt;/SPAN&gt;&lt;/FONT&gt; &lt;FONT&gt;Pawlik, “Indian Garden” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Long-Distance&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Connections&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Summit)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;FONT&gt;Diego Rivera, “&lt;/FONT&gt;&lt;FONT&gt;Sombras Del Pasado&lt;/FONT&gt;&lt;FONT&gt;” from&lt;/FONT&gt; &lt;FONT&gt;&lt;EM&gt;Indigenous&lt;/EM&gt;&lt;/FONT&gt; &lt;FONT&gt;(Posi-Tone)&lt;/FONT&gt;&lt;/P&gt;
  &lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12198871</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12198871</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 16 Dec 2021 06:16:49 GMT</pubDate>
      <title>Philip Booth</title>
      <description>&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT&gt;&lt;U&gt;&lt;FONT style="font-size: 16px;"&gt;21 for '21 -- the albums that topped my jazz pile this year&lt;BR&gt;&lt;/FONT&gt; &lt;FONT style="font-size: 14px;"&gt;(in alphabetical order)&lt;/FONT&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT color="#000000" style="font-size: 15px;"&gt;+ The Baylor Project, Generations (Be a Light)&lt;BR&gt;
+ Stephen Bernstein’s Millennial Territory Orchestra, Community Music, Vol. 1: Tinctures in Time (Royal Potato)&lt;BR&gt;
+ The Cookers, Look Out! (Gearbox)&lt;BR&gt;
+ Chick Corea Akoustic Band, Live (Concord Jazz)&lt;BR&gt;
+ Joey DeFrancesco, More Music (Mack Avenue)&lt;BR&gt;
+ Kurt Elling feat. Charlie Hunter, SuperBlue (Edition)&lt;BR&gt;
+ Orrin Evans, The Magic of Now (Smoke Sessions)&lt;BR&gt;
+ Joe Farnsworth, Time to Swing (Smoke Sessions)&lt;BR&gt;
+&amp;nbsp;Gerry Gibbs Thrasher Dream Trios, Songs From My Father (Whaling City Sound)&lt;BR&gt;
+ Carlos Henriquez, The South Bronx Story (Blue Engine)&lt;BR&gt;
+ Vincent Herring, Preaching to the Choir (Smoke Sessions)&lt;BR&gt;
+ Dave Holland, Another Land (Edition)&lt;BR&gt;
+ Samara Joy, Samara Joy (Whirlwind)&lt;BR&gt;
+ Remy Le Boeuf's Assembly of Shadows, Architecture of Storms (Soundspore)&lt;BR&gt;
+ John McLaughlin, Liberation Time (Abstract Logix)&lt;BR&gt;
+ Pat Metheny, Side Eye NYC (V1.IV) (Modern)&lt;BR&gt;
+ Arturo O’Farrill The Afro Latin Jazz Ensemble, …dreaming in lions… (Blue Note)&lt;BR&gt;
+ Chuck Owen and the Jazz Surge Within Us (Summit)&lt;BR&gt;
+ Nicholas Payton, Smoke Sessions (Smoke Sessions)&lt;BR&gt;
+ Chris Potter There is a Tide (Edition)&lt;BR&gt;
+ Nate Smith, Kinfolk 2: See the Birds (Edition)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 11px;"&gt;&lt;U&gt;&lt;BR&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12196119</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12196119</guid>
      <dc:creator>Philip Booth</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 13 Dec 2021 20:54:59 GMT</pubDate>
      <title>Jeffrey Siegel</title>
      <description>&lt;P&gt;Andrew Cyrille Quartet - &lt;STRONG&gt;The News&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Charles Lloyd &amp;amp; the Marvels - &lt;STRONG&gt;Tone Poem&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Kenny Garrett - &lt;STRONG&gt;Sounds of the Ancestors&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Todd Cochran TC3 - &lt;STRONG&gt;Then &amp;amp; Again, Here &amp;amp; Now&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Joe Lovano &amp;amp; Dave Douglas Soundprints - &lt;STRONG&gt;Other Worlds&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Johnathan Blake - &lt;STRONG&gt;Homeward Bound&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Veronica Swift - &lt;STRONG&gt;The Bitter Earth&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;James Brandon Lews/Red Lily Quintet - &lt;STRONG&gt;Jesup Wagon&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Floating Points, Pharaoh Sanders &amp;amp; the London Symphony Orchestra - &lt;STRONG&gt;Promises&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;John Coltrane - &lt;STRONG&gt;A Love Supreme: Live in Seattle&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Roy Hargrove &amp;amp; Mulgrew Miller - &lt;STRONG&gt;In Harmony&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Roy Brooks - &lt;STRONG&gt;Understanding&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Lee Morgan - &lt;STRONG&gt;The Complete Live at the Lighthouse&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Terence Blanchard featuring E-Collective &amp;amp; Turtle Island Quartet - &lt;STRONG&gt;Absence&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;To listen to the Straight No Chaser Podcast "A Few of My Favorite Things 2021' please visit&amp;nbsp;https://straightnochaserjazz.libsyn.com/podcast-870-a-few-of-my-favorite-things-2021&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12189947</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12189947</guid>
      <dc:creator>Jeffrey Siegel</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 09 Dec 2021 17:11:17 GMT</pubDate>
      <title>Dee Dee McNeil</title>
      <description>&lt;P&gt;JOHN COLTRANE: "A Love Supreme:1965"&lt;/P&gt;

&lt;P&gt;HAROLD MABERN: "Mabern Plays Coltrane"&lt;/P&gt;

&lt;P&gt;MICHAEL STEPHENSON MEETS THE ALEXANDER CLAFFY TRIO&lt;/P&gt;

&lt;P&gt;TONY BENNETT &amp;amp; LADY GAGA: "Cheek to Cheet"&lt;/P&gt;

&lt;P&gt;MARK ZALESKI BAND: "Our Time Reimagining Dave Brubeck"&lt;/P&gt;

&lt;P&gt;JAZZMEIA HORN &amp;amp; HER NOBLE FORCE: "Dear Love"&lt;/P&gt;

&lt;P&gt;OSCAR PETERSON: "A Time for Love Live in Helsinki 1987&lt;/P&gt;

&lt;P&gt;A GIFT TO POPS&lt;/P&gt;

&lt;P&gt;PAUL JOST: "While We Were Gone"&lt;/P&gt;

&lt;P&gt;JEREMY MONTEIRO &amp;amp; ALBERTO MARSICO: "Jazz Blues Brothers"&lt;/P&gt;

&lt;P&gt;NICHOLAS PAYTON, RON CARTER, KARRIEM RIGGINS &amp;amp; GEORGE COLEMAN -"Smoke Sessions"&lt;/P&gt;

&lt;P&gt;SHEDRICK MITCHELL: "What Do You Say"&lt;/P&gt;

&lt;P&gt;GONZALO RUBALCABA, RON CARTER, JACK DEJOHNETTE: "Skyline"&lt;/P&gt;

&lt;P&gt;CARLOS HENRIQUEZ: "The South Bronx Story"&lt;/P&gt;

&lt;P&gt;BRANDON GOLDBERG: "In Good Time"&lt;/P&gt;

&lt;P&gt;THE TEMPLE UNIV. JAZZ BAND: "Without You No Me honoring legacy of Jimmy Heath"&lt;/P&gt;

&lt;P&gt;GERRY GIBBS THRASHER DREAM TRIOS: "Song From My Father"&lt;/P&gt;

&lt;P&gt;JOE FARNSWORTH: "City of Sounds"&lt;/P&gt;

&lt;P&gt;KIRK LIGHTSEY: "I Will Never Stop Loving You"&lt;/P&gt;

&lt;P&gt;LAUFEY &amp;amp; PHILHARMONIC ORCHESTRAY&lt;/P&gt;

&lt;P&gt;ELLA FITZGERALD: "Sunshine of Your Love"&lt;/P&gt;

&lt;P&gt;LADY BLACKBIRD: "Black Acid Soul"&lt;/P&gt;

&lt;P&gt;MICHAEL WOLFF: "Live at Vitellos"&lt;/P&gt;

&lt;P&gt;JEREMY MONTEIRO &amp;amp; JAY ANDERSON&lt;/P&gt;

&lt;P&gt;LEWIS NASH: "Live at No Black Tie"&lt;/P&gt;

&lt;P&gt;ARTURO O'FARRILL: "The Afro Latin Jazz Orchestra - Virtual Birdland"&lt;/P&gt;

&lt;P&gt;HENRY "SKIPPER" FRANKLIN: "Showers &amp;amp; Blessings"&lt;/P&gt;

&lt;P&gt;NOAH HAIDU, BUSTER WILLIAMS, BILLY HART: "Slowly, Song for Keith Jarrett"&lt;/P&gt;

&lt;P&gt;WADADA LEO SMITH/MILFORD GRAVES/BILL LASWELL: "Sacred Ceremonies"&lt;/P&gt;

&lt;P&gt;BRIAN BROMBERG: "A Little Driving Music"&lt;/P&gt;

&lt;P&gt;RALPH PETERSON: "Raise Up Off Me"&lt;/P&gt;

&lt;P&gt;ROY HARGROVE &amp;amp; MULGROVE MILLER: "iN hARMONY"&lt;/P&gt;

&lt;P&gt;GABRIEL MARK HASSELBACH: "Tongue &amp;amp; Groove"&lt;/P&gt;

&lt;P&gt;TANYA DENNIS: "White Sails Blue Skies"&lt;/P&gt;

&lt;P&gt;GENERATIONS: "The Baylor Project"&lt;/P&gt;

&lt;P&gt;HAROLD LAND: "Westward Bound"&lt;/P&gt;

&lt;P&gt;GRAHAM DECHTER: "Major Influence"&lt;/P&gt;

&lt;P&gt;KENNY GARRETT: "Sounds From the Ancestor"&lt;/P&gt;

&lt;P&gt;ANTONIO ADOLFO: "Jobim Forever"&lt;/P&gt;

&lt;P&gt;THE JAZZ ALL STARS - VOL 1.&lt;/P&gt;

&lt;P&gt;FREDDIE HUBBARD: "The Hub of Hubbard"&lt;/P&gt;

&lt;P&gt;OSCAR PETERSON: "Motions &amp;amp; Emotions"&lt;/P&gt;

&lt;P&gt;RENEE ROSNES: "Kinds of Love"&lt;/P&gt;

&lt;P&gt;JOEY DEFRANCESCO: "More Music"&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12180827</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12180827</guid>
      <dc:creator>Dee Dee McNeil</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 09 Dec 2021 15:33:16 GMT</pubDate>
      <title>Marcela Breton</title>
      <description>&lt;P&gt;&lt;STRONG&gt;2021 Favorites&lt;/STRONG&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Book&lt;/STRONG&gt;: &lt;U&gt;Mary Lou Williams : Music for the Soul&lt;/U&gt; by Deanna Witkowski (Liturgical Press).&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Releases&lt;/STRONG&gt;:&lt;/P&gt;

&lt;P&gt;Greg Abate “Magic Dance: the Music of Kenny Barron” (Whaling City Sound).&lt;/P&gt;

&lt;P&gt;Ruben Blades &amp;amp; Robert Delgado &amp;amp; Orchestra “Salswing!” (Ruben Blades Productions).&lt;/P&gt;Ruben Blades &amp;amp; RGO "Swing!" (RBP).&lt;BR&gt;

&lt;P&gt;&lt;SPAN&gt;Ruben Blades &amp;amp; RGO&lt;/SPAN&gt; “Salsa Plus!” (RBP).&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Brian Charette “Power from the Air” (Steeplechase Records).&lt;/P&gt;

&lt;P&gt;Alice Coltrane “Kirtan : Turiya Sings” (Impulse).&lt;/P&gt;

&lt;P&gt;Floating Points, Pharoah Sanders &amp;amp; The London Symphony Orchestra “Promises” (Luaka Bop).&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Gene Perla &amp;amp; Various “3 Trios” (PM Records).&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Sharp 5 “Shine a Bright Light” (Valley Jazz Records).&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Deanna Witkowski “Force of Nature : the Music of Mary Lou Williams” (MCG Jazz).&lt;/P&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 15px;"&gt;Miguel Zenon &amp;amp; Luis Perdomo &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;“El Arte del Bolero” (Miel Music).&lt;/FONT&gt;&lt;/SPAN&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12180486</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12180486</guid>
      <dc:creator>Marcela Breton</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 06 Dec 2021 22:59:10 GMT</pubDate>
      <title>Ralph A. Miriello</title>
      <description>&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Reissues and Historical Releases:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Roseanna Vitro: &lt;EM&gt;Listen Here&lt;/EM&gt;: self-produced 1982&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Roy Hargrove and Mulgrew Miller: &lt;EM&gt;In Harmony: 2006 &amp;amp; 2007&amp;nbsp;&lt;/EM&gt;Resonance Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Wolfgang Lackerschmidt and Chet Baker: &lt;EM&gt;Quintet Sessions 1979&lt;/EM&gt; Dot Time Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Harvie S Trio w Mike Stern and Alan Dawson&lt;EM&gt;: Going For It: 1985&amp;nbsp; Savant Records&lt;/EM&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Best New Releases: In no Specific Order&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Jakob Bro w Arve Hendriksen and Jorge Rossy: &lt;EM&gt;Uma Elmo&lt;/EM&gt;: ECM Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Chick Corea Akoustic Band: &lt;EM&gt;Chick Corea Akoustic Band Live&lt;/EM&gt; w John Patitucci and Dave Weckl: Concord Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Steve Gadd: &lt;EM&gt;Steve Gadd Band Live at Blue Note Tokyo&lt;/EM&gt;: BFM Jazz&amp;nbsp;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Lyle Mays: &lt;EM&gt;Eberhard&lt;/EM&gt;: OIM Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Chris Potter Circuits Trio: &lt;EM&gt;Sunrise Reprise&lt;/EM&gt;: Self-produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Alex Sipiagin: &lt;EM&gt;Upstream&lt;/EM&gt;: Posi Tone Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Lorne Lofsky: &lt;EM&gt;This Song is New&lt;/EM&gt;: Modica Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Joe Lovano and Dave Douglas Soundprints: &lt;EM&gt;Other Worlds&lt;/EM&gt;: Greenleaf Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Dave Holland Trio w Kevin Eubanks and Obed Calvaire: Another World: Edition Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Pharoah Sanders w Sam Shepherd and the London Symphony Orchestra: &lt;EM&gt;Floating Points:&amp;nbsp;&lt;/EM&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Kirk Lightsey&lt;EM&gt;: I'll Never Stop Loving You: J&lt;/EM&gt;o Jo Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Nnenna Freelon &lt;EM&gt;: Time Traveler:&lt;/EM&gt; Origin Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Marc Johnson: &lt;EM&gt;Overpass&lt;/EM&gt;: ECM Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;John Daversa Jazz Orchestra featuring Justin Morell: &lt;EM&gt;All Without Words&lt;/EM&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Gonzala Rubalcaba w Ron Carter and Jack DeJohnette&lt;EM&gt;: Skyline:&lt;/EM&gt; 5 Passion records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Sinne Eeg and Thomas Fonnesbaek: Staying in Touch: Stunt Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Carlos Henriquez: &lt;EM&gt;The South Bronx Story&lt;/EM&gt;: self produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Kate McGarry +Keith Ganz Ensemble feat Ron Miles and Gary Versace: &lt;EM&gt;What to Wear in the Dark&lt;/EM&gt;: self-produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Mike LeDonne Grover Quartet + Big Band : &lt;EM&gt;It's All You Fault&lt;/EM&gt;: Savant Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Dave Zinno and Unisphere: &lt;EM&gt;Fetish&lt;/EM&gt;: Whaling City Sound&amp;nbsp;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Rachel Eckroth: &lt;EM&gt;The Garden:&lt;/EM&gt; Rainy Day Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Gerry Gibbs Thrasher Dream Trios: &lt;EM&gt;Songs From My Father&lt;/EM&gt;: Whaling City Sound&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;The Baylor Project: &lt;EM&gt;Generations&lt;/EM&gt;: Be A Light Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Roberto Magris and Eric Hochberg: &lt;EM&gt;Shuffling Ivories&lt;/EM&gt;: J Mood Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Ross Hammond: &lt;EM&gt;It's Been Here All Along&lt;/EM&gt;: self-produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;David Kikoski w Boris Kozlov: &lt;EM&gt;Sure Thing&lt;/EM&gt;: High Note Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Gabor Lesko: &lt;EM&gt;Earthway&lt;/EM&gt;: self-produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Slowly Rolling Camera: &lt;EM&gt;Where The Streets Lead&lt;/EM&gt;: Edition Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Michael Wolff: &lt;EM&gt;Michael Wolff Live at Vitellos&lt;/EM&gt;: Sunnyside Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Jim Snidero: &lt;EM&gt;Jim Snidero Live at the Deer Head Inn&lt;/EM&gt;: Savant Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Steve Reeves Quintet: &lt;EM&gt;The Alchemist:&lt;/EM&gt; Origin Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Chuck Owens and the Jazz Surge: &lt;EM&gt;Within Us:&lt;/EM&gt; Mama Records&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12172626</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12172626</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 05 Dec 2021 19:44:41 GMT</pubDate>
      <title>John Szwed</title>
      <description>&lt;UL&gt;
  &lt;LI&gt;&amp;nbsp;1. Charles Lloyd &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Tone Poem &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Blue Note&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Pharoah Sanders &amp;amp; the London Symphony&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Floating Point&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Luaka Bop&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3&lt;/SPAN&gt; East Axis&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Cool with That&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ESP&lt;/LI&gt;
&lt;/UL&gt;

&lt;UL&gt;
  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Tim Bernes/Chris Speed/Reid Anderson/Dave King.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Broken Shadows&amp;nbsp;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Intakt&lt;/LI&gt;

  &lt;LI&gt;&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:10.0pt;font-family:&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;XXXX&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Act&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN style="font-size:10.0pt;font-family:&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Chick Corea Akoustic Band&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Live&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Concord&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Julian Lage&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Squint&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Eivind Aarset&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Phantasmagoria or A Different Kind of Journey&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Jazzland&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Jihye Lee&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Daring Mind&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Matema&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Joao Lencastre&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Unlimited Dreams&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Clean Feed&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&amp;nbsp;Vocal&lt;/P&gt;

&lt;P&gt;Veronica Swift&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;This Bitter Earth&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Mack Ave.&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Reissue or Historical&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Louis Armstrong&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN class="hgkelc"&gt;The Complete Louis Armstrong Columbia &amp;amp; RCA Victor Studio Sessions 1946 – 66&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Mosaic&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Hasaan Ibn Ali&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Metaphysics&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Omnivore&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; Neil Ardley&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Kaleidoscope of Rainbows&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Jazz in Britain&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;Latin&lt;/P&gt;

&lt;P&gt;Arturo O’Farrill&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; … Dreaming in Lions&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Blue Note&lt;/P&gt;&amp;nbsp;&lt;BR&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12168749</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12168749</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sun, 05 Dec 2021 19:36:04 GMT</pubDate>
      <title>Best of 2021</title>
      <description>&lt;UL&gt;
  &lt;LI&gt;Charles Lloyd &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Tone Poem &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Blue Note&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Pharoah Sanders &amp;amp; the London Symphony&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Floating Point&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Luaka Bop &lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;East Axis&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Cool with That&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ESP&lt;/LI&gt;

  &lt;LI&gt;Tim Bernes/Chris Speed/Reid Anderson/Dave King.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Broken Shadows &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Intakt&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;XXXX&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Act&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Chick Corea Akoustic Band&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Live&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Concord&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;Julian Lage&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Squint&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/LI&gt;

  &lt;LI&gt;Eivind Aarset&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Phantasmagoria or A Different Kind of Journey&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Jazzland&lt;/LI&gt;

  &lt;LI&gt;Jihye Lee&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Daring Mind&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Matema&lt;/LI&gt;

  &lt;LI&gt;&amp;nbsp;Joao Lencastre&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Unlimited Dreams&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Clean Feed&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&amp;nbsp;Vocal&lt;/P&gt;

&lt;P&gt;Veronica Swift&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;This Bitter Earth&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Mack Ave.&lt;/P&gt;

&lt;P&gt;Historical&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;Louis Armstrong&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;SPAN&gt;The Complete Louis Armstrong Columbia &amp;amp; RCA Victor &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Studio Sessions 1946 – 66&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Mosaic&lt;/LI&gt;

  &lt;LI&gt;Hasaan Ibn Ali&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Metaphysics&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Omnivore&lt;/LI&gt;

  &lt;LI&gt;Neil Ardley&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Kaleidoscope of Rainbows&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Jazz in Britain&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&amp;nbsp;Latin&lt;/P&gt;

&lt;P&gt;Arturo O’Farrill&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; … Dreaming in Lions&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Blue Note&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12168725</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12168725</guid>
      <dc:creator />
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    <item>
      <pubDate>Sun, 05 Dec 2021 13:32:02 GMT</pubDate>
      <title>Patrick Hinely</title>
      <description>&lt;P&gt;2021's finest dozen&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;John Coltrane A LOVE SUPREME LIVE IN SEATTLE (Impulse)&lt;/P&gt;

&lt;P&gt;Miles Davis LOST CONCERT 1991 (Sleepy Night)&lt;/P&gt;

&lt;P&gt;Chet Doxas YOU CAN'T TAKE IT WITH YOU (Whirlwind)&lt;/P&gt;

&lt;P&gt;Harold Land WESTWARD BOUND (Reel to Real)&lt;/P&gt;

&lt;P&gt;Chris Laurence KEN WHEELER: SOME GNU ONES (Jazz in Britain)&lt;/P&gt;

&lt;P&gt;Jeff Lederer/Sunwatch EIGHTFOLD PATH (Little Music)&lt;/P&gt;

&lt;P&gt;Charles Lloyd &amp;amp; the Marvels TONE POEM (Blue Note)&lt;/P&gt;

&lt;P&gt;Charles Mingus AT CARNEGIE HALL deluxe edition (Rhino)&lt;/P&gt;

&lt;P&gt;Wes Montgomery NDR HAMBURG STUDIO RECORDINGS (Jazzline/NDR)&lt;/P&gt;

&lt;P&gt;Lee Morgan COMPLETE LIVE AT THE LIGHTHOUSE (Blue Note)&lt;/P&gt;

&lt;P&gt;Oregon 1974 (Moosicus)&lt;/P&gt;

&lt;P&gt;Eberhard Weber ONCE UPON A TIME (ECM)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12167928</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12167928</guid>
      <dc:creator>Patrick Hinely</dc:creator>
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    <item>
      <pubDate>Sat, 04 Dec 2021 19:49:59 GMT</pubDate>
      <title>Karl Ackermann</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Best Debut album&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;East Axis: Cool with That (ESP Disk)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Reissues or Historical albums&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Billy Bang: Lucky Man (BBE Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Eberhard Weber: Once Upon a Time - Live in Avignon (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Roberto Miranda: Live at the Bing Theater; Los Angeles, 1985 (Dark Tree Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album (Omnivore Recordings)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;Best New Releases&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Ches Smith/We All Break: Path of Seven Colors (Pyroclastic Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Allen Lowe: A Love Supine: Ascension into the Maelstrom (ESP Disk)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Ill Considered: Liminal Space (New Soil)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Matthew Shipp: Codebreaker (Tao Forms)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Johan Lindström Septett: On the Asylum (Moserobie)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Marc Johnson: Overpass (ECM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Jeff Pearring/Pearring Sound: Socially Distanced Duos (Self-Produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Wadada Leo Smith: Trumpet (TUM)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;PLS.trio: Cosmonauts (Dot Time Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;MMBC Terma: MMBC Terma (Self-Produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Becca Stevens / Elan Mehler: Pallet On Your Floor (Newvelle Records)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Satoko Fujii: &lt;A href="https://www.allaboutjazz.com/album/piano-music" title="View Piano Music at All About Jazz"&gt;&lt;SPAN&gt;Piano Music&lt;/SPAN&gt;&lt;/A&gt; (Libra)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Fred Lonberg-Holm, Abdul Moimême &amp;amp; Carlos Santos: Transition Zone (Self-Produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Adam Berenson, Scott Barnum &amp;amp; Bob Moses: Assemblages (Dream Play Records)&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Nik Bärtsch: Entendre (ECM Records)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12166132</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12166132</guid>
      <dc:creator />
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    <item>
      <pubDate>Fri, 03 Dec 2021 15:02:53 GMT</pubDate>
      <title>Sammy Stein</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;The Underflow - Instant Opaque Evening (Blue Chopsticks)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Nigel Price 'Wes Re-imagined (Ubunto)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Binker Golding, John Edwards, Steve Noble - Moon Dog ( Byrd Out)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Even Parker Quartet - All Knavery and Collusion ( Cadillac records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Ivo Perelman and Nate Wooley - Polarity ( Burning Ambulance)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Rachel Musson - Dreamsing ( 577)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Matt Shipp and William Parker - Re-Union ( Rogue Art)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Sons of Kemet - Black To The Future ( Impulse)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Georgia Mancio and Alan Broadbent 'Quiet Is The Star' (Roomspin Records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" color="#333333"&gt;Polyorchard - An Excess of Primary Forms ( Out and Gone records)&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;Archie The Goldfish - Water and Light ( Funkiwala)&lt;/P&gt;

&lt;P&gt;Fabulous Red Diesel - The Queensbury Sessions&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12162608</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12162608</guid>
      <dc:creator />
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    <item>
      <pubDate>Mon, 29 Nov 2021 00:28:16 GMT</pubDate>
      <title>Enzo Capua</title>
      <description>&lt;P&gt;1) Jazzmeia Horn - Dear Love&lt;/P&gt;

&lt;P&gt;2) Damon Locks - Now&lt;/P&gt;

&lt;P&gt;3) Irreversible Entanglements - Open the Gates&lt;/P&gt;

&lt;P&gt;4) Ledisi - Sings Nina Simone&lt;/P&gt;

&lt;P&gt;5) William Parker - Mayan Space Station&lt;/P&gt;

&lt;P&gt;6) Anthony Braxton - Quartet Standards 2020&lt;/P&gt;

&lt;P&gt;7) Gonzalo Rubalcaba, Ron Carter, Jack DeJohnette - Skyline&lt;/P&gt;

&lt;P&gt;8) Code Quartet - Genealogy&lt;/P&gt;

&lt;P&gt;9) Jihye Lee - Daring Mind&lt;/P&gt;

&lt;P&gt;10) Veronica Swift - This Bitter Earth&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12152749</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12152749</guid>
      <dc:creator>Enzo Capua</dc:creator>
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    <item>
      <pubDate>Sun, 28 Nov 2021 20:38:19 GMT</pubDate>
      <title>Bill Brownlee</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Top Ten Albums of 2021&lt;/STRONG&gt;&lt;BR&gt;
1. Irreversible Entanglements- Open the Gates (International Anthem)&lt;BR&gt;
2. Mathias Eick- When We Leave (ECM)&lt;BR&gt;
3. Pino Palladino and Blake Mills- Notes With Attachments (New Deal/Impulse!)&lt;BR&gt;
4. Nala Sinephro- Space 1.8 (Warp)&lt;BR&gt;
5. Sons of Kemet- Black to the Future (Impulse!)&lt;BR&gt;
6. Evan Parker Quartet- All Knavery and Collusion (Cadillac)&lt;BR&gt;
7. Damon Locks &amp;amp; Black Monument Ensemble- Now (International Anthem)&lt;BR&gt;
8. Sylvie Courvoisier and Mary Halvorson- Searching for the Disappeared Hour (Pyroclastic)&lt;BR&gt;
9. Artifacts- …And Then There’s This (Astral Spirits)&lt;BR&gt;
10. Angel Bat Dawid- Hush Harbor Mixtape Vol. 1: Doxology (International Anthem)&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12152372</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12152372</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Sat, 27 Nov 2021 19:11:27 GMT</pubDate>
      <title>adam weissler</title>
      <description>&lt;P&gt;Floating Points and Pharoah Sanders - Promises&lt;/P&gt;

&lt;P&gt;Weedie Braimah - The Hands of Time&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Sons of Kemet - Black to the Future&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Nubya Garcia - Source # We Move&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Fave gig - Joel Ross live at Mr. Musichead Gallery, L.A.&amp;nbsp; Sept. 17&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/12150729</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/12150729</guid>
      <dc:creator>adam weissler</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 10 Feb 2021 22:39:31 GMT</pubDate>
      <title>Mike Shanley</title>
      <description>&lt;UL&gt;
  &lt;LI&gt;1.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Chad Taylor Trio -The Daily Biological (Cuneiform)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;2.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Michael Formanek Quartet - Pre-Apocalyptic (Out Of Your Head)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;3.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Luke Norris - Northernsong (earsandeyes)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;4.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Rudresh Mahanthappa -Hero Trio (Whirlwind)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;5.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Threadbare (Jason Stein/Ben Cruz/Emerson Hunter) - Silver Dollar (NoBusiness)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;6.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Matthew Shipp - The Piano Equation (Tao Forms)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;7.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Tim Berne’s Snake Oil - The Fantastic Mrs. 10 (Intakt)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;8.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Liberty Ellman - Last Desert (Pi)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;9.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;James Brandon Lewis Quartet - Molecular (Intakt)&lt;/FONT&gt;&lt;/LI&gt;

  &lt;LI&gt;10.&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&lt;/FONT&gt; &lt;FONT style="font-size: 16px;"&gt;Angelica Sanchez &amp;amp; Marilyn Crispell - How To Turn the Moon (Pyroclastic)&lt;/FONT&gt;&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/10079672</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/10079672</guid>
      <dc:creator>Mike Shanley</dc:creator>
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    <item>
      <pubDate>Fri, 08 Jan 2021 18:35:03 GMT</pubDate>
      <title>Mirian Arbalejo</title>
      <description>&lt;P align="center"&gt;FAVORITE ALBUMS OF 2020&lt;/P&gt;

&lt;P align="left"&gt;Kenny Barron/Dave Holland Trio featuring Johnathan Blake. Without Deception. Dare2&lt;/P&gt;

&lt;P align="left"&gt;Lakecia Benjamin. Pursuance: The Coltranes. Ropeadope&lt;/P&gt;

&lt;P align="left"&gt;Art Blakey &amp;amp; The Jazz Messengers. Just Coolin'. Blue Note&lt;/P&gt;

&lt;P align="left"&gt;Carla Bley, Andy Sheppard, Steve Swallow. Life Goes On. ECM&lt;/P&gt;

&lt;P align="left"&gt;Blue Note Re:Imagined. Blue Note&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;/P&gt;

&lt;P align="left"&gt;John Coltrane. Giant Steps: 60th Anniversary Deluxe Edition. Rhino&lt;/P&gt;

&lt;P align="left"&gt;Wayne Escoffery. The Humble Warrior. Smoke Sessions Records&lt;/P&gt;

&lt;P align="left"&gt;Orrin Evans And The Captain Black Big Band. The Intangible Between. Smoke Sessions Records&lt;/P&gt;

&lt;P align="left"&gt;Ella Fitzgerald. The Lost Berlin Tapes. Verve&lt;/P&gt;

&lt;P align="left"&gt;Bill Frisell. Valentine. Blue Note Records&lt;/P&gt;

&lt;P align="left"&gt;Jacob Garchik. Clear Line. Yestereve Records&lt;/P&gt;

&lt;P align="left"&gt;Kely García y Rubén Reinaldo. Acuarel. Free Code Jazz Records&lt;/P&gt;

&lt;P align="left"&gt;Lafayette Gilchrist. Now. Lafayette Gilchrist&lt;/P&gt;

&lt;P&gt;Mary Halvorson's Code Girl. Artlessly falling. Firehouse 12&lt;/P&gt;

&lt;P&gt;Tigram Hamasyan. The Call Within. Nonesuch Records&lt;/P&gt;Stan IB Trio. Confluences. Records DK

&lt;P&gt;Ahmad Jamal. AHMAD JAMAL At The Pershing' And Other 'Live' Recordings 1958-59". Acrobat&lt;/P&gt;Keith Jarrett. Budapest Concert. ECM

&lt;P&gt;Jazz at Lincoln Center Orchestra with Wynton Marsalis. The Music of Wayne Shorter. Blue Engine&lt;/P&gt;The JCA Orchestra. Live at the BPC. JCA Recordings

&lt;P&gt;Jyoti. Mama, you can bet! Georgia Anne Muldrow / eOne&lt;/P&gt;Nick Keeling. Queensgate. Torn Light

&lt;P&gt;Charles Lloyd. 8: Kindred Spirits (Live from the Lobero). Blue Note Records&lt;/P&gt;Rudresh Mahanthappa. Hero trio. Whirlwind Recordings

&lt;P&gt;Pablo Martín Caminero. Bost. Bost&lt;/P&gt;

&lt;P&gt;Baldo Martínez, Juan Saiz, Lucía Martínez. Frágil Gigante. Leo Records&lt;/P&gt;

&lt;P&gt;Christian McBride Big Band. For Jimmy Wes and Oliver. Mack Avenue Records&lt;/P&gt;

&lt;P&gt;Zara McFarlane. Songs of an Unknown Tongue. Brownswood Recordings&lt;/P&gt;

&lt;P&gt;Pat Metheny. From This Place. Nonesuch Records&lt;/P&gt;Ron Miles. Rainbow Sign. Blue Note Records

&lt;P&gt;Thelonious Monk. Palo Alto. Impulse!&lt;/P&gt;

&lt;P&gt;Enrique Oliver &amp;amp; Jaume Llombart. Everything I Love. Underpool&lt;/P&gt;

&lt;P&gt;Jeff Parker. Suite for Max Brown. International Anthem&lt;/P&gt;Ester Quevedo Quintet. Trabalenguas. Underpool

&lt;P&gt;Redman Mehldau McBride Blade. RoundAgain (Nonesuch)&lt;/P&gt;

&lt;P&gt;Sonny Rollins. Rollins in Holland. Resonance Records&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Felix Rossy Quintet Live. Looking At The Surroundings. Underpool&lt;/P&gt;Chema Saiz. Solo Album. Volumen Dos. Errabal Jazz

&lt;P&gt;Miguel Salvador Quartet. Hamar Urte Geroago. Diez Años Después. Errabal Jazz&lt;/P&gt;

&lt;P&gt;Moisés P. Sánchez Project. There's Always Madness. Uno / Moisés P. Sánchez&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Maria Schneider Orchestra. Data Lords. ArtistShare&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Shabaka And The Ancestors. We Are Sent Here By History. Impulse!&lt;/P&gt;

&lt;P&gt;Sergi Sirvent &amp;amp; David Viñolas. Recreacions tímbriques. De Mompou a Bartók Vol. II. Selfish Records&lt;/P&gt;

&lt;P&gt;Neil Swainson Quintet. 49th Parallel. Real to Reel&lt;/P&gt;

&lt;P&gt;The Tiptons Sax Quartet &amp;amp; Drums. Wabi Sabi. Sowiesound&lt;/P&gt;María Toro. Fume. María Toro

&lt;P&gt;Gonzalo del Val. Cancionero. Fresh Sound New Talent&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;For deeper thoughts on these albums please &lt;A href="http://www.missingduke.com/2020/12/50-buenos-discos-de-2020.html" target="_blank"&gt;visit my site&lt;/A&gt; [in Spanish]&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9762289</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9762289</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 01 Jan 2021 15:17:10 GMT</pubDate>
      <title>Steve Feeney</title>
      <description>&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Rudresh Mahanthappa, &lt;EM&gt;Hero Trio&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Whirlwind)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Thumbscrew, &lt;EM&gt;The Anthony Braxton Project&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Cuneiform)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;James Brandon Lewis Quartet, &lt;EM&gt;Molecular&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Intakt)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Tani Tabbal Trio, &lt;EM&gt;Now Then&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Tao Forms)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Kenny Barron-Dave Holland Trio Featuring Johnathan Blake, &lt;EM&gt;Without Deception&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Dare2)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Tomas Fujiwara, &lt;EM&gt;7 Poets Trio&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(RogueArt -19)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Maria Schneider Orchestra, &lt;EM&gt;Data Lords&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Artists Share)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Fred Hersch, &lt;EM&gt;Songs From Home&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Palmetto)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Rich Halley-Matthew Shipp-Michael Bisio-Newman Taylor Baker, &lt;EM&gt;The Shape of Things&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Pine Eagle)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;SPAN&gt;Ron Miles, &lt;EM&gt;Rainbow Sign&lt;/EM&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;(Blue Note)&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9562970</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9562970</guid>
      <dc:creator>Stephen Feeney</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 01 Jan 2021 02:48:43 GMT</pubDate>
      <title>Travis Rogers Jr.</title>
      <description>&lt;P align="center"&gt;&lt;STRONG&gt;&lt;FONT style="font-size: 16px;"&gt;Favorites of 2020&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;The year 2020 belied all expectations and defied all predictions. Nevertheless, this annus horribilis was met with unabashedly remarkable music that flew in the face of dashed hopes. He was speaking of violence but Leonard Bernstein said, “&lt;EM&gt;This will be our reply…to make music more intensely, more beautifully, more devotedly than ever before&lt;/EM&gt;.”&lt;/P&gt;

&lt;P&gt;This is exactly what the following artists have done. In the face of pandemic, cultural distrust, incompetent political leadership and, yes, violence, these wonderful people have created intense, beautiful, and devoted music.&lt;/P&gt;

&lt;P&gt;I cannot categorize the music between formats and styles this year. All I can say is that this is the music that inspired me and gave me hope. I love these artists as people as much as musicians and composers.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;AJOYO – War Chant&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Do not let it be said that Jazz has nothing to offer in this present time. The glory days of jazz are not over, far from it, and if you need proof of it, all you need to do is listen to AJOYO’s new album &lt;EM&gt;War Chant&lt;/EM&gt;. This is their second release following their 2015 eponymous album.&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;War Chant&lt;/EM&gt; is a spiritual call-to-arms against oppression, greed, fear of others, and isolation—national and individual. AJOYO does it with grace and strength, intelligence and wit, and—most of all—a love and acceptance of who we are and who we should be.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Markus Reuter Oculus – Nothing is Sacred&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Markus Reuter is one of the most extraordinary musicians and composers of this or any other century. In the wake of so many brilliant and innovative releases, Reuter presents his first Oculus project, featuring equally remarkable musicians who fit like a fist in glove in their presentation of &lt;EM&gt;Nothing is Sacred&lt;/EM&gt;.&lt;/P&gt;

&lt;P&gt;Markus Reuter Oculus’s &lt;EM&gt;Nothing is Sacred&lt;/EM&gt; is everything we have come to expect, respect, and admire from Markus Reuter. No idea is left unexplored, no question unanswered, in this brilliant album of shadow and light.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Alex Wintz Trio – Live to Tape&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Alex Wintz decided to go old school with his trio and record his latest album &lt;EM&gt;Live to Tape&lt;/EM&gt; on analog equipment in a successful attempt to recapture the warmth of the Blue Note era recordings. It was the perfect set-up for the guitar trio format, made more perfect with the artistry of bassist Dave Baron and drummer Jimmy Macbride, his longstanding comrades in arms.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Antonio Adolfo – BruMa: Celebrating Milton Nascimento&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Antonio Adolfo breathes new life into the work of the maestro in a time when Milton Nascimento’s vision and voice should not be forgotten.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;David Cross &amp;amp; Peter Banks – Crossover&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;David’s violin brilliance and Peter’s guitar work is more beautiful than ever and the support of these astounding musicians with Peter and David make this album feel as monumental as the discovery of the Dead Sea Scrolls.&lt;/P&gt;

&lt;P&gt;Bravo, David Cross, for finishing what you and Peter Banks started over seven years ago. It has truly been worth the wait.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;David K. Mathews – The Fantasy Vocal Sessions, Vol. 2&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;David K. Mathews has taken a delightful collection of songs from several genres and has given us a masterwork of favorite vocalists interpreting these moving and inspiring and reflective songs in ways that do honor to the originals. Mathews’ playing is incredible and his assembly of supporting artists is appropriate and well-conceived.&lt;/P&gt;

&lt;P&gt;I can’t wait for Volumes 3 and 4.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Sarah Elizabeth Charles &amp;amp; Jarrett Cherner – Tone&lt;/STRONG&gt;&lt;/P&gt;

&lt;P align="left"&gt;&lt;EM&gt;&lt;FONT color="#181818"&gt;Tone&lt;/FONT&gt;&lt;/EM&gt;&lt;FONT color="#181818"&gt;is the inevitable evolution of the talents, skills, and hearts of Sarah Elizabeth Charles and Jarrett Cherner.&lt;/FONT&gt; Like lipids,&amp;nbsp;proteins, and&amp;nbsp;nucleic acids combing to make life, these two amazing artists have created something unique that the world has awaited since the beginning. It’s that good.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jasnam Daya Singh and the Portland Jazz Composers Ensemble – EKTA: The Unity Project&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT color="#000000"&gt;EKTA: The Unity Project&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN style="background-color: white;"&gt;&lt;FONT color="#000000"&gt;is not about Utopia—it is not the absence of division but the overcoming of it. Nor is it simply a hope for the future but a vision that begins with coming together, followed by acceptance, and ending in oneness and walking forward together.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT color="#000000"&gt;Jasnam Daya Singh is not only a national treasure. He is a global one.&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Gary Husband &amp;amp; Markus Reuter – Music of Our Times&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Gary Husband and Markus Reuter were on tour in China and Japan with Stick Men. They had finished their one and only performance in Nagoya, Japan, at the famed Blue Note. Then the world changed. The Stick Men Tour (with Tony Levin, Markus Reuter, Pat Mastelotto and special guest Gary Husband) was abruptly canceled. Producer and MoonJune Records owner Leonardo Pavkovic quickly booked studio time in Tokyo before the return flights of Reuter and Husband. The results—&lt;EM&gt;Music of Our Time—&lt;/EM&gt;are something extraordinary.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;LP and the Vinyl – Heard and Seen&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;I’ve been a fan of Danny Green for quite some time now. His trio’s Altered Narratives was on my Favorites of 2016 list and 2018’s &lt;EM&gt;One Day It Will&lt;/EM&gt; ranks as one of my all-time favorites. In the review of &lt;EM&gt;One Day It Will&lt;/EM&gt;, I wrote, &lt;EM&gt;“And just when I thought Danny Green’s Trio had outdone themselves with 2015’s&lt;/EM&gt; Altered Narratives&lt;EM&gt;, they release&lt;/EM&gt; One Day It Will&lt;EM&gt;, their third album on OA2 Records. It is the very same brilliant trio of Danny Green on piano, Justin Grinnell on bass, and Julien Cantelm on drums. In fact, they have been together since 2010.”&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;On &lt;EM&gt;One Day It Will&lt;/EM&gt;, Danny &amp;amp; Company added a string quartet from the San Diego Symphony. The latest project brings a return of that great trio with the remarkable addition of Leonard Patton on vocals. That assembly is called LP and the Vinyl and their album is &lt;EM&gt;Heard and Seen.&lt;/EM&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Susan Tobocman – Touch &amp;amp; Go&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Now this is a good album. Susan Tobocman has chosen a fine collection of standards, classics, and originals and a band of dedicated and interpretive artists that can give life to the instrumentation and can give her space for her own vocal expressions to make her album &lt;EM&gt;Touch &amp;amp; Go&lt;/EM&gt; a work worthy of great attention and praise.&lt;/P&gt;

&lt;P&gt;Susan Tobocman is a Jazz lover’s dream. Her vocals are beyond compare but her arrangements and compositions are beyond description. She is talented and brilliant beyond measure. &lt;EM&gt;Touch &amp;amp; Go&lt;/EM&gt; does not describe the power and beauty of the album; she was full on, right on, every step of the way.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Spanish Harlem Orchestra – The Latin Jazz Project&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;The Latin Jazz Project&lt;/EM&gt; is what we have been waiting for from Spanish Harlem Orchestra. With six previous recordings, they have given us glimpses and splashes of Latin jazz. Thanks to Artistshare, a fan-funded project program, SHO have given us a full-length recording of pure Latin jazz. Their last album&lt;STRONG&gt;&lt;EM&gt;,&lt;/EM&gt;&lt;/STRONG&gt; &lt;EM&gt;Anniversary,&lt;/EM&gt; was the Grammy winner for Best Tropical Latin Album. A wonderful album.&lt;/P&gt;

&lt;P&gt;But Musical director Oscar Hernandez, with two brilliant Latin Jazz albums under his belt, has brought his full creative force to bear with SHO for another album of wonder. &lt;EM&gt;The Latin Jazz Project&lt;/EM&gt; will certainly be a Grammy contender.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Rudresh Mahanthappa – &lt;EM&gt;Hero Trio&lt;/EM&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;I've always enjoyed about Rudresh Mahanthappa is the way he never settles on a given expression or style. Ever since I began listening to him, he has pushed his own boundaries to new places and always finds fertile soil for his musical imagination wherever he ventures. Such is the case with his new album entitled &lt;EM&gt;Hero Trio&lt;/EM&gt;.&lt;/P&gt;

&lt;P&gt;Hero Trio is exactly what it says it is. Rudresh Mahanthappa, Franςois Moutin, and Rudy Royston have created a powerful, precise, and—okay—perfect album. There’s no Kryptonite on this album.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Lauren Henderson – The Songbook Session&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;Lauren Henderson continues to thrill, comfort, and amaze with every album she has released. Whether YouTube live performances, EPs, or full-length albums, Lauren never disappoints. Her 2020 CD &lt;EM&gt;The Songbook Session&lt;/EM&gt; is no different.&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;The Songbook Session is&lt;/EM&gt; Lauren’s third full-length album and it is her best to date. She takes standards from the 30s and 40s and breathes sweet life into them all over again, almost as if we had never heard them before. When an artist can make you forget everything that has gone before, it is something amazing. Such is this album.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jesse Fischer – Resilience&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;It has been an excellent year for Jesse Fisher. First, he participated in the phenomenal &lt;EM&gt;War Chant&lt;/EM&gt; album by Ajoyo. Now he releases his latest project as a leader called &lt;EM&gt;Resilience&lt;/EM&gt;. Resilience incorporates the influences of modern Jazz, African music, and Near Eastern music reflecting Jesse's own Jewish heritage.&lt;/P&gt;

&lt;P&gt;Jesse Fischer has not only envisioned and composed a beautiful album, he has brought together the right players for the right job. It is executed with power and precision and—dare I say—purity. &lt;EM&gt;Resilience&lt;/EM&gt; does not lose its way once. It is focused and is a frontal assault at what life throws our way, and how we can overcome.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Gato Libre – Koneko&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;Koneko&lt;/EM&gt; is the eighth album from Gato Libre and the first since 2017’s &lt;EM&gt;Neko.&lt;/EM&gt; Since 2015, Gato Libre (Spanish for Free Cat) has been a trio comprised of Natsuki Tamura on trumpet, Yasuko Kaneko on trombone and Satoko Fujii and accordion. Unlike Kaze (Japanese for &lt;EM&gt;Breeze&lt;/EM&gt;), the other band with Tamura and Fujii, Gato Libre is more informed by tone and texture than in frenetic virtuosity.&lt;/P&gt;

&lt;P&gt;&lt;EM&gt;Koneko&lt;/EM&gt; (Japanese for &lt;EM&gt;Kitten&lt;/EM&gt;) is a further exploration into the far reaches of said tone and texture. It is music to be heard with intent—not background music while making breakfast.&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;(Live Streaming Performance) Farofa – Jazz on YOUR Green; Live at the Omaha Performing Arts&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;In the days of limited access to live music, innovative promoters and artists are finding a way to still bring the joy and magic of the live performance. God bless Jazz on YOUR Green, Omaha Performing Arts, Manager Marian Liebowitz, and the band of extraordinary artists called Farofa.&lt;/P&gt;

&lt;P&gt;It was a joyous romp that was energetic, spirited, fascinating, and leaving you wanting more. Farofa is a new band with original compositions and original takes on old songs. Farofa pulls the listener up to their level and makes you crave their understanding of life in the world we live.&lt;/P&gt;

&lt;P&gt;I am thankful for all the beautiful work offered in 2020 by all of these beautiful people.&lt;/P&gt;

&lt;P&gt;~Travis Rogers, Jr. is &lt;EM&gt;the Jazz Owl&lt;/EM&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9550587</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9550587</guid>
      <dc:creator />
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    <item>
      <pubDate>Wed, 30 Dec 2020 20:05:00 GMT</pubDate>
      <title>Christopher Burnett</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Jazz Artistry Now&lt;/STRONG&gt; - &lt;A href="http://jazzartistrynow.com/jan-2020/" target="_blank"&gt;JAN Best of Jazz 2020&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;MMXX&amp;nbsp;was the centennial year of Charlie Parker’s birth in 1920. Although the coronavirus pandemic inherently muted the magnitude and scope of celebrations marking such a momentous occasion, artists released a wide variety of music that Bird would surely appreciate as a legacy to his own efforts. As with earlier works, the music today continues to inculcate the avant garde but it’s also grounded in the innovations of the modern jazz pioneers like Mr. Parker.&amp;nbsp;Jazz Artistry Now&amp;nbsp;presents our&amp;nbsp;“Best of …” list&amp;nbsp;for 2020 of recordings that reflect the positive evolution of the music and the premium state of the art in our times. Check out our list. Listen.&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;Jazz Artistry Now&lt;/STRONG&gt;&amp;nbsp;-&amp;nbsp;&lt;A href="http://jazzartistrynow.com/jan-2020/" target="_blank"&gt;JAN Best of Jazz 2020&lt;/A&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9518543</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9518543</guid>
      <dc:creator>Christopher Burnett</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 28 Dec 2020 15:27:50 GMT</pubDate>
      <title>C. Andrew Hovan</title>
      <description>&lt;P&gt;A Dozen Top Jazz Picks for 2020&lt;/P&gt;

&lt;P&gt;1. &lt;STRONG&gt;Connie Han- &lt;EM&gt;Iron Starlet&amp;nbsp;&lt;/EM&gt; (Mack Avenue)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;2. &lt;STRONG&gt;Redman/Mehldau/McBride/Blade- &lt;EM&gt;Round Again&lt;/EM&gt; (Nonesuch)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;3. &lt;STRONG&gt;Joe Farnsworth- &lt;EM&gt;Time to Swing&lt;/EM&gt; (Smoke Sessions)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;4. &lt;STRONG&gt;John Scofield- &lt;EM&gt;Swallow Tales&lt;/EM&gt; (ECM)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;5. &lt;STRONG&gt;Peter Bernstein- &lt;EM&gt;What Comes Next&lt;/EM&gt; (Smoke Sessions)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;6. &lt;STRONG&gt;Ralph Peterson &amp;amp; The Messenger Legacy- &lt;EM&gt;Onward &amp;amp; Upward&lt;/EM&gt; (Onyx)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;7. &lt;STRONG&gt;Christian McBride Big Band- &lt;EM&gt;For Jimmy, Wes and Oliver&lt;/EM&gt; (Mack Avenue)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;8. &lt;STRONG&gt;Wayne Escoffery- &lt;EM&gt;The Humble Warrior&lt;/EM&gt; (Smoke Sessions)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;9.&amp;nbsp; &lt;STRONG&gt;Paul Desmond- &lt;EM&gt;The Complete 1975 Toronto Recordings&lt;/EM&gt;&lt;/STRONG&gt; &lt;STRONG&gt;(Mosaic)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;10. &lt;STRONG&gt;Thelonious Monk- &lt;EM&gt;Palo Alto&lt;/EM&gt; (Impulse)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;11. &lt;STRONG&gt;George Coleman- &lt;EM&gt;In Baltimore&lt;/EM&gt; (Reel to Real)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;12. &lt;STRONG&gt;Bill Evans- &lt;EM&gt;Live at Ronnie Scott's&lt;/EM&gt; (Resonance)&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;SPECIAL MENTION- Blue Note Records' Tone Poet Series brought over two dozen choice titles from the vaults delivered in pristine sound and deluxe gatefold packaging complete with Frank Wolff photos.&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9468119</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9468119</guid>
      <dc:creator>C. Andrew Hovan</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 27 Dec 2020 18:31:03 GMT</pubDate>
      <title>J Hunter</title>
      <description>&lt;P&gt;TOP 10 JAZZ2K DISCS OF 2020:&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;Maria Schneider Orchestra - &lt;EM&gt;Data Lords&lt;/EM&gt; (ArtistShare)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Shabaka &amp;amp; the Ancestors - &lt;EM&gt;We Are Sent Here by History&lt;/EM&gt; (impulse!)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Terri Lyne Carrington + Social Science - &lt;EM&gt;Waiting Game&lt;/EM&gt; (Motema)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Orrin Evans / Captain Black Big Band - &lt;EM&gt;The Intangible Between&lt;/EM&gt; (Smoke Sessions)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Lakecia Benjamin - &lt;EM&gt;Pursuance: The Coltranes&lt;/EM&gt; (Ropeadope)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Bright Dog Red - &lt;EM&gt;Somethin' Comes Along&lt;/EM&gt; (Ropeadope)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Dave Douglas - &lt;EM&gt;Dizzy Atmosphere&lt;/EM&gt; (Greenleaf Music)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Dan Loomis - &lt;EM&gt;Job's Trials: A Jazz Song Cycle&lt;/EM&gt; (Self-released)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Jimmy Greene - &lt;EM&gt;While Looking Up&lt;/EM&gt; (Mack Avenue)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Nduduzo Makhatini - &lt;EM&gt;Modes of Communication: Letters from the Underworlds&lt;/EM&gt; (Blue Note)&lt;BR&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;2020 JAZZ2K AWARDS:&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;BEST PARTY DISC: Funk Shui NYC - SharkNATO On A Plane (Zoho)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;BEST VOCAL DISC: Karrin Allyson Sextet - Shoulder to Shoulder: Centennial Tribute to Women's Suffrage (eOne)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;BEST SOLO OR DUO DISC: Brian Charette - Like The Sun (Self-released)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;LIFETIME ACHIEVEMENT AWARD: Randy Brecker / Eric Marienthal - Double Dealin' (Shanachie)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;ROOKIE OF THE YEAR: Nubya Garcia - Source (Concord Jazz)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;LOCAL HERO AWARD: Dylan Canterbury - Going Places (Self-released)&lt;BR&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9453209</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9453209</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 24 Dec 2020 17:05:04 GMT</pubDate>
      <title>top 10 2020</title>
      <description>&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;STRONG&gt;NEW RELEASES&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Thana Alexa,&amp;nbsp;&lt;EM&gt;ONA&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(self-released)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Jyoti,&amp;nbsp;&lt;EM&gt;Mama, You Can Bet!&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(SomeOthaShip)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Webber/Morris Big Band,&amp;nbsp;&lt;EM&gt;Both Are True&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Greenleaf Music)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Ron Miles,&amp;nbsp;&lt;EM&gt;Rainbow Sign&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Blue Note)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Liberty Ellman,&amp;nbsp;&lt;EM&gt;Last Desert&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Pi)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Lakecia Benjamin,&amp;nbsp;&lt;EM&gt;Pursuance: The Coltranes&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Ropeadope)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Susan Alcorn Quintet,&amp;nbsp;&lt;EM&gt;Pedernal&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Relative Pitch)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Dafnis Prieto Sextet,&amp;nbsp;&lt;EM&gt;Transparency&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Dafnison Music)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Joel Harrison + 18,&amp;nbsp;&lt;EM&gt;America at War&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Sunnyside)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Jason Miles &amp;amp; Kind of New,&amp;nbsp;&lt;EM&gt;Black Magic&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(Ropeadope)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT style="font-size: 12px;"&gt;&lt;STRONG&gt;REISSUES/HISTORICAL&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;OL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Thelonious Monk,&amp;nbsp;&lt;EM&gt;Palo Alto&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1968, Impulse)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Sonny Rollins,&amp;nbsp;&lt;EM&gt;Rollins in Holland&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1967, Resonance)&lt;/LI&gt;

  &lt;LI&gt;&lt;STRONG&gt;Nina Simone,&amp;nbsp;&lt;EM&gt;I Put a Spell on You&lt;/EM&gt;&lt;/STRONG&gt;&amp;nbsp;(1965, Verve)&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9450317</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9450317</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Mon, 21 Dec 2020 18:38:58 GMT</pubDate>
      <title>Rick Mitchell</title>
      <description>&lt;P&gt;On December 19, 2020, from 2-5 p.m., I reviewed the top tracks from some of the best jazz albums that came my way this year on the radio program The Motif: Reimagine a Jazz Sensibility on KBOO, 90.7 FM in Portland, Oregon. Many of these tracks also have been or will be featured on my national program, Jazz In the New Millennium, syndicated through the African American Public Radio Consortium. The aesthetic core of these programs is to help define a modern mainstream for the 21st Century. It does not represent the full range of what I listen to, both within the jazz world and beyond. Here is the playlist:&lt;/P&gt;

&lt;P&gt;Set one&lt;/P&gt;

&lt;P&gt;Christian McBride, "Sister Rosa," The Movement Revisited (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Warren Wolf, "For Ma," Reincarnation (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Gregory Porter, "Dad Gone Thing," All Rise (Blue Note)&lt;/P&gt;

&lt;P&gt;Christian Sands, "Can't Find My Way Home," Be Water (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Set two&lt;/P&gt;

&lt;P&gt;Tim Ray, "Paint It Black," Excursions and Adventures (Whaling City Sound)&lt;/P&gt;

&lt;P&gt;Charles Lloyd, "La Llorona," 8: Kindred Spirits (Blue Note)&lt;/P&gt;

&lt;P&gt;Bill Frisell, "Baba Drame," Valentine (Blue Note)&lt;/P&gt;

&lt;P&gt;Tony Allen/Hugh Masekela, "Coconut Jam," Rejoice (World Circuit)&lt;/P&gt;

&lt;P&gt;Set three&lt;/P&gt;

&lt;P&gt;Joel Ross, "After the Rain," Who Are You? (Blue Note)&lt;/P&gt;

&lt;P&gt;Immanuel Wilkins, "The Dreamer," Omega (Blue Note)&lt;/P&gt;

&lt;P&gt;Lauren Henderson, "Day by Day," The Songbook Session (Brontosaurus)&lt;/P&gt;

&lt;P&gt;Aaron Diehl, "Polaris," The Vagabond (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Set four&lt;/P&gt;

&lt;P&gt;Doctor Michael White, "Summertime," Live (Basin Street)&lt;/P&gt;

&lt;P&gt;Maceo Parker, "Hard Times," Soul Food: Cookin' with Maceo (The Funk Garage)&lt;/P&gt;

&lt;P&gt;Christian McBride Big Band, "Road Song," For Jimmy, Wes and Oliver (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Jazz at Lincoln Center Orchestra with Wynton Marsalis, "Hammer Head," The Music of Wayne Shorter (Blue Engine)&lt;/P&gt;

&lt;P&gt;Set five&lt;/P&gt;

&lt;P&gt;Derrick&amp;nbsp;Hodge, "The Cost," Color of Noize (Blue Note)&lt;/P&gt;

&lt;P&gt;Ndudzo Makhathini, "Saziwa Nguwe," Modes of Communication Letters from the Underworlds (Blue Note)&lt;/P&gt;

&lt;P&gt;Gerald Clayton, "Rejuvenation Agenda," Happening: Live at the Village Vanguard (Blue Note)&lt;/P&gt;

&lt;P&gt;Ambrose Akinmusire, "Yessss," On the Tender Spot of Every Calloused Moment (Blue Note)&lt;/P&gt;

&lt;P&gt;Set six&lt;/P&gt;

&lt;P&gt;Maria Schneider Orchestra, "The Sun Waited for Me," Data Lords (Artist Share)&lt;/P&gt;

&lt;P&gt;Billy Childs, "Leimert Park," Acceptance (Mack Avenue)&lt;/P&gt;

&lt;P&gt;John Beasley, "Monk's Mood," Monk'estra Plays John Beasley (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Pat Metheny, "Same River," From This Place (Nonesuch)&lt;/P&gt;

&lt;P&gt;Set seven&lt;/P&gt;

&lt;P&gt;Artemis, "If It's Magic," Artemis (Blue Note)&lt;/P&gt;

&lt;P&gt;Rudresh Mahanthappa, "Ring of Fire," Hero Trio (Whirlwind)&lt;/P&gt;

&lt;P&gt;Harold Lopez Nussa, "Van Van Meets New Orleans," Te Lo Dije (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Derrick Shezbie, "Didn't He Ramble," The Ghost of Buddy Bolden (Clubhouse)&lt;/P&gt;

&lt;P&gt;Set eight&lt;/P&gt;

&lt;P&gt;Fred Hersh, "Wichita Lineman," Songs from Home (Palmetto)&lt;/P&gt;

&lt;P&gt;Warren Wolf, "Do You Hear What I Hear?," Christmas Vibes (Mack Avenue)&lt;/P&gt;

&lt;P&gt;Closer&lt;/P&gt;

&lt;P&gt;Robert Cray Band, "This Man," That's What I Heard (Nozzle/Thirty Tigers)&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9444597</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9444597</guid>
      <dc:creator>Rick Mitchell</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 20 Dec 2020 04:00:45 GMT</pubDate>
      <title>Rob Shepherd</title>
      <description>Here are my top eleven for 2020. I also list another 14 albums that greatly impressed me- along with comments on these 11- over at &lt;A href="https://postgenre.org/rob-shepherd-best-of-2020/" target="_blank"&gt;PostGenre.&lt;/A&gt;&lt;BR&gt;

&lt;P&gt;&lt;U&gt;New Releases&lt;/U&gt;&lt;BR&gt;&lt;/P&gt;1. Jennifer Curtis &amp;amp; Tyshawn Sorey, &lt;EM&gt;Invisible Ritual&lt;/EM&gt; (Tundra/New Focus)&lt;BR&gt;
&lt;BR&gt;
2. Alabaster Deplume, &lt;EM&gt;To Cy &amp;amp; Lee: The Instrumentals Vol. 1&lt;/EM&gt; (International Anthem) [Much of this album was previously released, so often doesn't count on new releases lists]&lt;BR&gt;

&lt;P&gt;3. Kahil El'Zabar, K&lt;EM&gt;ahil El'Zabar's Spirit Groove ft. David Murray&lt;/EM&gt; (Spiritmuse)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;4. Lakecia Benjamin, &lt;EM&gt;Pursuance: The Coltranes&lt;/EM&gt; (Ropeadope)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;5. Josh Johnson, &lt;EM&gt;Freedom Exercise&lt;/EM&gt; (Northern Spy)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;6. Carla Bley - Andy Sheppard - Steve Swallow, &lt;EM&gt;Life Goes On&lt;/EM&gt; (ECM)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;7. Charles Lloyd, &lt;EM&gt;8: Kindred Spirits (Live from the Lobero)&lt;/EM&gt; (Blue Note)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;8. Angelica Sanchez &amp;amp; Marilyn Crispell, &lt;EM&gt;How to Turn the Moon&lt;/EM&gt; (Pyroclastic)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;9. Susan Alcorn Quintet, &lt;EM&gt;Pedernal&lt;/EM&gt; (Relative Pitch)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;10. George Burton, &lt;EM&gt;Reciprocity&lt;/EM&gt; (self-released)&lt;/P&gt;

&lt;P&gt;11. Lionel Loueke, &lt;EM&gt;HH&lt;/EM&gt; (Edition)&lt;BR&gt;
&lt;BR&gt;
&lt;U&gt;Historical&lt;/U&gt;&lt;BR&gt;
&lt;BR&gt;
1. Dudu Pukwana, &lt;EM&gt;Dudu Phukwana and the "Spears"&lt;/EM&gt; (Matsuli Music)&lt;BR&gt;
&lt;BR&gt;
2. The Heshoo Beshoo Group, &lt;EM&gt;Armitage Road&lt;/EM&gt; (We are Busy Bodies)&lt;BR&gt;
&lt;BR&gt;
3. Art Blakey &amp;amp; the Jazz Messengers, &lt;EM&gt;Just Coolin'&lt;/EM&gt; (Blue Note)&lt;BR&gt;
&lt;BR&gt;
4. Sonny Rollins, &lt;EM&gt;Sonny Rollins in Holland&lt;/EM&gt; (Resonance)&lt;BR&gt;
&lt;BR&gt;
5. Thelonious Monk, &lt;EM&gt;Palo Alto&lt;/EM&gt; (Impulse!)&lt;BR&gt;
&lt;BR&gt;
&lt;BR&gt;
&lt;U&gt;Vocal&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;Norah Jones, &lt;EM&gt;Pick Me Up Off the Floor&lt;/EM&gt; (Blue Note)&lt;BR&gt;
&lt;BR&gt;
&lt;BR&gt;
&lt;U&gt;Debut&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;Josh Johnson, &lt;EM&gt;Freedom Exercise&lt;/EM&gt; (Northern Spy)&lt;/P&gt;

&lt;P&gt;&lt;U&gt;Latin&lt;/U&gt;&lt;/P&gt;

&lt;P&gt;Aruan Ortiz with Andrew Cyrille and Mauricio Herrera, &lt;EM&gt;Inside Rhythmic Falls&lt;/EM&gt; (Intakt)&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9441592</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9441592</guid>
      <dc:creator>Rob Shepherd</dc:creator>
    </item>
    <item>
      <pubDate>Mon, 14 Dec 2020 14:40:19 GMT</pubDate>
      <title>Marcela Breton</title>
      <description>&lt;UL&gt;
  &lt;LI&gt;1&lt;SPAN&gt;.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Carla Bley/Andy Sheppard/Steve Swallow “Life Goes On” (ECM)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Muriel Grossmann “Reverence” (RR Gems Records)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; John Santos “Art of the Descarga” (Smithsonian Folkways)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Lakecia Benjamin “Pursuance : the Coltranes” (Ropeadope)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Sasha Berliner “Azalea” (&lt;EM&gt;eponymous?&lt;/EM&gt;)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;Carolina Calvache “Vida Profunda” (Sunnyside)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Ingrid Laubrock &amp;amp; Kris Davis&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; “Blood Moon” (Intakt)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Allegra Levy “Lose My Number : Allegra Levy Sings John McNeil” (SteepleChase)&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;Eva Cortés “Todas Las Voces” (Truth Revolution)&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;10.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Jason Yeager “New Songs of Resistance” (Outside In)&lt;/LI&gt;

  &lt;LI&gt;11. Luedji Luna "Bom Mesmo e Estar Debaixo D'Agua" (album visual, 23 min. youtube.com)&lt;/LI&gt;

  &lt;LI&gt;12. Ingrid Laubrock "Dreamt Twice, Twice Dreamt" (Intakt) (2 CDs)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;
    &lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;Reissues&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;SPAN&gt;:&lt;/SPAN&gt;&lt;/P&gt;

    &lt;UL&gt;
      &lt;LI&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Bill Evans “Live at Ronnie Scott’s” (Resonance) (2 CDs)&lt;/LI&gt;

      &lt;LI&gt;&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Nina Simone “Fodder on My Wings (Verve)&lt;/LI&gt;

      &lt;LI&gt;&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; Ibrahim Ferrer “Buenos Hermanos” (World Circuit)&lt;/LI&gt;

      &lt;LI&gt;4.&amp;nbsp;&amp;nbsp;&amp;nbsp; Art Blakey &amp;amp; the Jazz Messengers "Just Coolin'" (Blue Note)&lt;BR&gt;&lt;/LI&gt;
    &lt;/UL&gt;
  &lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9428541</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9428541</guid>
      <dc:creator>Marcela Breton</dc:creator>
    </item>
    <item>
      <pubDate>Sat, 12 Dec 2020 19:11:45 GMT</pubDate>
      <title>John Szwed</title>
      <description>&lt;P&gt;Keith Jarrett&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Budapest&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; ECM&lt;/P&gt;

&lt;P&gt;Charles Lloyd&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; 8: Kindred Spirits&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/P&gt;

&lt;P&gt;Maria Schneider&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Data Lords&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Artist Share&lt;/P&gt;

&lt;P&gt;Matt Shipp&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Unidentifiable&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;&amp;nbsp; ESP-Disk&lt;/P&gt;

&lt;P&gt;Susan Alcorn&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Pedernol&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Relative Pitch&lt;/P&gt;

&lt;P&gt;Carla Bley&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Life Goes On&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;ECM&lt;/P&gt;

&lt;P&gt;Ron Miles&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Rainbow Sign&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Blue Note&lt;/P&gt;

&lt;P&gt;Sun Ra&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Swirling&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Strut&lt;/P&gt;

&lt;P&gt;The Warriors of the Wonderful Sound&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;Soundpath.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Clean Feed&lt;/P&gt;Jeff Parker.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Suite for Max Brown.&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Nonesuch

&lt;P&gt;&lt;FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Histo&lt;SPAN&gt;&lt;FONT&gt;rical&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;:&lt;/P&gt;

&lt;P&gt;Charles Mingus&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Mingus at Bremen&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; 1964 and 1975&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Sunnyside&lt;/P&gt;

&lt;P&gt;Sonny Rollins&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Sonny Rollins in Holland&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;Resonance Records&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;Thelonious Monk&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Palo Alto&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Impulse&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Voc&lt;SPAN&gt;&lt;FONT&gt;a&lt;SPAN&gt;&lt;FONT&gt;l&lt;SPAN&gt;&lt;FONT&gt;:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;Leïla Martial&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Warm Canto&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt;Laborie Jazz&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;De&lt;SPAN&gt;&lt;FONT&gt;but&lt;SPAN&gt;&lt;FONT&gt;:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&lt;SPAN&gt;&lt;FONT&gt;Raphaël Pannier&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Faune&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; &lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;French Paradox&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;La&lt;SPAN&gt;&lt;FONT&gt;ti&lt;SPAN&gt;&lt;FONT&gt;n&lt;SPAN&gt;&lt;FONT&gt;:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Poncho Sanchez&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Trane’s&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Delight&lt;SPAN&gt;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt; Concord Picante&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9424771</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9424771</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Wed, 09 Dec 2020 16:51:48 GMT</pubDate>
      <title>Best of 2020</title>
      <description>&lt;OL&gt;
  &lt;LI&gt;Lina Allemano’s OHRENSCHMAUS: &lt;EM&gt;Rats &amp;amp; Mice&lt;/EM&gt; (Lumo)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Nels Cline Singers: &lt;EM&gt;Share The Wealth&lt;/EM&gt; (Blue Note)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Dave Douglas: &lt;EM&gt;Marching Music&lt;/EM&gt; (Greenleaf Music)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Ran Blake &amp;amp; Andrew Rathbun: &lt;EM&gt;Northern Noir&lt;/EM&gt; (SteepleChase)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Joshua Redman/Brad Mehldau/Christian McBride/Brian Blade: &lt;EM&gt;Round Again&lt;/EM&gt; (Nonesuch)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Aaron Parks: &lt;EM&gt;Little Big II—Dreams Of A Mechanical Man&lt;/EM&gt; (Ropeadope)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Carla Bley: &lt;EM&gt;Life Goes On&lt;/EM&gt; (ECM)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Liberty Ellman: &lt;EM&gt;Last Desert&lt;/EM&gt; (Pi)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;John Scofield: &lt;EM&gt;Swallow Tales&lt;/EM&gt; (ECM)&lt;BR&gt;&lt;/LI&gt;

  &lt;LI&gt;Ron Miles: &lt;EM&gt;Rainbow Sign&lt;/EM&gt; (Blue Note)&lt;BR&gt;&lt;/LI&gt;
&lt;/OL&gt;

&lt;P&gt;&lt;FONT face="Optima" style="font-size: 16px;"&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9416951</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9416951</guid>
      <dc:creator>James Hale</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 09 Dec 2020 14:21:08 GMT</pubDate>
      <title>Sanford Josephson</title>
      <description>&lt;P&gt;10 Favorite Albums of 2020 (alphabetical)&lt;/P&gt;

&lt;P&gt;Eric Alexander: Eric Alexander With Strings (HighNote)&lt;/P&gt;

&lt;P&gt;Don Braden, Joris Teepe: The Spirit of Herbie Hancock (O.A.P. Records)&lt;/P&gt;

&lt;P&gt;Joe Farnsworth: Time To Swing (SmokeSessions)&lt;/P&gt;

&lt;P&gt;Lafayette Harris, Jr.: You Can't Lose the Blues (Savant)&lt;/P&gt;

&lt;P&gt;Eddie Henderson: Shuffle and Deal (SmokeSessions)&lt;/P&gt;

&lt;P&gt;Diana Krall: This Dream of You (Verve)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Alex Levin: A Sunday Kind of Love (Alex Levin Music)&lt;/P&gt;

&lt;P&gt;Jeremy Pelt: The Art of Intimacy (HighNote)&lt;/P&gt;

&lt;P&gt;Eric Reed: Such a Time as This (SmokeSessions)&lt;/P&gt;

&lt;P&gt;James Taylor/John Pizzarelli: American Standard (Fantasy)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9416499</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9416499</guid>
      <dc:creator>Sanford Josephson</dc:creator>
    </item>
    <item>
      <pubDate>Sun, 06 Dec 2020 19:58:16 GMT</pubDate>
      <title>My best of Jazz 2020 in no particular ranking</title>
      <description>&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Big Band:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;John Hollenbeck w Kate McGarry, Theo Bleckmann and Gary Versace and the Franfurt Radio Band: &lt;STRONG&gt;&lt;EM&gt;Song You Like A Lot&lt;/EM&gt;,&lt;/STRONG&gt; Flexatonic Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Maria Schneider: &lt;STRONG&gt;&lt;EM&gt;Data Lords&lt;/EM&gt;&lt;/STRONG&gt;: Artists Share&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Dave Stryker w Bob Mintzer and WDR Big Band : &lt;STRONG&gt;&lt;EM&gt;Blue Soul&lt;/EM&gt;:&lt;/STRONG&gt; Strikezone Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;John Beasley's Monk'estra: &lt;STRONG&gt;&lt;EM&gt;Monk'estra Plays John Beasley&lt;/EM&gt;&lt;/STRONG&gt;: Mack&amp;nbsp; Avenue Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;The Ed Palmero Big Band: &lt;STRONG&gt;&lt;EM&gt;The Great Un-American Songbook Vol III&lt;/EM&gt;:&lt;/STRONG&gt; Sky Cat Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Gregg August: &lt;EM&gt;&lt;STRONG&gt;Gregg August&lt;/STRONG&gt;&amp;nbsp;&lt;STRONG&gt;Dialogues on Race Vol 1&lt;/STRONG&gt;&lt;/EM&gt;: Self Produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Modern Jazz Smaller Groups:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Jerry Bergonzi: &lt;STRONG&gt;&lt;EM&gt;Nearly Blue&lt;/EM&gt;&lt;/STRONG&gt;: Savant Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Jeff Cosgrove w John Medeski and Jeff Lederer: &lt;STRONG&gt;&lt;EM&gt;Histroy Gets Ahead of the Story&lt;/EM&gt;&lt;/STRONG&gt;: Grizzley Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Wolfgang Musthspiel w Scott Colley and Brian Blade: &lt;STRONG&gt;&lt;EM&gt;Angular Blues&lt;/EM&gt;&lt;/STRONG&gt; ECM Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Gregoire Maret w Romain Collin and Bill Frisell: &lt;STRONG&gt;&lt;EM&gt;Americana:&lt;/EM&gt;&lt;/STRONG&gt; ACT Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Brian Landrus: &lt;STRONG&gt;&lt;EM&gt;For Now:&lt;/EM&gt;&lt;/STRONG&gt; Blueland Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Ricardo Grilli: &lt;STRONG style="font-style: italic;"&gt;1962&lt;/STRONG&gt; : Tone Rogue Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;John Scofield w Bill Stewart and Steve Swallow: &lt;STRONG&gt;&lt;EM&gt;Swallow Tales:&lt;/EM&gt;&lt;/STRONG&gt; ECM Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Aaron Parks Little Big III: &lt;STRONG&gt;&lt;EM&gt;Dreams of a Mechanical Man&lt;/EM&gt;&lt;/STRONG&gt;: Ropeadope Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Dayna Stephens w Ben Street and Eric Harland: &lt;STRONG&gt;&lt;EM&gt;Liberty:&lt;/EM&gt;&lt;/STRONG&gt; Contagious Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Eric Revis: &lt;STRONG&gt;&lt;EM&gt;Slipknots Through a Looking Glass&lt;/EM&gt;&lt;/STRONG&gt;; Pyroclastic Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Chamber Jazz and Jazz&amp;nbsp; Opera:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Ryan Keberle, Frank Woeste and Vincet Courtois: &lt;EM style="font-weight: bold;"&gt;Reverso The MElodic Line:&lt;/EM&gt; Outhere Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Pete Malinverni and Juliet Kurtzman: &lt;STRONG&gt;&lt;EM&gt;Candlelight: Love in the Time of Cholera&lt;/EM&gt;&lt;/STRONG&gt;: Self-Produced&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;John Ellis and Andy Bragen: &lt;STRONG&gt;&lt;EM&gt;The Ice Siren:&lt;/EM&gt;&lt;/STRONG&gt; Parade Light Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Best Debut Jazz Album :&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Raphael Pannier Quartet&lt;STRONG&gt;: &lt;EM&gt;Faune&lt;/EM&gt;:&lt;/STRONG&gt; French Paradox&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Best Vocal Jazz Album:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Somi w John Beasley and the Franfurt Radio Band: &lt;STRONG&gt;&lt;EM&gt;Holy Room Live at Alte Opre&lt;/EM&gt;&lt;/STRONG&gt;:&amp;nbsp;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Best Latin Jazz Album:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Chico Pinheiro: &lt;EM&gt;&lt;STRONG&gt;City of Dreams&lt;/STRONG&gt;&lt;/EM&gt;: Buriti Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;STRONG&gt;Best Historical Jazz Releases:&lt;/STRONG&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Thelonious Monk Quartet: &lt;STRONG&gt;Live at &lt;EM&gt;Pao Alto&lt;/EM&gt; :&lt;/STRONG&gt; Impulse Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Bill Evans w Eddie Gomez and Jack Dejohnette: &lt;STRONG&gt;&lt;EM&gt;Bill Evans Live at Ronnie Scott's&lt;/EM&gt;&lt;/STRONG&gt; : Resonance Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Nat King Cole: &lt;STRONG&gt;&lt;EM&gt;Nat King Cole Hittin' the Ramp&amp;nbsp; The Early Years 1936-1945&lt;/EM&gt;&lt;/STRONG&gt;: Resonance Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Additional worthy music from this year:&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Aaron Diehl w Pal Skivie and Gregory Hutchinson: &lt;STRONG&gt;&lt;EM&gt;The Vagabond:&lt;/EM&gt;&lt;/STRONG&gt; Mack Avenue Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Rudresh Mahanthappa: &lt;STRONG&gt;&lt;EM&gt;Hero Trio :&lt;/EM&gt;&lt;/STRONG&gt; Whirlwind Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Chick Corea w Christian McBride and Brian Blade: &lt;EM&gt;&lt;STRONG&gt;Trilogy 2&lt;/STRONG&gt;&lt;/EM&gt;: Concord records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Edgar Djangirov: &lt;STRONG&gt;&lt;EM&gt;Rhapsodize&lt;/EM&gt;&lt;/STRONG&gt;: Twelev Tone Resonance&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Steve Cardenas: &lt;STRONG&gt;&lt;EM&gt;Blue Has A Range&lt;/EM&gt;&lt;/STRONG&gt;: Sunnyside records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Amina Figarova Edition 113: &lt;STRONG&gt;&lt;EM&gt;Persistence&lt;/EM&gt;&lt;/STRONG&gt;: AmiFi Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Kenny Barron w Dave Holland and Joanthan Blake: &lt;STRONG&gt;&lt;EM&gt;Without Deception&lt;/EM&gt;&lt;/STRONG&gt;: Dare 2 Records&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Marvin Stamm and Mike Holober: &lt;STRONG&gt;&lt;EM&gt;Live @ Maureen's Jazz Cellar:&lt;/EM&gt;&lt;/STRONG&gt; Big Miles Music&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;Denny Zeitlin w Buster Williams and Matt Wilson: &lt;STRONG&gt;&lt;EM&gt;Denny Zeitlin Live at Mezzrow&lt;/EM&gt;&lt;/STRONG&gt;: Sunnyside Records&lt;/P&gt;

&lt;P&gt;Martin Wind, Philip Catherine and Ack Van Rooyen: &lt;EM&gt;&lt;STRONG&gt;White Noise&lt;/STRONG&gt;&lt;/EM&gt;: Liaka Records&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Rez Abbazi w Neil Alexander and Michael Sarin: &lt;STRONG&gt;&lt;EM&gt;Django Shift&lt;/EM&gt;&lt;/STRONG&gt;: Whirlwind Records&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Chris Dingman: &lt;STRONG&gt;&lt;EM&gt;Embrace:&lt;/EM&gt;&lt;/STRONG&gt; Inner Arts Inniative&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT&gt;Jason&amp;nbsp; Palmer:&lt;STRONG&gt;&lt;EM&gt;The Concert: 12 MUsings for Isabella:&lt;/EM&gt;&lt;/STRONG&gt; Giant Steps Arts&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;John DiMartino: &lt;STRONG&gt;&lt;EM&gt;Passion Flower: The Music of Billy Strayhorn&lt;/EM&gt;&lt;/STRONG&gt;: Sunnyside Records&lt;/P&gt;

&lt;P&gt;Than Alexa: &lt;STRONG&gt;&lt;EM&gt;Ona:&lt;/EM&gt;&lt;/STRONG&gt; Self-Produced&lt;/P&gt;

&lt;P&gt;Sirkis/Bialis IQ: &lt;STRONG&gt;&lt;EM&gt;Our New World&lt;/EM&gt;&lt;/STRONG&gt;: Moonjune Records&lt;/P&gt;

&lt;P&gt;Dave Douglas: &lt;STRONG&gt;&lt;EM&gt;Dizzy Atmsophere: Dizzy at Zero Gravity&lt;/EM&gt;&lt;/STRONG&gt;: Greenleaf Music&lt;/P&gt;

&lt;P&gt;Marcin Wasilewski Trio w Joe Lovano: &lt;STRONG&gt;&lt;EM&gt;Artic Riff&lt;/EM&gt;&lt;/STRONG&gt;: ECM&lt;/P&gt;

&lt;P&gt;Keb'Mo': &lt;STRONG&gt;&lt;EM&gt;Oklahoma&lt;/EM&gt;&lt;/STRONG&gt;: Concord records&lt;/P&gt;

&lt;P&gt;Craig&amp;nbsp; Taborn: &lt;STRONG&gt;&lt;EM&gt;Junk Magic- Compass Confusion&lt;/EM&gt;&lt;/STRONG&gt;: Pyroclastic records&lt;/P&gt;

&lt;P&gt;Jeff Hamilton Trio: &lt;EM&gt;&lt;STRONG&gt;Catch Me if You Can:&lt;/STRONG&gt;&lt;/EM&gt; Capri Records&lt;/P&gt;

&lt;P&gt;Guiseppe Paradiso Meridian 71: &lt;STRONG&gt;&lt;EM&gt;Metropolitan Sketches&lt;/EM&gt;&lt;/STRONG&gt;: Self Produced&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P style="background-color: transparent;"&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9408928</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9408928</guid>
      <dc:creator>Ralph A. Miriello</dc:creator>
    </item>
    <item>
      <pubDate>Fri, 04 Dec 2020 16:32:00 GMT</pubDate>
      <title>Bill Brownlee</title>
      <description>&lt;P&gt;&lt;STRONG&gt;Top Ten Jazz Albums of 2020&lt;/STRONG&gt;&lt;BR&gt;
1. Jyoti- Mama, You Can Bet! (SomeOthaShip Connect)&lt;BR&gt;
2. Jennifer Curtis and Tyshawn Sorey- Invisible Ritual (New Focus)&lt;BR&gt;
3. Ambrose Akinmusire- On the Tender Spot of Every Calloused Moment (Blue Note)&lt;BR&gt;
4. Bill Frisell- Valentine (Blue Note)&lt;BR&gt;
5. Kaja Draksler Octet- Out For Stars (Clean Feed)&lt;BR&gt;
6. Jeremy Pelt- The Art of Intimacy, Vol. 1 (HighNote)&lt;BR&gt;
7. Angelica Sanchez and Marilyn Crispell- How to Turn the Moon (Pyroclastic)&lt;BR&gt;
8. Sara Serpa- Recognition (Biophilia)&lt;BR&gt;
9. Rudresh Mahanthappa- Hero Trio (Whirlwind)&lt;BR&gt;
10. Brad Mehldau- Suite: April 2020 (Nonesuch)&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9404706</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9404706</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Fri, 04 Dec 2020 03:04:15 GMT</pubDate>
      <title>W. Royal Stokes</title>
      <description>&lt;P&gt;BEST RELEASES OF 2020&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Nota bene: All of my choices are in alphabetical order by artist and are to be equally rated within each category.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;BEST 10 NEW RELEASES&amp;nbsp;&lt;/P&gt;

&lt;P&gt;Susan Alcorn Quintet, Pedernal (Relative Pitch)&lt;/P&gt;

&lt;P&gt;David Boswell, The Story Behind the Story (My Quiet Moon)&lt;/P&gt;

&lt;P&gt;The Claire Daly Band, Rah! Rah! (Ride Symbol)&lt;/P&gt;

&lt;P&gt;Chris Hopkins, Chris Hopkins Meets the Jazz Kangaroos, Vol. 1 (Echoes of Swing)&lt;/P&gt;

&lt;P&gt;Jazz at Lincoln Center Orchestra With Wayne Shorter and Wynton Marsalis, The Music of Wayne Shorter (Blue Engine)&lt;/P&gt;

&lt;P&gt;Okuden Quartet (Mat Walerian/Matthew Shipp/William Parker/Hamid Drake), Every Dog Has His Day But It Doesn't Matter Because Fat Cat Is Getting Fatter (ESP-Disk)&lt;/P&gt;

&lt;P&gt;Benny Rubin Jr. Quartet, Know Say or See (Benny Jr. Music)&lt;/P&gt;

&lt;P&gt;Maria Schneider, Data Lords (Artists Share)&lt;/P&gt;

&lt;P&gt;Gregory Tardy, If Time Could Stand Still (WJ3)&lt;/P&gt;

&lt;P&gt;Charles Tolliver, Connect (Gearbox)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST 3 &amp;nbsp;REISSUES/HISTORICAL &amp;nbsp;&lt;/P&gt;

&lt;P&gt;Sonny Rollins, Rollins in Holland, 1967 (Resonance)&lt;/P&gt;

&lt;P&gt;Lennie Tristano, The Duo Sessions, 1967, 1968, 1970, 1976, &amp;nbsp;(Dot Time)&lt;/P&gt;

&lt;P&gt;Norma Winstone &amp;amp; John Taylor, In Concert, 1988 (Sunnyside)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST VOCAL&lt;/P&gt;

&lt;P&gt;Kurt Elling, Secrets Are the Best Stories (Edition)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST DEBUT&lt;/P&gt;

&lt;P&gt;New Orleans High Society, New Orleans High Society (2020) (1718 Records)&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;BEST LATIN&lt;/P&gt;

&lt;P&gt;Carla Campopiano, Chicago/Buenos Aires Connections Vol. II (CarlaCampopiano.com)&lt;/P&gt;

&lt;P&gt;Also see See my “A ROUNDUP OF 140 OR SO JAZZ, BLUES, BEYOND, AND OTHER BOOKS PUBLISHED IN THE PAST YEAR OR SO,” at wroyalstokes.com.&amp;nbsp;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;W.&amp;nbsp;Royal Stokes&lt;/P&gt;

&lt;P&gt;Amazon.com/W.-Royal-Stokes/e/B001HD17MY&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9403697</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9403697</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 03 Dec 2020 21:16:41 GMT</pubDate>
      <title>Michael J. West</title>
      <description>&lt;OL&gt;
  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Charles Tolliver &lt;EM&gt;Connect&lt;/EM&gt; (Gearbox)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Nubya Garcia &lt;EM&gt;Source&lt;/EM&gt; (Concord Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Jeff Parker &lt;EM&gt;Suite for Max Brown&lt;/EM&gt; (International Anthem)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Chicago Underground Quartet &lt;EM&gt;Good Days&lt;/EM&gt; (Astral Spirits)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Jim Snidero &lt;EM&gt;Project K&lt;/EM&gt; (Savant)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Tyshawn Sorey &lt;SPAN&gt;&lt;EM&gt;Unfiltered&lt;/EM&gt;&lt;/SPAN&gt; (self-released)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Charles McPherson &lt;EM&gt;Jazz Dance Suites&lt;/EM&gt; (Chazz Mack)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Ron Miles &lt;EM&gt;Rainbow Sign&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Lakecia Benjamin &lt;EM&gt;Pursuance: The Coltranes&lt;/EM&gt; (Ropeadope)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;" color="#000000"&gt;Kenny Barron &amp;amp; Dave Holland Trio &lt;EM&gt;Without Deception&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/OL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9403020</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9403020</guid>
      <dc:creator>Mike West</dc:creator>
    </item>
    <item>
      <pubDate>Thu, 03 Dec 2020 20:17:55 GMT</pubDate>
      <title>Ken Franckling</title>
      <description>&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The 10 best new jazz releases of 2020&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Tim Ray, &lt;EM&gt;Excursions and Adventures&lt;/EM&gt; (Whaling City Sound)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Maria Schneider Orchestra, &lt;EM&gt;Data Lords&lt;/EM&gt; (ArtistShare)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Artemis, &lt;EM&gt;Artemis&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Jeff Rupert and George Garzone, &lt;EM&gt;The Ripple&lt;/EM&gt; (Rupe Media)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Lynne Arriale, &lt;EM&gt;Chimes of Freedom&lt;/EM&gt; (Challenge)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;6.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Bernard Purdie, Christian Fabian, Ron Oswanski, &lt;EM&gt;Move On!&lt;/EM&gt; (Consolidated Artists)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;7.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;3D Jazz Trio, &lt;EM&gt;I Love to See You Smile&lt;/EM&gt; (DIVA Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;8.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Funk Shui NYC, &lt;EM&gt;Shark NATO on a Plane&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;9.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Wayne Alpern, &lt;EM&gt;Standard Deviation&lt;/EM&gt; (Henri Elkan Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;10.&lt;/SPAN&gt;&lt;SPAN&gt;&lt;FONT&gt;The Michael O’Neill Quartet, &lt;EM&gt;And Then It Rained&lt;/EM&gt; (Jazzmo)&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The best&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;historical/reissues of 2020&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt; &lt;SPAN&gt;&lt;FONT&gt;(includes any recordings made over 10 years ago, whether newly released or reissued):&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;DIV align="left"&gt;
  &lt;OL&gt;
    &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Sonny Rollins, &lt;EM&gt;Rollins in Holland&lt;/EM&gt; (Resonance)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

    &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Thelonious Monk: &lt;EM&gt;Palo Alto&lt;/EM&gt; (Impulse!/Sony)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

    &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Ella Fitzgerald, &lt;EM&gt;Ella: The Lost Berlin Tapes&lt;/EM&gt; (Verve)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

    &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Bill Evans, &lt;EM&gt;Live at Ronnie Scott’s&lt;/EM&gt; (Resonance&lt;FONT face="Times New Roman"&gt;)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

    &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;&lt;FONT face="Times New Roman"&gt;&lt;FONT face="Tahoma"&gt;Art Blakey &amp;amp; The Jazz Messengers, &lt;EM&gt;Just Coolin'&lt;/EM&gt; &lt;U&gt;(&lt;/U&gt;Blue Note&lt;U&gt;)&lt;/U&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;
  &lt;/OL&gt;
&lt;/DIV&gt;

&lt;P&gt;&amp;nbsp;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;2020’s best vocal recordings:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Sinne Eeg &amp;amp; The Danish Radio Big Band, &lt;EM&gt;We’ve Just Begun&lt;/EM&gt; (Stunt/BFM Jazz)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Kenny Washington, &lt;EM&gt;What’s The&lt;/EM&gt; &lt;EM&gt;Hurry&lt;/EM&gt; (A-Train Entertainment)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Clairdee, &lt;EM&gt;A Love Letter to Lena&lt;/EM&gt; (Declare Music)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Melody Gardot, &lt;EM&gt;Sunset in&lt;/EM&gt; Blue (Decca)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Susan Tobocman, &lt;EM&gt;Touch &amp;amp; Go&lt;/EM&gt; (Soliterra)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;BR&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;2020’s best Latin/Brazilian jazz recordings:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;SPAN&gt;1.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Emilio Solla Tango Jazz Orchestra,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;Puertos: Music From International Waters&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(Avantango)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;2.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Calle Loiza Jazz Project, &lt;EM&gt;There Will Never be Another You&lt;/EM&gt; (self-produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;3.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;John Daversa Quintet, &lt;EM&gt;Cuarantena: With Family at Home&lt;/EM&gt; (Tiger Turn)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;4.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Jose Rizo’s Mongorama, &lt;EM&gt;Mariposas Cantan&lt;/EM&gt; (Saungu)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;BR&gt;
&lt;SPAN&gt;5.&lt;SPAN&gt;&lt;FONT style="font-size: 9px;" face="Times New Roman"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt; &lt;SPAN&gt;&lt;FONT&gt;Vanderlei Pereira, &lt;EM&gt;Vision for Rhythm&lt;/EM&gt; (Jazzheads)&lt;/FONT&gt;&lt;/SPAN&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;&amp;nbsp;2020’s best debut recording:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;P&gt;&lt;SPAN&gt;&lt;FONT&gt;Douglas Olsen,&lt;/FONT&gt;&lt;/SPAN&gt; &lt;EM&gt;&lt;SPAN&gt;&lt;FONT&gt;2 Cents&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN&gt;&lt;FONT&gt;(self-produced)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;FONT&gt;The 10 best new compositions from CDs released in 2020, listed alphabetically:&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;

&lt;UL&gt;
  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Lynne Arriale, “3 Million Steps” from &lt;EM&gt;Chimes of Freedom&lt;/EM&gt; (Challenge)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Frank Colón, “Spanish Heart” from &lt;EM&gt;Latin Lounge&lt;/EM&gt; (Technoprimal)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN&gt;&lt;FONT&gt;Jenny Davis, “Wise Up” from &lt;EM&gt;Rearranged&lt;/EM&gt; (Three Penny)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Erik Jekabson, “Dusk” from Erik Jekabson Sextet III, &lt;EM&gt;One Note at a Time&lt;/EM&gt; (Wide Hive)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Austin McMahon, “Sol” from The Lost Melody, &lt;EM&gt;New Songs For Old Souls&lt;/EM&gt; (Tie)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Dave Morgan, Noel Cohen, “July Groove/September Funk” from Funk Shui NYC, &lt;EM&gt;Shark NATO on a Plane&lt;/EM&gt; (Zoho)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Josh Nelson, “Kintsugi” from Josh Nelson Trio, &lt;EM&gt;The Discovery Project Live in Japan&lt;/EM&gt; (Steel Bird)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Jose Rizo and Francisco Torres, “Descarga Ramon Banda” from Jose Rizo’s Mongarama, &lt;EM&gt;Mariposas Cantan&lt;/EM&gt; (Saungu)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Renee Rosnes, “Big Top” from &lt;EM&gt;Artemis&lt;/EM&gt; (Blue Note)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;

  &lt;LI&gt;&lt;SPAN style="font-weight: normal;"&gt;&lt;SPAN&gt;&lt;FONT style="font-size: 13px;"&gt;Maria Schneider, “A World Lost” from &lt;EM&gt;Data Lords&lt;/EM&gt; (ArtistShare)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/LI&gt;
&lt;/UL&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9402856</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9402856</guid>
      <dc:creator />
    </item>
    <item>
      <pubDate>Thu, 03 Dec 2020 15:07:41 GMT</pubDate>
      <title>John Chacona</title>
      <description>&lt;P&gt;In a year overflowing with mixed blessings, the opportunity to hear more recorded music must rank in my Top Ten--not that I always had the taste or mental energy for doing so. Still, this extraordinary year brought so much extraordinary music to my ears that this alphabetical list is 15 items long. The fact that all releases are by BIPoC and women artists is not an accident.&lt;/P&gt;

&lt;P&gt;Ambrose Akinmusire: On the tender spot of every calloused moment (Blue Note)&lt;/P&gt;

&lt;P&gt;Camilla Nebbia: Aura (ears &amp;amp; eyes Records)&lt;/P&gt;

&lt;P&gt;Code Girl: Artlessly Falling(Firehouse 12)&lt;/P&gt;

&lt;P&gt;Dayna Stephens Quartet: Right Now! Live at the Village Vanguard (Contagious Music)&lt;/P&gt;

&lt;P&gt;Eric Revis: Slipknots Through A Looking Glass (Pyroclastic Records)&lt;/P&gt;

&lt;P&gt;Ingrid Laubrock: Dreamt Twice, Twice Dreamt (Intakt Records)&lt;/P&gt;

&lt;P&gt;Ingrid Laubrock+Kris Davis: Blood Moon (Intakt Records)&lt;/P&gt;

&lt;P&gt;Irreversible Entanglements:&lt;SPAN&gt;&amp;nbsp;&lt;/SPAN&gt; Who Sent You? (International Anthem)&lt;/P&gt;

&lt;P&gt;Manuel Valera &amp;amp; New Cuban Express Big Band: José Martí En Nueva York (Greenleaf Music)&lt;/P&gt;

&lt;P&gt;Maria Schneider Orchestra: Data Lords (ArtistShare)&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;Matthew Shipp: The Piano Equation (Tao Forms)&lt;/P&gt;

&lt;P&gt;Shabaka And The Ancestors &lt;SPAN&gt;&lt;FONT&gt;:&lt;/FONT&gt;&lt;/SPAN&gt; We Are Sent Here By History (Impulse!)&lt;/P&gt;

&lt;P&gt;Steph Richards: Supersense (Northern Spy)&lt;/P&gt;

&lt;P&gt;Thumbscrew: The Anthony Braxton Project (Cunieform)&lt;/P&gt;

&lt;P&gt;Tyshawn Sorey: Unfiltered (self released)&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9401973</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9401973</guid>
      <dc:creator>John Chacona</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 01 Dec 2020 18:28:37 GMT</pubDate>
      <title>Howard Mandel</title>
      <description>&lt;P&gt;Yes, it's hard to select 10 best of the year. Downloads are not making it easier to organize -- I'm flooded! Great to have so much music at my fingertips, so that's not a complaint. And I may return to this list to add other notable releases, but I can recommend all of these albums -- and urge you to hear the title track of 92-year-old-though-you-wouldn't-know-it bluesman Jimmy Johnson's "Ever Day of Your Life."&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Monk'estra plays John Beasley&lt;/EM&gt; (Mack Avenue), John Beasley&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Ism&lt;/EM&gt; (International Anthem), Junius Paul*&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Old New,&lt;/EM&gt; (Cuneiform), Tomeka Reid Quartet*&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Omega&lt;/EM&gt; (Blue Note), Immanuel Wilkins&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;General Semantics&lt;/EM&gt; (Delmark), Geof Bradfield-Ben Goldberg-Dana Hall Trio&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;&lt;SPAN style="background-color: white;"&gt;&lt;FONT color="#222222"&gt;Night Visitors&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/EM&gt; &lt;SPAN style="background-color: white;"&gt;&lt;FONT color="#222222"&gt;(SE Records), by Dave Bryant with Charnette Moffett and Gregg Bendian&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Every Day of Your Life&lt;/EM&gt; (Delmark), Jimmy Johnson&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Rainbow Sign&lt;/EM&gt; (Blue Note), Ron Miles&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Like the Sun&lt;/EM&gt; (Dim Mak), Brian Charrett&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;&lt;FONT style="font-size: 16px;" face="Bookman Old Style"&gt;&lt;EM&gt;Cosmicomics&lt;/EM&gt; (Queen Bee Records), Lisa Mezzacappa&lt;/FONT&gt;&lt;/P&gt;

&lt;P&gt;* released in 2019&lt;/P&gt;

&lt;P&gt;Also -- &lt;EM&gt;Human Rights Trio&lt;/EM&gt;, Jason Kao Hwang&lt;/P&gt;

&lt;P&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;EM&gt;Swallow Tales&lt;/EM&gt; (ECM), John Scofield&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9397484</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9397484</guid>
      <dc:creator>Howard Mandel</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 25 Nov 2020 15:38:45 GMT</pubDate>
      <title>Sammy Stein</title>
      <description>&lt;P&gt;Top releases 2020 - in no order&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Sothiac feat Paul Jolly ' Superluna' ( Sotrhiac/33Jazz)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Ivo Perelman/Gordon Grdina ' The Purity of desire' ( Not Two records)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;The End Allt Ir Intet ( Rare Noise records)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Will Glaser and James Allsop ' New River Ramble' ( self release)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Archie The Goldfish 'Hidden Depths' ( Ropeadope)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Elliot Galvin and Binker Golding 'Ex Nihillo (Byrd Out)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Ensemble C Small World ( Self Release)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Dinosaur ' to THe Earth' ( Edition)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Erodoto Project ' Mythos- Metomorphosis ( Cultural Bridge)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Tony Kofi - Another Kind Of Soul ( Last Music Company)&lt;/P&gt;

&lt;P&gt;&amp;nbsp;Witch N Monk ' Witch 'N Monk' ( Tzadik )&lt;/P&gt;

&lt;P&gt;&amp;nbsp;David Grubbs/Mats Gustafsson ' The Underflow' (Corbet vs Dempsey)&lt;/P&gt;

&lt;P&gt;All of these are worth checking out. So difficult to choose just a few.&lt;/P&gt;

&lt;P&gt;Best Interviews I carried out in 2020&lt;/P&gt;

&lt;P&gt;Ivo Perelman&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;A href="https://www.freejazzblog.org/2020/03/ivo-perelman-is-prolific-in-his.html"&gt;Ivo Perelman is Prolific in His Creativity: An Interview with Ivo Perelman ~ The Free Jazz Collective (freejazzblog.org)&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;Mats Gustafsson&amp;nbsp;&amp;nbsp;&lt;A href="https://www.freejazzblog.org/2020/09/an-interview-with-mats-gustafsson.html"&gt;An Interview with Mats Gustafsson ~ The Free Jazz Collective (freejazzblog.org)&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;Daniel Bennett&amp;nbsp;&lt;A href="https://www.jazzviews.net/looking-for-the-blessings---daniel-bennett-offers-hope-during-coronavirus.html"&gt;LOOKING FOR THE BLESSINGS! - Daniel Bennett offers hope during Coronavirus (jazzviews.net)&lt;/A&gt;&amp;nbsp;&lt;/P&gt;

&lt;P&gt;These interviews were very revealing&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;

&lt;P&gt;&lt;BR&gt;&lt;/P&gt;</description>
      <link>https://jja.wildapricot.org/2021MembersBestJazz/9386523</link>
      <guid>https://jja.wildapricot.org/2021MembersBestJazz/9386523</guid>
      <dc:creator />
    </item>
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